Mgk and Wiz Khalifa reunited for their first track in 13 years last week, and the duo has a full joint project on the way.
Earlier this week, Kels and the Taylor Gang honcho revealed that their Blog Era Boyz mixtape is set to arrive on Friday (May 22). It’s fitting since the pair is trekking across North America together as part of mgk’s Lost Americana Tour, which kicked off on May 15, and will give fans some fresh tunes.
The “Mind of a Stoner” collaborators are slated to make stops in Austin, Dallas, Atlanta, St. Louis, Toronto, Kansas City and Vancouver, B.C., before heading to Ridgefield, Wash., on July 1 for a final show.
After packing on the early 2010s nostalgia with “Girl Next Door,” Kels and Wiz are back with another offering from their joint effort with “Everything Tatted,” which arrived on Wednesday (May 20).
“I tattoo my face/ I tattoo my neck/ I tattoo my hands, legs, back, chest/ Freaks come out at night, 12 a.m. we active,” mgk raps before passing the baton to Wiz.
The track oozes rebellious energy that Kels has ingrained in his DNA, and the title is fitting with both artists covered in ink. One of Wiz’s breakout songs is “Ink My Whole Body” after all, which landed on his 2008 Star Power mixtape.
The punk visual of the new track steals the show, and it’s a star-studded affair, with everyone showing off their body as a canvas. Wiz and Kels recruited Bam Margera, Ty Dolla $ign and skater Boo Johnson for appearances. In addition to Mod Sun and EST members such as Slim and Rook, there are plenty of inked women surrounding the crew as well.
Before joining up with Wiz, mgk recruited Limp Bizkit’s Fred Durst for “Fix Ur Face” in April, which reached No. 1 on Billboard‘s Hot Hard Rock Songs chart.
Check out the video for “Everything Tatted” below.
Motionless in White lands its second No. 1 in a row on Billboard’s Hot Hard Rock Songs chart, scoring the top spot on the May 23-dated list with “Playing God.”
The song, which features vocals from Corey Taylor of Slipknot and Stone Sour, drew 1.4 million chart-eligible streams and sold 1,000 in the United States in the week ending May 14, according to Luminate.
The May 8-14 tracking period marked the song’s first full week of data toward the Billboard charts; it accumulated 515,000 streams and 1,000 sold for the May 16 charts via two days of tracking after its May 6 release.
Motionless in White previously led Hot Hard Rock Songs with “Afraid of the Dark” for two nonconsecutive weeks in February and March. It currently ranks at No. 4 (1.2 million streams).
As for Taylor, “Playing God” marks his first solo No. 1 on Hot Hard Rock Songs, which began in 2020, surpassing the No. 7 peak of “Black Eyes Blue” that year. Slipknot has one earned leader: “The Chapeltown Rag” in 2021.
“Playing God” is the second song released from Decades, Motionless in White’s upcoming seventh studio album. Announced alongside the release of “Playing God,” the set is due July 17. The 12-track album includes a cover of Corey Hart’s 1980s classic “Sunglasses at Night,” while Skylar Grey and Anthony Martinez join Taylor as featured acts.
Motionless in White’s most recent LP, 2022’s Scoring the End of the World, debuted at No. 1 on the Top Hard Rock Albums chart and has earned 434,000 equivalent album units to date.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-05-20 18:01:452026-05-20 18:01:45Motionless in White Tops Hot Hard Rock Songs Chart Again, This Time With Corey Taylor
UPDATE (MAY 20): HSHQ, the official Instagram account representing Harry Styles’ team, has issued a statement via Instagram Stories confirming that adjustments will be made to the height of Together, Together tour stage following fan criticism.
The update comes after concerns were raised on social media regarding visibility at recent shows in Amsterdam. HSHQ has publicly acknowledged the feedback, noting that revisions are being implemented to improve the concert experience for attendees.
“We’ve heard concerns from some fans regarding sightline obstructions on the floor. We want every person in the room to have the best experience possible, and we are actively working on making adjustments to improve visibility, while keeping everyone’s safety a priority,” the statement began.
“Beginning Friday, the front bridges will be altered in Amsterdam and London. For future venues, we are working as quickly as possible to make adjustments that also fit within safety code and local compliance. In the meantime, temporary barricade adjustments have been made to the left and right front GA pits for tonight’s show to improve stage visibility.”
It concluded by thanking fans for their “patience and understanding”, before making reference to a lyric from “Dance No More,” Styles’ latest single: “We love dancing with all our friends.”
PREVIOUSLY: Fans attending the opening dates of Harry Styles’ ‘Together, Together’ tour have shared concerns online about obstructed views from premium floor sections.
After the tour’s first two shows, which took place at Amsterdam’s Johan Cruyff Arena over the weekend (May 16 and 17), clips circulating social media showed some concertgoers struggling to see due to the height of the stage, equipment, and a large production set-up, prompting criticism over Styles’ ambitious staging design.
In a statement shared with Billboard U.K., a tour representative for Styles has said that areas of the staging are “being reviewed carefully” and the team is working to improve visibility concerns ahead of upcoming shows.
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“The floor concept was designed to give fans freedom of movement and the ability to experience the show from different positions, rather than being confined to one fixed viewing angle,” they said.
“That open, free-flowing floor experience has always been an essential part of Harry’s live shows. A small area of the staging in specific floor positions appears to have had a restricted sightline. Those areas are being reviewed carefully and adjusted where possible in compliance with all safety restrictions.”
The sight line complaints have also fueled a broader online conversation around rising concert ticket prices and fan expectations for premium live experiences. While some attendees praised the staging – which sees Styles moving between multiple performance areas during a two-hour set – others argued that standing tickets should offer consistent views of the show, regardless of production elements. Styles has not addressed the backlash publicly.
The Together, Together tour, which will hit seven key global cities throughout 2026, remains one of the year’s biggest live music launches. Billboard U.K. attended the kickoff at Johan Cruyff Arena, describing the show as “a fervent, dizzying two-hour trip through Styles’ musical canon” and praising its more mature feel to the British singer’s previous live performances.
Following a further eight nights in Amsterdam, Styles will take the trek onward to London for a record-breaking 12 shows at Wembley Stadium, before continuing with additional stadium dates in São Paulo, Mexico City, Sydney and Melbourne. Throughout the fall, the 32-year-old will play 30 sold-out nights at New York City’s Madison Square Garden.
The Together, Together tour marks Styles’ first major live run since the release of his fourth album Kiss All The Time. Disco, Occasionally in March, which hit No. 1 on both the Billboard 200 and the Official U.K. Albums Chart. The stadium trek follows his 169-date Love On Tour cycle, which ran between 2021 and 2023 and established the former One Direction member as one of the most in-demand live acts of the past decade.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-05-20 17:58:412026-05-20 17:58:41Harry Styles’ Team Responds to Fan Complaints About Obstructed ‘Together, Together’ Tour Sight Lines
The title track of Bullet Train’s 23rd single sold 585,235 copies, surpassing the group’s previous personal-best first-week sales of 416,904 copies set with “NINE LIVES.” The song lands at No. 1 for sales, while placing No. 38 for downloads, No. 3 for radio airplay, and No. 19 for video views to give the group its third No. 1 on the Japan Hot 100.
Sakanaction’s song from 2012, “Yoru no Odoriko,” rises to No. 2 from No. 10, with streaming up 143%, downloads up 192%, radio up 160%, video up 256%, and karaoke up 153% week-over-week. M!LK’s “Bakuretsu Aishiteru” and “Sukisugite Metsu!” each climb two spots to No. 3 and No. 4, respectively, while Kenshi Yonezu’s “IRIS OUT” also moves up two positions from No. 7 to No. 5.
Ae! group’s “Dekoboko Life” enters the chart at No. 6. The theme song to the movie OSOMATSUSAN, in which the group makes its feature-film lead debut, logged 12,131 downloads to top the metric, while hitting No. 2 for radio and No. 39 for video. The CD version is set for release Jun. 17.
Utada Hikaru’s “PAPPAPARADISE” leaps 19-7, powered by a 133% streaming gain and a 254% radio gain week-over-week. The track serves as the new ending theme to the long-running anime Chibi Maruko-chan and has also been adopted as the new commercial song for Ayataka bottled tea.
The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, video views and karaoke data.
See the full Billboard Japan Hot 100 chart, tallying the week from May 11 to 17, here. For more on Japanese music and charts, visit Billboard Japan’s English X account.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-05-20 17:31:162026-05-20 17:31:16Bullet Train’s ‘Gachi Muchuu!’ Hits No. 1 as Sakanaction’s ‘Yoru no Odoriko’ Rises to No. 2 on Japan Hot 100
Just before P!nk hosts the Tony Awards on Sunday, June 7, Laura Benanti and Tituss Burgess will “Get the Party Started,” to quote one of P!nk’s greatest hits, as cohosts of “The Tony Awards: Act One.”
The pre-show will be available to viewers for free on Pluto TV from 6:35 to 8 p.m. ET/3:35-5 p.m. PT on Tony Sunday. Viewers can access “The Tony Awards: Act One” on their smart TV, streaming device, mobile app or online by going to Pluto TV and clicking on the “Live Music” channel, found within the Entertainment category on the service.
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Benanti is a top star of Broadway musicals. She won a Tony in 2008 for her featured role in Gypsy and has also been nominated for her performances in Swing!, Into the Woods, Women on the Verge of a Nervous Breakdown and She Loves Me.
Burgess received five Primetime Emmy nods for Unbreakable Kimmy Schmidt and a sixth for Central Park.
Last year, the pre-show was cohosted by Darren Criss and Renée Elise Goldsberry. Criss went on to win a Tony on that night’s main show for his lead role in Maybe Happy Ending.
Immediately following the pre-show, the 79th Annual Tony Awards will broadcast live to both coasts from 8 to 11 p.m. ET/5 to 8 p.m. PT on CBS and streaming on Paramount+. This year’s show will be held at Radio City Music Hall in New York City for the second year in a row.
Raj Kapoor, Sarah Levine Hall, and Jack Sussman are executive producers of this year’s show. Kapoor and Levine Hall will also serve as co-showrunners. Patrick Menton and Rob Paine will co-executive produce, with Menton also serving as head of talent.
Kapoor was also an executive producer of this year’s Grammys, Oscars and Academy of Country Music Awards.
The Tony Awards are produced in collaboration with Tony Award Productions, a joint venture of the American Theatre Wing and The Broadway League.
Kylie Minogue has also seen those rumors that she might be a secret guest star on Madonna‘s upcoming Confessions II album. The whispers ramped up on Tuesday (May 19) when a Los Angeles Times interviewer asked Minogue about an Instagram post hinting at a new music video shoot, which led to some fan wish-making about a superstar diva team-up on Madonna’s upcoming (July 3) sequel to her 2005 Billboard 200 No. 1 album, Confessions on a Dance Floor.
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“That’s a random thing,” Minogue told the paper about the Madonna talk. “There was a rumor I was on her album, but I’m not — I’m excited to hear it, all!”
The speculation is not totally unfounded, as Minogue made a surprise cameo during the March 2024 Los Angeles stop on Madonna’s Celebration tour, where they performed Gloria Gaynor’s girl-power disco classic “I Will Survive” as well as Minogue’s 2001 hit “Can’t Get You Out of My Head.”
A year later, speaking to People, Minogue said, “That was an incredible night and an incredible moment. And a lot of people had been waiting a long time, probably including us, but I thought that was just perfect.” At the time, she said she would “obviously” love to collaborate with Madonna one day. “So, there’s been no discussion, but if it were to happen, that would be great,” she said in December.
So far, Madonna has released “I Feel So Free,” as well as the Sabrina Carpenter collab “Bring You Love,” the album’s first official single. And while the tracklist was revealed in street posters around the world, it did shed light on any other potential guest stars.
The (relatively) bad news came with a bit of good news for Minogue fans, with the 57-year-old singer confirming that she’s recorded a new song called “Light Up” that she said “lives perfectly” next to her new three-part Netflix documentary, Kylie, which dropped on Wednesday (May 20).
Minogue said the fresh track is no “Padam Padam,” the Grammy-winning 2023 global dance smash that was the singer’s second No. 1 on Billboard’s Dance/Mix Show Airplay chart. She described the song as having a “lot of heart. Initially, I was thinking about my mom, ‘cause you can see in this documentary — don’t make me cry — I love her so much. I was writing about when you’re struggling, whether you’re a child or a grown-up, and someone who loves you will look into your eyes and, like a manga cartoon, you kind of zoom in and you see this world of possibility. When you’re lost, helpless or glassy-eyed, someone who can see in you what you can’t see can light you up, and you can get through that moment.”
The intimate documentary chronicles Mingoue’s rise from a teen star on the mega-popular Australian soap opera Neighbours — which instantly made her a household name in her native country beginning in 1986 — to her whirlwind romance with late INXS singer Michael Hutchence. It also touches on her unusual friendship with fellow musician and dark prince of Australian rock Nick Cave, as well as the seemingly constant wave of negative press and criticism she received during the initial years of her pop career in the 1990s.
With her signature charm and humor, Minogue responds to those slings and arrows with good cheer, while also delving into the heartbreak of her split with first love Hutchence and the devastating impact of her breast cancer diagnosis in 2005. She also reveals her, until-now, undisclosed second cancer diagnosis in 2021, which she discusses for the first time in the doc.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-05-20 17:31:162026-05-20 17:31:16Kylie Minogue Spills on Those Madonna Collaboration Rumors: ‘That’s a Random Thing’
Cher has been keeping it groovy for eight decades now, with the multi-hyphenate superstar celebrating her 80th birthday on Wednesday (May 20). And to celebrate, Billboard wants to know which of her many songs to reach the top 10 of the Billboard Hot 100 thus far is the greatest.
In total, Cher has notched a dozen tracks in the top 10 over the course of her solo career — four of which went No. 1, mind you. That’s not including the smashes she secured in her legacy by way of Sonny & Cher, her former music duo with ex-husband Sonny Bono best known for “I Got You Babe,” which spent three weeks at the top of the chart in 1965. After going out on her own, the singer-actress first reached the summit in 1972 with “Gypsys, Tramps & Thieves.” She would continue to outdo herself with 1973’s “Half-Breed” and 1998’s “Believe,” which spent two and four weeks at No. 1, respectively. (1974’s “Dark Lady” also reached the summit for a week.) Some of her most beloved enduring hits never made it to the top spot, but certainly came close, with “If I Could Turn Back Time” peaking at No. 3 and “After All (Love Theme From Chances Are)” hitting No. 6 in 1989.
But which of those staples in Cher’s iconic discography is the best? Now’s the time to decide.
In honor of the legend’s big day, Billboard wants to know your favorite of her top 10 hits on the Hot 100. Tell us your pick by casting your vote in the poll below.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-05-20 17:26:092026-05-20 17:26:09Which Is Cher’s Best Top 10 Hit on the Billboard Hot 100? Vote!
More than 40 years after its release, Thriller yet again vaults Michael Jackson into the record books. The landmark album spends a 39th nonconsecutive week at No. 1 on Top R&B/Hip-Hop Albums (dated May 23), bringing the King of Pop’s total weeks at No. 1 — across his nine No. 1 albums — to an even 100. He is the first solo artist to reach the triple-digit mark in the chart’s 61-year history.
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For its latest week in charge, Thriller earned 66,000 equivalent album units in the tracking week of May 8-14 in the United States, according to Luminate. The album improved 6% in units compared to its previous week’s count.
The smash album, released in 1982, reclaimed the top spot last week for the first time since 1984 as fan reaction to the Michael biopic has prompted massive surges in Jackson’s overall streaming catalog across all of his songs. For the fourth consecutive week, Jackson reaches a new best streaming week career for his solo material in U.S. official on-demand streams. His May 8-14 sum of 190.4 million follows his 181.6 million count (May 1-7), 137.6 million (April 24-30) and 55.9 million (April 17-23).
With Thriller retaining the crown, Jackson adds his 100th career week at No. 1 on Top R&B/Hip-Hop Albums. He claims the second-best career total in the chart’s history, after only The Temptations, whose record 17 No. 1s on the chart combined for 109 weeks in the top spot. Jackson joins the triple-digit club via these nine No. 1s:
Weeks at No. 1, Album Title, Year(s) at No. 1
16, Off the Wall, 1979-80
39, Thriller, 1983-84; 2026
18, Bad, 1987-88
12, Dangerous, 1992
two, HIStory: Past Present and Future Book 1, 1995
four, Invincible, 2001
four, Michael Jackson’s This Is It Soundtrack, 2009
two, Michael, 2011
three, Xscape, 2014
In its original era, Thriller clocked a then-record 37 weeks at No. 1 in 1983-84 off the strength of classic singles including “Billie Jean,” “Beat It” and the title track. Its mark stood for 41 years until SZA’s SOS, reinforced with its SOS Deluxe: LANA edition, surpassed it in June 2025 and extended to 46 total weeks at the top.
“Billie Jean” leads Jackson’s song catalog again, at No. 3 on the Hot R&B/Hip-Hop Songs chart, maintaining last week’s position. The former No. 1 is joined by Thriller tracks “Human Nature” (6-4) and “Beat It” (7-6) closely behind. In total, Jackson lands 14 cuts on the chart, the most simultaneous appearances he’s ever had in a single week.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-05-20 17:26:092026-05-20 17:26:09Michael Jackson Achieves 100 Weeks at No. 1 on Top R&B/Hip-Hop Albums Chart
There are Survivor fans, and then there’s Sia — a Grammy-nominated pop star who has given away more than $1 million of her own money to numerous contestants across eight seasons. And, after a brief pause, she’s bringing back her tradition for the season 50 finale with a fan-centric twist.
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The Sia Prize began in 2016 as an unofficial cash reward for players whose personal stories resonated with the “Chandelier” singer. After she surpassed the $1 million mark, host Jeff Probst put his foot down. “I’m stopping this because you’ll just keep giving money and you have a family,” he toldRolling Stone in an interview published Tuesday (May 19).
Now, 10 years after the inception of the Sia Prize, the reward will return, with the Australian singer-songwriter asking fans to vote for “the kind of player she always recognizes.” In keeping with this season’s “In the Hands of the Fans” theme, this year’s Sia Prize winner will be announced during the season finale on Wednesday, May 20, and walk away with $100,000.
At press time, representatives for Sia have not responded to Billboard’s request for comment.
“When we decided that Survivor 50 was going to be ‘In the Hands of the Fans,’ I reached out to Sia to let her know what we were doing and to see if she had any interest in being part of it again,” Probst explained to RS. “She loved the idea of fans having a real voice in shaping the game and was very enthusiastic about participating. And the twist on the Sia Prize was actually her idea. She said, ‘If this season is truly about the fans having a say, then the fans should choose the winner of the Sia Prize too.’”
Sia last handed out her prize in 2023 for the show’s 45th season, with Katurah Topps winning $100,000 and Jake O’Kane and Kaleb Gebrewold each earning $15,000. “‘I’ve been really fortunate [and] music has been good to me,’” Probst recalled Sia telling him. “‘I make a lot of money, and Survivor brings me a lot of joy, so I want to share my money with people who brought me a lot of joy.’”
Season 50 of Survivor has a strong musical bent — and it doesn’t stop with Sia. Green Day’s Billie Joe Armstrong and his son, Jakob, recorded a cover of David Bowie’s “Heroes” for this season’s promos, and Probst’s original song, “Survivor 50 Come and Get It,” was recorded in the same studio as Joni Mitchell’s Blue and Carole King’s Tapestry. Country star Zac Brown also launched his own “epic spearfishing” prize this season, while Jack Harlow, Billie Eilish and Doja Cat have all proved themselves to be major Survivor fans over the years.
When RS asked Probst why musical artists might be drawn to the long-running competition, he shared: “From the music perspective, because people like Sia are fans who happen to be musicians. But I think, to extrapolate, our son is a musician. When he plays us a song he just wrote, he’s nervous. It’s from his soul. And that’s Survivor: real people telling you their truth. Being vulnerable. Like the vulnerability of sharing your art. That’s what people connect with.”
Sia’s most recent solo studio album, Reasonable Woman, arrived in 2024 and reached No. 153 on the Billboard 200. At the top of this year (Jan. 29), she released a 10th anniversary edition of her 2016 This Is Acting LP, which spawned her Sean Paul-assisted, RIAA Diamond-certified Billboard Hot 100 No. 1 single “Cheap Thrills.”
Survivor airs Wednesdays on CBS at 8 p.m., and streams on Paramount+.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-05-20 17:15:582026-05-20 17:15:58Jeff Probst on the Return of the Sia Prize for ‘Survivor 50’: The Twist ‘Was Her Idea’
Cardi B isn’t letting motherhood cramp her style, unless you count 7-year-old daughter Kulture stealing pieces from her closet on the regular.
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When asked by E News!in a Wednesday (May 20) article whether having kids has changed her approach to fashion, the rapper responded with her signature bluntness. “It hasn’t,” she said. “F–k that, they haven’t changed me for s–t!”
“I like to get dressed up, I like to feel nice,” the Grammy winner continued. “When you look good, you want to work, you want to go outside, you want to do something.”
That said, there are some boundaries here and there that Cardi has. “I’m not gonna go to my daughter’s school with a see-through shirt or with a shirt [where] my nipples are rock hard,” she told the publication.
The interview comes as Cardi — who shares Kulture and two other kids with estranged husband Offset as well as a baby boy with Stefon Diggs — is launching her partnership with Fashionphile. In her new commercial for the consignment company, she quips that the resale platform is perfect for anyone who’s “got bags, jewelry and watches just sitting, like the ones from certain exes.”
One person who may need to try out the website in the future is Kulture, because Cardi says she’s not planning on sharing her purse collection with her eldest child anytime soon. “Oh my god. This girl is always in my closet,” the rapper added to E. “I’m about sick of it, but she already knows the rules — my clothes, whatever, and my shoes, whatever, but don’t touch Mommy’s purses. You already wrote on one of them.”
Cardi’s latest money move comes about a month after she wrapped her Little Miss Drama Tour, which grossed more than $70 million across 453,000 tickets sold, according to numbers reported to Billboard Boxscore. The trek supported her long-awaited sophomore album, Am I the Drama?, which debuted atop the Billboard 200 in October.
Watch Cardi’s new commercial for Fashionphile above.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-05-20 16:41:332026-05-20 16:41:33Cardi B Reveals What Daughter Kulture Does in Her Closet That She Can’t Stand: ‘I’m About Sick of It’