Submit questions about Billboard charts, as well as general music musings, to askbb@billboard.com.

Please include your first and last name, as well as your city, state and country, if outside the United States.

Or, reach out on Bluesky.

Let’s open the latest mailbag.

Related

‘Where Is My Husband!’? At No. 11, and in Good Company

Hi Gary,

That’s hilarious, or should I say, “high”-larious (and high, Gary!), that Joe Lynch posted the annual 4/20 chart … just after we all learned that Ella Langley’s Dandelion is the new No. 1 album. And how fun that a seemingly clean-cut ensemble such as The 5th Dimension earned the distinction as having the biggest record on that list.

Meanwhile, my mind is slowly accepting that RAYE’s “Where Is My Husband!” may not make the Billboard Hot 100’s top 10. It has joined my personal list of No. 11-peaking tunes (so far, at least) that includes the following, well, 11:

  • “Eleanor Rigby” by The Beatles (from 1966)
  • “Woodstock,” Crosby, Stills, Nash & Young (covering Joni Mitchell; 1970)
  • “Yes We Can Can,” The Pointer Sisters (1973)
  • “You Got the Love,” Rufus feat. Khan (co-written by Ray Parker, Jr. and Khan; 1974)
  • “Rhiannon (Will You Ever Win),” Fleetwood Mac (1976)
  • “Body Language,” Queen (1982)
  • “Another Part of Me,” Michael Jackson (1988)
  • “The Promise,” When in Rome (1988)
  • “Justified & Ancient,” The KLF feat. Tammy Wynette (1992)
  • “What Is Love,” Haddaway (1993)
  • “Same Love,” Macklemore & Ryan Lewis feat. Mary Lambert (2013)

I could name plenty of other No. 11 songs that I’ve found important, and not just likable but especially significant, whether culturally, musically or lyrically. Billboard has covered this topic, in 2011, of course, with No. 11 similar to a No. 2 or No. 41 peak. Still, it’s great to see the ambitious and wildly talented RAYE having her biggest hit.

Thanks,

Pablo Nelson
Oakland, Calif.

Thanks Pablo.

“Her red lipstick … you know, it never moves,” RAYE told Billboard recently at the iHeartRadio Music Awards about Taylor Swift, after the pair chatted backstage. “The problem is, whenever I sing, it goes all over my face,” she rued. “I was like, ‘How do you do it?’ She was giving me some tips.”

RAYE is on par with Swift, however, when it comes to having peaked (again, to date) at No. 11 on the Hot 100. Swift has five such songs, all key in her catalog: “You’re Not Sorry,” from 2008; “Mean” (2010); “Love Story (Taylor’s Version)” (2021); “Fresh Out the Slammer” (2024); and “Ruin the Friendship” (2025).

When you have so many hits, you’re bound to come close to the top 10 and just miss sometimes (similar to in sports, where even such GOATs as Tom Brady, Wayne Gretzky, Mia Hamm, Bobby Orr, Bill Russell, Babe Ruth and Serena Williams have lost in championship rounds). Swift has the most No. 11 hits, followed by Elvis Presley with four (since the Hot 100 began in August 1958): “One Broken Heart for Sale,” “(Such an) Easy Question,” “I’m Yours” and “You Don’t Have To Say You Love Me”/“Patch It Up.” Plus, The Beatles are among the acts with at least two: “Eleanor Rigby,” as noted above, and, nearly 30 years later, “Real Love.”

More than 350 titles have peaked at No. 11 on the Hot 100 (just beyond the 5,200-plus hits that have entered the top 10). Which are the biggest? Let’s look at the top 33, through the chart dated April 25, 2026, as ranked by Billboard’s greatest of all time methodology:

  • 33. “Reeling in the Years,” Steely Dan, May 12, 1973, peak
  • 32. “Doctor’s Orders,” Carol Douglas, Feb. 8, 1975
  • 31. “Numb,” Linkin Park, March 6, 2004
  • 30. “Rhiannon (Will You Ever Win),” Fleetwood Mac, June 5, 1976
  • 29. “Swing the Mood,” Jive Bunny & The Mastermixers, Jan. 13, 1990
  • 28. “The Way We Were”/“Try To Remember,” Gladys Knight and The Pips, Aug. 2, 1975
  • 27. “Moon River,” Henry Mancini and His Orchestra, Dec. 25, 1961
  • 26. “Dare Me,” The Pointer Sisters, Sept. 21, 1985
  • 25. “Keep On Movin’,” Soul II Soul feat. Caron Wheeler, Sept. 9, 1989
  • 24. “A Love Bizarre,” Sheila E., March 1, 1986
  • 23. “I’ll Be Over You,” Toto, Nov. 22, 1986
  • 22. “Tired of Being Alone,” Al Green, Nov. 6, 1971
  • 21. “Heaven Must Have Sent You,” Bonnie Pointer, Oct. 13, 1979
  • 20. “I Believe in You (You Believe in Me),” Johnnie Taylor, Aug. 18, 1973
  • 19. “Shine,” Collective Soul, Aug. 13, 1994
  • 18. “This Is It,” Kenny Loggins, Feb. 9, 1980
  • 17. “On and On,” Stephen Bishop, Oct. 8, 1977
  • 16. “Meet Me Half Way,” Kenny Loggins, June 13, 1987
  • 15. “Who Will Save Your Soul,” Jewel, Aug. 3, 1996
  • 14. “Don’t Close Your Eyes,” KIX, Dec. 16, 1989
  • 13. “The Hawaiian Wedding Song (Ke Kali Nei Au),” Andy Williams, Feb. 16, 1959
  • 12. “The Promise,” When in Rome, Dec. 10, 1988
  • 11. “Say You Won’t Let Go,” James Arthur, June 3, 2017
  • 10. “Perfect Way,” Scritti Politti, Dec. 21, 1985
  • 9. “Say You Love Me,” Fleetwood Mac, Sept. 18, 1976
  • 8. “A Little Bit More,” Dr. Hook, Oct. 9, 1976
  • 7. “One Hell of a Woman,” Mac Davis, July 13, 1974
  • 6. “Now That We Found Love,” Heavy D & The Boyz, Oct. 5, 1991
  • 5. “The Humpty Dance,” Digital Underground, June 2, 1990
  • 4. “All for You,” Sister Hazel, Aug. 30, 1997
  • 3. “100% Pure Love,” Crystal Waters, Oct. 8, 1994
  • 2. “Into the Night,” Benny Mardones, Sept. 6, 1980
  • 1. “I Don’t Want To Wait,” Paula Cole, Jan. 17, 1998

Special shoutout to James Arthur’s hit ballad being No. 11 on this ranking.

It’s largely a matter of timing, both for individual calendar years and competition in given weeks, but the most No. 11 Hot 100 releases in any single year is 12, in both 1967 and 2018. Enduring hits among them include The Monkees’ “Words” and Bee Gees’ “(The Lights Went Out In) Massachusetts” from the former batch and BTS’ “Idol,” featuring Nicki Minaj, DJ Snake’s “Taki Taki,” featuring Selena Gomez, Ozuna and Cardi B, and Kendrick Lamar’s “Love.,” featuring Zacari, from the latter.

As for 11 other notable No. 11-reaching songs, through the latest Hot 100:

  • “Wild World,” Cat Stevens (1971)
  • “I Wanna Be Your Lover,” Prince (1980)
  • “Because the Night,” 10,000 Maniacs (1994)
  • “The Rhythm of the Night,” Corona (1995)
  • “Can’t Fight the Moonlight,” LeAnn Rimes (2002)
  • “She Wolf,” Shakira (2009)
  • “Girl on Fire,” Alicia Keys feat. Nicki Minaj (2012)
  • “Cool for the Summer,” Demi Lovato (2015)
  • “Sure Thing,” Miguel (2023)
  • “Get Him Back,” Olivia Rodrigo (2023)
  • “EoO,” Bad Bunny (2026)

Ok, 11 more (including two related at the turn of this decade):

  • “Never Gonna Fall in Love Again,” Eric Carmen (1976)
  • “Carry on Wayward Son,” Kansas (1977)
  • “Head Over Heels,” Go-Go’s (1984)
  • “Get on Your Feet,” Gloria Estefan (1989)
  • “The Power of Good-bye,” Madonna (1999)
  • “Best Day of My Life,” American Authors (2014)
  • “Hot Girl Summer,” Megan Thee Stallion, Nicki Minaj & Ty Dolla $ign (2019)
  • “Hot Girl Bummer,” blackbear (2020)
  • “You Right,” Doja Cat & The Weeknd (2021)
  • “Happier Than Ever,” Billie Eilish (2021)
  • “Houdini,” Dua Lipa (2023)

Paula Cole’s “I Don’t Want To Wait” reigns as the top No. 11-peaking Hot 100 hit, with its 56 weeks on the chart the most among all songs with that highpoint. It became the singer-songwriter’s second of two entries on the chart, after she galloped to the top 10 (No. 8) with “Where Have All the Cowboys Gone?” in 1997. “I Don’t Want To Wait” also ruled Adult Pop Airplay for six weeks and rose to the top five on Adult Alternative Airplay, Adult Contemporary, Pop Airplay and the all-format Radio Songs chart.

Most famously, “I Don’t Want To Wait” served as theme to TV classic Dawson’s Creek, further — and still — heightening its appeal; it drew 210,000 official U.S. streams and 1.8 million in radio audience April 10-16, according to Luminate.

“The music scene was wonderful. There was hope in the air,” in the ‘90s, Cole recalled to Billboard.

“It was a vehicle to bring it to another audience,” she said of her hit’s weekly on-screen placement. She added, “The song, where it came from, wasn’t for Dawson’s Creek. I wrote it about my grandparents, and it was a hit on its own well before it was the theme song.” (Something people may not know? “I don’t watch it …,” she admitted of the show with a laugh.)

“It’s so celebratory,” Cole said of revisiting her hits. “Like, let’s go into this party that is this song and let’s jam this together. It lifts the roof.”


Billboard VIP Pass

On a crisp day at Milan Fashion Week in February, Becky G steps into a graffiti-lined plaza of an old Italian neighborhood, setting the stage for her latest music video “Marathon” featuring elkan. Backed by her girl crew amid flashing cameras and cheering fans, the visual showcases glam and street edge set against choreographed runway struts, paparazzi — and her confident bilingual bars. Dressed in a see-through lace top hanging by a few hooks and matching red leggings, Rebbeca Marie Gomez looks and sounds confident as she preps for a new chapter in her career: one that harkens back to her Los Angeles rap roots, while consolidating her image as an international star.

“These days, people want you to stay in just one place. It’s easy to think in black and white, but I always say life is in color — I love coloring outside of the lines,” Becky G reflects, speaking to the balance between embracing her Chicana roots and her global aspirations. “Being from Inglewood is the coolest thing. But I’m a world traveler too. I take where I’m from wherever I go. That doesn’t limit me. There are no limitations to where my dreams can take me.”

Watch Billboard’s Mujeres Latinas en la Música live April 23, beginning at 9 p.m. ET/6 p.m. PT on Telemundo, and stream live on Peacock and the Telemundo app. Watch Billboard’s red carpet livestream on the Billboard.com and the Billboard Latin YouTube channel. For more coverage on Latin Women In Music click here.

Related

Chatting at a studio in her native Los Angeles, Becky G — who is the Global Impact honoree at Billboard‘s 2026 Latin Women In Music gala, taking place on April 23 in Miami — describes being at the Roberto Cavalli Fall/Winter 2026-27 fashion show, and the very next day shooting the “Marathon” music video. “It was just like, ‘boom boom boom.’ Like, ‘Wow, I’m living the life,’ ” she adds.

“We’re trying to make videos that feel like you don’t necessarily know where Becky is — to feel more global,” says Daniela Matos, Becky’s creative director, noting the shift from the “Miami vibe” of her earlier Latin urban music videos.

“Marathon,” the lead single off Becky G’s upcoming summer album, pulls threads from every corner of her story: the effortless way she flows between English and Spanish, the nod to her early music, and the image of an ascending international pop star hitting her stride. In the opening sequence, Becky samples “Shower,” her now billion-stream 2014 pop smash that first propelled her into stardom at just 17 years old and jumped to No. 2 on Billboard‘s Hot Rap Songs chart. This callback acts as a reminder of how far the Inglewood-bred singer has come.

“Reflecting that full circle moment was important for me, because we’ve been here,” Becky G tells Billboard today. She’s dressed in an elegant, business-like tube top, paired with heels, and her long black hair cascades all the way to her waist. As she speaks, Becky demonstrates her natural ability to code-switch, comfortably transitioning between English and Spanish throughout the interview. “I said this the other day to my fans: ‘If you know, you know. And if you don’t know, you are about to find out,’ ” she says, referencing her new music and her return to spitting rap bars, a skill that defined much of her earlier work.

Becky G photographed on April 6, 2026 in Los Angeles.

Area dress, Charles & Keith shoes, épifenē earrings.

Ashley Osborn

Her forthcoming fifth full-length marks Becky’s return to her roots as a rapper — the same foundation that helped make her a star over a decade ago. Becky has steadily built an impressive resume: Esquinas (2023), Esquemas (2022) and Mala Santa (2019) all entered the Billboard 200 chart. She scored eight Billboard Hot 100 hits, including “MAMIII” with Karol G (a No. 15 peak), “Shower” (No. 16) and “Chanel” with Peso Pluma (No. 55). Her presence on Hot Latin Songs is even more frequent, with six top 10 entries, among them “Mayores” (No. 3 with Bad Bunny), “Sin Pijama” (No. 4 with Natti Natasha) and the chart-topping “MAMIII.”

While Becky’s past two albums — including 2024’s Encuentros, which explored rancheras and corridos — celebrated her Mexican heritage, her upcoming release represents an evolution, combining the confidence of her early rap-adjacent sound with an unapologetic pop focus. For fans who have followed her journey since the early days, Becky’s return to rapping feels less like revisiting the past and more like forging ahead.

“When I returned to my roots through Mexican music, something inside me healed,” she explains. “As an artist, I felt it gave me a chance to reconnect with my heritage, my childhood and my inner child — to embrace her and take better care of her. Just to catch up with her.

“As I was healing throughout making those albums,” Becky continues, “it allowed me to leave these things there to make room for other things. And rap is also part of my roots. Because you’ve been following me for long enough, you know that that’s how I got signed as an MC.”

Becky G photographed on April 6, 2026 in Los Angeles.

Christian Cowan top and shorts, Fleur du Mal bra.

Ashley Osborn

Now, in what her team calls her “reverse crossover,” Becky is reclaiming her rap roots while weaving in her Latin heritage. “She started as a rapper, but she also was a singer at the same time,” says Marc Jordan, who’s been co-managing Becky G since she was 14 alongside Ben Tischker. “One thing she always said [was], ‘I want to rap again, I want to rap again, I want to rap again.’ We [started] in the general market and then into the Latin space. Now we’re back into the general market with a splash of Spanish.”

Tischker adds, “She started on the Anglo side. She’s always worked with amazing collaborators and is very good at choosing which collaborators best fit her for where she’s at in her life. One of the biggest changes over the years was to go to the Latin space, four or five years into her career — when she was 17 or 18. That opened up a whole new lane for her … Now we’re coming back into pop.”

The still-untitled new album sees her embracing every corner of her musical journey. Tracks like “Chula” dazzle with R&B reggaetón-tinged elegance, laced with dreamy instrumentation, while in “5’5,” Becky glides through glitchy electro-pop textures with sharp lyricism. “Epa” — a euphoric dance floor cut, scheduled to arrive May 15 — erupts into Spanish-language rave chaos. Then there’s “Glitch,” full of L.A.-Mexicana wordplay and one of the highlights of her new work.

“The big thing is her art has no walls. Yes, she can sing in Spanish. Yes, she can sing English. Yes, she can sing, period. But also she can rap,” says Jordan. “We call her a global pop superstar because we think that’s what she is.”

Becky G photographed on April 6, 2026 in Los Angeles.

Blumarine top, Lynyer earrings.

Ashley Osborn

Reclaiming her “pocha power,” as Becky calls it, “is this whole expansion of my creativity [and] really owning that I am a 200-percenter in every sense of the word. For me, being pocha is not something that hinders me or hinders anybody. It’s something that adds to my music, and I’m happy that I’ve been able to embrace it in this [album].”

While it’s not new for artists to find success releasing material in both English and Spanish — veterans like Shakira, Enrique Iglesias and Ricky Martin paved the way — it’s far less common for an artist to seamlessly integrate bilingual lyrics into a song, let alone across an entire album. “The only one that’s done it right is Kali Uchis. ‘Telepatía’ is probably the best example of a successful [fully bilingual] song,” Tischker points out. “I think the world is more ready for it than it’s ever been … The hardest part about Spanglish is to not feel forced, right? Because there are a lot more [Spanglish-speaking] kids here than people realize. If it feels like it’s a marketing exercise, then it just won’t work.”

As far as Becky is concerned, “It should officially be named a language of its own,” she jokes. “People forget that language was created to communicate, to connect. Spanglish is an evolution of us 200-percenters, que no somos ni de aquí ni de allá, but I say, ‘de aquí y de allá.’ That’s how my brain sounds, that’s how I dream, that’s how my heart speaks, that’s how my creativity expresses itself.”


Now 29, Becky started her career 15 years ago, signing a joint record deal with Kemosabe Records and RCA Records, when producer Dr. Luke saw her cover of “Otis” by Jay-Z and Kanye West on YouTube. “I was rapping 30 bars straight. We shot a music video … in my grandfather’s garage,” she recalls. “It was me, my cousins and some of the directors’ kids. At that time, they hadn’t even graduated from film school just yet. We pulled all the favors out. It was literally one take. That’s the video that changed my life.”

While she was also scoring her early hits like “Booty” with C. Tangana and “Sin Pijama” with Natti Natasha, Becky G also ventured into acting, most notably in Power Rangers (2017), Gnome Alone (2017) and A.X.L. (2018). She has also made appearances in TV series like Empire and Austin & Ally. Her team teases more acting work on the way for the Inglewood native.

Her rise has not been without hardship — shaped by moments of struggle and vulnerability. Her documentary Rebbeca, which premiered last year at the Tribeca Festival, offered a glimpse into these challenges, from grappling with panic attacks before taking the stage to supporting her loved ones financially as a teenager and confronting her family’s history with addiction.

“There’s something really vulnerable in allowing yourself to be seen in that way. But it was super hard,” Becky says. “I think there was something really empowering in sharing my story, knowing that it’s not just my story, it’s a story about family. It’s a story about our community,” she adds. “Unfortunately, we’re really good at making beautiful things out of our pain. But we don’t have to stay there — we can grow from it.”

Becky G photographed on April 6, 2026 in Los Angeles.

Amiri dress and belt, Thursday Boot Company boots, Melinda Maria jewelry.

Ashley Osborn

Her struggle to balance her public and private life also came into focus recently, sparking backlash after Becky announced she reconciled with her longtime partner, Sebastian Lletget, following allegations of infidelity in 2023, just months after their engagement. Speaking to Billboard, she expands on her decision to get back together with Lletget: “It’s that process where everybody’s journey looks different.” For Becky, embracing life’s ambiguities with honesty has become part of her evolution as both an artist and a person. “I’m proud,” she adds.

“It’s not easy,” says Tischker about navigating her personal life with the public. “People are always going to hate, and they’re always going to talk. But as long as you’re authentic and true to who you are — no matter what you reveal — it all makes her who she is. Trials and tribulations, and how you deal with those, produce that individual, and we think that’s a pretty awesome artistic thing.”


Becky G’s commitment to creating safe spaces for healing extends beyond her personal experiences. Through her partnership with Project Healthy Minds via her film Rebbeca, Becky advocates for mental health destigmatization in Latin communities. By partnering with this nonprofit organization, she helped amplify access to resources and support for individuals dealing with mental health concerns such as anxiety, depression, PTSD, trauma, substance use, relationship challenges and eating disorders. “If we’re going to talk about these issues, knowing that we can also provide education and resources — the spaces our community needs — was incredibly important,” says the star. “We’re not meant to go through life alone.”

“Whenever [Becky] receives a brand opportunity, there always has to be some type of philanthropic element to it,” adds Jordan. “She’s like, ‘How can I better help my community through this brand partnership?’ Oftentimes there is some type of giveback or philanthropic element.” This value-driven approach has become a hallmark of Becky’s career.

Becky G photographed on April 6, 2026 in Los Angeles.

Ashley Osborn

Recent examples include her partnership with the Save The Music Foundation to support school music programs, collaborations with This Is About Humanity (TIAH) and Immigrant Defenders Law Center (ImmDef) in 2024 and her work with Cheetos on the Deja Tu Huella campaign, which funds Hispanic student scholarships. In 2023, Becky also launched her horchata-inspired “Swirl-Chata” smoothie at Erewhon Market, benefitting both the Just Keep Livin’ Foundation and Justice for Migrant Women, organizations advocating for high school student empowerment and migrant equity.

It’s a pattern of giving back from an artist who understands the long game. “[I believe in] fighting for your dreams. There are no shortcuts. This stuff does not happen overnight,” she says. “In a time where it’s so easy for things to go viral, I choose to believe the story of the tortoise and the hare, slow and steady. These things, they come and they go, but the one thing that remains is always the lessons that we learn.”

Up next are projects tied to the FIFA 2026 World Cup, which couldn’t be announced at press time. But already, Becky is championing women’s sports and entrepreneurship as part-owner of Angel City Football Club, a women’s soccer team based in Los Angeles. It’s part of her longstanding pattern of taking the things that are closest to her and turning them global.

“It’s about showing up and doing the work,” she said. “It’s about believing and fighting for your dreams; supporting each other and holding that door open for other people. I know that I’m not the only one, so collaboration is really important to me. Finding other people who are just as fearless, just as passionate, just as driven, no matter where they come from, it’s the most inspiring part about what I do.”

Becky G Billboard Cover April 23, 2026

On a crisp day at Milan Fashion Week in February, Becky G steps into a graffiti-lined plaza of an old Italian neighborhood, setting the stage for her latest music video “Marathon” featuring elkan. Backed by her girl crew amid flashing cameras and cheering fans, the visual showcases glam and street edge set against choreographed runway struts, paparazzi — and her confident bilingual bars. Dressed in a see-through lace top hanging by a few hooks and matching red leggings, Rebbeca Marie Gomez looks and sounds confident as she preps for a new chapter in her career: one that harkens back to her Los Angeles rap roots, while consolidating her image as an international star.

“These days, people want you to stay in just one place. It’s easy to think in black and white, but I always say life is in color — I love coloring outside of the lines,” Becky G reflects, speaking to the balance between embracing her Chicana roots and her global aspirations. “Being from Inglewood is the coolest thing. But I’m a world traveler too. I take where I’m from wherever I go. That doesn’t limit me. There are no limitations to where my dreams can take me.”

Read the full Becky G Billboard cover story here.

Watch Billboard’s Mujeres Latinas en la Música live April 23, beginning at 9 p.m. ET/6 p.m. PT on Telemundo, and stream live on Peacock and the Telemundo app. Watch Billboard’s red carpet livestream on the Billboard.com and the Billboard Latin YouTube channel. For more coverage on Latin Women In Music click here.

Billboard Español cover star & Billboard Latin Women in Music honoree Becky G addresses the complexities of navigating fame while staying authentic to her roots. She reflects on more than a decade in the industry, from being discovered on YouTube at 14 to becoming a billion-streaming artist who refuses to be confined by traditional genre boundaries. Becky G confronts the “not Latina enough” criticism she’s faced throughout her career, explaining why she’s chosen to stop defending her identity. She opens up about her documentary Rebeca and reveals upcoming projects, including her World Cup involvement and new acting opportunities. Becky G also discusses shooting her “Marathon” music video during Milan Fashion Week, her approach to balancing global opportunities with staying connected to her Inglewood community, and the evolution of Latin music on the global stage while emphasizing the importance of authentic representation.

Becky G:

That’s something that I’ve always dealt with and I’ll probably continue to deal with, and I’m also not the only one, where it’s like, you’re not Latina enough, you’re not whatever enough, but I am for me and I’m good with that. 

Isabela Raygoza:

It’s a pleasure to have you here again

Thank you, mami. 

Before we talk about your new projects, from your new music, I’d love to do a game of icebreakers.

Ooh, let’s go. 

What song do you have on repeat right now that isn’t yours?

Ooh, I’m like, it’s all my music. 

“Marathon.” 

“Marathon” for sure is on repeat. There’s a marathon happening with “Marathon”  Yeah. I’m like, “How long can I play it for? ” Um, no. Damn. You know what? Lately, in the morning, I’ve been listening to a lot of Los Hermanos Gutierrez. 

Okay. I love that. 

Yeah, just like guitar. 

Uh-huh. Simplicity. 

No, no lyrics. Just all melody.

The bolero, the guitar.

Yeah, it’s just romantic. 

I love that. 

I like to wake up in the mornings and drink my cafecito and romanticize my life. It’s perfect. 

And how do you like to drink your coffee in the mornings?

Uy. Ah, I just love a black coffee with a little bit of sugar. 

No creamer or anything?

Mm, every now and then, a little splash of almond milk. But I keep it simple. 

And what is your favorite go-to Cheetos flavor?

My favorite go-to Cheetos flavor? 

Yes. 

The extra flaming hot, Hot Cheetos. 

Yes, that’s, that’s the way to go. 

With lime on top. 

Ooh, yes. Yeah. That’s my favorite too. 

And you eat it with chopsticks so your hands don’t get red. 

Yes, that, that always happens. A little blush won’t hurt anybody. Dickies or Chanel? 

I mean, why not both? Why not both? 

Keep watching for more!

Music fans in the United States and the United Kingdom often agree on big hits. Six songs have logged 10 or more weeks at No. 1 on both the Billboard Hot 100, the flagship chart for success in the U.S., and the Official Singles Chart in the U.K. Whitney Houston’s “I Will Always Love You” from The Bodyguard (1992-93) became the first song to reach double digits in weeks at No. 1 on both sides of the Atlantic. Alex Warren’s “Ordinary” (2025) marked the most recent.

In between those two megahits, four other singles achieved the feat: Drake‘s “One Dance,” featuring WizKid & Kyla (2016), Ed Sheeran’s “Shape of You” (2017), Luis Fonsi & Daddy Yankee‘s “Despacito,” featuring Justin Bieber (2017) and Harry Styles’ “As It Was” (2022).

But music fans in our two countries don’t always agree. “Rein Me In” by Sam Fender and Olivia Dean is currently in its eighth week at No. 1 on the Official Singles Chart in the U.K., but it hasn’t broken through in nearly the same way on the Hot 100. This week, it drops from its No. 64 high point to No. 73. Part of the problem is that two other Dean hits simply refuse to yield: “Man I Need” (which holds at its No. 2 peak) and “So Easy (to Fall in Love)” (which keeps at its No. 6 high). Both are catchier and closer to the core sound in pop music right now. And while Fender is an established star in the U.K., with four top 10 hits, this is his first Hot 100 hit.

“Rein Me In” could be one of those records that takes its sweet time but finally kicks in. But if it does fall short of the top 10 on the Hot 100, which seems likely, it will be the ninth song since 1958 (when the Hot 100 originated) to log eight or more weeks at No. 1 on the Official Singles Chart in the U.K. but fall short of the top 10 on the Hot 100.

Here’s a complete list of those songs, in chronological order:

.Billboard VIP Pass

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

During the White House Correspondents’ Association Dinner, comedian Matt Friend hosts America Laughs with Matt Friend, a new late-night comedy special that combines comedy with politics. You can watch the political satire online with Sling TV.

Watch ‘America Laughs with Matt Friend,’ at a Glance:

  • Date & Time: Friday, Apr. 24, at 11 p.m. ET/8 p.m. PT
  • Network: CNN
  • Stream: Sling Orange

“Comedy and politics have always had a unique connection, and I’m excited to bring that bipartisan energy to Washington with CNN for this special,” says Matt Friend in a statement. “We are in an increasingly divided country and world. For my show with CNN, I aim to poke fun at everyone and allow room for all to laugh in a Johnny Carson spirit.”

When Does ‘America Laughs with Matt Friend’ Start?

America Laughs with Matt Friend broadcasts on Friday, Apr. 24, with a start time of 11 p.m. ET/8 p.m. PT.

Where to Watch ‘America Laughs with Matt Friend’ Online

The America Laughs with Matt Friend airs on CNN, and it also streams on Sling Orange. Keep reading for more details on how cord-cutters can watch the political satire online with Sling TV.

How to Watch ‘America Laughs with Matt Friend’ With Sling TV

A subscription to Sling Orange, which comes with CNN, gets you access to live TV from top-rated cable channels.

You can watch networks, including ESPN, Disney Channel, Freeform, MotorTrend, A&E, AMC, BBC America, BET, Comedy Central, Food Network, Fuse, HGTV, History Channel, IFC, Lifetime, Nick Jr., QVC, TBS, TNT, Travel Channel, Vice and many others.

Meanwhile, starting at $4.99 for the One-Day Pass, you can access Sling Orange for 24 hours. The Three-Day Pass starts at $9.99 to access Sling Orange for 72 hours. In addition, the Seven-Day Pass, which goes for $14.99, gets you access for an entire week of Sling Orange.

Starting at 11 p.m. ET/8 p.m. PT, America Laughs with Matt Friend airs on CNN, while it’s available to livestream on Sling TV on Friday, Apr. 24.

Please note: Prices and channel availability depends on your local TV market. You can learn more about Sling TV here.


Billboard VIP Pass

It’s not exactly a holiday, but Turnstile will get the next best thing on July 10 when their hometown baseball team, the Baltimore Orioles, host a special night in the “Blackout” band’s honor. The “Turnstile Night” during the game against the Kansas City Royals will feature the option of a special ticket package that includes a limited-edition Orioles jersey with the team name on the front and the band’s name across the back over the number 26.

The team announced that while Turnstile will not be performing at the stadium that night, they will be on hand to serve as guest “Splashers,” lending a hand to mascot “Mr. Splash” by spraying fans with a hose in certain sections when the Orioles get an extra base hit. The Turnstile event is one of many themed games on tap for the Orioles this summer, including a Diary of a Wimpy Kid Day on June 14, an anime night featuring Naruto on June 29, a Grateful Dead night on Aug. 5 — complete with a dancing bear bucket hat giveaway — and a Bravo night with The Real Housewives Ultimate Girls Trip on Aug. 19.

It’s not the first time the band has teamed up with the Orioles. Back in August 2023, they took the mound to throw out the ceremonial first pitch at Camden Yards, with guitarist Pat McCrory doing the honors as bandmates singer Brendan Yates, bassist Franz Lyons and drummer Daniel Fang provided support.

Turnstile just wrapped up their second weekend performing at Coachella and they will be back on stage on May 8 with a set at the Welcome to Rockville festival in Daytona Beach, Fl., followed by the Kilby Block Party in Salt Lake City on May 15 and Bonnaroo in Manchester, Tenn. on June 12. The group will then travel to Japan for Fuji Rock on July 24 and continue criss-crossing North America, Europe and the U.K. playing festivals through an early Oct. date at the FORM Acrosanti 2026 Festival in Mayer, Ariz.


Billboard VIP Pass

Travis Barker is ready to tell his story his way. The Blink-182 drummer will be the subject of the decade-in-the-making Hulu documentary Travis Barker: Louder Than Fear this summer, a peek behind the beloved time-keeper’s life.

Announcing the project on Wednesday (Apr. 22) at Hulu’s second-annual Get Real House event, where a slate of other upcoming reality shows were revealed, Barker said the project is an “unfiltered look at my journey after a life-changing experience and also spotlights the amazing people I have in my life who carried me through it. I feel incredibly lucky to be able to document it and be able to share it with all of you.”

Barker explained that the documentary began 10 years ago, describing the time in between as a “wild, wild ride.” According to Deadline, the doc will show Barker dealing with the aftermath of the deadly 2008 crash of a Learjet in South Carolina that killed four people and critically injured Barker and his late best friend, Adam “DJ AM” Goldstein; Goldstein was found dead a year later in his New York apartment from a drug overdose.

The site said Louder Than Fear will follow Barker as “he embarks on a raw and redemptive journey, which started after surviving a devastating plane crash that nearly took his life … beneath the spectacle of fame, the film reveals a complex man battling pain, grief and the thin line between survival and surrender.” At press time a release date had not been announced for the project.

It will feature appearances from Barker’s collaborators, friends and family. The project is being produced by Media Weaver Entertainment and directed by Justin Krook and Michael Dwyer, with additional production by Matthew Weaver and Nick Stern and executive producers Lawrence Vavra and John Janick. Barker and wife Kourtney Kardashian previously teamed with Hulu in 2023 on ‘Til Death Do Us Park Kourtney & Travis, which followed the couple’s lavish wedding in Portofino, Italy.

The drummer can be heard now on Coca-Cola’s new FIFA World Cup anthem “Jump,” a re-imagining of the 1984 Van Halen classic that also features Colombian superstar J Balvin, soulful singer Amber Mark and iconic guitarist Steve Vai (Frank Zappa, Whitesnake).


Billboard VIP Pass

It was 20 years ago today that Spotify began to play. And to mark the streaming service’s big anniversary, for the first time ever on Thursday (April 23) Spotify shared its list of the most streamed artists, songs, albums, podcasts and audiobooks in its history.

Some of the artists at the top of the music categories won’t surprise anyone. You would expect Taylor Swift, Bad Bunny, Drake, the Weeknd and Ed Sheeran to feature prominently given their domination during the streaming era. There are, of course, plenty of veteran acts in the mix on the most-streamed of all time list as well — Rihanna, Eminem, Coldplay, Kanye West — but the real interesting mix is on the top 20 most streamed albums tally.

That’s where Benito’s smash 2022 album, Un Verano Sin Ti, with a record 22 billion total streams to date, is No. 1, followed by The Weeknd’s 2016 album Starboy, Ed Sheeran’s ≠ (Deluxe), Olivia Rodrigo’s Sour and another one by The Weeknd, After Hours. Abel is tops on the most-streamed songs tally as well, with “Blinding Lights” coming in at No. 1, followed by Sheeran’s “Shape of You,” The Neighbourhood’s “Sweater Weather,” the Weeknd and Daft Punk’s “Starboy” and Harry Styles’ “As It Was.”

Check out the full lists below.

Most-streamed artists of all time on Spotify:

1. Taylor Swift

2. Bad Bunny

3. Drake

4. The Weeknd

5. Ariana Grande

6. Ed Sheeran

7. Justin Bieber

8. Billie Eilish

9. Eminem

10. Kanye West

11. Travis Scott

12. BTS

13. Post Malone

14. Bruno Mars

15. J Balvin

16. Rihanna

17. Coldplay

18. Kendrick Lamar

19. Future

20. Juice WRLD

Most-streamed albums of all time on Spotify:

1. Un Verano Sin Ti by Bad Bunny

2. Starboy by The Weeknd

3. ÷ (Deluxe) by Ed Sheeran

4. Sour by Olivia Rodrigo

5. After Hours by The Weeknd

6. SOS by SZA

7. Hollywood’s Bleeding by Post Malone

8. Lover by Taylor Swift

9. AM by Arctic Monkeys

10. When We All Fall Asleep, Where Do We Go? by Billie Eilish

11. Future Nostalgia by Dua Lipa

12. Beerbongs & Bentleys by Post Malone

13. ? by XXXTentacion

14. Mañana Será Bonito (Bichota Season) By Karol G

15. YHLQMDLG by Bad Bunny

16. Doo-Wops & Hooligans by Bruno Mars

17. Views by Drake

18. Midnights by Taylor Swift

19. Scorpion by Drake

20. Beauty Behind the Madness by the Weeknd

Most-streamed songs of all time on Spotify:

1. “Blinding Lights” by The Weeknd

2. “Shape of You” by Ed Sheeran

3. “Sweater Weather” by The Neighbourhood

4. “Starboy” by The Weeknd and Daft Punk

5. “As It Was” by Harry Styles

6. “Someone You Loved” by Lewis Capaldi

7. “Sunflower (from Spider-Man: Into the Spider-Verse) by Post Malone and Swae Lee

8. “One Dance” by Drake, Wizkid and Kyla

9. “Perfect” by Ed Sheeran

10. “Stay” by the Kid Laroi and Justin Bieber

11. “Believer” by Imagine Dragons

12. “I Wanna Be Yours” by Arctic Monkeys

13. “Heat Waves” by Glass Animals

14. “Lovely (with Khalid)” by Billie Eilish and Khalid

15. “Yellow” by Coldplay

16. “The Night We Met” by Lord Huron

17. “Closer” by the Chainsmokers and Halsey

18. “Birds of a Feather” by Billie Eilish

19. “Riptide” by Vance Joy

20. “Die With a Smile” by Lady Gaga and Bruno Mars

Most-streamed podcasts of all time:

1. The Joe Rogan Experience

2. Gemischtes Hack

3. Crime Junkie

4. Armchair Expert with Dax Shepard

5. Last Podcast On The Left

6. The Daily

7. Fest & Flauschig

8. Morbid

9. My Favorite Murder with Karen Kilgariff and Georgia Hardstark

10. Relatos de la Noche

11. Call Her Daddy

12. Não Inviabilize

13. Pardon My Take

14. Distractible

15. La Cotorrisa

16. Dateline NBC

17. Mordlust

18. Baywatch Berlin

19. Hobbylos

20. Killer Stories with Harvey Guillén

Most-streamed audiobooks in premium of all time on Spotify:

1. A Court of Thorns and Roses by Sarah J. Maas

2. The Fellowship of the Ring by J.R.R. Tolkien

3. Fourth Wing by Rebecca Yarros

4. I’m Glad My Mom Died by Jennette McCurdy

5. A Court of Mist and Fury by Sarah J. Maas

6. Lights Out by Ted Koppel

7. A Court of Wings and Ruin by Sarah J. Maas

8. The 48 Laws of Power by Robert Greene

9. The Housemaid by Freida McFadden

10. Iron Flame by Rebecca Yarros

11. The Woman in Me by Britney Spears

12. A Game of Thrones by George R.R. Martin

13. Icebreaker by Hannah Grace

14. It Ends with Us by Colleen Hoover

15. The Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid

16. A Court of Silver Flames by Sarah J. Maas

17. The Subtle Art of Not Giving a F*ck by Mark Manson

18. The Boyfriend by Freida McFadden

19. Sapiens by Yuval Noah Harari

20. Funny Story by Emily Henry


Billboard VIP Pass

Olivia Dean kicked off her global The Art of Loving arena tour in Glasgow, Scotland on Wednesday night (April 22). The show at the city’s OVO Hydro is the first of an upcoming slate that will take the London-born artist to some of the biggest venues of her career.

Related

The U.K. leg will see her play six nights at London’s 20,000-capacity O2 Arena alongside dates in Manchester, and then heading to Ireland for shows in Dublin. The tour kick-off saw Dean debut a number of tracks from the Art of Loving live for the first time, including “I’ve Seen It” and “Baby Steps.” Dean performed her sophomore album in full during the 23-track set – see the full setlist for the show below.

Elsewhere, Dean covered a classic from Curtis Mayfield, taking on his 1970 track “Move On Up” for the first time. A number of Dean’s tracks from her debut album Messy were also in the mix, including fan favorites “Ladies Room” and “Dive.”

Deep cuts from her earliest releases, including “OK Love You Bye,” were also perfomed, as well as “It Isn’t Perfect But It Might Be,” her entry to the soundtrack of the 2025 film Bridget Jones: Mad About the Boy.

“Rein Me In,” a collaboration with Sam Fender that is currently in its eighth week at No. 1 on the U.K. Singles Chart, was not included in the show. Fender and Dean have performed the song only a handful of times together, including at the former’s 80,000-capacity show in London last June.

The U.K. leg continues with a second show in Glasgow on Thursday (April 23). The tour will hit North America from July onwards.


Billboard VIP Pass