Ariana Grande and her Focker-in-Law co-stars Robert De Niro and Ben Stiller are a Christmas caroling trio in a special preview clip from NBC’s The Tonight Show Starring Jimmy Fallon, premiering here on Billboard just ahead of a special Sunday night (Nov. 8) episode of the late-night show beginning at 11:35 p.m. ET.

Fallon celebrates this weekend’s arrival of the 2026 Rockefeller Center Christmas tree on tonight’s episode. The Focker-in-Law stars join in on the festivities with a surprise performance of the traditional tune “O Christmas Tree.”

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Grande takes the lead on vocals, of course, and the audience can’t help but applaud when she hits those high notes. Stiller gives a valiant effort for his part of the song, and De Niro — well, it’s worth tuning in to the sneak peek below to see how it all plays out.

Grande, De Niro and Stiller will be chatting together with Fallon throughout Sunday’s episode, which also features Lil Baby as musical guest. The fun begins after the Buccaneers vs. Bears game on NBC.

The stars’ appearance together is part of their promo cycle for the Nov. 25 theatrical release of Focker-in-Law, the latest movie in the popular Meet the Parents franchise. Grande joins as Olivia Jones, who’s dating Greg and Pam Focker’s (Stiller and Teri Polo) now grown-up son Henry (Skyler Gisondo).

The Nov. 8 Tonight Show episode is the second of four special episodes to air following NBC’s Sunday Night Football broadcasts this season; the first special broadcast was on Sept. 27, with guests Sylvester Stallone and Luke Bryan.

Tonight’s Focker-in-Law cast takeover with Grande, De Niro and Stiller (plus Lil Baby) will be followed by an episode featuring Jennifer Lopez and Anthony Mackie, as well as a musical performance from Quavo, on Sunday, Nov. 15. Another post-Sunday Night Football episode of The Tonight Show is slated for Jan. 10, with guests to be announced.


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All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

On Saturday (Nov. 7), Saturday Night Live returns with the third episode of season 52. The sketch comedy show taps comedian and influencer Druski to host, while rock band The Strokes serves as musical guest.

This is Druski’s first time hosting, while this would be the fifth appearance for The Strokes as musical guest on SNL.

How to Watch ‘Saturday Night Live’ Live Online, at a Glance:

When Does ‘Saturday Night Live’ Start?

SNL airs live on Saturday (Nov. 7), with a start time of 11:30 p.m. ET/PT.

What TV Network Features ‘Saturday Night Live’?

In 2026, SNL broadcasts on TV on NBC. Meanwhile, the variety sketch show is available to livestream on Peacock.

Who’s Appearing on ‘Saturday Night Live’ Tonight?

SNL is known for celebrity cameos during the show, so it’s likely there may be a number of famous actors, actresses and recording artists in attendance. Other artists who have been known to appear at SNL in the past have included Timothée Chalamet, Ben Stiller, Alec Baldwin, Meryl Streep, and Harry Styles.

Where to Watch ‘Saturday Night Live’ Online for Free

For cord-cutters, there are a few ways to watch SNL online, if you don’t have cable, especially if you want to watch for free. DirecTV has a five-day free trial, while other streaming services, like Fubo and Hulu + Live TV, also offer free trials, so you can watch for free.

How to Watch 'Saturday Night Live' Live Online, November 7, 2026

EDITOR’S PICK

DirecTV

Comes with a five-day free trial.


A subscription to DirecTV gets you access to live TV, local and cable channels, including NBC, at $64.99 for the first month of service ($94.99 per month afterward). The service even offers a five-day free trial to watch for free, if you sign up now.

How to Watch 'Saturday Night Live' Live Online, November 7, 2026

600+ FREE CHANNELS

Sling TV

Sling Blue comes with 40+ broadcast and cable channels.


Sling TV offers the Blue plan, which comes with NBC. With more than 40 channels, the streaming plan goes for $54.99 per month. All plans come with a free cloud DVR and an extra 600 or so free channels too. Please note: Pricing and channel availability vary from market-to-market.

How to Watch 'Saturday Night Live' Live Online, November 7, 2026

UNLIMITED DVR

FuboTV

Fubo is an affordable option offering a five-day free trial for new users who sign up.


Fubo starts at $63.99 for the first month ($88.99 per month afterward) with more than 230 channels, including local and cable, like NBC, that are streamable on smart TVs, smartphones, tablets and on web browsers. And with a five-day free trial, you can watch for free, if you act fast and sign up now.

How to Watch 'Saturday Night Live' Live Online, November 7, 2026

NO HIDDEN FEES

Hulu + Live TV

Comes with Hulu, Disney+ and ESPN Select.


Broadcast network NBC is available to watch with Hulu + Live TV. Prices for the cable alternative start at $99.99 per month for more than 100 live channels, while each plan comes with Hulu, Disney+ and ESPN Select at no additional cost. Hulu + Live TV might be best for those who want all of these streaming services together in one package.

Peacock

THE LIVESTREAM HOME OF ‘SNL’

Peacock

Starts at $12.99 per month.


There are two different plans offered on Peacock: The Premium Plan for $12.99 per month or the Premium Plus Plan for $19.99 per month. If you’re looking to save, you can get 17% off when you do the annual plan for $129.99 per year or $199.99 per year, respectively. With the Premium Plan, it’s ad-supported and you’ll receive access to a wide range of movies, TV shows, originals, live sports from NBC Sports and live news from NBC News.

Peacock’s Premium Plus plan comes with everything in the Premium plan, no ads, your local NBC channel live and the ability to download and stream offline.

On Saturday (Nov. 7), SNL with host Druski and musical guest The Strokes broadcasts live on NBC. One of the best ways to watch is with DirecTV. In the meantime, watch a promo reel for this weekend’s new episode below:

Richard Lloyd, a founding member and guitarist of influential New York rock band Television, has died. He was 75.

Lloyd died Saturday morning (Nov. 7) at his home in Chattanooga, Tennessee, according to to Rolling Stone.

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“His loving wife Sheila and his dog Willie Mays were with him at the end,” his family told the publication.

His cause of death was cholangiocarcinoma, a cancer of the bile ducts. Lloyd was diagnosed with the disease in March 2026, and a GoFundMe campaign was later launched to help cover his medical expenses and other bills.

Born in Pittsburgh in 1951, Lloyd moved with his family to New York City at age 6 and grew up in Greenwich Village. He initially studied drums before turning to guitar. After spending time in Boston and Los Angeles, he returned to New York in 1973.

That year, he joined forces with Tom Verlaine, Richard Hell and drummer Billy Ficca to form Television. The band became a regular at CBGB, the Lower Manhattan club that helped launch the careers of fellow New York acts including the Ramones, the New York Dolls, Talking Heads, and Blondie.

Television released its debut album, Marquee Moon, in 1977. The album earned widespread critical acclaim for its intricate arrangements and the distinctive interplay between Lloyd’s and Verlaine’s guitars. Although it achieved limited commercial success, the album went on to become one of the most influential releases of its era. The group followed it with Adventure in 1978 before breaking up later that year.

Lloyd launched his solo career with the 1979 release of Alchemy, but struggles with substance abuse derailed his career in the years that followed. After getting sober, he returned with his second solo album, Field of Fire, in 1985. He continued releasing music over the following decades, with his final solo studio album, The Countdown, arriving in 2018.

He also worked as a session guitarist, contributing to recordings by artists including Matthew Sweet and John Doe of X, while continuing to tour and teach guitar. In 2017, he published his memoir, Everything Is Combustible: Television, CBGB’s and Five Decades of Rock and Roll.

Television reunited to record its self-titled third album, released in 1992, and continued performing periodically in the years that followed. Lloyd announced his departure from the band in 2007 to focus on his solo career.


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Deep Purple’s Ian Gillan is recovering after a medical emergency forced the legendary rock band to postpone its European tour.

On Saturday (Nov. 7), the 81-year-old singer shared a health update with fans, revealing that he had undergone a successful procedure and would need time to rest before making a full recovery.

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“I had a procedure yesterday which was successful,” Gillan wrote on Facebook. “I now have to rest, in order to make a complete recovery and ensure that I’m as fit as can be before getting back to work, thanks everybody for your patience and understanding. I really do appreciate it and apologise for all the inconvenience.”

Last weekend, Deep Purple revealed that Gillan had been hospitalized with an unspecified health issue, prompting the postponement of two concerts in Germany. Days later, the band confirmed that the remainder of its scheduled U.K. and European tour would also be postponed due to the singer’s illness.

The cancellations began with the band’s Oct. 31 show at QI Arena in Leipzig and its Nov. 1 date at Sporthalle in Hamburg. Gillan later shared more details about the health scare on Instagram.

“Thank you for all the good wishes and support over the last few days, it means the world. I had a medical problem whilst in Leipzig which required urgent attention at the hospital,” the singer wrote.

“I was hoping that I would get the all clear to hang on until the end of the tour, but there are very serious risks involved in me doing so,” he continued. “As a result, and on the advice of my medical team and management we have made the decision to postpone the rest of the European/UK tour until further notice. I’m very sorry about any inconvenience this may cause, but it’s in the best interest all round.”

Deep Purple has been on the road for its SPLAT! world tour since late summer, with the postponed U.K. and European dates originally set to run through late November. At press time, the band’s Latin American leg was still scheduled to launch Dec. 5 in São Paulo, Brazil, with a final stop in Mexico City on Dec. 19.

Gillan has fronted Deep Purple during multiple stints since first joining the band in 1969. He is the voice behind some of the group’s biggest hits, including its signature 1973 song “Smoke on the Water,” which peaked at No. 4 on the Billboard Hot 100.


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Alanis Morissette identifies as pansexual, she revealed in a podcast appearance earlier this week. The hitmaker — who just dropped her first holiday album, Good Weather for Immaculate Conception, featuring new single “To an Empath at Christmas Time” — visited the Handsome Podcast as the podcast trio’s first in-person guest for an episode that was uploaded on Nov. 3.

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“I’m sorry for the men that hurt you, but I’m not sorry for the songs that came from it. Those are pretty amazing,” comedian Fortune Feimster, who co-hosts the show with Tig Notaro and Mae Martin, said at one point toward the end of the episode, adding, “Did it make you want to be a lesbian at any point?”

“I’m pansexual, so yeah,” Morissette shared in reply. “I get everything.”

GLAAD defines someone who identifies as pansexual as “a person who has the capacity to form enduring physical, romantic, and/ or emotional attractions to any person, regardless of gender identity.” The term is different than the term bisexual, which means that a person is attracted to people of more than one gender (whereas pansexual means gender is not a determining factor in attraction).

Notaro then asked, “Wait, you’re not really pansexual, are you?” to which Morissette confirmed, “I am.”

Joking that they should’ve launched the episode with this tidbit, Notaro said, “How did I not know this?”

“You know, I like to leave it for the epilogue,” quipped Morissette. “I like to confuse people on the way out. Is it confusing?”

Morissette, who’s got three Billboard 200 No. 1 albums under her belt and whose top hit “Ironic” soared to No. 4 on the Billboard Hot 100 in 1996, is married to husband Mario Treadway, aka the artist Souleye. The couple wed in 2010 and are parents to three children.

Her 14-track holiday album, Good Weather for Immaculate Conception, arrived on Friday (Nov. 6). The set was led by her recording of “Beautiful Star of Bethlehem,” featuring Brandi Carlile and Steve Martin; Morissette gets snowed-in in a music video for second single “To an Empath at Christmas Time,” released on Saturday.

“The lights are green and red and shimmering white/ These days are super dark and even quieter nights/ All this time to sense what all year felt not right/ Nothing to distract us from this heavy ride,” she sings on the opening of the midtempo “Empath.”

On the song’s chorus, Morissette says, “You don’t have to smile big for us/ Nor have a joyous time/ You won’t have to hold your breath until New Year time/ Your precious sensitivity has felt like curse and crime/ But you’re not alone with your SOS inside/ To an empath at Christmas time.”

Watch her full conversation on the Handsome Podcast below.


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The owners of Elvis Presley’s intellectual property are suing Suno in a new lawsuit that claims the artificial intelligence music company violated the King of Rock ‘n’ Roll’s likeness rights by stealing his voice.

Weeks after suing AI giant Anthropic for training Claude on Elvis songs, the new case filed Friday (Nov. 6) by Elvis Presley Enterprises levels similar copyright accusations against Suno, the leading AI music firm. But it also includes legally-novel allegations that Suno broke the law by letting users clone Presley’s “unmistakable and iconic voice.”

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“All of the humanity, history, despair, and triumph that constitutes Elvis’ identity was stolen and is stored on servers and harnessed by Suno to make massive amounts of money,” writes Richard Busch, a veteran music litigator at the firm Adams & Reese who filed the case. “Suno did so intentionally, maliciously, and fraudulently to financially benefit itself and artificially compete with Elvis’ likeness and copyrights, and continues to do so to this day.”

The new lawsuit marks one of the first major cases under a new Tennessee law, coincidentally called the ELVIS Act, that was recently enacted to address problems caused by AI. The first-in-the-nation statute was touted as a weapon against people who create illegal deepfakes, but it also allows for lawsuits against tech firms that enable such voice and image cloning in the first place.

Taken together with the Anthropic case, the suits over Elvis represent easily most significant action filed on behalf of an individual musician over AI — in this case, arguably the most famous recording artist of all time. Suno and Anthropic were already facing cases from music labels accusing them of infringing millions of copyrighted songs to train their models, as well as a class action by smaller artists who similarly say Suno stole their likenesses.

Friday’s lawsuit was filed by Elvis Presley Enterprises, a unit of the licensing giant Authentic Brands Group that controls the intellectual property tied to Elvis, including much of his song catalog and the rights to his name, image and likeness. In a statement to Billboard on Saturday, ABG spokeswoman Lark-Marie Antón said the new lawsuit and its evidence “speak for themselves.”

“The name, image, likeness, and music of Elvis Presley are among the most valuable intellectual property assets in the world,” Antón said. “We protect those rights vigorously.”

In statement Saturday responding to the lawsuit, a Suno spokeswoman told Billboard: “Suno exists to help people create new, original music, not to trade on anyone’s name or likeness, and we prohibit any unauthorized use of an artist’s work. To protect against this, we do not allow prompts for specific artists’ names and songs and work with third party providers to screen uploaded audio files and lyrics for potential misuse. We are always working to strengthen our guardrails and we will continue to add new safeguards that protect artists and our users.”

The looming battle with Suno will raise untested legal questions about the extent to which AI companies can be sued for allegedly ripping off a musical artist’s identity. The use of AI to convincingly mimic real people has been one of the booming technology’s most controversial applications, and no where less so than an industry largely built on famous singing voices.

“Elvis’ voice possessed a distinctively rich vocal timbre, with a warm velvety resonance and perfectly employed vibrato, coupled with his ability to vary his technique and delivery within the same song as well as across several different styles of music, which became his immediately recognizable musical signature across the world,” the lawsuit says.

Suno has argued in other lawsuits that its current models do not allow users to include the names of specific artists in prompts, nor produce outputs that mimic specific real voices. But in Friday’s complaint, the Elvis owners say those claims are “unequivocally false.” They included links to videos capturing the use of Suno’s platform to play songs that sound remarkably similar to Presley.

“Those … are NOT examples of Elvis Presley singing. They are synthetic and unlicensed uses of Elvis’ voice and likeness,” Busch writes. “There are hundreds to thousands more like it.”

The new case will test the power and limits of the ELVIS (Ensuring Likeness Voice and Image Security) Act, a law enacted in 2024 in Presley’s adopted home state to make it easier for musicians to bring such cases. Existing laws typically only applied to commercial exploitation of someone’s likeness, like an unauthorized advertisement; the new statute removed those restrictions. ELVIS also specifically imposed liability on companies that provide tools allowing for unauthorized use of a person’s likeness.

“Suno is the embodiment of why the ELVIS Act was so essentially required,” the lawsuit reads. “Suno has stolen Elvis’ voice, his image, and likeness, as well as his copyrighted works on, literally, a breathtaking scale, and must now be called to answer for its theft.”

Suno’s lawyers have argued such claims won’t hold up in court. In an earlier likeness case filed by Jason Isbell and other artists, the AI firm’s lawyers argued it merely uses artist names as “shorthand for the genre they perform in” and does not allow for direct theft of their voices. But the new lawsuit says that as recently as last month, Suno generated an Elvis clone based simply on lyrics that included his name.

“Entering a musician’s name into Suno’s ‘Create’ function, such as Elvis’, causes Suno to generate unauthorized output based on his [name, image and likeness], which copies and reproduces the signature and recognizable aspects of his distinguished voice,” Busch writes in the new case.

In addition to the new voice claims, the lawsuit echoes the same accusations made against Anthropic over training on copyrighted Elvis songs, including “Can’t Help Falling in Love,” arguably Presley’s most famous track; “Don’t Be Cruel,” one of his early massive hits; and “A Little Less Conversation,” “All Shook Up,” “Return to Sender” and “(You’re the) Devil in Disguise”. And like the earlier case, the new lawsuit claims Suno stole those songs in order to replace human artists.

“The next Elvis won’t pick up a guitar,” the Presley Enterprises lawyers write. “Suno’s ravenous race to the bottom aims to make human creativity obsolete, coldly replicating without a license in seconds what takes years to learn, struggle with, maintain, and endlessly attempt to make better and perfect.”

Separately on Friday, the same attorneys another case against Suno on behalf of Eight Mile Style, a publisher that owns much of Eminem’s catalog. That case includes similar copyright allegations as the Elvis case, accusing the lab of training its models on the rapper’s “Lose Yourself,” “Without Me,” “Till I Collapse,” “The Real Slim Shady, “Stan” and other hits.

The Elvis and Eminem cases add to mounting legal challenges for Suno. The company was first sued in 2024 by all three major music companies over AI training. Though it settled with Warner Music Group last year and has vowed to partner with the music industry, is still litigating with UMG and Sony Music — who have shown no interest in striking a deal. It has also faced new cases in recent months from music publishers Round Hill Music and Reservoir, as well as the Isbell case over likenesses.

Michael Sanft, the defense attorney who represented Duane “Keffe D” Davis during the 2Pac murder trial, has died, FOX5 Las Vegas reported. He was 54 years old.

Sanft put together a team and took on Davis’ case pro bono while serving as the lead trial attorney for the Vegas-based SOS Injury Lawyers, where he has tried more than 150 cases. After the highly publicized trial, he told FOX5 Las Vegas that he didn’t have any regrets.

“Maybe if I had a psychic sitting next to me to help discern who should be on the jury,” he told the outlet. “We had the best team possible in this case, from the motion practice work on this appeal to our investigator to our firm here at SOS Injury. We all did our part. I don’t see what I could’ve done differently.”

Thirty years after the 25-year-old Tupac Shakur was killed in a drive-by shooting in Las Vegas following a Mike Tyson fight, the now-63-year-old Keffe D was found guilty for his role in orchestrating the killing and sentenced to 40 years in prison. “You don’t get to take a man from his family, you don’t get to take his very life, his whole future from him and just walk away from it. Especially when that man is Tupac Shakur,” Judge Carli Kierny told Davis as she handed down his sentencing. “It took us 30 years, but at this time you are going to face justice for what you did on Sept. 7, 1996.”

Sanft reportedly died on Thursday night in Las Vegas. No cause of death has been confirmed as the details surrounding his passing have been limited so far.

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Attention Hello Kitty fans: Your next favorite fashion accessory is designed to carry your headphones.

Sony has teamed up with the iconic Sanrio character for a limited-edition collection featuring three models from Sony’s existing headphone lineup, including the WH-CH530, WH-CH730N and WH-1000XM6. Each pair of headphones offers different noise-reduction technology and comes in either black or pink. While the headphones themselves have a simple design, the accompanying accessories are where the collection really stands out.

Shop Hello Kitty Sony Headphones Online

Sony

Each headphone comes with a black tote bag and a grunge-inspired black Hello Kitty carrying case that can clip onto a bag or clothing. The case features Hello Kitty’s signature ears and bow, along with headphone-shaped storage compartments that make it look like she’s wearing a pair of headphones herself. Available now for preorder with a scheduled release before the holidays, the collection makes a fun Christmas gift for music lovers and Hello Kitty fans alike.

Shop Hello Kitty Sony Headphones Online

WH-CH530

WH-CH530 Wireless Headphones with Microphone Hello Kitty Limited Edition

Available in Black & Pink

The WH-CH530 features noise reduction rather than full noise cancellation.


The most affordable option in the collection, the WH-CH530 is a lightweight pair of on-ear headphones. They offer up to 55 hours of battery life, so you can go several days without reaching for the charger. Need a quick boost? A three-minute charge provides up to 1.5 hours of playback. They also feature a built-in microphone for calls.

Shop Hello Kitty Sony Headphones Online

WH-CH730N

WH-CH730N Wireless Noise-Cancelling Headphones Hello Kitty Limited Edition

Available in Black & Pink


If you want to tune out background noise, the WH-CH730N offers noise cancellation to help make listening more focused. Its Ambient Sound Mode also lets outside sounds come through when you need to hear what’s happening around you. The foldable design makes these headphones easy to pack for trips, while the battery lasts up to 50 hours with noise cancellation on or 75 hours with it off. They also include a microphone designed to make phone calls clearer.

Shop Hello Kitty Sony Headphones Online

WH-1000XM6

WH-1000XM6 Best Wireless Noise Cancelling Headphones Hello Kitty Limited Edition

Available in Black

As of publication, the WH-1000XM6 is sold out in pink, but still available in black.


For those looking for Sony’s most advanced option in this collection, the WH-1000XM6 offers top-tier noise cancellation and high-quality sound. Its microphones and processors constantly adjust to help block out surrounding noise while keeping your music clear. You can also switch between noise cancellation and ambient sound when you want to stay aware of your surroundings. The headphones offer up to 30 hours of battery life and a quick three-minute charge provides up to three hours of playback.

A judge threw out copyright claims over Flo Milli’s 2023 hit “Never Lose Me” after ruling that the man bringing the lawsuit does not technically own a beat sampled in the track.

The Friday (Nov. 6) court ruling, obtained and first reported by Billboard, dismissed the lawsuit without any opportunity to amend. But the case is not over for good; an attorney for the plaintiff said they intend to appeal.

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The case was brought last year by Shamar Deal, a Baltimore-based artist who purchased a beat called “Youu” on the rap instrumental marketplace Traktrain in 2019. Deal said that after he paid $200 for a 10-year exclusive license, producer Gerreaux Katana wrongly turned around and relicensed the beat to Babyface Ray and 42 Dugg for their 2023 song “Ron Artest.” Flo Milli then sampled “Ron Artest” on “Never Lose Me,” which peaked at No. 15 on the Billboard Hot 100.

Deal sued all three rappers for copyright infringement. On Friday, however, Judge André Birotte Jr. found that Deal does not actually own the rights to “Youu.” That’s because copyright law requires all exclusive licenses to be signed by both parties — and Traktrain never got Katana’s signature to sell the beat to Deal.

According to Deal, the fact that Katana uploaded the beat to Traktrain and accepted his $200 should be enough to validate the license. But Judge Birotte said there’s no room for ambiguity here. He quoted a decades-old appellate ruling on the topic: “The rule is really quite simple: If the copyright holder agrees to transfer ownership to another party, that party must get the copyright holder to sign a piece of paper saying so.”

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The ruling highlights a potential pitfall of online instrumental marketplaces, which have become a common source of beats for aspiring rappers in recent years. As experts have previously told Billboard, casual licensing arrangements can later come back to haunt artists and producers in a business that relies on proper legal paperwork.

Deal’s attorney, Larry Zerner, cited the prevalence of the online beat economy when telling Billboard on Friday that they “respectfully disagree” with Judge Birotte’s decision and plan to appeal it.

“Shamar Deal paid for an exclusive license to this beat,” said Zerner. “The producer listed it for sale as an exclusive, set the price, took the money, and confirmed the sale in his own emails. Shamar also has a contract with the producer that confirms all of these facts. That’s how thousands of independent artists buy beats online every single day, and they deserve to know that the licenses they pay for will hold up. We’re confident the Ninth Circuit will see it that way.”

David Given, a lawyer representing Babyface Ray and his distributor EMPIRE, told Billboard on Friday, “Our clients are grateful for the court’s carefully reasoned decision dismissing the case for copyright infringement against them.”

Reps for Flo Milli and 42 Dugg did not immediately return requests for comment on the ruling.

In his new studio album, Objetos Frágiles en Ambientes Hostiles, Venezuelan singer/songwriter Lasso delves into themes such as love, heartbreak and the contradictions of human relationships through 11 tracks that showcase an artistic evolution within his pop sound.

Released on Friday (Nov. 6) by Lasso Party under exclusive license from Interscope Records, the set includes previously released singles like “p0rn0grafía,” “superpoder,” “Tu Lunar” and “¡¡¡FELIZ ANIVERSARIO!!!,” alongside new tracks such as “preguntas que me hago,” “Perdóname por esta canción” and “PESADILLAS.” It also features two notable collaborations: the focus track “Borracho Otra Vez” with Ana Mena, and “Ojalá Que No Te Quiera Nadie” with Nina.

Produced by Manuel Lara, the album is rich in nuances, with new textures and arrangements that expand Lasso’s sound, catchy lyrics and his sweet, raspy pop-rock voice. It also marks his first release after parting ways with Universal Music Mexico, the label behind previous projects of his like Eva (2023) and Malcriado (2025).

“I’ve been writing [Objetos Frágiles en Ambientes Hostiles] for two years,” the Latin Grammy-winning artist tells Billboard Español. “I wrote about 200 songs; I’d never written so much before. But this album also comes from a period where I couldn’t release music — I was leaving a record label, and there’s a cool-off period during which you can’t release anything — so all I did was write, write, write. There were moments when I was very sad, and others when I was very happy.”

Out of those 200 songs, he selected the 20 best and, with the help of friends and colleagues, finalized the ones that would make the tracklist. The oldest among the 11 is “PESADILLAS,” while the newest is “¡¡¡FELIZ ANIVERSARIO!!!.”

Regarding the album title, which means “Fragile Objects in Hostile Environments,” Lasso explains that “it’s a dedication to anyone who’s trying to achieve their dreams.”

“The fragile objects are the dreams, and the hostile environment is the world that receives them, telling you, ‘You can’t do it, you’re not good enough, there are already too many like you, or there are too few like you,’ depending on what you’re doing,” he elaborates. “And it’s about that daily struggle of saying, ‘What I’m doing is amazing, and I’m going to convince you, no matter how hard it is.’”

Below, Lasso breaks down five essential tracks from Objetos Frágiles en Ambientes Hostiles.