Adéla‘s “Nicole Kidman” has already won over its namesake, and now another pop icon is getting in on the fun: Madonna.

The Queen of Pop soundtracked a new TikTok with the rising star’s viral track, sharing a clip of herself posing in a striking gold dress while appearing to get ready for a formal event. The video gives the song another stamp of approval from an established pop star as it continues to gain momentum, proving that when it comes to feeling like Nicole Kidman, the invitation extends to musical royalty.

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Madonna using the song is an incredible, notable moment for Adéla as she continues to scale the charts and climb to the summit of pop stardom. The Slovak singer released her debut album, PRIMA, in September, introducing listeners to her bold, theatrical brand of pop. The project made an immediate impression on the charts, debuting at No. 4 on the Billboard 200.

“Nicole Kidman,” meanwhile, has become one of the album’s most defining songs. The track recently rose to No. 9 on the Billboard Hot 100, giving the star her first top 10 Hot 100 hit. Its catchy title and playful celebration of confidence and manifestation have helped it find an audience across social media, with celebrities adding their own spin to the phenomenon. Among the list of stars who have participated in the trend are Kesha, Tove Lo, Pedro Pascal, Dua Lipa and Kristen Wiig.

Kidman herself has also previously embraced the song, helping bring its real-life namesake into the conversation surrounding the track. Madonna’s new TikTok adds another layer to story, connecting Adéla’s internet-fueled breakthrough with one of pop music’s most iconic superstars.

And Madonna knows a thing or two about chart success. Across her career, she has earned 12 No. 1 hits on the Hot 100 and nine No. 1 albums on the Billboard 200, establishing her title as the Queen of Pop.

For Adéla, a nod from an artist with that kind of legacy is another exciting moment as “Nicole Kidman” continues its chart run. The song’s premise is all about channeling the confidence and glamour of a Hollywood star — and with Madonna now using it as her soundtrack, the fantasy feels right at home in the pop universe.

Watch the TikTok below.

Ben Katovsky, who previously ran the Blackstone-backed music catalog investment firm Recognition Music Group, was appointed CEO of the advance financing platform Pipeline on Thursday (Oct. 15).

Founded and chaired by veteran music investor and former Francisco Partners private equity executive Matt Spetzler, Pipeline launched with $200 million in lending capital to independent music companies for artist finances, using the label’s digital royalties as the collateral. As more artists sign short-term distribution deals, which allow them to retain ownership and often the majority of the income their music generates, having enough cash on hand to keep rising stars is a persistent problem for indie companies.

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Pipeline inked a partnership with Merlin and acquired the tech-forward music valuation firm Clarty Partners earlier this year. Now, fresh off the sale of Recognition’s portfolio of 45,000 songs, which included compositions by Neil Young, Shakira, Journey  and Red Hot Chili Peppers, Katovsky teams up with Spetzler to bring the pair’s music rights, investment and business-building experience to Pipeline’s partners.

“We started Pipeline because there is enormous value in music IP, and too many of the companies that own it haven’t had the backing to realize their ambitions,” Spetzler said in a statement. “Ben is one of very few people who has built, financed and run a world-class rights business at scale, delivering very strong outcomes for investors while caring for the music and the people behind it.”

During Katovsky’s time leading Recognition, it completed a $372 million asset-backed security issuance prior to the sale of its catalog to Sony Music Publishing in July. Before Recognition, Katovsky spent seven years at BMG, where he rose to the role of COO. Originally from South Africa, Katovsky got his start at Counterpoint Systems, developing technology solutions for managing intellectual property.

“I’ve spent my career at the intersection of music, technology and investment, working with some of the most innovative companies in our business,” Katovsky added in a statement. “Pipeline is building a different model for how companies and creators can access capital, giving songwriters, artists, labels and publishers greater flexibility and control over how they grow. Matt and the team have built something impressive and I’m excited to be joining them to empower the music and wider creative industries.”

Sienna Spiro is the first major international star announced for next month’s 2026 ARIA Awards.

The British pop artist will make her ARIAs debut when she performs on stage at Sydney’s Hordern Pavilion, just weeks after the release of her debut album Visitor. 

When she graces the stage, Spiro will add herself to the lineup of international stars who’ve performed at Australian recording industry’s flagship awards, a list that includes Alicia Keys, Ava Max, Billie Eilish, Dua Lipa, Ed Sheeran, Halsey, Kane Brown, Khalid, Lorde, One Direction, Robbie Williams, Sam Smith, Taylor Swift and Olivia Dean, who has been a force on the ARIA Charts since her performance at the 2025 edition.

Spiro’s Visitor peaked at No. 3 on the ARIA Albums Chart in July and has racked up 14th consecutive weeks on the tally.

The breakthrough artist has already accumulated more than 33 million monthly listeners on Spotify, headline sponsor of the ARIAs, and 2 billion streams in total, bagged three simultaneous Billboard Hot 100 singles and six entries on the ARIA Singles Chart. “Die On This Hill” is certified platinum by ARIA, while “You Stole The Show,” “MAYBE,” “Material Lover” and “The Visitor” are all certified Gold in these parts.

In her homeland, Spiro has six top 40 hits including a No. 1 with “Great Expectation,” which she performed last month at the 2026 MTV Video Music Awards in Los Angeles. She also collected the Moonman for best new artist. Visitor peaked at No. 2 on the Official U.K. Albums Chart.

Spiro’s trip to the ARIAs will mark her second trip to Australia following an intimate fan event last year at Pleasure Club in Newtown, Sydney. She’ll return in January 2027 for her Visitor Tour, which sold out in a matter of hours.

“So excited and honored to be performing at the 2026 ARIA Awards,” Spiro says in a statement. “I love Australia and can’t wait to be back!” 

With eight nominations each, Tame Impala and Genesis Owusu head the pack for the 40th annual ARIA Awards, while Ecca Vandal is close behind with seven chances. All told, 29 artist categories will be announced on the night.  

The 2026 ARIA Awards is supported by Destination NSW, in partnership with Spotify, and will be live on Paramount+ and broadcast on 10. Performances and moments will also be available on the @ARIA.official YouTube channel.

Carin León’s “Desde Que Te Tengo” earns the regional Mexican singer his third No. 1 on Billboard’s Latin Pop Airplay chart dated Oct. 17. It is the third song by a predominantly regional Mexican artist to top the chart in 2026.

“Desde Que Te Tengo” takes over Latin Pop Airplay in its 20th week, making it the fourth song this year to take as many weeks to reach the top to spend at least that long climbing to No. 1. Danny Ocean’s “Corazón” and Ricardo Montaner’s “Para Que Seas Feliz” took the longest—23 weeks each—while Karol G and Marco Antonio Solís’ “Coleccionando Heridas” matched León’s 20-week journey to the top.

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“Desde Que Te Tengo” comes in first after earning 5.5 million audience impressions, up 45%, in the United States, in the week ending Oct. 8, according to Luminate. It bumps Montaner’s “Feliz” to No. 3, following its four-week reign.

León also doubles up in the top 10: his Kany García collaboration, “El Sombrero y La Camisa,” dips 6-7 in its third week in the upper tier.

With his new No. 1, León becomes the third primarily regional Mexican artist to rule Latin Pop Airplay in 2026. Solís and Karol G’s “Coleccionando Heridas” holds the year’s longest reign at 15 weeks, while Xavi’s “DOSIS” dominated for eight consecutive weeks.

On a broader scale, “Desde Que Te Tengo” earns León his 16th top 10 on the overall Latin Airplay chart, leaping 20-10 in its first week in the upper tier.

Lenin Ramírez Makes Moves With “Polvo Rosita”: Outside Latin pop, Lenin Ramírez reaches new heights with “Polvo Rosita,” which climbs 10-9 on Hot Latin Songs and crowns Regional Mexican Airplay. The track earned 6.2 million U.S. audience impressions during the tracking week, up 22%.

“Polvo Rosita” follows Ramírez’s previous Regional Mexican Airplay No. 1, “Todo Lo Fue,” which ruled for one week in May. That song marked his first chart-topper in more than five years, following “Yo Ya No Vuelvo Contigo,” featuring Grupo Firme, a one-week leader in June 2020.

Miranda Lambert is celebrating her husband Brendan McLoughlin’s birthday by putting a new spin on the longest-leading Billboard Hot 100 hit of all time. And who better to craft new lyrics for Ella Langley’s “Choosin’ Texas” than the woman who co-wrote them in the first place?

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Lambert took to Instagram to share a series of photos and videos for McLoughlin’s 35th birthday on Wednesday (Oct. 14), alongside the caption: “Happy Birthday @brendanjmcloughlin. 35 looks good on you! Well everything looks good on you but that smile is my favorite ! I love you!”

In addition to pics of McLoughlin poolside, wearing cowboy boots on his hands, holding up Whataburger bags, fishing or riding a jet ski, Lambert also shared a few videos. There’s the one that paints a pretty clear picture of their life in rural Tennessee, showing McLoughlin driving down a country road while Lambert sits shotgun with her feet propped on the windowsill and their dog in the backseat. Then there’s one in which McLoughlin can be seen sweetly lacing Lambert’s pink low-top Jordans.

But the best video is the final one, which was shot in a hotel bathroom, with Lambert serenading her husband as he gets ready for a night out in Sin City.

“He’s in Vegas I can tell by the way he wants to leave the room,” Lambert sings in her unmistakable twang, set to the tune of the “Choosin’ Texas” chorus. “Judging by the smile that’s written on his face, he’s got a lot to lose.” (McLoughlin laughs as he admits to his wife, “That’s true!”) Lambert keeps singing to finish up the chorus: “It doesn’t take a crystal ball to see, Brendan’s gonna gamble until he’s/ Drinkin’ Jack all by himself, he’s in Vegas I can tell.”

Lambert is all too familiar with “Choosin’ Texas,” as she co-wrote and co-produced the song alongside Langley, as well as co-writers Luke Dick and JoyBeth Taylor and co-producer Ben West. The song has since rewritten the Hot 100 record book, spending 24 weeks atop the chart and surpassing the previous benchmark set by Mariah Carey’s “All I Want for Christmas Is You” with 22 weeks at No. 1.

McLoughlin and Lambert started dating in November 2018 before getting married only a few months later in January 2019 in Tennessee. In addition to her work with Langley, Lambert put out her 10th solo album Crisco on Oct. 2, which debuts at No. 4 on the Top Country Albums chart this week.

Check out all of Lambert’s photos and videos for McLoughlin’s birthday below:

Getting Led Zeppelin to sign off on using “Stairway to Heaven” for a movie is no small feat. Greta Gerwig, however, managed to make it happen for her upcoming Narnia adaptation.

The filmmaker revealed that she personally met with Led Zeppelin frontman Robert Plant and guitarist Jimmy Page to secure the legendary rock song for the first trailer for Narnia: The Magician’s Nephew, which debuted Tuesday (Oct. 13).

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“I was so moved that they allowed me to use this song,” Gerwig said during a conversation with Stephen Colbert at New York’s AMC Lincoln Square IMAX theater, held hours before the trailer’s online premiere.

According to Gerwig, the musicians connected with the heart of her film, in part because of their own love for the work of author C.S. Lewis, whose beloved fantasy series serves as the inspiration for the movie.

“They love C.S. Lewis,” she said.

The choice of “Stairway to Heaven” is more than just having a rock classic associated with the film. Gerwig described the song as an epic that explores themes of spiritual discovery, enlightenment and the possibility of losing one’s way — ideas that also run through The Magician’s Nephew.

Those themes come to life in the trailer’s climactic sequence, which features Meryl Streep voicing Aslan, the mighty lion at the center of the Narnia universe. As the Led Zeppelin classic builds, the cosmic creature takes shape in a spectacular burst of light, presenting a peek at the film’s psychedelic visuals that help bring the story to life.

Released on Led Zeppelin’s fourth studio album in 1971, “Stairway to Heaven” never charted on the Billboard Hot 100 during its original release because the band chose not to issue it as a U.S. single. Instead, the eight-minute rock epic became a radio staple and helped propel its parent album, Led Zeppelin IV, to No. 2 on the Billboard 200 in December 1971.

The placement of the song gives the trailer a grandiose, magnetic feel that fits Gerwig’s vision for a story about the creation of an entire world. For a song that has remained a cornerstone of rock radio for more than five decades, its appearance gives a new generation of moviegoers a fresh introduction to both the classic head-banging song and charming fantasy world.

The film adapts Lewis’ 1955 novel The Magician’s Nephew, a prequel to The Lion, the Witch and the Wardrobe. Instead of just starting with the first-published book in the seven-part series, Gerwig chose to explore the origins of Narnia itself.

The filmmaker has spoken about her childhood affection for the fantasy stories and how their sense of possibility stayed with her into adulthood. When she learned Netflix had acquired the rights to the franchise, she pitched the project to the streamer’s co-CEO Ted Sarandos, emphasizing its sweeping themes of good, evil, life and death. She began writing her first draft in 2021.

Gerwig is bringing a distinctly musical sensibility to the fantasy world, too. Along with the trailer including Led Zeppelin, a pre-screening playlist showcased that there are rock and psychedelic influences that shaped the adaptation: David Bowie, The Rolling Stones and Todd Rundgren were among the musicians in the playlist.

The movie stars Daniel Craig, Carey Mulligan, Ciarán Hinds and Emma Mackey, who plays the formidable witch Jadis. David McKenna and Beatrice Campbell portray Digory and Polly, the young friends whose journey leads them into the extraordinary world of Narnia.

Narnia: The Magician’s Nephew will open in theaters on Feb. 12, 2027, before arriving on Netflix on April 2.

Watch the full trailer below.

Some albums make you cry, some make you dance, and others apparently make you feel so much that your stomach can’t handle it. Just ask Hailey Bieber.

The model and Rhode founder recently showed love for Rosalía’s LUX, sharing a pretty enthusiastic reaction to the Spanish singer’s 2025 album on her Instagram Story.

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“You know when an album makes you wanna throw up in a good way?” Bieber wrote with a smiley-face emoticon.

It’s a dramatic description, but truthfully anyone who has fallen headfirst into an album they can’t stop listening to probably knows the feeling. And when it comes to LUX, Rosalía laid all her cards flat for fans to get lost in.

Released in November 2025, the singer’s fourth studio album takes an ambitious approach to pop, weaving orchestral arrangements and classical influences into her ever-evolving sound. Recorded with the London Symphony Orchestra conducted by Daniel Bjarnason, the project features a wide-ranging collection of musical collaborators, including Björk, Carminho, Estrella Morente and Yves Tumor.

Across its 15-track digital edition, LUX explores themes of spirituality, desire, heartbreak and transformation, with Rosalía delivering vocals in multiple languages. The result is a sweeping, adventurous record that pushes the boundaries of traditional Latin and pop music.

LUX also had a massive presence on the charts, debuting at No. 4 on the Billboard 200 dated Nov. 22, 2025, earning Rosalía her first top 10 on the all-genre albums chart. The album also debuted at No. 1 on five different charts: Top Latin Albums, Top Latin Pop Albums, Classical Albums, Classical Crossover Albums and World Albums. That achievement made Rosalía the first artist to debut at No. 1 on all five charts simultaneously.

View Bieber’s reaction to Rosalía’s album below.

Troye Sivan found himself a dancing partner for “Cowboy,” and there couldn’t have been a better match.

The pop star teamed up with Role Model for a TikTok set to “Cowboy,” a track from Sivan’s newly released album She’s the Best. Sivan shared the clip Tuesday (Oct. 13), captioning it with two cowboy emojis and tagging Role Model, whose real name is Tucker Pillsbury.

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In the video, the two musicians dance along to the song, unveiling a pretty unexpected collaboration that feels particularly appropriate when you consider Pillsbury’s former alter ego Saint Laurent Cowboy. The singer previously embraced the Saint Laurent Cowboy persona before adopting his new alter ego, Chuck Timely. So, naturally, joining Sivan for a song called “Cowboy” feels like a full-circle moment for fans familiar with his evolving identities.

Pillsbury also shared the TikTok to his Instagram Story, bringing the crossover to his own followers on a different platform. In a separate Story slide, he reposted a fan’s X post that featured the pair together, which jokingly read, “I love Clairo and Troye Sivan!” He added the words “SAN DIEGO TONIGHT” over the post, referencing his tour stop in the city.

The fan’s reference to Clairo is part of a long-running joke in Role Model’s fandom, where Pillsbury calls himself by different celebrity names, such as Sabrina Carpenter and Harry Styles. Fans join in on the fun, so calling him Clairo is less a case of mistaken identity and more a nod to a fandom inside joke that Pillsbury helped create.

Both Sivan and Pillsbury have been building momentum with their recent releases. Role Model’s Chuck Timely & The Hourglass reached the top 10 of the Billboard 200 in August, giving the singer another successful run after the breakout that was his previous work, Kansas Anymore.

Meanwhile, Sivan’s She’s the Best follows his 2023 album Something to Give Each Other, which debuted at No. 20 on the Billboard 200 and No. 1 on Billboard‘s Top Dance/Electronic Albums chart. The album spawned fan favorites including “Rush,” “One of Your Girls” and “Got Me Started,” further cementing Sivan’s place in contemporary pop. She’s the Best will impact next week’s Billboard charts.

Watch the TikTok below.

It looks like there’s no hard feelings between A$AP Rocky and FERG over the latter’s decision to change his name and the former’s subsequent comments regarding said name change.

FERG took to his Instagram feed to announce that the follow-up to his third solo album Darold is finished and put out an APB for a distributor. “I just finished my new album,” he wrote in a screenshot that he posted. “Who wants to distribute it?”

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Rocky raised his hand, with the Harlem rapper hopping in the comments to congratulate his friend and seemingly offering up the services of his AWGE label. “U know where home is,” he wrote in a comment that included a red heart emoji. “Congratulations.”

The two have been going back and forth through the media recently after each has been asked about FERG dropping the A$AP from his stage name. While the decision hasn’t necessarily created a riff between the two old friends and collaborators, Rocky did express disappointment. “I saw a couple interviews where he was just like, he ain’t A$AP and he dropped A$AP from his name,” he told Apple Music. “That sh– bothered me but I ain’t gon’ hold it against him, and I wish him the best.”

FERG responded in an interview with Complex, saying that removing A$AP from his name was about growth. “I feel like that’s a personal thing for him,” he said about Rocky saying he was initially “bothered” by the decision. “You could feel how you want to feel, but at the end of the day, it’s like I got to follow my truth for sure and how I feel. And there’s nothing wrong with growing.”

As FERG gets set to drop his upcoming project, Rocky is gearing up to do his first Australia and New Zealand tour in eight years with five dates in December.

This week, Taylor Swift and The Beatles are meeting up on the Billboard charts in more ways than one.

First, both appear in the top 10 of the Billboard 200 albums chart, with Swift’s The Life of a Showgirl spending its 14th week at No. 1 and The Beatles’ deluxe edition of Rubber Soul arriving at No. 4 following its own stint up top in 1966. In addition, Swift’s latest week at No. 1 on the chart means she and The Beatles are the only acts to ever spend 100 weeks in the Billboard 200 top spot (The Beatles have 132 weeks to Swift’s now-100).

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On this week’s Billboard Pop Shop Podcast, Katie & Keith are talking about some of the things these two superstar acts have in common across their respective eras and when Swift might reach (or surpass) some big Beatles landmarks, like their record 20 No. 1 hits on the Billboard Hot 100 songs chart.

Also on the show, we’ve got chart news on how the three acts with the most No. 1s on the Billboard 200 — The Beatles, Swift and Drake — are all in the top 10 together for the very first time. Plus, could Tame Impala and JENNIE’s “Dracula” take a bite out of the No. 1 spot on the Hot 100 soon? And, ADÉLA gets her first Hot 100 top 10 with the viral hit “Nicole Kidman.” And we’re also breaking down the big viral news story of the week: Kelly Clarkson’s heated back-and-forth with a Brooklyn art and magic shop.

The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard‘s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard‘s executive digital director, West Coast, Katie Atkinson and Billboard’s managing director, charts and data operations, Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)