Who knew Drake was such a big fan of padel?

Spanish professional padel player Juan Lebrón Chincoa, aka “El Lobo” (Spanish for “The Wolf”) — one of the best padel players in the world — was a guest at the Toronto rapper’s second annual Nike NOCTA retreat, where it looks he got a game in with the host himself. Chincoa showed love on Instagram with a carousel of pictures and videos from the retreat along with a lengthy caption expressing his gratitude.

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“Unforgettable days,” he wrote. “Thank you @champagnepapi for being so genuine and making me feel at home. I truly appreciate the connection we built. Grateful for the memories, the laughs and all the amazing moments we shared together. Thanks @nocta for making these days so special.”

Innocent enough, right?

Well, toward the end of said carousel, there’s a picture of a shirt that has “The only LeBron I rate is Juan” airbrushed on it — which, of course, caught everyone’s attention. It’s both a play on Jay-Z‘s line from the Magna Carta Holy Grail track “Oceans,” on which he raps, “Only Christopher we acknowledge is Wallace,” in reference to Christopher Columbus and his late friend The Notorious B.I.G., and a playful jab at his former buddy NBA player LeBron James. The two had a falling-out during Drake’s battle with Kendrick Lamar in 2024, after James attended the Compton rapper’s victory lap concert “The Pop Out,” which resulted in Drake dissing him on numerous occasions since.

Drake also posted his own carousel on Instagram with a couple of bars doubling as a caption that starts with the claim that he’s been proving himself right over the course of the last two years since his back-and-forth with Kendrick.

“I spent the last 24 months proving myself right,” he wrote. “Of course I’m about to have the summer of my life/ Spent amounts on you that make my accountant roll his eyes/ Just for you to show me how you really roll when it’s go time/ I clearly have a type/ And I clearly only learn the lesson when the teacher is fine.”

Their mutual friend, former NBA player Tristan Thompson, told Shannon Sharpe earlier this month that he’s been trying to get the two to reconcile their differences. “I would love to,” he said after Sharpe suggested that he should get LeBron and Drake to bury the hatchet. “Listen, yeah. Listen. I’m trying, man. I’m trying, I’m trying, I’m trying.”

James signed with the Philadelphia 76ers on Friday (July 24), so they’ll be seeing a lot more of each other this upcoming season since Drake’s Toronto Raptors also play in the NBA’s Atlantic Division. Teams in the same division face each other four times over the course of an 82-game season.


50 Cent
revealed that he’s recruited Eminem and the late 2Pac for a collaboration that will land on the Street Fighter soundtrack. The G-Unit boss made the revelation during an appearance on Today With Jenna and Sheinelle on Friday (July 24).

“I got some music that I’m working on. I did something currently me, Eminem and 2Pac,” he said, which sent the hosts into a state of shock and confusion.

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50 clarified that he got the approval from 2Pac’s estate and that the late rapper’s vocals aren’t AI. “They delivered it. It’s for the theme of Street Fighter, the movie. We worked on it and got it right,” he added.

The Queens rap legend teased that the anticipated collab is arriving “soon” and further clarified that the loaded track will be “coming out shortly.”

Street Fighter is set to hit U.S. theaters Oct. 16, and 50 will star in the live-action remake as Balrog. Back in December, 50 hinted at notching a collaboration with Eminem for Street Fighter, but didn’t mention 2Pac.

“I’m gonna get @eminem on deck to make some music for this movie Street Fighter,” 50 wrote on IG. “New Music on the way!”

50 Cent joins a star-studded cast in the reboot, which boasts Jason Momoa, Noah Centineo, country singer Orville Peck and WWE superstar Roman Reigns (Joe Anoa’i).

50 Cent and Eminem’s most recent collaboration came on Dr. Dre and Snoop Dogg’s Missionary collab album for “Gunz N Smoke” in December 2024.

The close friends and frequent collaborators teamed up on plenty of occasions throughout the 2000s, colliding on tracks like “Don’t Push Me,” “Patiently Waiting,” “Gatman & Robin” and “You Don’t Know.”

Watch the clip of 50 talking about the track with Eminem and 2Pac below.

As Future‘s The Real Me debuted at No. 1 on the Billboard 200 albums chart (dated July 25), the rapper notched his 12th chart-topper. In doing so, he solely became the rap act with the third-most No. 1 albums on the chart. The Real Me is also Future’s fifth consecutive No. 1, dating to I Never Liked You in 2022. Future scored his first No. 1 album on the Billboard 200 with DS2 in 2015.

The Real Me was announced on June 15, with its release date of July 9 shared 10 days later. Its lead single, “Radio,” dropped on June 26 and has hit the top 25 on both Hot Rap Songs and Hot R&B/Hip-Hop Songs.

Take a look at the list of every act with at least 10 No. 1 albums on the Billboard 200 — since the chart began publishing on a regular, weekly basis in March 1956 — below. The list includes heavy-hitter rappers, a Queen of Pop and a “fab” band.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 2,500 ad-supported or 1,000 paid/subscription on-demand official audio and video streams generated by songs from an album. The new July 25, 2026-dated chart will be posted in full on Billboard‘s website on July 21. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Charli xcx continued to blend the worlds of cinema and music with the release of a short film to accompany her Music, Fashion, Film album on Friday (July 24). 

Shot entirely in black-and-white to maintain the album’s aesthetic, Charli begins the clip with what feels like more of a journal entry than an introduction, explaining her inspiration and creative process when making Music, Fashion, Film

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Prior to the album’s arrival, Charli showed the film in theaters to audiences across the globe to hear and process it visually as she intended. 

“Throughout this album process, I’ve been making things with my friends and I’ve been loving every minute of it. I made the whole album with A.G. Cook and Finn Keane,” she said. “Two people that have become my close, close friends through working on music and creating things together. I’m so excited for you to hear this album.”

Every song on the album essentially boasts a music video, filled with mountains of cigarettes, various fashion shoots and gallivanting through London. The transitions are where Charli provides context heading into every track. Ahead of “Card Declined,” she details her love for shopping when traveling through cities like Paris and London.

Actor Vincent Cassel stars in the “Camera” video, which finds a recording of Charli’s pitch to recruit Cassel and his response. “It’s kind of about the relationship between performer and camera that is sometimes really tempting and exciting, but can also sometimes be unbelievably vulnerable and a bit embarrassing,” she said.

The album closer “No One Lasts Forever” features an appearance from director David Cronenberg and Charli gives a deeper look into their conversation that took place in Toronto discussing the mortality of life and its connection to art. 

Music, Fashion, Film follows Charli helming the Wuthering Heights soundtrack in February, which debuted at No. 8 on the Billboard 200, and 2024’s Brat blockbuster. She’ll perform cuts from her new album when she headlines Lollapalooza next Friday (July 31) at Chicago’s Grant Park before embarking on a North American arena tour in September.

Watch the Music, Fashion, Film album film below.

Luísa Sonza made her debut on the Tomorrowland Belgium stage Friday (July 24), joining the set of Dutch duo Kris Kross Amsterdam to perform — live for the first time — their track “My Oh My,” released in partnership with French singer and producer Willy William.

The appearance took place on The Great Library stage, one of the festival’s main stages, at 5 p.m. local time, with Sonza popping up as a guest during the duo’s electronic music set.

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The collaboration was born after a meeting between Kris Kross Amsterdam and Willy William backstage at the Q Music Awards. Looking for a voice to complete the track, the DJs invited Luísa, who brought her pop identity to the production.

“I’m very excited and honored to represent Brazilian pop at a festival that brings together people from more than 200 countries,” the singer tells Billboard Brazil.

“My Oh My” isn’t the singer’s first collaboration with foreign artists: Luísa has previously shared tracks with names including PRETTYMUCH, Danna Paola, Aitana and Katy Perry, expanding her presence outside Brazil.

Listen to “My Oh My” below:

Opetaia Foa’I is the latest recipience of APRA AMCOS’ Billions Award, collecting honors for “We Know The Way,” one of the standout ballads from Disney’s original Moana soundtrack. 

Written alongside Lin-Manuel Miranda (In The Heights, Hamilton) and Mark Mancina (The Lion King Broadway) and published by Universal Music Publishing, “We Know The Way” celebrates the rich voyaging history of Oceanic peoples.

Released in 2016, the number includes languages of Tokelau and Sāmoa sung by Opetaia, logged two weeks on the Billboard Top 100, peaking at No. 93, and was highlighted by Billboard’s Greatest of All Time Disney Songs Chart — an “historic moment for Pacific peoples with traditional Polynesian performance and storytelling reaching global audiences,” reads a statement from the PRO.

Foa’I was on hand Thursday night, July 23 at APRA AMCOS’s Sydney headquarters for the award presentation.

“One billion streams is an incredible achievement for Opetaia Foa’i and ‘We Know the Way,’” remarks Ant Healey, head of APRA AMCOS NZ. “The massive success of Moana reflects the power of authenticity – bringing Polynesian languages, culture and storytelling to global audiences in a genuine, uplifting and deeply meaningful way. It shows that authentic voices can connect with people everywhere. We are incredibly proud of his achievements.”

Alongside his band Te Vaka, Foa’I played a “pivotal role in shaping the cultural identity of the Moana soundtrack,” a statement reads, and he continued this legacy in the franchise with Moana 2 (2024) and the recently-released live action Moana remake.

The Billions Award acknowledges the rights society’s songwriter members and their publishers, and takes into account streaming numbers from Spotify, Apple Music and YouTube.

It’s said to be the first award of its kind to celebrate a songwriter’s streaming achievement, and is the inspiration for the BPI’s BRIT Billion Award, which the U.K. trade association introduced in 2023.

Previous inductees into APRA AMCOS’ 1,000,000,000 List  include Tame Impala’s Kevin Parker (for “The Less I Know The Better”), Flume (“Never Be Like You”), Troye Sivan and Alex Hope (“Youth”), Tones And I (“Dance Monkey”), 5 Seconds of Summer (“Youngblood”), and SHOUSE (“Love Tonight”).

Nivea revealed an unfortunate health update during a recent drive around Atlanta with CadillacChroniclesTV.

After she performed a couple of her classic hits plus a new track from an upcoming project, host Mr. Brian Freeman asked the R&B singer what she was thankful for and that when she broke the news that she’s been battling leukemia.

“Well, first of all, I was diagnosed with leukemia earlier this year, and I’m so grateful to God,” she told Freeman. “I’ve been going through treatment, and everything is going great, so far. And I expect it to continue. Amen, amen, amen. Very grateful for life. It’s so cliché to say you don’t know the time nor the hour, but it’s true and it just helped me put a lot of things in perspective, and I live in gratitude, like, religiously, and I’m just grateful for everything.”

She’s staying positive, though, as she’s back focusing on her music and is currently enrolled in audio engineering school. “I’m doing things I wanna do,” the 44-year-old mother of four said. “I’m definitely back into my music, and I’m going to school for audio engineering. I’ve always wanted to learn how to engineer, and mixing engineering in particular.” 

Nivea then said that she’s trying to be “more present in the the moment” as she continues to love her kids while also being grateful and taking every opportunity that comes her way.

The Grammy-nominated artist did not specify which form of the blood cancer that she’s currently fighting.

Hopefully ARMY likes surprises, because BTS is bringing new ones to its fan base every night.

It’s been four years since BTS’ last performances as a group, and fans have been left hungry. Now that the band has hit the road with their ARIRANG World Tour, supporting their Billboard 200 No. 1 album ARIRANG, they’re making sure that fans are fed.

Since kicking off the tour April 9 at Goyang Stadium in Goyang-si, South Korea, BTS has performed surprise songs during every show’s encore. The band’s already-packed setlist features 16 songs during the main performance and seven encore tracks, two of which change nightly. The surprise songs run the gamut of BTS’ career, ranging from Billboard Hot 100 hits like “Take Two” to 10-year-old singles like “I NEED U.” The band has even performed a few tracks it has not played in almost a decade, including “Crystal Snow,” on the ARIRANG World Tour.

Fans are of course ecstatic about the possibility of hearing a BTS track performed live for the first time. Some online have even begun keeping track of every surprise song the band has played and which they have yet to.

Below, Billboard, with the help of setlist.fm, has compiled a list of all the surprise songs BTS has brought to the ARIRANG World Tour thus far. As BTS continue on their 85-date, 34-city world tour, Billboard will continue to update this list with each new surprise track the band plays.

Soulja Boy (born DeAndre Cortez Way) typically takes pride in accomplishing firsts in life. He allegedly became a dad for the first time when he welcomed a baby boy with his ex-partner Jackilyn Martinez in 2022, but now the rapper is saying that isn’t so sure he’s the father.

According to California court documents viewed by Billboard, Soulja Boy filed on Wednesday (July 22) to have a DNA test for his alleged 3-year-old son, KeAndre Way.

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If proven to indeed be the father of the 3-year-old, Soulja agreed to inherit pregnancy costs with Martinez and pay for her legal fees.

According to TMZ, Soulja Boy’s filing came in response to Martinez’s October 2025 lawsuit against the “Kiss Me Thru the Phone” rapper, which saw her file for primary custody of the 3-year-old and allow Soulja visitation rights.

Martinez claims she’s been primarily covering the baby’s finances and Soulja Boy only chipped in after she “begged him to do so.” She’s seeking child support from the California native.

TMZ also reported in June that Martinez provided the courts with a text from Soulja Boy that allegedly read, “Stop emailing me, you dumb bi–h. There will be no litigation or settlement idk who the f— u think u talking to.”

According to Complex, Soulja Boy posted his newborn — which made him a father for the first time — following KeAndre’s birth in September 2022. He was also reportedly present for the child’s gender reveal earlier that year. KeAndre is Soulja Boy’s only alleged child.

On the music side, the 35-year-old released his DRIP project in May. To date, Soulja Boy has 10 Billboard Hot 100 entries and one No. 1 hit on the chart: “Crank That (Soulja Boy)” in 2007.

PRS For Music has named Ben McOwen Wilson as the nonprofit collection society’s new CEO on Friday (July 24).

McOwen Wilson replaces Andrea Czapary Martin, who announced her departure from the role in March after seven years. McOwen Wilson will assume the title on Oct. 12.

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McOwen Wilson has previously held a number of key roles across technology, gaming and culture, most recently acting as the managing director EMEA for Google Play & Google Television from September 2022 onwards. Prior to this, McOwen Wilson operated in a number of key partnership roles for YouTube for over a decade.

He has also worked extensively with the U.K. government and industry through the U.K. Creative Industries Council and the Creative Industries Federation, with a focus on issues such as intellectual property, innovation and growth. 

McOwen Wilson was selected by the PRS Members’ Council following an “extensive international search.” A press statement from the society highlights the areas of focus for McOwen Wilson in the new role, saying that “as AI, gaming, digital platforms and new forms of music consumption reshape the industry, he has spent the past 20 years building partnerships across complex digital ecosystems while working with rights holders, broadcasters, creators and policymakers.”

In its 2025 financial results, royalty collections for PRS’ 190,000 members — composed of songwriters, composers and publishers — increased by 7.7% year-on-year to £1.24 billion ($1.6 billion). 

Earlier this month a case brought by Blur’s Dave Rowntree against PRS was thrown out of London’s Court of Appeal. Rowntree had sought to bring a class action suit against the society in relation to the distribution of its so-called ‘black box’ royalties; these royalties are distributed on a pro rata distribution to its writer and publisher based on the same proportions as identified royalties. 

The Court of Appeal ruled that “there is nothing inherently unfair about the pro rata distribution” of unallocated royalties, recognizing that the system operates with incomplete information.

Speaking on the appointment Julian Nott, chair of the PRS Members’ Council said, “Songwriters, composers and publishers need a society working tirelessly to champion them and their rights. A society which embraces innovation and has the confidence to shape the future, not simply respond to it.”

He continued, “Ben is an outstanding leader with all the skills necessary to guide PRS for Music through the many changes in the music industry and the wider media market. Ben impressed us from the very beginning. He understands the technologies that are transforming the creative industries, but he also understands that innovation only succeeds if it works for the creators. We are confident that he will champion members’ interests at home and around the world, leading us boldly into the next phase of our evolution.”

McOwen Wilson added, “PRS for Music is built on trust, transparency, and a relentless commitment to its members,” said Ben McOwen Wilson. “It is a privilege to lead this organisation at a time when the voice of the creator must be louder than ever.”

“In the age of AI and accelerated digital distribution, protecting the integrity and value of human creativity is our most urgent priority. My focus will be on ensuring PRS serves as a catalyst for our members’ success, ensuring they remain at the centre of a sustainable and growing global music ecosystem.”

“My first priority will be to listen and learn. To understand the needs of members, customers, and partners, and with them shape an ambitious future for the society. I am excited by the opportunities ahead of us and committed to serve our members’ interests unswervingly.” 


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