Taylor Swift’s wedding look included a few major designer names — and one familiar link to her record-breaking The Eras Tour wardrobe.

The pop superstar wore Christian Dior Haute Couture to marry Travis Kelce at Madison Square Garden in New York City on Friday (July 3), according to a statement Swift’s rep shared with Billboard. The ceremony looks for both Swift and Kelce were designed by Jonathan Anderson, creative director of Dior Women’s, Men’s and Haute Couture Collections, in close collaboration with the bride and groom.

The dress marks Anderson’s first couture wedding dress for a world-renowned celebrity, according to the statement. Swift completed her bridal look with Cartier jewelry, while both she and Kelce wore custom Christian Louboutin shoes.

The Louboutin detail is a notable one for Swift fans. On its official website, Christian Louboutin notes that Swift wore custom bejeweled styles from the designer throughout the European leg of The Eras Tour, with the Maison creating custom and existing silhouettes in different shapes, heel heights and colorways.

Those designs included crystal-covered Eleonora Botta boots for the “Lover” portion of the show, Cate boots for “Fearless,” a custom lace-up ankle boot for Folklore and Evermore, and the CL Moc Lug loafer for “Red,” according to the designer.

The official wedding-style details follow Swift and Kelce’s Friday night ceremony at Madison Square Garden, where they married in front of family and friends. The couple did not have traditional bridesmaids or groomsmen; instead, Swift’s brother Austin served as her man of honor, while Jason Kelce was Travis’ best man. Actor-comedian Adam Sandler, whose movie Happy Gilmore 2 featured a cameo from Kelce, officiated the ceremony.

Swift and Kelce announced their engagement in August 2025 after two years of dating, sharing photos from the Kansas City Chiefs tight end’s flower-garden proposal on Instagram. “Your English teacher and your gym teacher are getting married,” they captioned the post at the time.

Official photos of Swift’s bridal look had not yet been released as of Friday evening.

Scooter Braun and Sydney Sweeney’s relationship has become one of Hollywood’s most talked-about romances since they made it public.

The music executive and the actress have been spotted together around New York City and Los Angeles. During the past year, they have also appeared side by side at a series of high-profile events, including the Euphoria season 3 premiere in Los Angeles, the Stagecoach Festival, and more recently, multiple New York Knicks playoff games and NBA Finals match-ups.

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Sweeney and Braun first sparked romance rumors shortly after the actress ended her engagement to longtime partner Jonathan Davino in 2025. She and Braun were later seen hanging out in Italy shortly after her split with Davino, and they were also spotted at Jeff Bezos and Lauren Sánchez’s wedding festivities in Venice, prompting early rumors of a romance.

Even though they both kept the relationship relatively under the radar for several months, more than half a year later, the couple made things Instagram official. They hard-launched their romance with a post made by Sweeney on her Instagram Stories of the couple at the Euphoria premiere, which Braun reposted. During Stagecoach, Sweeney posted a carousel of photos that included moments with Braun.
While the couple has kept most details of their relationship private, their growing list of public appearances suggests things have become increasingly serious.

Braun divorced Yael Cohen in 2022 after eight years of marriage and three children. Sweeney was with Davino for seven years before ending their relationship and engagement in March 2025.
Here is a timeline of Sweeney and Braun’s relationship:

The United States Men’s National Soccer Team is on a roll during this 2026 FIFA World Cup tournament, and Weston McKennie made sure to celebrate their latest victory while jamming out to country music’s biggest song.

Following the team’s 2-0 win over Bosnia and Herzegovina on Wednesday night, the midfielder shared a celebratory video on social media from the team bus. In the clip, he played and passionately sang along to Ella Langley’s smash hit “Choosin’ Texas.”

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In the clip, McKennie sings along to the chorus while smiling at the camera before panning over to his teammates, including Tyler Adams, Christian Pulisic and Antonee Robinson, who sing along during the post-match celebration. He then turns the camera toward the other side of the bus, where the rest of the squad joins in on the festivities.

The video also included a message for the country star that read, “Nothing better than @ellalangleymusic after a win.”

Langley’s “Choosin’ Texas” continues its historic run at the top of the Billboard Hot 100, where it logs an 11th nonconsecutive week at No. 1. The song is now the longest-leading Hot 100 No. 1 by a woman with a country hit, among songs that have also reached Billboard’s Hot Country Songs chart.

The U.S. men’s team will next face Belgium on Monday in a highly anticipated rematch of the 2014 FIFA World Cup Round of 16, when the Americans fell 2-1 in extra time. The U.S. will be without leading striker Folarin Balogun, who was suspended after receiving a red card during Wednesday’s victory over Bosnia and Herzegovina.

There is a longstanding question in K-pop about what actually holds a girl group together: a single breakout star, a concept strong enough to carry eight people, or something harder to manufacture. Hearts2Hearts, the SM Entertainment octet now 16 months into its career, is proof of the third option.

The group’s structure is built around what it refuses to do. Instead of one designated center, Hearts2Hearts spreads the weight, arranging vocal lines, choreography and camera time so that individual moments serve the whole. It’s a familiar pitch in K-pop marketing and a rare thing to actually pull off. What sets this group apart is that the balance holds up under scrutiny, onstage, in live vocal takes, in the self-produced content where group dynamics usually crack first.

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Even the group’s most viral moment worked this way. Stella’s spoken English narration in “RUDE!” became the song’s signature and fueled a fan challenge, yet it never read as one member breaking away from the pack. It read as Hearts2Hearts. That house-leaning single, released this past February, climbed to a No. 57 peak on the Billboard Global 200, while rising to No. 5 on the Billboard Korea Hot 100. The demand followed offstage: in March, the group sold out showcases in both New York and Los Angeles. For an act barely a year past its debut, which reached No. 102 on the Billboard Global Excl. U.S. chart with “The Chase,” that is a group finding its ceiling and pushing past it.

“Lemon Tang,” the title track of the second mini album released June 22, carries that momentum into a bright, summer-coded dance-pop turn. Where “RUDE!” came from a team of Western topliners, the follow-up is a KENZIE record, penned by the SM in-house veteran whose credits run from Girls’ Generation’s “Into the New World” through two decades of the label’s girl-group canon. The chorus leans into a breezy, bossa-inflected sway, and the vocal arrangement follows the group’s usual logic: lines sung in pairs that build into all eight voices in unison. The lyric’s central image, a lemon that is sour alone and turns sweet in combination, is also a fair summary of how this group operates, name included.

That’s the thing about Hearts2Hearts. The appeal is cumulative rather than explosive: friendly without being lightweight, bright without being simple, and consistent in a genre that usually chases spectacle. In this interview with Billboard Korea, the eight members talk through the moment they first saw their name on the Billboard charts, the energy of their first sold-out U.S. stages, the roots each member brings to the team, and what they hope people understand about Hearts2Hearts by the end of this summer, in their own words.

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From “The Chase” to “RUDE!,” sixteen months have already passed. How do you feel about where Hearts2Hearts stands now?

JIWOO: I think we’re still in the middle of growing and learning, but when I look at where we are now, I’m most proud that Hearts2Hearts is starting to have a distinctive color of its own. We’ve gained a lot of experience since debut, and I think we’re becoming more confident both as individuals and as a team. It makes me excited for how much more we can grow from here.

YE-ON: Like JIWOO unni said, I think we’re still growing as artists. But if I had to pick the biggest change, it would be how much more comfortable I’ve become on stage. At debut, I was focused on finding the cameras, but now I feel more confident connecting with our fans and enjoying the moment!

Hearts2Hearts arrived as SM’s first new girl group since aespa. Did that description ever feel heavy to you, or did it become a quiet source of strength?

YE-ON: Rather than feeling pressured, I think it motivated us to work even harder together so we could live up to people’s expectations. It felt more like positive encouragement that pushed us to keep practicing and improving!

When you first heard “Lemon Tang,” what made it feel like the right next chapter after “RUDE!”?

YUHA: The track carries the same confident energy as “RUDE!” while bringing a brighter and more refreshing feeling that fits the summer season. While “RUDE!” was about breaking away from expectations and doing things our own way, “Lemon Tang” shows a brighter side of us and celebrates how beautiful it feels when we’re together. That’s why it felt like the perfect next chapter.

“Baby Steps” carries the excitement of a new beginning, while “Secret Recipe” tells a story of building something together. Which track feels closest to the team’s heart right now?

JUUN: I think “Baby Steps” feels closest to where we are right now. As we begin this new chapter with “Lemon Tang,” I think the excitement and nervousness of trying something new really reflect how we feel as a team. That’s why I find myself relating to “Baby Steps” the most.

“RUDE!” reached No. 10 on Billboard’s World Digital Song Sales chart and entered the Billboard Global 200 as well. When you first saw Hearts2Hearts on an overseas chart, what went through your mind?

CARMEN: I’m so, so thankful to S2U and to everyone who has been listening to “RUDE!” I’m incredibly happy, and honestly, it still feels a little like a dream. Seeing our song on the Billboard chart was… just wow. It was such a huge moment for us! I’m truly grateful for all the love and support. Thank you so much!

STELLA: When I first saw “RUDE!” on the Billboard charts, I was really shocked and so grateful for all the fans who supported us. It really made me realize that there are so many global fans who love our music, and it inspired me to work harder for our next comeback.

Stella, your English narration became one of the signatures of “RUDE!” and even carried into the challenge. Did you expect that part to resonate with listeners in that way?

STELLA: When I first recorded the narration part in our song, I had hoped that our listeners would resonate with it. However, I didn’t expect the amount of love and attention that it would get at all. Watching our fans and listeners do the narration challenge was so much fun, and I feel incredibly grateful for all the support.

In March, you sold out showcases in both New York and Los Angeles. What felt different about the energy of the U.S. fans compared to the audiences you had met in Korea?

A-NA: All of our fans are incredibly passionate, but what stood out to me in the U.S. was how loudly everyone sang along and even danced with us. Seeing the crowd enjoy the music so freely and express themselves in that way was really new and memorable for me.

IAN: The showcase was a moment where I really got to feel the incredible energy of our fans in the U.S. Even the smallest things we did got such a big reaction. Hearing everyone sing along and seeing them jump and have fun with us really made me feel their passion.

Jiwoo, as the leader, what did the “RUDE!” season teach you about the members that you may not have fully realized before?

JIWOO: During our “RUDE!” promotions, I realized once again how strong and dependable our members are. I was really impressed by how everyone took responsibility for their own role and always gave their best. Even during difficult moments, the members were always looking out for each other first, and I was so grateful for that. It made me trust the team even more, and I felt just how reliable everyone is.

Carmen, as SM’s first Indonesian member, what kind of color do you feel your roots bring to Hearts2Hearts when the group connects with fans around the world?

CARMEN: As SM’s first Indonesian member, I’m really grateful to be able to share a part of my culture and experiences with Hearts2Hearts. Growing up with a different background has given me a broader perspective, and I think that helps our group connect naturally with fans from all around the world. I also feel happy that I can introduce Indonesia and represent many fans who dream of standing on a global stage. More than anything, I hope the warmth, sincerity, and positive energy I’ve grown up with can become one of the unique colors that make Hearts2Hearts even more special.

The name Hearts2Hearts carries the idea of connecting one heart to another. Since your debut, what has been the clearest moment when you truly felt that connection with your fans?

A-NA: One of the moments when I feel most connected to our fans is when I see them smiling and enjoying themselves while watching us perform on stage. Seeing that happiness on their faces makes me feel like our hearts are really connected.

The rookie season often passes faster than people expect. Is there something you feel Hearts2Hearts can only do now, precisely because you are still at the beginning?

IAN: I think it’s continuing to show how we’re growing. All of the members constantly give each other feedback and always want to improve, so I think people can really see that growth through our performances and activities.

By the end of the “Lemon Tang” promotions, what do you hope people will understand a little more clearly about Hearts2Hearts?

YUHA: Just like the feeling you get when you think of “Lemon Tang,” I hope thinking about Hearts2Hearts can make people smile and feel a little happier.

JUUN: Just like the lyrics of “Lemon Tang,” I hope people can feel that fresh, uplifting energy with us. I also hope our song becomes the soundtrack to everyone’s summer and helps make this season feel a little brighter and more fun.

Disgraced British glam rock star Gary Glitter has been charged with additional counts of child sexual abuse in the U.K.

The 82-year-old “Rock and Roll” singer (real name Paul Gadd) has repeatedly been convicted of pedophilia and is currently serving a 16-year prison sentence in England for sexually abusing three young girls in the 1970s. On Thursday (July 2), London’s Metropolitan Police and the Crown Prosecution Service accused him of abusing a fourth girl under the age of 13 during that same period at a home in Kensington.

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“This follows allegations made by a woman relating to a period of alleged abuse that took place between 1978 and 1981,” said lead prosecutor Bethan David in a public announcement. “Our prosecutors have worked to establish that there is sufficient evidence to bring this case to court and that it is in the public interest to do so.”

Glitter is charged in this new case with one count of unlawful sexual intercourse with a child and three counts of indecent assault. Police say the victim reported the alleged crimes in January 2025 and that Glitter was interviewed as part of their lengthy investigation before charges were filed.

The former pop star is set to appear in Westminster Magistrates’ Court to address the charges on Aug. 5. He could not immediately be reached for comment on Thursday.

Glitter has been a convicted sex offender since 1999, when he pled guilty in the U.K. to possessing child sexual abuse material. In 2006, he was sentenced to three years in a Vietnamese prison for sexually abusing two girls aged 10 and 11 in the country.

The singer was then arrested again in London in 2012 as part of “Operation Yewtree,” a massive U.K. probe into historical child sex abuse that stemmed from allegations against late BBC television host Jimmy Savile. Glitter was convicted in 2015 of abusing three young girls and sentenced to 16 years in prison.

He was initially granted probation after serving half the sentence in 2023, but returned to jail within a month after breaching the terms of his release. He remains incarcerated at Channings Wood Prison in Devon, England.


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50 Cent has responded to New York City Mayor Zohran Mamdani recently telling Complex that he would invite the rapper to a dream dinner party at Gracie Mansion and the supposed beef between the two has been “one-sided.”

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“I would throw in 50 Cent, so that we could have a conversation around tax policy,” he told the outlet after naming former New York City mayor Fiorello La Guardia as one of his guests. “My tax policies are not his favorites, but Get Rich or Die Tryin’ is still one of my favorites of all time.”

He added: “It’s a one-sided beef, yeah. I think we’re always gonna have a disagreement on that tax policy. I wanna increase tax on the wealthiest; he does not want that to happen. But I will still appreciate the song ‘Many Men,’ for whatever our disagreements are.”

The Queens entertainment mogul then took to Instagram and told the mayor to focus on Taylor Swift and Travis Kelce upcoming wedding at Madison Square Garden instead of on him. “Man focus on the wedding of the century, Taylor and Travis down at the Garden,” 50 wrote in a post earlier Thursday (June 2). “We don’t have beef, I just think some of these ideas are radical. Stay away from the taxes. OK!”

50 has voiced his displeasure with Mamdani’s “tax the rich” rhetoric and policy agenda since his mayoral run began to catch steam. He offered the then-Democratic mayoral nominee $258,750 and a first-class ticket to leave the city in a since-deleted post. He also posted a tombstone that read, “RIP NYC: FOUNDED 1624 – DIED 2025,” after Mamdani won the election back in November.

The latest trial in a long-running legal battle pitting T.I. and Tameka “Tiny” Harris against toy company MGA ended in a loss for the power couple — but they’re still walking away with millions of dollars.  

Lawyers for T.I. and Tiny confirmed on Wednesday (July 1) that a federal jury rejected their request to tack additional damages onto the $18 million they previously won from MGA — the toy behemoth behind successful brands like Bratz and Little Tikes — for copying their teen pop group OMG Girlz with a line of “O.M.G.” dolls. At this trial, T.I. and Tiny argued that MGA should pay extra because the infringement was intentional and malicious. But the jury was unconvinced, rejecting the couple’s request to add so-called punitive damages.

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In a statement to Billboard, the Harrises’ attorneys said they “appreciate the jury’s time and consideration but are disappointed in the verdict.”

“It’s clear from the evidence that MGA’s policies are inadequate to prevent this type of IP infringement and their document retention and collection procedures are equally as suspect,” said the musicians’ lawyers. “We will continue to fight for our clients’ rights and the rights of all creatives.”

Reps for MGA did not immediately return requests for comment on the verdict.

This was the fourth trial in six years of litigation over the O.M.G. dolls. T.I and Tiny began alleging in 2020 that MGA’s dolls ripped off the name, outfits and neon-colored hair of the OMG Girlz, a trio founded by the Harrises in 2009 and featuring their daughter Zonnique Pullins alongside Bahja Rodriguez and Breaunna Womack. MGA has consistently denied any infringement.

An initial trial in the case ended in a mistrial in 2023 due to improper testimony about racism, and a jury cleared MGA of all wrongdoing at a second trial the same year. But that verdict was wiped on appeal amid evolving Supreme Court precedent, teeing up a third trial in 2024. That time, a jury found that MGA intentionally copied the OMG Girlz and awarded $18 million in profits, plus $53 million in punitive damages for a total of $71 million.

Last summer, however, a judge wiped out the punitive damages after determining that the Harrises had not put forth “clear and convincing evidence of willful infringement or conscious disregard for the rights of others.” This led to a fourth mini-trial this month solely on the question of punitive damages, in which jurors sided with MGA on Wednesday and capped the verdict at $18 million.


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New evidence has emerged in Pooh Shiesty’s robbery case alleging that the Memphis rapper forced Gucci Mane to sign his release from 1017 Records at gunpoint while on federal home confinement.

After Shiesty’s (born Lontrell Williams Jr.) bail was denied in Texas federal court in May, the “Back in Blood” rapper’s attorneys filed a motion to review his detention orders. On June 24, prosecutors responded with a filing, viewed by Billboard, that alleges they have strong proof of Shiesty’s guilt — including video footage of the alleged armed robbery and kidnapping, along with a copy of the “release of contract” Mane was allegedly forced to sign to free Shiesty from his label deal.

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The prosecution claims that the footage shows Mane in the studio being forced to declare that Shiesty was “dropped” from 1017 and out of his contract. Prosecutors also allege that the video matches the victims’ accounts of the robbery, which took place in January at a Dallas recording studio. An 8GB USB drive was also put forth as evidence by the prosecution, with a photo of the device included in the court documents.

Prosecutors allege that the “release of contract” agreement constitutes a “full termination and release” of Shiesty from his deal with 1017 Records, which signed him in 2020.

“Reference is hereby made to the agreement between 1017 Global Music LLC (‘Company’) and Lontrell Williams p/k/a Pooh Shiesty (‘Artist’) dated as of April 1, 2020 (the ‘Agreement’),” the paperwork allegedly reads. “The following, when signed by Artist and by Company (collectively the ‘Parties’), will constitute a full Termination and Release of the Agreement by the Parties.”

Shiesty, along with his father, Lontrell Williams Sr., and rapper Big30 (Rodney Lamont Wright Jr.), were among eight individuals arrested on April 1 over the alleged dispute, which is said to have taken place on Jan. 10 in Dallas.

Prosecutors previously alleged that Shiesty and his co-conspirators drew guns and barricaded Mane’s team inside the recording studio while they forced Mane to sign the release. The group is accused of stealing jewelry, Rolex watches and cash during the alleged altercation.

Shiesty’s trial was originally set for July, before being pushed back to Feb. 22, 2027. The Memphis rapper remains in custody.


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At Sunday’s 2026 BET Awards, there were a lot of highlights, including Janet Jackson presenting Teyana Taylor with the Icon of the Year award, a jam-session tribute to late neo-soul star D’Angelo, and Cardi B’s motorcycle-riding victory lap. But the show-ending celebration of Living Legend Icon award recipient Lauryn Hill stood out as something truly special.

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On the new Billboard Pop Shop Podcast, Katie & Keith are discussing the overwhelmingly positive response to Sunday’s show and what other awards shows might be able to learn from it. The biggest takeaway seems to be the welcome return of Lauryn Hill, who enthusiastically enjoyed performances of her songs by Doja Cat, SZA, Lizzo, Doechii, Queen Latifah, Nas and more, as well as three of her children: Selah, YG and Zion Marley. Hill also gave a beautiful speech and performed two songs — “Ex-Factor” and “Everything Is Everything” — to wrap up the loving tribute.

Listen to our full conversation about what the BET Awards got right below:

Also on the show, we’ve got chart news on how Ella Langley two-steps her way back to No. 1 on the Billboard Hot 100 songs chart with “Choosin’ Texas,” how the top three on the Hot 100 are all country songs by women — for the first time ever — and how the Toy Story 5 soundtrack debuts on the Billboard 200 this week, becoming the highest-charting Toy Story soundtrack yet.

The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard‘s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard‘s executive digital director, West Coast, Katie Atkinson and Billboard’s managing director, charts and data operations, Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)

Over the weekend, Lupe Fiasco appeared on former battle rapper Breezy Nice’s YouTube page KoalaTeaReacts to discuss issues they’ve had in the past, when the discussion pivoted into a conversation about Kendrick Lamar.

The Chicago rapper has shared his opinion in the past about Lamar — opinions he thinks have been blown out of proportion by fans and the media — one of which is that he thinks he’s the better rapper.

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“I find it crazy that you can’t even say that you think that you are a better rapper than Kendrick Lamar,” he said in astonishment before conceding that the Compton rapper is better in other areas.

“I’m not talking about album, I’m not talking about making songs, I’m not talking about being an artist. All the things that I’ve said all these years: He’s a better artist than me, he makes better albums, he has a better team, he has better beat selection, he has better production, right? He has all these better things, right? When it comes down to lyricism, when it comes down to these lyrics and putting these bar-for-bar-for-bar? No. Everything else? For sure. 100 percent.”

However, what’s been causing chatter in rap social media circles is that he said he can name “hundreds” of rappers better than Dot. This is because Lupe has said that battle rappers are better lyricists than mainstream rappers and can name a bunch that are better than most, including Kendrick. “I said it was hundreds and I’ll name ’em, and we could list them,” he doubled down. “We gonna just start listing n—as and then let’s see how long that list get before we start naming one n—a with a record deal? As the better rapper? Stop.”

Back in 2014, he made headlines after he claimed King Los, Logic and Cassidy were better rappers than Kendrick during an appearance on Hot 97. Fast forward to 2018, Fiasco took to Twitter and criticized the “Control” verse. “The only issue that the world thinks I have with K. Dot and I actually do is that I think his ‘Control’ verse was wack and super overhyped to be a verse claiming you are the best rapper,” he quote-tweeted a troll at the time who suggested Kendrick’s “Look Out for Detox” is better than every Lupe song ever. “It was very weird. I was told it was just bait, but still.”

He later apologized a couple of months later and said he’ll never talk about someone else’s career again. “Maybe I should have just left it alone. Even though my impetus was the ‘Control’ verse,” he said. “I mean you put yourself out there like that. So, you opened yourself up to critique, but even that still, I should have just shut my f—ing mouth. I apologize for even engaging and talking about n—as’ careers, I’ll never do that sh– again.”

You can watch the full convo below.