It’s refreshing to discover new artists in this day and age. The Internet has essentially blurred the lines between what constitutes as underground these days, and depending on who you’re talking to, one can make the case that the world wide web has replaced the underground scene in hip-hop completely with social platforms like TikTok being critical to new music discovery.
Enter Laila!, the teenage Brooklyn phenom with rap royalty coursing through her veins. The daughter of Yasiin Bey (formally knowns as Mos Def), her songs “Like That” and “Not My Problem” went viral before the masses really knew what she looked like. It wasn’t until she performed the songs on YouTube shows On the Radar and From the Block, that we really got a chance to put a face to the music we kept hearing on social media. She sings, raps, writes, and produces everything herself and her stage presences isn’t half bad either.
Last month, Laila! performed her first headlining show at Baby’s All Right in Brooklyn, a place that’s earning the reputation as the first venue to catch your favorite up-and-coming artist. The place was packed to the brim and featured a diverse crowd of all races, ages, and creeds coupled with an infectious energy in the air as we all waited for her to hit the stage. She ran through the hits, but also performed some cuts from her earlier work featured on her In Ctrl! EP that fans in the crowd seemed to know the words to. There was also a part of the show where she reminded me of her father.
In the middle of her set, Laila! brought out the keyboard and started jamming out and singing. Yasiin did something similar in back in 2010 during his Martin Luther King Day Weekend performance at the Highline Ballroom. During the middle of his performance, Bey hopped on the drums and started jamming out, too. I don’t know, it just felt like a surreal, full circle moment. “That’s sweet,” she said when I brought it up during our talk. “I get anxious, but I like being on stage. I like showing people that I’m versatile.” And versatile she is, all you have to do is check out her debut album Gap Year! if you haven’t already.
We talked about a wide range of topics including her freestyling with her father and Jay Electronica in Puerto Rico when she was just a kid. Hopefully, that footage will be released from the vaults one of these days. Maybe for the documentary.
Check out our chat with Laila!, October’s Rookie of the Month, below.
I went to your show at Baby’s All Right in Brooklyn, so I want to lead off with that. Tell me about that experience, because you seemed nervous at first, but you did pretty good for it being your first headlining show.
Yeah, I was definitely really nervous. I always get really nervous before I got on stage. I don’t know what it is, I just get super anxious. But then when I saw everyone’s energy and how excited they were to be there, it was just really beautiful. It was special for me, so I kind of was able to calm down and give them a good show.
I was impressed because people knew the words to songs that were relatively new.
That was the most insane part to me. Just to hear them, not even just singing the most popular songs, but the other ones too. It was just insane. It was very big for me. It was also my first time ever in front of my own audience, people that really came specifically to see me. It was really special. I was able to take pictures with some of them and sign stuff. And it was just really sweet. It was the sweetest thing ever.
I’m assuming you had a lot of family and friends there too because it was a packed house, and you could tell some people were family.
I had some people from my high school, my tías [my aunts] were there. Like, just everybody. But then there were kids with their parents and it was the cutest thing ever. It felt very supportive.
You mentioned your “tías” and you had a voicemail of your grandmother Mami Nelly on your album telling you how proud she is of you. Are you Dominican or Puerto Rican? The Caribbean delegation is looking to claim you.
Yeah, she has a thick accent. I’m Dominican and African-American. My mom is Dominican and my dad is from here. My accent comes out sometimes [Laughs.]
Your sister Sani DJ’d your show and she killed it. Is that the same sister that was freestyling about you not wanting to go to school on your album?
Yeah, it was so funny because me and my sister put the whole show together. We rehearsed for like two weeks and put everything together, and we literally did not even think about doing the freestyle song live. We didn’t even think about that. Looking back, we should’ve done it, but we were so focused on making sure everything was right. Definitely a learning experience, but it was also very fun doing the show with her.
I liked her set. She was playing U.K. garage and jungle, some Jersey Club, and mainly dance music. I know you mentioned Brent Faiyaz, Frank Ocean, Solange and SZA — these are people that you listen to a lot — but what are some other genres or artists that you also listen to and draw inspiration from?
I really like jungle music, too. My sister Sani introduced me more to like jungle music because she’s a DJ. She has such a broad taste in music. I feel like she’s kind of helped me in that aspect where she’ll play really good club tracks from forever ago, or a lot of old mixes. The thing that’s really cool about it is you can find a mix and sometimes it’s just specific to that period of time or that specific DJ, so you can’t find that same version of the song anywhere else, which is kind of cool about garage music or jungle music.
You could hear a song that you like and then hear a part of it that you’ve never heard before, and it’s only specific to that remix. I listen to jungle, I listen to a lot of Budgie. He does sample flips. He’s mad cool, and I found him on SoundCloud, but he does like stuff like that. I also listen to a lot of older ICYTWAT beats when I’m trying to get into a hype mood.
His song “Shirt” is one of the greatest songs ever. I still play some ICYTWAT’s Soundcloud remixes and mixes.
I listening to his older stuff, those are my favorite albums from him, like Fubu vs. Twat any ICYTWAT Radio.
He’ll have some ill flips too, like he’ll remake songs and s–t like that.
I love listening to all kinds of flips. Also, I just be playing my SoundCloud, it just be playing shit. Like once you play a song, it’ll keep recommending really good stuff.
Do you have any flips or remixes that you have in the stash?
I certainly do, and I used to post them on TikTok. So like, some of the real OG people that follow me, they’d be like, “Where’s this flip? Where’s the Aaliyah flip? You need to post this.” And I’m like, “Yo, the fact that they remember that is so insane because they’ve been around for a minute.” I have so many that I want to put out.
You were working the crowd and it was crazy when you started playing the keyboard. Is the piano the only instrument that you know how to play?
I would say officially, yes. When I was younger, I used to be in band like in elementary school and stuff like that. And the first instrument that I learned was the trumpet. My mom was a teacher, so they had a steel pan band. So I would like, go there and play steel pan sometimes. But then, yeah, I think piano was like the first instrument that I learned that really stuck with me. I feel like it’s the basis for everything that I produce, or everything that I make. But I’m not classically trained, and I really want to learn, so hopefully that’s something I build on in my future.
When you were on the keys and Juan was on the guitar, that was my favorite part of the whole show.
I think that was probably one of my favorite parts as well, because it was just so special. And when I was putting together the show, and thinking about what I wanted, I was like, I have to have Juan come and do “Talent Show.” We made this song together, and it’s so special to me. And to hear people singing along was even more insane for me.
The show felt like a New York show before the pandemic. There used to be shows with that energy all the time in the city. It was interesting to experience. You and Cash Cobain have NYC on lock right now. The city is behind you guys.
Yeah, I love that. That’s so sweet. That’s all I ever wanted to do. Whenever I talked to my team about doing a show, ,all I wanted was it for just to feel like good vibes, comfortable, just very familial so everyone could enjoy themselves in a good environment. That’s all I’ve ever wanted. So I’m glad that it felt that way.
So, you taught yourself how to play the piano and the keyboard. What do you use when you make beats? Any programs or drum pads?
More often than not, I’m actually just using the keys on the keyboard because it’s easy and it’s simple for me, but then a lot of times I also just use my MIDI keyboard that I could just put into my computer, and then I’ll just play like that. And yeah, it has beat pads on it too, which is cool, because you can do fun little stuff there. If I wanna play the drums, and maybe don’t wanna use the keyboard, I can use that.
Do use a program like Fruity Loops or something?
I use GarageBand, it’s very helpful. There’s so much good stuff on there that I feel people tend to overlook.
You know when you’re young and growing up, you don’t always know what your parents do for a living. Were you always musically inclined, like even before you knew what your father did for a living?
Yeah, it was just always a part of me. My mom has videos of me just singing and doing all this stuff, and I was like, a little, little kid. I wasn’t at the age where I knew what my dad did. The moment I could form words, I think I was singing and dancing and doing all that stuff. I don’t know a life without music, or making music.
When did it really click for you, though, where you wanted to take music seriously? Angela Yee mentioned in an interview with that you were in Puerto Rico freestyling with your father and Jay Electronica, when you were really young — which, I wish there was audio or a video of this. I wanna hear this freestyle.
I feel like my mom probably has a video [laughs]. I think it wasn’t until my sophomore year of high school. I always wanted to make music and have that be my career. That was always my plan. I was like, ‘I’m gonna get out of school and then I’m gonna start making music and, you know, whatever.’ But I was always so shy and so nervous about it, and I just didn’t really know what I was doing. So, at certain point I had to stop being so afraid and follow my passion do what it is that I feel like I love to do the most. I put out my first song, and that’s kind of where it all began.
So this was when you’re 16, right? When you made “Like That.” Do you feel like you’ve gotten better since then already?
I think I’ve definitely gotten a lot better. I don’t know how to explain it, but once you make something, you’ve sat with the feelings, you felt the way that you felt, you’ve written the lyrics, and then once you release it and it’s out there, it’s kind of like, OK, I don’t necessarily have those same feelings or I’m not the same person. It’s almost like a release. You know what I mean? I don’t know. So I feel like, when I look back at “Like That,” it was a period of time in my life, but now I’m moving on, and I’m growing up, and with everything that I make, it feels like I’m growing up a little bit more.
So yeah, I think that the stuff that I’m making now versus “Like That,” I think it it shows my growth in that sense, even just as a person, maybe not so much like sonically, maybe it doesn’t sound a million times different, but as a person, I feel different.
I definitely get what you’re saying. You blew up so fast and I’m curious about how old some of the songs are on Gap Year!
Yeah, that’s actually such a good question, because Gap Year! is basically just a compilation of the stuff that I made from the time I was, like, 16 until now. So a lot of the songs on there are actually older. “If You’re Listening,” I recorded that when I was 16. “We’re So Over,” too. But then I made “Want To” around four months before we dropped the album. I made the beat for “Are You Down?” maybe when I just turned 16. That was one of the first beats that I made where I was like, “Yo, I’m kind of good. Maybe I’m nice at this like, maybe I could really make beats.” I made the “Like That” beat when I was 15, and didn’t record on it until about a year later. It was a blend of the journey that I’ve taken with music and learning how to make beats.
You mentioned feeling anxious when you go on stage. Do you feel any pressure right now?
Yeah, sometimes. I feel like I always feel pressure, though. I’ve always felt pressure even before I had put out a song, even before people followed me, or anything like that. I always felt pressure because… I don’t know, sometimes pressure can be bad, but sometimes it also can feel like I wanna get this done, I wanna execute an idea I have, or whatever. And when I say pressure, it’s not like pressure from my family or pressure from external people, because I always have so much love and support around me, which I’m so grateful and thankful for. Everybody’s always just trying to make sure I’m good or whatever, just whatever I need. They’re always there for me. I’m just really grateful about that. But I think the pressure kind of comes from within. I want to make sure I’m doing everything to the fullest capability. I’m just always trying to be better than I was before.
This is a complicated question, but how would you describe your sound?
I think I really would describe my sound as fresh and fly and cool, but also nostalgic, I pull from so many things that I love. I have such a love for R&B and writing. I always think so melodically. And a lot of that comes from my biggest inspirations, and I kind of take the bits and pieces that I can.
I feel like an important thing about music and even human life, is that we learn through imitating. We see something we like, and we try to become that. For me as a producer, it’s been really interesting being able to take like, ‘Okay, I like this progression, or I like the way that this bassline sounds, or I like the way that the snare hits here on this song. And you take those little bits and pieces and almost transform that into something that’s completely different by studying things that I really like, whether it’s The Neptunes or an Aaliyah song or whatever, or a Darkchild beat. I’ll sit there and I’ll listen to things that really make that specific song click for me. Nostalgic, but fresh is how I would describe my music.
Yeah, it’s like an amalgamation of all these things. It’s like retro and futuristic at the same time.
Thank you. That’s what I’m going for.
Your On the Radar performance made me look into you more — and and then obviously when people figured out who your father was, everyone’s minds were blown.
Yeah, it was very funny how it kind of just built up and people started. None of this has been planned. The only thing that was planned was to do something cool like On the Radar. The whole objective was to get my face out there. I wanted people to get a sense of who I am or what I do.
As it was going viral, were you like, “Yo, I have to put my name on this somehow?”
I just wanted people to be able to connect the song with who I am, like, as an artist, because I feel like, I don’t know, nowadays, it’s so easy for the artists to get lost in the shuffle when something gets really popular. So, I just kind of wanted to do something. And I did the From the Block, which was really cool. That was just an awesome experience. Doing that like at the playground was mad fun. But yeah, I wanted to do stuff that people could be like, “OK, this is her, this is her face. This is what she’s doing.” It was such a cool moment for me, aand I did not anticipate how crazy it was gonna go at all. And then even the whole thing with my dad, I couldn’t have anticipated that would happen. That was the Internet.
So, you wanted to be a rapper first, right?
Yes. When I was a little kid, I used to always love singing songs and always write songs. But I really used to freestyle. I had a whole thing, I had a little swag. I was probably, like, nine or or 10, but I used to write all these raps, and I used to go to school, and I used to show all my friends. It was my thing.
And I remember I had this one teacher, and I was like, “I guess we were talking about our future?” This was in middle school, so I must have been like, 11 or 12, and they were like, “What do you want your career to be?” And I was like, “I’m going to be a rapper.” And the teacher was like, “Sure.” That always stuck with me — because what do you mean, “Sure?” Like, you really don’t think that I could do this? From that day on, I was like, “You know what? This is exactly why I’m going to do whatever the f–k I want to do.” And I was like, 11, but I was like, “No” — because what do you mean, “Sure?” Like, I know, I know I could do this.
Did you have a rap name?
I never had a rap name. I was just writing raps. Like, I wasn’t rap name. Even now, sometimes I’m like, damn, should I have come up with an artist name or something cool, but I just couldn’t think of one. I literally just couldn’t think of one. That’s why I put the exclamation point, because there was too many other Lailas and I just couldn’t think of anything else.
Now that the the album is out, are you going to produce for other artists? I know one of your dreams is to produce for artists that you like. Send some beat packs out.
Absolutely. That’s what I’m working towards now. I really want to be able to work with other artists that I admire, but I really love working with artists in person, like I like to show, like, I don’t know. I like to see how people feel about what they’re listening to. I prefer to show people what I’ve been working on when I’m with them. Let’s actually connect. And feel the music together.
