Merck Mercuriadis is combining eight management companies for his new venture, Hipgnosis Artist Partnerships.

Mercuriadis, known for popularizing the concept of music as an asset class with his previous suite of Hipgnosis catalog investment companies, detailed plans for his next venture during a keynote conversation at the Music Tectonics conference in Santa Monica, Calif., on Wednesday (Oct. 28).

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A former artist manager himself for acts like Beyoncé, Guns N’ Roses and Elton John, Mercuriadis previously announced that Hipgnosis Artist Partnerships would be aimed at sharing asset ownership between managers and musicians. During Wednesday’s keynote, moderated by Music Tectonics director Dmitri Vietze, Mercuriadis revealed for the first time that he is rolling up eight “very significant management companies to create a juggernaut management company.”

Hipgnosis Artist Partnerships has not named its target acquisition companies. The first of these transactions is set to be announced in the first quarter of 2027.

Mercuriadis detailed how Hipgnosis Artist Partnerships’ revenue-share model will work: Artists and managers will co-own all assets created during the life of the relationship, with the artist as majority shareholder and the manager as minority owner. The artist is free to leave, but “those assets that are created in the partnership always stay in the partnership,” Mercuriadis said.

“Day one when we’re writing checks for the artists, the majority of the money’s coming to the company, but money’s always flowing through to the artist, at least 20 or 30%, regardless of recoupment,” said Mercuriadis. “They recoup very, very quickly because they’re now recouping from all income streams. And then when they recoup and the company hits its return-on-investment targets, it’ll swing so they’re getting 80% of the money and the company’s getting 20% of the money.”

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According to Mercuriadis, Hipgnosis Artist Partnerships is about a “value shift” — that is, moving money away from record companies and toward artists and managers. But he’ll still rely on the majors for publishing administration and label services: “We will lease the infrastructure of Universal, Warner and Sony, but Hipgnosis Artist Partnerships will be the ones to decide how the money is spent,” he said.

Mercuriadis built three companies under the Hipgnosis name starting in 2017, acquiring and managing a valuable catalog that included songs by Shakira, the Red Hot Chili Peppers, Fleetwood Mac and Diana Ross. He ultimately sold his stake to private equity backer Blackstone during a turbulent period in 2024. The consolidated companies, renamed Recognition Music, were acquired by Sony this past May.

Asked during Wednesday’s keynote what he thinks about those in the music industry who say he overpaid for the Hipgnosis catalog, Mercuriadis replied that he succeeded in his goal: elevating the value of songs.  

“When you then sell your catalog for $1.2 billion more than what you paid for it, that argument tends to go out the window,” added Mercuriadis. “To anyone who thought that I overpaid, god bless you. Keep doing what you’re doing.”

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Some of George Harrison‘s most personal photos are being revealed for the first time as part of a new coffee table book from the Beatles guitarist.

The Third Eye: Early Photographs is billed as an “intimate, beautiful collection of more than 200 never-before-collected photos of the Beatles at work and at play.” All of the photos were taken by Harrison through his Pentax film camera between 1963 and 1970, with many of the images being published for the first time in this collection. Those dates span the most prolific years of the Beatles’ career, and the photos cover everything from the making of seminal albums like A Hard Day’s Night to the band’s famous appearance on The Ed Sullivan Show and subsequent tours around the world.

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The hardcover book features a foreword by Harrison’s wife, Olivia, along with an afterword by American author and Booker Prize winner George Saunders.


In between, the book collects 250 images ranging from unretouched photographs to 8mm movie stills. The images capture behind-the-scenes moments of The Beatles on tour, along with photos from the band’s travels and more personal, introspective moments seen through Harrison’s lens. There are also portraits of John Lennon, Ringo Starr and Paul McCartney snapped by Harrison himself.

Publisher Random House says the photos were all curated by Harrison’s widow, Olivia Harrison, and that the book features “singular images” of The Beatles as “they rocketed to stardom and fostered the joyful madness that came to be known as Beatlemania.”

The book features accompanying descriptions and captions taken from Harrison’s own words and written recollections. As he recounts about a concert in Italy, “We’d often talk of having a tour where we didn’t have to play any shows. Everyone was using the mania as an excuse to go mad — the world did and they blamed it on us. But we were just inside of a car or a hotel room and really couldn’t do much of anything — we couldn’t even go outside.”

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“I want to show people, from George’s unique photographic perspective during the Beatles’ early years, the moments when the whole of your life is ahead of you with unknowable possibilities,” Olivia Harrison said in a press release. “His images in The Third Eye capture that spirit.”

“I like cameras because you can see things in a different way,” George Harrison once said. “You can make things look how they feel instead of how they are.”

First announced last year, The Third Eye: Early Photographs is available now on Amazon. Released Oct. 6, the book has shot to number one on Amazon’s bestselling photography books chart.

NE-YO performed the national anthem at game 4 of the 2026 World Series on Tuesday night (Oct. 27) in Tampa Bay, as the Milwaukee Brewers have their brooms out looking to complete the sweep of the Rays.

Holding his hat at his side, NE-YO brought his silky-smooth vocals to “The Star-Spangled Banner,” singing on the baseball field as a graphic of the American flag waved behind him. Watch the full performance here:

The R&B singer followed in the footsteps of Mickey Guyton (game 1), Kylie Cantrall (game 2) and Carly Pearce (game 3) as the national anthem performers in this year’s Fall Classic.

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“You go over the words like a madman,” NE-YO said in an interview with MLB Network prior to the performance. “Lord knows that you don’t want to get up there and forget the words. You do a lot of vocal exercises… I try to keep it somewhat traditional.”

If the Rays snatch a victory, game 5 will take place on Wednesday (Oct. 28) at the Trop. But it could be a historic night at Tropicana Field. The champagne bottles are sure to be popping if the Brewers indeed win game 4 to capture the franchise’s first World Series championship.

2026 marks the Brew Crew’s first appearance in the Fall Classic since 1982, when they fell short to the St. Louis Cardinals in seven games, which was when the franchise was still in the American League.

This is far from NE-YO’s first time singing the national anthem at a major sporting event. The “So Sick” artist previously performed at the 2016 NBA All-Star Game, Thanksgiving’s Detroit Lions-Chicago Bears game in 2021 and the inaugural NBA In-Season Tournament’s final in 2023 in Las Vegas between the Indiana Pacers and Los Angeles Lakers.

Sporting a cowboy hat, the 47-year-old returned in July with the release of his country-inspired Highway 79 album.

Watch NE-YO’s full interview with MLB Network ahead of game 4 below.

Grammy first-round voting wrapped up last week, on Oct. 22, and 2027 nominations will arrive on Nov. 16 — so it’s a good time to take a closer look at next year’s best new artist race and who might snag one of those coveted eight nomination slots.

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On the new Billboard Pop Shop Podcast, Katie & Keith are looking at some of the likeliest nominees, including Billboard Hot 100 record-setter Ella Langley and British songstress Sienna Spiro, and why one big name won’t be included on Grammy ballots this year: newly minted pop hitmaker ADÉLA.

Listen to the full conversation below:

Also on the show, we’ve got chart news on how Olivia Rodrigo is back at No. 1 on the Billboard 200 with you seem pretty sad for a girl so in love, how Zach Bryan’s surprise new album young manhood and other donatable organs makes a big debut, and how a trio of tracks swoop into the top five on the Hot 100 for the first time.

The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard‘s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard‘s executive digital director, West Coast, Katie Atkinson and Billboard’s managing director, charts and data operations, Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)

The numbers are in: The 2026 Billboard Latin Music Awards was a No. 1 hit.

Presented Thursday, Oct. 22, the annual celebration of Latin music enjoyed a “strong multiplatform performance,” broadcaster Telemundo reports, to rank No. 1 in Spanish-language television for the 7pm-11pm primetime spot.

The broadcaster averaged 335,000 adults (18-49) and 1.1 million total viewers, according to data provided by Nielsen, peaking at 8:30pm with 400,000 adults (18-49) and 1.2 million total viewers.

At the same time, Telemundo’s digital platforms and social channels captured 306 million total views, up 57% from the 2025 edition, with fans watching a combined 29.7 million minutes, a 41% gain against 2025.

The 2026 Billboard Latin Music Awards also powered “significant social engagement,” according to Talkwalker Social Content Ratings, for a No. 1 ranking across all TV in total social video views and the leading broadcast program of the day, regardless of language. Facebook, TikTok and Instagram led the way, while on YouTube, viewing minutes more than doubled (+101% vs. 2025), fueled by expanded livestream coverage.

With eight awards, plus the Billboard Vanguard Award, Fuerza Regida was the big winner at the 2026 Billboard Latin Music Awards. Although not present, Bad Bunny was close behind with seven trophies, while Karol G, Peso Pluma and Romeo Santos won four each. Rosalía, Tito Double P and Prince Royce each took home three.

The ceremony aired live on Telemundo and Peacock from James L. Knight Center in Miami, FL, and featured 47 categories spanning major Latin music genres such as pop, tropical, Latin rhythm and regional Mexican. Additionally, for the first time fans had a historic opportunity to choose one of the night’s winners through a new award, Fan Favorite Artist, which went to Karol G.

During the show, Cristian Castro was saluted with the Billboard Lifetime Achievement Award for his enduring and exceptional career; and Rubén Blades received the Billboard Icon Award, celebrating his timeless career in Latin music.

Demi Lovato is feeling “fine” after a reported brief hospitalization from an allergic reaction she had on Tuesday (Oct. 27).

According to People, the pop star posted a photo to her Instagram Story receiving medical treatment with an IV in her arm while wearing a hospital bracelet.

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Lovato hypothesized that she developed a new allergy to either passionfruit or sushi. “Soooooo i’m either allergic to passionfruit or sushi now,” she wrote before deleting the post.

The 34-year-old reportedly made a follow-up post to quell the nerves of Lovatics around the globe as she’s recovering from the health scare. “I’m fine,” Lovato added in the also since-deleted post.

The “Sorry Not Sorry” has battled various allergies over the years. In 2009, she suffered an allergic reaction while filming an episode of Sonny With a Chance, which she believed was from an ingredient in an egg salad.

“I had to go home early because they couldn’t just cover me up with makeup since I was red and itchy,” Lovato said to Just Jared Jr. “I guess I was allergic to something in egg salad. But it was actually really funny and amusing.”

Lovato’s also been open about being badly allergic to pets like cats and dogs, but that didn’t stop the singer from adopting a feline, which she returned after one day.

On the music front, the Camp Rock alum released her dance-pop album It’s Not That Deep in October 2025, which peaked at No. 9 on the Billboard 200.

Billboard has reached out to Demi Lovato’s reps for comment.

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Apparently, “The Baddest Bi—es Are in LA.”

Hot Topic’s exclusive Prima collection playfully turns ADÉLA’s “Ain’t in LA” lyric, “the baddest bi—es ain’t in LA,” into a declaration of hometown pride. City-specific T-shirts assert that there are, in fact, baddies in Los Angeles, Dallas, Seattle, Nashville, Washington, D.C. and New York, nodding to the sold-out shows in these cities and the devoted fans who filled them. Two additional graphic tees and a collection of stickers featuring Prima album artwork round out the merch lineup, giving ADÉLA’s fans more ways to show their allegiance.

ADÉLA has dominated the cultural conversation this year with “Nicole Kidman,” a sultry earworm soundtracking millions of TikTok videos, Victoria’s Secret’s 2026 fashion show and celebrity lip-syncs, including one featuring Kristen Wiig, Pedro Pascal and Dua Lipa, who cheekily pans the camera toward a kiss-blowing Kidman. Both “Nicole Kidman” and “Ain’t in LA” landed on the Billboard Hot 100, while Prima debuted at No. 1 on two Billboard album charts. Yet “Ain’t in LA” offers more than a catchy song. Its music video is an insight into Adéla’s Slovakian culture and the DIY social scene of working-class youth. From “subwoofers in the trunk” to “Honda Civic doin’ donuts in the rain,” the imagery is one where just hanging out is the main event, worlds away from the glossy, otherworldly life in Los Angeles.

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Hot Topic is where alternative taste meets pop-culture obsession. The retailer stocks band tees, graphic apparel, accessories, collectibles, pop-culture gifts and fandom essentials for anyone whose personality can be summed up by their current playlist. Its exclusive artist merchandise makes it a destination for fans who want more than another generic tour shirt. From iconic artists to emerging pop names like Adéla, Hot Topic helps fans wear their obsessions proudly. Their inventory includes Halloween-inspired apparel, pop culture backpacks, home décor, band merch as well as toys and collectibles. 

Macklemore kicked off his Free Palestine benefit concert series in Dublin on Monday night (Oct. 26), bringing out Hozier, Kneecap and a stacked bill of guests at a sold-out 3Arena.

Joining the Seattle rapper onstage were Irish folk band Beoga, singer-songwriter Lina Makoul, M1 of Dead Prez and DJ Habibeats. Game of Thrones actor Liam Cunningham, activist and psychotherapist Nadia Greenspan and artist and organizer Samir Eskanda spoke as special guests, while Mark Ruffalo, The Strokes frontman Julian Casablancas, Cynthia Nixon, Ilana Glazer and Natasha Rothwell made remote appearances.

The three-city run is raising money for organizations that provide humanitarian relief, medical care, education and advocacy for Palestinians, according to organizers. When the series was announced in September, Live Nation named beneficiaries including Anera, Medical Aid for Palestinians, the Palestine Children’s Relief Fund, Jewish Voice for Peace and UNRWA USA.

The shows grew out of Macklemore’s abrupt exit from the North American leg of Ed Sheeran’s Loop Tour in September. During a stop at MetLife Stadium, he told the crowd “Free Palestine” and voiced support for people in Gaza and the West Bank. Macklemore later said New England Patriots owner Robert Kraft pushed for his removal, and Kraft confirmed he had barred the rapper from Gillette Stadium, citing those comments and what he called “a broader history of antisemitic rhetoric and imagery.” Sheeran said the decision was made by his promoter, not him.

The fallout spread quickly. Several support acts quit the tour in response, among them Beoga, who had been performing with Sheeran every night before landing a spot on Monday’s Dublin bill. Macklemore has also pledged his $1 million in net earnings from the tour to Palestinian aid groups.

Dublin came just days after Macklemore played his first show since leaving the tour, a 17-song set at Colorado’s Red Rocks Amphitheatre on Oct. 22, where he again called for a “free Palestine” and spoke about Sudan, Congo, Lebanon, Haiti and people affected by U.S. Immigration and Customs Enforcement.

Macklemore has topped the Billboard Hot 100 twice, both alongside Ryan Lewis in 2013 with “Thrift Shop” and “Can’t Hold Us.”

The series moves to Paris’ Accor Arena on Thursday (Oct. 29) and wraps at London’s OVO Arena Wembley on Friday (Oct. 30). All three dates are sold out.

From halftime producer to headliner: Jay-Z is set to headline the 2027 Super Bowl halftime show.

The news was announced during Monday Night Football (Oct. 26) after ESPN teased a “special announcement” heading into halftime. A teaser soundtracked by “Public Service Announcement (Interlude),” off 2003’s The Black Album, plays across a black-and-white video of Jay-Z in stadium seats, kicking off with the famous line: “Allow me to reintroduce myself, my name HOV — H to the O-V.” The tease was posted to social media after.

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Watch the teaser below:

The video includes the caption “GOAT’s out of the bag” since this became an open secret when it was reported first by Puck that Jay-Z — who’s been producing the halftime show alongside Roc Nation since 2020 — had given himself the nod to headline the 2027 Super Bowl set.

In fact, the rapper was expected to announce the news over the weekend, when he played a pair of shows at SoFi Stadium in Inglewood, California, which will host the 2027 Super Bowl, on Friday and Saturday. Those shows came and went without an announcement, as did a full day of NFL games on Sunday, but now the news is official.

Given the Feb. 14 date of next year’s Super Bowl, fans are hopeful that Jay might be joined by his superstar wife Beyoncé for an unconventional Valentine’s Day celebration on the football field, among other possible special guests the rapper has collaborated with over the years.

Jay-Z, under his birth name Shawn Carter, has received six consecutive Primetime Emmy nominations as an executive producer of the Super Bowl halftime show, in the category of outstanding variety special (live). He won for two of those shows — the all-star hip-hop show in 2022 starring Dr. Dre, Snoop Dogg, Mary J. Blige, Eminem, Kendrick Lamar and 50 Cent, and this year’s Latin spectacular starring Bad Bunny. Carter won a third Primetime Emmy in 2023 for co-directing the halftime show starring Rihanna, in the category of outstanding directing for a variety special.

Last year’s Super Bowl halftime show — presented by Apple Music — was headlined by Bad Bunny, with special appearances from Lady Gaga and Ricky Martin, as well as celebrities hanging out in his on-field casita.

Nineteen years ago this month, Radiohead released its seventh studio album, In Rainbows, and invited fans to pay whatever they wanted for it. Given that this announcement came amid rampant music piracy and the general collapse of the recorded music business, some took the move as proof that recorded music had lost its value, that the old model was broken and that artists would have to give their work away to survive.

But “the question was never really about price or value,” said Cliff Fluet, co-head of media and entertainment at U.K. law firm Lewis Silkin LLP, during a talk at last week’s Amsterdam Dance Event (ADE). “It was about who owns the relationship with the fan.”

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Fluet used that moment in music history to center his wide-ranging talk at ADE 2026, the annual dance music industry gathering in Amsterdam that concluded this past weekend. Speaking to a packed room on Friday (Oct. 23), Fluet gave a talk titled “The State Of Things With Cliff Fluet” that spanned topics from AI to recent industry mega-deals and more. These topics all related to a central theme: Who currently holds power in the music industry, and how is that shifting?

The conversation happened as part of ADE Pro, the event’s programming track for those in the industry, which in total hosted 148 panels, 25 mixers and other sessions that brought the number of Pro programs to 188.

In the talk, Fluet argued that Radiohead wasn’t making a statement about what music was worth. Rather, he said, they were making a statement about engagement, independence and going direct — three principles that, nearly two decades later, still define where astute members of the music industry are focused.

Here are five takeaways from the presentation.