When Queen Latifah takes the stage at the MGM Grand Garden Arena in Las Vegas to host the American Music Awards on Monday (May 25), she’ll become the first person ever to have solo-hosted both the Grammys and the AMAs. She hosted the Grammys in 2005.

If you add in performers who solo-hosted the Grammys and co-hosted the AMAs, you pick up two more names – Kenny Rogers and LL Cool J.

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The personable Queen Latifah has solo-hosted several other shows: the BET Awards in 2010, the NAACP Image Awards in 2023-24 and the Kennedy Center Honors in 2024.

Latifah is also set to be a coach on The Voice this fall, alongside Adam Levine, Kelly Clarkson and Riley Green. “All roads lead back to music for me,” she told Billboard on Tuesday (May 19). “Everything I’ve done in my career, it all started with music.”

The 52nd American Music Awards are set to air live coast-to-coast on Memorial Day, Monday, May 25 at 8 p.m. ET/5 p.m. PT on CBS and Paramount+.

Taylor Swift is this year’s most nominated artist with eight nods, followed by Morgan Wallen, Olivia Dean, Sabrina Carpenter and sombr with seven each.

Billy Idol will receive this year’s lifetime achievement award and deliver his first-ever AMAs performance. Karol G will perform and receive the international artist award of excellence.  Other performers include Hootie & the Blowfish, KATSEYE, Keith Urban, Maluma, New Kids on the Block, Riley Green, sombr, Teddy Swims, Teyana Taylor, The Pussycat Dolls + Busta Rhymes and Twenty One Pilots.

This interview has been lightly edited for length and clarity.

The American Music Awards are produced by Dick Clark Productions, which is owned by Penske Media Eldridge, a joint venture between Eldridge Industries and Billboard parent company Penske Media.

What makes a good host? I’ve seen big singers, big names, who just don’t have it. It’s a particular skill. What does it take?

I think you just have to be able to relate to an audience. I know a lot of really huge stars who are pretty camera-shy. They can be still quite shy when it comes to relating to people, and definitely a room full of people. I think you have to be able to allow for a certain amount of spontaneity, because it’s live and you don’t know what might happen. So you sort of have to feel comfortable at the helm. Rehearsal — you gotta be able to read and rehearse. To me, I feel much more comfortable when I know everything that’s gonna happen, and I feel like I’ve changed the words that don’t sound like things that would come out of my mouth and made it my own. I think it’s important for anybody who’s hosting the show to sort of make it theirs, so that they feel comfortable, and it just flows.

Who are some hosts, not just of the AMAs or the Grammys, but of all shows over your lifetime where you thought, “Boy, they’re good.

I think Jamie Foxx is a great host. I’ve seen him host, and I thought he was a great host because he’s funny, and he can sing, he can play instruments, so he could break into song at any moment, but he’s also a comedian, so he’s funny, and he’s an Oscar[-winning] actor, so he knows how to play and just fall into a role. Just something about his little grin makes you think there’s always something coming, something is about to happen, so I think he was always a great host. We can take it way back into other people, but he’s the one that comes right to mind.

Who are some other people?

How far back are we going?

Well, on the Oscars, you have Bob Hope and Johnny Carson and Billy Crystal.

Billy Crystal – I thought was an amazing host. Yes, and I think Robin Williams [was] a great host, and Whoopi Goldberg, if we’re going there, I think those three are killer combination of hosts. But yeah, Billy Crystal, top-notch, top quality. Just all the quick-witted, funny things.

Do you know most of the artists performing on the AMAs? I imagine some of the newer people, like sombr and Teddy Swims, you’re probably meeting for the first time.

I met sombr at the Grammys, because I was already a fan, and I was already plugging in. “Back to Friends,” that was like my song, because that song really sounds like something of my era, that I would have grown up on those harmonies, and the rhythm of it. It’s not such a new style that you can’t really grasp it. It’s just a proper song. He’s great, and just his whole performance style, just going out there and just being himself in just the most amazing way.

How about other artists who are either performing or are nominees this year?

Leon Thomas, I’ve been playing his record a lot, so of course I know him. Karol G, I’ve been a fan of. Taylor Swift, of course, you know. New Kids, come on. You know, we’re talking a lot of people that I’m quite familiar with, and of course Billy Idol, like I just can’t wait to see him. Sabrina Carpenter is great, you know. I’ve gotten to see a lot of these performers perform at other shows, or on SNL or somewhere along the way. So I’m just excited to see them actually under one roof one night to see how they get down in Vegas.

Teyana Taylor is on fire, as you know, with an Oscar nomination, a Grammy nomination, just everything. It occurs to me that you are one of the people who paved the way for her and made her success possible.

Maybe I have seen her so much and so closely that it didn’t even occur to me to say her name, but I play her albums like religiously, like her music goes everywhere I go, and has for years, and everything she does, even if she’s opening up a nail salon in Harlem, she does everything with a certain style. She just did a collab with [Michael] Jordan, she gave me some sneakers, you know, we had the All-Star Game together, we were at a Tom Brown fashion show together.

I’ve been trying to support her, but, like, give her her space at the same time, because being nominated for every single thing in the world on the planet is not easy, and she has done it with such an amazing style and flair, and making it her own, which she always does, that I’ve just gotten to enjoy watching it all happen for her. But she knows I’m here if she ever needs to talk. All I’ve told her to do is just enjoy the moment, because this is not something that happens very often, so make sure you stop to enjoy this. Make sure you stop to just enjoy this thing, and not let it just all be the grind of what it is when it all happens, because it can be. It’s quite a grind, but it’s also a grind that you not might not see very often. You [should] actually have a party at one of these parties you’re at, enjoy it.

You’re doing The Voice this year. Have you started taping those episodes?

No, we haven’t started taping, but that’s going to come pretty soon. So the gears are grinding, the gears are grinding. I’m so elated about that, to be able to hear, I mean, I’m going to be like, ‘turn a chair’ and work with a bunch of great people, and be in one of my most comfortable spaces, which is around music. Leave me in music, and all roads lead back to music for me. Everything I’ve done in my career, it all started with music, and music goes along with me through everything that I do. I find some song that I can put on that can connect me to that thing or the feelings I may have at that moment. So, it all comes back to music. So, I’m really happy for it to come back to music on this one, and just the real music, like what this is, people’s dreams, you know, people have a dream, they have a gift, and they want to share it, and it’s always exciting to hear that, and to help it come to fruition, because people help me, and so I’ve always been one to want to help do the same thing.

OK, this has been great. You gave me just what I need. I thank you for taking the time.

What you got back there on those shelves?

CDs, from days of yore.

Oh man, I thought I had a lot of CDs. You got me beat.

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Back in 2023, Calvin Klein announced they’d be extending a brand ambassadorship spot to beloved K-pop star Jung Kook, a member of BTS.

Fast-forward to 2026, and their first limited-edition collection together, called CKJK, just dropped, celebrating their long-standing relationship. The men’s and women’s 20-piece capsule draws inspiration from a hobby that some of Jung Kook’s supporters aren’t huge fans of: his love of motorcycles.

The boy band member was licensed to ride a motorcycle in South Korea back in 2022, and his love for the pastime has been heavily documented on his Instagram and on BTS’ Disney+ show Are You Sure?! Jung Kook’s love of roughing it on the road is referenced in every piece of the capsule, from Americana ringer tees and cozy hoodies to grungy leather jackets. Pricing ranges from $29 to $699. All 20 pieces of Jung Kook’s brand-new collection are also available to shop now on Calvin Klein’s website.

Where to buy BTS' Jung Kook's Calvin Klein collection online.

Jung Kook for Calvin Klein Baseball Cap

This collection makes a clear reference to the K-pop star’s personal style with grungy elements seen throughout.


This baseball cap comes equipped with a snazzy co-branded logo on the front in gray and black, set against an all-white backdrop. The accessory is one of two baseball caps featured in the musician’s motorcycle-inspired line.

Where to buy BTS' Jung Kook's Calvin Klein collection online.

Jung Kook for Calvin Klein Baggy Jeans

Beyond being a lover of motorcycles and grungy aesthetics, Jung Kook also seems to like denim quite a bit. You can sometimes find the star in denim-on-denim looks in unique washes like this style from his collection.


We’ve chosen these bottoms because of how unique the wash is. We can bet that this isn’t something you already have in your closet. The style is black with a rust-inspired coloring that gives the denim this worn-in, faded quality that makes it look vintage. These are baggy, something relaxed to fit Jung Kook’s nonchalant vibe. Also speaking of nonchalant, Calvin Klein’s denim is often rather soft and supple, allowing the wearer endless movement and freedom. Bottom line, you won’t feel too constricted when you wear these bottoms, which could come in handy if you plan on mounting a motorcycle.

Where to buy BTS' Jung Kook's Calvin Klein collection online.

Jung Kook for Calvin Klein Leather Racer Jacket

When we think of classic motorcycle jackets, this isn’t usually what comes to mind. The OG style originated in the early 1900s and was used as a protective garment, a far cry from the stylish piece seen here.


This wouldn’t be a motorcyclist’s collection without some added leather. The finish of this style is nice and glossy. The jacket is comfortably oversized and supple with a collared neckline and a front-facing zipper. Ample pockets sit on either side. Co-branded detailing can be seen embossed on both the front and back.

We’d like to think this is a splurge piece. One that fans of Jung Kook can wear and re-wear, making it look better with age. If you don’t already have a classic black leather jacket in your wardrobe, then we urge you to snag one because of its versatility. You can pair your new leather outerwear with almost anything because it’s a neutral base that you can build upon. You’ll want something like this in your wardrobe if you get stumped and don’t know what to put on.

Where to buy BTS' Jung Kook's Calvin Klein collection online.

Jung Kook for Calvin Klein Icons Graphic Ringer Baby Tee

Ringer tees are an all-American style usually featuring ribbed detailing around the neck and sleeves. The style originated as activewear.


Ringer tees are as Americana as a t-shirt can get. The silhouette was created back in the early 1950s. From its former athletic roots, the tee became a staple of biker culture in the late 60s and into the 70s, which is fitting for this collection. This tee is a cream colored hue with dark blue accents. The center of the shirt features embroidered motifs of hand-drawn icons inspired by Jung Kook. Ringer tees are super breezy and comfortable because of their high-cut sleeves and boxy design. The style is meant to be something you can throw on whenever, whether it be to go grab matcha or take a ride down the highway.

“Partnering with Calvin Klein over the past few years has given me the opportunity to express myself through the brand’s iconic style, and it’s been exciting to work with Calvin Klein in this more personal, creative way,” said Jung Kook in a statement from the brand. “As my first fashion collaboration, I wanted to fully immerse myself in the process, leveraging Calvin Klein’s design expertise to leave my mark on every piece. This capsule feels authentic to my style and my love of riding and is a meaningful way to shape something lasting through design and storytelling.”

Three of the biggest music festivals in the U.S. will be streamed on both Disney+ and Hulu this summer. On Monday (May 18), Disney+ announced that it is teaming up with its sister streamer to air footage from Bonnaroo in Manchester, Tenn. (June 11-14), Lollapalooza in Chicago (July 30-Aug. 2) and Austin City Limits in Austin, Texas (Oct. 2-4).

At press time the streamers had not announced exact programming details or which artists will be featured in their coverage.

Deadline noted that Disney has been leaning into its music connection lately, including last week at the network’s upfront presentation to advertisers in New York, which featured a long segment with American Idol host Ryan Seacrest, as well as a closing performance from former Disney Channel Bizaardvark star Olivia Rodrigo. The joint stream will take place as Disney is prepping to merge Hulu and Disney+, with the refreshed, unified app slated to roll out by late summer.

This will make the sixth year that Hulu is airing bits from the three festivals, all of which are produced by Live Nation. “Music festivals are among the most electric, can’t-miss moments in culture, and now Disney+ and Hulu subscribers around the world can experience the excitement,” said Lauren Tempest, Disney head of content planning & partnerships, DTC in a statement. “As we continue to extend our live offerings, we remain committed to bringing fans the biggest, most iconic moments right as they happen, and are thrilled to bring that vision to life with Live Nation.”

In addition to livestreaming the performances, Disney+ and Hulu will also bring back the Live Set, an on-site content studio at each festival, which will include artist interviews and behind-the-scenes content throughout each weekend.

This year’s Bonnaroo will feature sets from Skrillex, Four Tet, Vince Staples, The Strokes, Turnstile, Major Lazer, Geese, Wet Leg, Noah, Kahan, Kesha and more. Lollapalooza will host Charlie xcx, Lorde, JENNIE, Tate McRae and Olivia Dean, among others and ACL will feature headliners Charli xcx, RÜFÜS DU SOL, Twenty One Pilots, Lorde, Skrillex (weekend one), Kings of Leon (weekend) and The xx.


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On July 24, a transformative album is rolling out. And it promises to be more than meets the eye – and the ear.

To celebrate 40 years of The Transformers: The Movie, the Nelson Shin-directed animated flick that thrilled (and traumatized) a generation of children well before Michael Bay’s live-action adaptations, Hasbro is giving fans a “reformatted” edition of the film’s iconic, hard-rocking soundtrack.

The Transformers: The Movie: The Soundtrack: The Reformatted Edition boasts rerecorded, reimagined versions of all 10 tracks from the original movie soundtrack: the power ballads, the heavy metal headbangers, the instrumentals and the wacky synth-pop parody.

Fans who have the 1986 songs seared into their subconscious can rest easier knowing that one special singer—the soundtrack’s MVP—is bringing his indelible touch back to the Autobots vs. Decepticons battlefield. Stan Bush, the man behind the fist-pumping power ballad “The Touch” and the rousing “Dare,” is on board for this Cybertronian musical odyssey.

“Man, I’m fired up to reprise ‘The Touch’ on this Transformers The Reformatted Edition soundtrack! Coming back to a song that’s touched so many lives is pure magic,” Bush says. “The guys involved with the new recording did a great job! Transformers fans — it’s time to feel the power once more. You got the touch!”

Check out a new music video for the reimagined “The Touch” by Stan Bush below.

The new album is led by a band called The Knights of Unicron, which includes Gus Rios, Matt Harvey and Ross Sewage. Incredibly enough, metal icon Sebastian Bach swings by to sing “Nothin’s Gonna Stand In Our Way,” while Brittney Slayes belts out “The Transformers (Theme).”

Original film composer Vince DiCola also returns to the laser-scorched, robotic realm for this project, with Mark Osegueda biting into “Hunger,” Francesco Cavalieri rebuilding “Instruments of Destruction” and Cold Slither’s Torch taking over for “Weird Al” Yankovic on “Dare to Be Stupid.” The new album is produced by Matt LaPlant.

The Transformers: The Movie: The Soundtrack: The Reformatted Edition, a collaboration between Hasbro and the record label Reigning Phoenix Music, hits streaming services July 24 and is also coming out on vinyl in limited editions. You can preorder here.

The 40th anniversary celebration of The Transformers: The Movie is far from over after the release of this album. Starting Sept. 17, the film itself returns to theaters, giving fans the chance to see Optimus Prime, Megatron, Galvatron, Hot Rod, the Sharkticons and more back on the big screen, in all their animated ‘80s glory, only this time augmented by 4K.

‘Til that day, when all are one, check out the full tracklist (and some of the vinyl edition artwork) below.

Courtesy PMK Entertainment

The Transformers: The Movie: The Soundtrack: The Reformatted Edition

1. “The Touch” – Knights Of Unicron featuring Stan Bush (originally recorded by Stan Bush)

2. “Instruments of Destruction” – Knights Of Unicron featuring Francesco Cavalieri (originally recorded by N.R.G.)

3. “Death of Optimus Prime” – Vince DiCola

4. “Dare” – Knights Of Unicron featuring Stan Bush and Vince DiCola (originally recorded by Stan Bush)

5. “Nothin’s Gonna Stand in Our Way” – Knights Of Unicron featuring Sebastian Bach (originally recorded by Spectre General)

6. “The Transformers (Theme)” – Knights Of Unicron featuring Brittney Slayes (originally recorded by Lion)

7. “Escape” – Knights Of Unicron (originally recorded by Vince DiCola)

8. “Hunger” – Knights Of Unicron featuring Mark Osegueda (originally recorded by Spectre General)

9. “Autobot/Decepticon Battle” – Knights Of Unicron (originally recorded by Vince DiCola)

10. “Dare to Be Stupid” – Knights Of Unicron featuring Torch (originally recorded by “Weird Al” Yankovic)

Courtesy PMK Entertainment

Lola Young will return to the stage for All Things Go NY a year after she collapsed midsong at last year’s event in September. In a statement, the singer said “we have unfinished business,” adding that she was feeling “blessed and ready to take it to the next level.”

Young will headline the festival’s opening night on Sept. 25 along with Zara Larsson on a bill that will also feature Rebecca Black, Cara Delevingne, Blue Detiger and Chloe Quisha. The festival, which runs from Sept. 25-27 at Forest Hills Stadium in New York, will host headliner Brandi Carlile on night two, along with Sienna Spiro, CMAT, Jensen McRae, Meg Stalter and Natalie Jinju.

The final night will be toplined by MUNA, who will be joined by The Beaches, Hemlocke Springs, Grace Ives, Cherry Bomb and Carly Rae Jepsen. Tickets for the festival will be available through a presale beginning on Wednesday (May 20) at 10 a.m. ET; you can sign up for a presale access on the festival’s website.

In addition to this year’s all-female/non-binary artist lineup in New York, ATG is also taking place in Washington, D.C. at Merriweather Post Pavilion on Sept. 25-27 with Mitski, Ethel Cain, Rainbow Kitten Surprise, Hayley Williams, MUNA, Larsson, Suki Waterhouse, Carlile, Young, Spiro and Father John Misty, among others. The Toronto edition taking place on June 6-7 will feature sets from Kesha, The Beaches, Rachel Chinouriri, Lorde, Wet Leg, Del Water Gap and others.

In March of this year, Young opened up about the turmoil in her life that led to onstage collapse, which she described as her “breaking point.” She told Rolling Stone that her hectic schedule at the time made it hard to manage her cocaine dependency and schizoaffective disorder, which she had discussed previously.

“When somebody is going through addiction, or struggling in any capacity, it’s hard to know how much a person can do … I chose to hurt myself and self-sabotage, and I also chose to get onstage and perform,” she said. After her on-stage incident Young told fans she would be “going away for a while” to “work on myself.” Young made her return to the stage in March in London for her first full set since All Things Go.

Check out the full lineup for the 2026 All Things Go NY below.


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Aqua, the Danish-Norwegian Eurodance group behind one of the 1990s’ most enduring pop anthems, have announced they are ending their run as a live band after three decades together.

Members Lene Nystrøm, René Dif and Søren Rasted shared the news on Instagram on Monday (May 18), posting a joint statement in both Danish and English.

“After many incredible years, we have decided to close the chapter of AQUA as a live band,” they wrote. “When you’ve been together for this long, you also learn when it’s time to protect what you’ve created together. For us, this feels like the right moment to say goodbye, while the memories are still strong, and while the love for the music, the story, and each other remains intact. From the bottom of our hearts: thank you to everyone who has been part of this journey over the past 30 years.”

Formed in Copenhagen in 1995, Aqua originally comprised four members — Nystrøm, Dif, Rasted and Claus Norreen, who departed in 2016 to pursue other projects. The trio broke through globally with “Barbie Girl,” the third single from their 1997 debut album Aquarium.

The track — a tongue-in-cheek Eurodance number built around the fictional lives of Barbie and Ken — topped charts across Europe and became one of the best-selling singles of the decade, reaching No. 7 on the Billboard Hot 100. Their success made them the best-selling Danish band of all time, with estimated sales of over 33 million albums and singles worldwide.

The band’s cheeky lyrics attracted legal attention from Mattel, the makers of Barbie, who launched a lawsuit in 2000 claiming the song damaged the brand’s reputation. The case was dismissed in 2002, with the judge famously advising both parties to “chill” — and Aqua later went on to work with Mattel directly on promotional campaigns.

Their sophomore album Aquarius arrived in 2000, after which the band split for the first time. They reunited in 2007 and released Megalomania in 2011 — their third and final studio album — before splitting and reuniting once more in subsequent years.

Their most recent brush with mainstream pop culture came in 2023, when Nicki Minaj and Ice Spice sampled “Barbie Girl” on “Barbie World,” recorded for the soundtrack of Greta Gerwig’s blockbuster Barbie film, earning a Grammy nomination and sending the original back into the UK Top 40 for the first time in 25 years. Their final live performance was in November 2025 at the Shillong Cherry Blossom Festival in India.

ATEEZ are heading to Hyde Park. The eight-member South Korean group have been confirmed as headliners for BST Hyde Park’s June 28 show in London — their only U.K. date of 2026.

The group join a 2026 BST Hyde Park lineup that also includes Garth Brooks (June 27), Maroon 5 (July 3), Mumford & Sons (July 4), Duran Duran (July 5), Pitbull (July 10) and Lewis Capaldi (July 11-12). A full supporting lineup is yet to be announced.

The announcement places ATEEZ in storied company. BST Hyde Park has become the defining stage for K-pop’s global ambitions — BLACKPINK made U.K. festival history there in 2023 as the first K-pop act to headline a major British music festival, followed by Stray Kids the following year as the first male K-pop group to do the same. ATEEZ now take that baton.

The eight members — Hongjoong, Seonghwa, Yunho, Yeosang, San, Mingi, Wooyoung and Jongho — have built one of the most consistent chart runs in K-pop history since debuting under KQ Entertainment in October 2018, selling out a world tour just four months after their first release.

Their storytelling-driven discography spans four interconnected album series — Treasure, Fever, The World and Golden Hour — and has produced two Billboard 200 No. 1s, making them one of only three K-pop acts alongside BTS and Stray Kids to top the chart more than once.

Nine of their releases have charted on the Billboard 200, with eight landing in the top 10. In the U.K., they became the first South Korean act to place three different releases in the Official Albums Chart top 10 within a single year, achieving the milestone in 2024.

Their most recent release, GOLDEN HOUR: Part.4, arrived in early 2026 led by the high-energy single “Adrenaline,” adding fresh momentum heading into a Hyde Park headline debut that feels less like an arrival and more like a confirmation.

American Express presale begins Monday (May 18) at 10 a.m., with an artist presale on May 20 and general on sale opening May 29 at 10 a.m. local time.

Gorillaz, The Strokes and Twenty One Pilots will headline the 16th edition of the Corona Capital festival, promoter OCESA announced on Monday night (May 18). The highly anticipated lineup for the annual rock gathering, scheduled to take place November 20-22 at the Autódromo Hermanos Rodríguez in Mexico City, also features The xx, Lola Young, Mumford & Sons, The Offspring, Underworld, Daniel Caesar, James Blake and Lil Yachty.

More than 70 acts will make up the 2026 program, including Mother Mother, Pierce The Veil, The Kooks, Tricky, The Black Crowes, Manic Street Preachers, Yung Lean, Violet Grohl, Chvrches and Johnny Marr.

This year’s edition marks the highly awaited debut of Gorillaz at the renowned festival as part of their international Mountain Tour. It will also be the first time that the legendary band Manic Street Preachers performs in the Latin American country. Meanwhile, New York-based band The Strokes will return to Mexico City after four years.

“In every edition, we strive to strike a balance between legendary artists, contemporary acts, and new talents that are shaping the future of music,” Memo Parra, creator of Corona Capital and current director of international events at OCESA, told Billboard Español. “At the same time, we put a huge focus on fan experience: from production, infrastructure, and gastronomy to comfort, technology, and services within the festival.”

“Today’s audience is much more connected, informed, and demanding, and that forces us to constantly innovate to continue delivering an experience that matches the world’s top festivals,” he added.

Promoters said they expect around 240,000 attendees over the three-day event. The presale for Citibanamex cardholders will take place on May 26, OCESA announced. General ticket will go on sale the following day.

Over its 16 years, Corona Capital has solidified its reputation as the most important international music festival in Mexico and one of the few in Latin America that features prominent Anglo artists, similar to the Chilean and Brazilian editions of Lollapalooza.

“Latin America, and particularly Mexico, has become one of the most important markets for the global live entertainment industry,” Parra noted. “Today, artists understand that there is a very powerful combination here: passionate audiences, a rich musical culture, world-class infrastructure and a level of attendance comparable to the major entertainment capitals.”

In the past, the festival has brought renowned acts such as Paul McCartney, The Cure, Nine Inch Nails, Muse, Foo Fighters, Arctic Monkeys, Blur, Portishead, Interpol, Billie Eilish, Pixies and Richard Ashcroft.

Check out the full Corona Capital 2026 lineup below.

Madonna only had “4 Minutes” to save the world, and now the Queen of Pop, Shakira and BTS only have 11 minutes to stage the first-ever World Cup halftime show.

On the new Billboard Pop Shop Podcast, Katie & Keith are talking about how the three superstar acts might share their time during the 2026 World Cup final game on Sunday, July 19, at MetLife Stadium in East Rutherford, New Jersey. One theory we have: Each act could have around three minutes to do a medley of their new music and their biggest hits, and then all three can come together for a new version of Shak’s just-released World Cup anthem “Dai Dai” (originally also featuring Burna Boy).

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We’ll have to wait until the soccer world championship in July to find out, but in the meantime, listen to our conversation below.

Also on the show, we’ve got chart news on how Noah Kahan spends a third week atop the Billboard 200 albums chart with The Great Divide — and, perhaps shockingly, no rock album has spent at least three weeks at No. 1 in more than a decade. What was the last album? Listen to the podcast to find out! Plus, on the Billboard Hot 100 songs chart, Ella Langley hits double digits, with “Choosin’ Texas” spending a 10th week at No. 1, while Bruno Mars’ “Risk It All” returns to the top 10 after a Spanish-language version of the song dropped.

We also discuss Drake releasing a trio of new albums on Friday and how it could affect next week’s charts, as well as Harry Styles kicking off his Together, Together Tour with the first of 10 shows in Amsterdam.

The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard‘s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard‘s executive digital director, West Coast, Katie Atkinson and Billboard’s managing director, charts and data operations, Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)

Congressional Democrats got together with key stakeholders on Monday (May 18) to criticize the settlement cut by the federal government during Live Nation’s antitrust trial, which state attorneys general ended up winning on all counts.

Top Democratic senators and representatives discussed Live Nation at a so-called “shadow hearing,” meaning the proceeding was not sanctioned by Republicans, who control both chambers. The witnesses were California Attorney General Rob Bonta, former DOJ lawyer Roger Alford, The Hold Steady keyboardist Franz Nicolay, indie promoter Jerry Mickelson and indie venue owner Tom DeGeorge.

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The U.S. Department of Justice (DOJ) shocked court-watchers in March when it settled out of its blockbuster antitrust trial against Live Nation after just a few days, striking a deal that would require Live Nation to cut back on some exclusivity practices but allow it to retain ownership of Ticketmaster. Dozens of states rejected that settlement and trudged forward with the case, ultimately winning a verdict that held Live Nation liable for monopolizing the artist, venue and ticketing sides of the live music industry.

While Live Nation previously said the DOJ settlement was “a major step in improving the concert experience for artists and fans,” lawmakers spent much of Monday’s hearing criticizing Donald Trump’s appointees for inking the resolution. Sen. Chuck Schumer (D-N.Y.) described it as a “sweetheart deal, ” Rep. Jamie Raskin (D-Md.) called it a “trivial and pathetic slap on the wrist” and Sen. Amy Klobuchar (D-Minn.) said it was “a complete sellout.” They also cited reports that Live Nation hired Trump allies Kellyanne Conway and Mike Davis to lobby for the deal.  

Bonta, who was one of the attorneys general to continue pursuing the Live Nation trial to a verdict, shed some light in his testimony on how the DOJ deal came to be. He said the DOJ suddenly “went quiet” midway through the trial despite their years-long united front in pursuing the case against Live Nation — and then “they burned all the trust.”

“They bailed,” said Bonta. “They left us hanging. We’re a team, and they left their teammates. They left us flatfooted for a moment, but we regrouped quickly… We were able to fight for more, and we got more.”

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It still remains to be seen what Live Nation’s ultimate punishment will be for the alleged antitrust violations, which the company fervently denies. A decision on so-called remedies will fall to Judge Arun Subramanian, with states set to argue for a forced sale of Ticketmaster in a major court brief expected later this week.

Live Nation, meanwhile, has said it is confident the outcome “will not be materially different than what is envisioned by the DOJ settlement.” The company also intends to appeal any unfavorable rulings, arguing that it achieved success in the market through shrewd business dealings rather than any anticompetitive activity.

Many of the lawmakers advocated on Monday for a Ticketmaster breakup. Raskin, for example, stated that Live Nation’s monopoly is so strong that artists are “seriously afraid” of the company: “Many of the performers we asked to testify today at this event would not make themselves available for fear that Live Nation Entertainment would take away their livelihood,” he said.

Nicolay, the one artist who did testify at the hearing, noted in his testimony that megastars are not the only ones affected by Live Nation’s alleged conduct. “The music industry obviously is always going to focus on the Taylor Swifts and Bruce Springsteens,” said the keyboardist, “but the monopolistic forces that control the industry equally affect the broad popular music middle class.”

Reps for Live Nation and the DOJ did not immediately return requests for comment following the hearing.


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