Paola Jara & Jessi Uribe chatted with Billboard’s Ingrid Fajardo & Jessica Roiz on the red carpet of 2026 Billboard’s Latin Music Awards.

Becky G chatted with Billboard’s Ingrid Fajardo & Jessica Roiz on the red carpet of 2026 Billboard’s Latin Music Awards.

Presented by Andrea Ramirez PR. 

A discussion with Mar Solís, Emir Pabon of Grupo Canaveral, and Alex Iñigo, Alex Torres, Fito Echeverria and Luis Araque of Grupo Niche.

The 2026 Billboard Latin Music Week takes place from Oct. 19-22 at the Faena Forum Miami Beach, serving as a dynamic platform celebrating the heartbeat of Latin music and culture, with a packed week of programming that includes artist conversations, panels, live performances, hands-on workshops, brand activations, networking opportunities and more. Latin Music Week also coincides with the 2026 Billboard Latin Music Awards, set for Thursday, Oct. 22, airing live on Telemundo and Peacock.

Rubén Blades reflects on his legendary career, revisits his biggest hits and shares memories of working with Willie Colón. He discusses how music can unite people, why he never expected to become a major salsa singer or actor, and his experience appearing on The Walking Dead.

The 2026 Billboard Latin Music Week takes place from Oct. 19-22 at the Faena Forum Miami Beach, serving as a dynamic platform celebrating the heartbeat of Latin music and culture, with a packed week of programming that includes artist conversations, panels, live performances, hands-on workshops, brand activations, networking opportunities and more. Latin Music Week also coincides with the 2026 Billboard Latin Music Awards, set for Thursday, Oct. 22, airing live on Telemundo and Peacock.

John Anderson, the Country Music Hall of Fame inductee with a distinctive voice and a weighty songbook that included “Swingin’,” “Straight Tequila Night,” and “Seminole Wind,” died today (Oct. 21) at the age of 71.

“It is with the heaviest of hearts that we share the passing of our beloved husband, father, grandfather, and best friend,” reads a statement from his family.

“To the world, he was a gifted country music singer whose voice and songs touched countless lives. To us, he was so much more. He was the heart of our family, the one who made us laugh, loved us fiercely, and made every ordinary moment feel special. We are completely heartbroken.”

A native of Apopka, Fla., Anderson relocated to Nashville in 1971. An early job saw him nailing shingles onto the roof of the Grand Ole Opry House ahead of that iconic building’s 1974 opening.

“I was just wanting to play and sing pretty much at any level that I could,” he told Billboard in 2024. “Thankfully, I was blessed that one little job led to another one, and most of the time it was kind of a little upgrade.”

That upgrade came when he signed with Warner Bros. Records and went about constructing a lofty career in music with such works as “I’m Just an Old Chunk of Coal (But I’m Gonna Be a Diamond Someday),” “Wild and Blue,” “I Just Came Home to Count the Memories,” “1959,” “Black Sheep,” and his signature song “Swingin’, which would scoop both the CMA Horizon Award and single of the year in 1983.

Anderson’s hot start cooled for a time, but his career took off once again when he signed with BNA in 1991 and landed a comeback hit with the Country Airplay chart-topping “Straight Tequila Night,” housed on his album Seminole Wind.

A neo-traditional pioneer, Anderson was both a critical and commercial success. He landed five No. 1s, among 20 top 10s, on Billboard‘s Hot Country Songs chart, with those top 10s spanning 1981-95. On Top Country Albums, he notched five top 10s, from the years 1982-92. Respect came from his peers, too, with Academy of Country Music’s career achievement award in 1993, induction into the Nashville Songwriters Hall of Fame in 2014, and entry into the Country Music Hall of Fame a decade later, in 2024.

Anderson battled health issues in recent years, but pushed through the pain. “Through all of 2017 and all the way up until May of 2018, I had spent most of my time in the hospital and had been very, very ill,” he told Billboard in 2020. “I had almost 100% hearing loss. I did OK being sick, but when I lost my hearing and couldn’t play and sing, that really almost put an end to me. I just started praying and praying harder than I’ve ever prayed in my life and you know what? My hearing started coming back.”

During one procedure, he says he almost died on the operating room table. Anderson, however, was a hard man to stop. During the peak of the pandemic, he released an album of new material, Years, produced by The Black Keys’ Dan Auerbach and David “Fergie” Ferguson.

“John Anderson was a one-of-a-kind song stylist who proved that fresh innovations were best born from time-honored traditions,” recounts Kyle Young, CEO of the Country Music Hall of Fame and Museum. “Whether he borrowed inspiration from Lefty Frizzell’s vocal bends or the Florida swamp land, he brought dynamic distinction and creative soul to a world that needed to hear his voice. In 1981, John famously gave life to Billy Joe Shaver’s lyric, ‘I’m just an old chunk of coal, but I’ll be a diamond someday.’ He was already a diamond then, and a diamond he always will be.”

Anderson died peacefully in his sleep, reads the statement from his family, roughly seven weeks before his 72nd birthday. “His music will live on, but for us, his greatest legacy will always be the love he gave his family and the memories we will carry with us forever. Please keep our family in your thoughts and prayers as we grieve this unimaginable loss.”

The Many Faces of Latin Pop Today featuring Carlos Rivera, Mau y Ricky and Na’vi talk about their songwriting process.

The 2026 Billboard Latin Music Week takes place from Oct. 19-22 at the Faena Forum Miami Beach, serving as a dynamic platform celebrating the heartbeat of Latin music and culture, with a packed week of programming that includes artist conversations, panels, live performances, hands-on workshops, brand activations, networking opportunities and more. Latin Music Week also coincides with the 2026 Billboard Latin Music Awards, set for Thursday, Oct. 22, airing live on Telemundo and Peacock.

Featuring Alberto “Beto” Montenegro and Andrés “Fofo” Story of Rawayana, and Hans Schafer, SVP of global touring, Live Nation.

The 2026 Billboard Latin Music Week takes place from Oct. 19-22 at the Faena Forum Miami Beach, serving as a dynamic platform celebrating the heartbeat of Latin music and culture, with a packed week of programming that includes artist conversations, panels, live performances, hands-on workshops, brand activations, networking opportunities and more. Latin Music Week also coincides with the 2026 Billboard Latin Music Awards, set for Thursday, Oct. 22, airing live on Telemundo and Peacock.

It’s official: Powderfinger’s reunion tour is Australia’s hottest ticket.

Following Monday’s general public onsale, upwards of 300,000 tickets were snapped up for next years’ comeback run, reps say.

That means every seat across the rockers’ 26-date 2027 national tour is completely sold out, besting the onsale for Powderfinger’s 2010 Sunsets Farewell Tour.

“It’s a staggering show of love for a band whose songs have soundtracked so many lives, and a clear sign that this reunion tour means as much to the fans as it does to the band,” reads a statement from the band.

With that show of love, Powderfinger will lock in more shows in “select destinations that allows as many people as possible to get their hands on tickets.”

As previously reported, the beloved Australian rock band will embark on a rare jaunt next year, pre-sales for which opened last Wednesday, Oct. 14.  The 18 coast-to-coast concerts that were initially announced for September and October 2027, quickly grew to 26 with dates extending into November.

“We know many of you missed out and we know how disappointing that is,” reads a statement from the band, issued following Monday’s general onsale. Please know we hear you, and we have your back. Right now, the team is locking in one final encore run of shows that will close out this tour and we’ll share the details as soon as they’re confirmed.”

In the meantime, the message continues, “we ask for just a little more patience. Please don’t lose heart. Bringing extra dates together takes time but we’re working as hard and as fast as we can to make sure as many people as possible can be there for what promises to be a truly special moment in Australian music.”

Hailing from Brisbane, the 2032 Olympic City, the ‘Finger, as they’re affectionately known in these parts, was one of the elite bands of their era, one that produced five consecutive ARIA No. 1 albums, 18 ARIA Awards and three APRA Awards, including a brace for song of the year.

Powderfinger called time with that 34-date national trek back in 2010. The music never stopped. When triple j invited Australians to vote for the greatest homegrown songs of all time, for a countdown in July 2025, Powderfinger clocked up more songs in the top 100 (four, including a Fanning solo number) than any other act.

Still elite. And proof, perhaps, that the band’s music had become the soundtrack, too, for younger generations that never saw them in action.

When the classic lineup of Bernard Fanning (vocals), Ian Haug (guitars), Darren Middleton (guitars), John “JC” Collins (bass) and Jon Coghill (drums) hit the road, they’ll do so with an all-Australian lineup, performing in green spaces under a “big tent.”

“We are still gobsmacked by the response to this tour,” comments Fanning on behalf of his bandmates.

“A few weeks ago I was in the ballot for Radiohead tickets. It was BLOODY STRESSFUL and I was eventually lucky enough to be able to buy some. So I understand what a difficult process it can be when you’re trying to juggle work, kids and life in general. So, we are going to put together another string of shows in select destinations that allows as many people as possible to get their hands on tickets.” 

Powderfinger’s 2027 tour will partner with Mission Australia, an organization that supports the most vulnerable people in the country. Dew Process Artist Management, Cornershop Agency and Live Nation are partnering on the trek.

“Please keep the faith and be patient,” says Fanning to fans eager to secure a ticket to the show. “We are just as excited to see YOU as you are to see us.”

Read Powderfinger’s exclusive print interview here with The Big Issue, and watch Myf Warhurst’s chat for The Moment With Myf.

Anyone who was introduced to Darren Criss through his role on Glee was in for a special treat Sunday night (Oct. 18) at London’s Royal Albert Hall, where the Emmy- and Tony-winning actor reunited with co-star Chris Colfer to perform together for the first time in more than a decade.

Criss joined Glee during season 2 in 2010 to play Blaine Anderson, the lead singer of the Dalton Academy Warblers and love interest (and eventual first boyfriend) for Colfer’s Kurt Hummel. On Sunday, when Criss made his debut at the iconic venue with two back-to-back performances, Colfer was among an impressive lineup of surprise guests who hit the stage.

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But before Colfer arrived, Criss teased the crowd by attempting to sing one of Kurt and Blaine’s most memorable duets all by himself: “Baby, It’s Cold Outside,” from the season 2 episode “A Very Glee Christmas,” which peaked at No. 57 on the Billboard Hot 100 back in 2010. “I’m gonna do my best to sing both parts,” he told the audience, launching into the impossible solo duet. A few lines in, though, the crowd started cheering when they saw Colfer emerge.

“Hey, Darren!” Colfer casually said, to which Criss responded: “It’s been awhile!” In fact, the pair hadn’t performed together in more than a decade, given Glee wrapped its seven-season run back in 2015.

“Do you know the words to this?” Criss prompted Colfer, who assured him: “I do.”

Watch the sweet reunion below:

In addition to the Colfer surprise, other surprise guests included Alan Cumming for ABBA’s “Does Your Mother Know”; Stranger Things star Gaten Matarazzo for “Lost Boys Life,” an original song Criss wrote and recorded with his late brother, Chuck Criss, for their band Computer Games; Sarah Hyland for “Suddenly Seymour” from Little Shop of Horrors; as well as her Modern Family co-star Jesse Tyler Ferguson for Adele’s “Someone Like You.”

Even before Criss was on Glee, he made a name for himself as a University of Michigan student by co-creating A Very Potter Musical, a Harry Potter-themed musical that went viral online. On Sunday night, he performed “Goin’ Back to Hogwarts” from the show joined by an ensemble of acclaimed stage performers, including Glee’s Alex Newell (Shucked, Once on This Island), Jak Malone (Operation Mincemeat), Natasha Hodgson (Operation Mincemeat) and Andrew Barth Feldman (Dear Evan Hansen, Little Shop of Horrors).

He returned to the Glee world one last time for Sunday’s shows by performing with a local youth choir for Keane’s “Somewhere Only We Know” and Katy Perry’s “Teenage Dream,” two songs he famously covered on the Fox musical comedy, as the grand finale.

Since his time on Glee, Colfer has gone on to win an Emmy and Golden Globe for his role in The Assassination of Gianni Versace: American Crime Story as well as a Tony for Maybe Happy Ending.

Alex Gallardo from Sony Music US Latin accepts the Latin Airplay Label of the Year Award from Ozuna.