Rick Springfield is recalling an experience from his teenage years that has stayed with him for nearly six decades.

During a recent appearance on The Joe Rogan Experience, the Australian singer/songwriter, now 77, revisited the time he traveled to Vietnam at 17 to perform for U.S. troops. While staying at a Navy encampment near Da Nang in 1968, Springfield says the base came under attack and he ended up helping fire mortars from a defensive position.

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At the time, Springfield said he was too young to fully understand the gravity of what was happening around him. The next day, he was told that one of the mortars that he had fired had killed a Viet Cong fighter.

Decades later, the memory is still difficult for him to process.

“I think it’s still there,” Springfield told Rogan, explaining that he struggles with the knowledge that he was involved in the death of another person, even though it happened during wartime and he had little understanding of what he was doing at the time. “It’s hard for me to face that I was responsible for the end of a life.”

Springfield also remembered the soldiers he encountered as being deeply conflicted about the war. Many, he said, questioned why they were in Vietnam and what they were doing there.

The experience is one Springfield also detailed in his 2010 memoir, Late, Late at Night. He wrote that despite the distance of time, the memory still “sends a shiver” down his spine.

The Vietnam trip came more than a decade before Springfield would become a household name. In 1981, he broke through with Working Class Dog, his fourth studio album, which spawned his signature hit “Jessie’s Girl.” The song topped the Billboard Hot 100 for two weeks in September 1981 and remains his lone No. 1 on the chart. That same year, he first played the role of Dr. Noah Drake on General Hospital and he acted on the long-running soap opera through 2014.

Watch the full podcast with Springfield and Rogan below.

Jill Scott reflects on nearly 30 years of music, her 2026 R&B Hall of Fame honor, and the lessons that shaped her career — from touring with The Roots to building a live-instrumentation legacy.

In this Billboard panel, Scott also opens up about her new album ‘To Whom This May Concern,’ the gratitude behind her rollout, and why longevity still matters most.

Billboard staff writer Kyle Dennis sits down with the inimitable Jill Scott to talk: being named an R&B Hall of Fame inductee (2026), The Roots, “You Got Me,” and what she learned on the road, why she prioritizes live instrumentation and musicianship, her new era: To Whom This May Concern + “Pressure” hitting No. 1 (Adult R&B Airplay) and touring realities in the 2020s, community shows, and “paying it forward.”

Jill Scott
Most of the time when artists are going on tour with another artist, the label or management or something pay the artist to take, their, the younger artist with them or their newer artist with them. I paid everybody because I remember what it was like to get paid. The Roots did that. They paid me.

Kyle Denis
Wow.

Jill Scott
I got $500 a night to sing a hook.

Kyle Denis
Come on. [laughs]

Jill Scott
At the time, it was more money than I had ever made per night. You know, my whole check would be the $500, and then after taxes, like, 278. You know, so I’d get that. But I wanted to continue that, and I’m really proud of it.

Kyle Denis
My name is Kyle Dennis. I’m a staff writer at Billboard, and I’m here with the inimitable Miss Jill Scott.

Jill Scott
Inimitable! [cheers] Very nice, very nice. Hello.

Kyle Denis
How you feeling?

Jill Scott
I feel good. I’m rushing a lot, but [laughs] I’m OK.

Kyle Denis
We’re gonna take some time to breathe, slow down, and reflect-

Jill Scott
Okay

Kyle Denis
. . . on almost 30 years of R&B greatness. You are-

Jill Scott
Thank you

Kyle Denis
. . . our R&B Hall of Fame inductee for 2026.

Watch the full video above!

Bruce Springsteen is not backing down. He knew his Land of Hope and Dreams Tour wouldn’t be for everyone, and he was perfectly willing to accept that.

In a new interview with Rolling Stone, the rock icon opened up about the political message behind his recent Land of Hope and Dreams Tour, his decision to release the accompanying concert film in installments and why he has no regrets about the potential of receiving backlash or alienating fans over his views.

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“I’m old now and I do what I want to do,” Springsteen told Rolling Stone. “This was the show I wanted to make, the story I wanted to tell.”

That philosophy was at the center of the 20-date U.S. run, which kicked off March 31 in Minneapolis and wrapped May 30 in Philadelphia. The tour followed Springsteen’s January release of “Streets in Minneapolis,” which was a protest song written in response to the death of Reneé Good and Alex Pretti during confrontation with federal immigration authorities.

The resulting shows leaned heavily into Springsteen’s politically charged catalog. The set included his classic hit “Born in the U.S.A.,” “Death to My Hometown,” “Long Walk Home” and “Youngstown,” while Edwin Starr‘s “War” opened the concert and Bob Dylan‘s “Chimes of Freedom” closed it. Springsteen also gave a speech criticizing the Trump administration before jamming right in to the music.

For Springsteen, the point wasn’t to persuade anyone. Instead, he said the tour somewhat allowed him to bring decades of music into conversation with the current political climate.

“It was the state of the nation for 2026,” he explained.

That also meant confronting the complicated history of “Born in the U.S.A.,” a song Springsteen said he had rarely performed in the U.S. in recent years because of the way its message has been misunderstood. Placed between “War” and “Death to My Hometown,” he felt the song could be re-contextualized for the moment.

And he knows that approach won’t please everyone.

When asked about the possibility of losing fans who support Donald Trump, Springsteen essentially shrugged. He said he has spent his career making the records and shows he wants to make, then finding the audience for them.

“I’m sure there were people, and I’ve read things where people were vehement about the content of the show,” he said. “And that’s just the way the chips fall.”

Springsteen also weighed in on upcoming midterm elections, saying he hopes Democrats can regain control of the House and Senate. He’ll make at least one more political-adjacent appearance before the midterms, joining Tom Morellos for a show in Washington, D.C. next month.

Meanwhile, Springsteen is bringing the Land of Hope and Dreams tour to screens. The first seven songs from the Philadelphia performance are already streaming on YouTube as Bruce Springsteen and the E Street Band: Land of Hope and Dreams American Tour (Philadelphia Freedom Cut), with the remaining concert set to come in additional installments.

As for what comes next musically for Springsteen, he says he has two albums in the works — including one completed record and another he hopes to finish and release first. He’s also open to more touring, although he doesn’t envision returning to the massive 140-show E Street Band runs of the past.

Watch the Bruce Springsteen and the E Street Band: Land of Hope and Dreams American Tour (Philadelphia Freedom Cut) below.

Alison Krauss & Union Station have canceled upcoming dates on the group’s Arcadia Tour, after lead vocalist Krauss has been put on vocal rest.

A social media post on Sept. 10 read, “It is with great regret that Alison Krauss and Union Station have announced the cancellation of our upcoming tour dates. After consulting with medical professionals, Alison has been advised to take a period of vocal rest to ensure a full and healthy recovery.”

The post added, “This decision was not made lightly as we are deeply committed to our fans. However, prioritizing health and vocal integrity are imperative at this time…we hope to make it back to these cities in the near future.”

More than a dozen shows are impacted by the cancellations, beginning with a show that had been scheduled for Sept. 11 in Davenport, Iowa. Also impacted were three shows slated for Nashville’s Ryman Auditorium on Sept. 18-20, as well as shows in Illinois, Indiana, Kentucky, Missouri, Texas, Oklahoma, Arizona, Nevada and California through early October.

Tickets for all canceled shows will be fully refunded and attendees are encouraged to reach out to their point of purchase with any questions.

Last year, Alison Krauss & Union Station released Arcadia, marking their first album in nearly 14 years.

The group is up for entertainer of the year at the upcoming IBMA Bluegrass Music Awards in October, and also up for vocal group of the year, while Krauss is up for female vocalist of the year. The group’s Barry Bales is up for bass player of the year, Jerry Douglas is up for resophonic guitar player of the year, Ron Block is up for banjo player of the year and Russell Moore is up for male vocalist of the year.

See the announcement below:

Music legend Dionne Warwick, actress Lynda Carter (star of TV’s Wonder Woman) and Nicola “Coco” Verses, founder of jewelry house VERSÉ, will be honored at the 2026 Angel Ball, the signature fundraiser of Gabrielle’s Angel Foundation for Cancer Research. The ball, hosted by songwriter Denise Rich and her daughters Daniella Rich Kilstock and Ilona Rich Schachter, will be held on Monday, Oct. 19 at Cipriani Wall Street in New York City. 

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The black-tie fête is held annually in memory of Denise’s daughter, Gabrielle Rich Aouad, who died at the age of 27 from acute myelogenous leukemia (AML).

Grammy-nominated singer Deborah Cox will emcee the event, which will feature a performance by two-time Grammy-winning reggae star Shaggy, along with special appearances by Star Jones, Dr. Stephen D. Nimer and more.

“Raising money for cancer research is more important than ever and we are thrilled to celebrate three outstanding honorees who continue to champion our cause,” Denise Rich said in a statement. “Since 1996, Gabrielle’s Angel Foundation has funded over $47 million in research grants to the best and brightest early career cancer scientists whose research focuses on finding better treatments, preventions and cures for patients with leukemia, lymphoma and related blood cancers. Because of their support and dedication, we are truly saving lives.”

Warwick, 85, has had 12 top 10 hits on the Billboard Hot 100, including a pair of No. 1 hits: “Then Came You,” a 1974 collaboration with The Spinners, and “That’s What Friends Are For,” a 1985 collab with Elton John, Stevie Wonder and Gladys Knight. A five-time Grammy winner, Warwick has received several major career accolades in recent years – a lifetime achievement award from the Recording Academy in 2019, the Kennedy Center Honors in 2023 and the award for musical excellence from the Rock & Roll Hall of Fame (2024).

Since 1996, Gabrielle’s Angel Foundation has funded over $47 million in research grants to cancer scientists whose research focuses on finding better treatments, preventions and cures for patients with leukemia, lymphoma and related blood cancers. For more information, visit their website.

The Roots accept the Hip Hop Hall of Fame Award from Billboard’s Senior Director of R&B/Hip-Hop Carl Lamarre at Billboard’s R&B Hip-Hop Power Players 2026.

David Ali accepts the Executive of the Year Award from Billboard Executive Director of R&B/Hip-Hop Gail Mitchell at Billboard’s R&B/Hip-Hop Power Players 2026.

A former management executive claims in a new lawsuit that N.O.R.E. sexually assaulted her during an album promotion event in 1999.

Carmen Bryan, a former finance officer at Def Jam affiliate Rush Management who shares a child with Nas, filed civil claims against N.O.R.E. (born Victor James Santiago Jr.) on Wednesday (Sept. 9). The lawsuit, obtained by Billboard, seeks unspecified financial damages for “severe emotional distress.”

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Bryan, who ran in the same circles as N.O.R.E. in the 1990s, alleges the rapper assaulted her at a Manhattan nightclub while he was doing pre-release promotion for his sophomore album Melvin Flynt Da Hustler in May 1999. According to the lawsuit, N.O.R.E. grabbed Bryan while “visibly intoxicated” and “committed an act of non-consensual digital penetration.”

“Ms. Bryan made clear verbal objections and repeatedly pleaded for Santiago to stop,” reads the legal complaint. “Santiago ignored her objections and pleas. Santiago physically overpowered Ms. Bryan.”

Afterward, N.O.R.E. allegedly recognized Bryan crying outside the club and apologized, saying, “Carm, I didn’t know it was you. You’re always doing something different with your hair.” Bryan says he repeated a similar apology a few weeks later at a barbecue that she and Nas hosted for their daughter’s birthday.

Bryan claims she disclosed the assault the day after it occurred to Jay-Z, a “trusted confidant.” She says Jay-Z “reacted strongly and threatened to confront” N.O.R.E., but Bryan asked him not to because she didn’t want to escalate the situation. She ultimately opted not to report the assault.

“She struggled agonizingly between the urgent need to address the violation of her bodily autonomy and the intense, culturally ingrained pressure to avoid bringing legal or public harm to a successful Black male,” read the lawsuit. “In an environment that routinely demanded absolute loyalty to the artist over the safety of women, advocating for her own basic human rights felt akin to a direct betrayal of the culture itself.”

Bryan alleges that she suppressed the trauma of the incident for years. That changed in 2023, when her memories were triggered by R&B singer Cassandra “Cassie” Ventura’s explosive sexual misconduct lawsuit against Sean “Diddy” Combs. Bryan says she could not eat or sleep after the news broke and ultimately decided to pursue legal action of her own.

Now, Bryan is suing N.O.R.E. under New York City’s Gender-Motivated Violence Protection Act, which opened a limited window to bring sexual assault claims that would otherwise be barred by the statute of limitations.

Bryan’s attorneys, Marjorie Mesidor and Heather Palmore, said in a statement shared with Billboard, “For far too long, the music and nightlife industries have normalized sexual violence, treating non-consensual contact and physical domination as an occupational hazard or ‘par for the course’ — as if enduring abuse is somehow what women signed up for when entering these spaces.”

“No woman signs up to be assaulted,” added Mesidor and Palmore. “The assertion that an assault is excusable — or simply did not happen — because a perpetrator failed to recognize his victim strips women of their fundamental humanity. Ms. Bryan is coming forward not only to demand accountability for the lasting trauma and public humiliation inflicted upon her, but to challenge the culture of entitlement that treats women’s bodies as collateral damage.”

Reps for N.O.R.E. did not immediately return a request for comment. A rep for Jay-Z, who is not accused of any wrongdoing, also did not return an inquiry.


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Harry Styles has confirmed that 2027 dates for his Together, Together world tour are on the way.

In an emailed note to fans sent Wednesday night (Sept. 9), Styles thanked all the fans who have already joined him at dates in Amsterdam, London, São Paulo, Mexico City and his current residency at New York’s Madison Square Garden. “When we decided to do the 2026 tour I knew it would be special but what you turned it into was far beyond what I could have imagined,” he wrote.

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He said he wanted his most loyal fans to be the first to know that 2027 dates are coming on Thursday — and that they will mark the “final cities” that Together, Together will hit.

“Tomorrow’s announcement will be the final cities of Together, Together,” he wrote. “After that, I don’t know what comes next for me, but I know that I’m excited to find out.”

Once Styles wraps up his current MSG residency on Halloween (Oct. 31), he’ll have two stops in Australia — six shows across Melbourne and Sydney — for 2026 before hitting the yet-undisclosed locations next year.

Find Styles’ full note to fans below:

Hello.

When we decided to do the 2026 tour I knew it would be special but what you turned it into was far beyond what I could have imagined. I love playing music, I love being with all of you and being a part of the love and joy you all create together every night. That’s why I wanted you to be the first to know we will be adding 2027 dates, which honestly, at first I found daunting. Being an artist is the only life I’ve ever known really, I have been doing this since I was 16 years old, and I feel like the luckiest person in the world to still be sharing these moments with you.

Tomorrow’s announcement will be the final cities of Together, Together. After that, I don’t know what comes next for me, but I know that I’m excited to find out.

I can’t wait for us to keep dancing with all our friends, I hope to see you there. Thank you for coming out to see us, and for all the love and support you’ve given me over the years.

All my love,

-H

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Kacey Musgraves is officially on the road for her Middle of Nowhere tour this fall, bringing her seventh studio album to cities across the U.S.

The musician kicked off her Middle of Nowhere 2026 tour on Aug. 21 in Chicago at United Center before continuing with stops in Boston, Baltimore, Kansas City, Phoenix and Los Angeles. The U.S. leg will conclude in Seattle at Climate Pledge Arena on Oct. 27. Tickets to Musgraves’ remaining 2026 tour dates are still available online, including through Ticketmaster.

Musgraves scored the highest debut of her career with Middle of Nowhere, which debuted at No. 3 on the Billboard 200 with 100,000 units in its first week. The album surpassed her 2024 release Deeper Well, which opened with 97,000 units. The tour features tracks from Middle of Nowhere, including “Dry Spell,” “Coyote” and “Loneliest Girl,” plus a particularly eye-catching stage prop: a giant disco ball shaped like human testicles that made its debut during the tour’s opening night in Chicago.

The sparkly set piece has since become one of the tour’s most talked-about moments, with Musgraves joking about it during her Sept. 1 show at Madison Square Garden. “My manager didn’t tell me no,” she quipped while performing “Rhinestoned.”

Below, we’ll be showing you where you can buy affordable tickets to Musgraves’ 2026 tour. We’ve also included promo codes to bump pricing down further.

Where to Buy Affordable Tickets to Kacey Musgraves’ Middle of Nowhere 2026 Tour

Where to buy affordable tickets to Kacey Musgraves' Middle of Nowhere 2026 tour online.

OFFICIAL TICKETING

Ticketmaster


General admission for Musgraves’ tour went on sale Friday, May 8, 2026, at 10:00 a.m. local time via Ticketmaster. The site has a slew of tickets still available post-general sale, with pricing going for as low as $50.55 at some venues. The ticketing service offers a fan guarantee, which allows for cancellations, refunds or exchanges within 24 hours of booking. However, these options are subject to certain exclusions.

Where to buy affordable tickets to Kacey Musgraves' Middle of Nowhere 2026 tour online.

EDITOR’S PICK

StubHub


A great third-party option for buying Musgraves tickets is StubHub. With a quick look, we’ve seen tickets going for as low as $73. StubHub often has great deals on ticket sets, marking them down with deals for you and a friend up to 44% off.

For example, a set of tickets available for Musgraves’ Boston show retails for $130, down from $235. The site will mark specific venues with these deals, utilizing a “great value” badge so you won’t miss out on markdowns.

To help you plan your ticket-buying approach, StubHub will notify ticket buyers which venues are selling out fastest. The platform makes buying tickets easy with its “FanProtect Guarantee,” which protects purchases with authentic tickets and refund policies. Plus, if your event is canceled and not rescheduled, you will receive a credit worth 120% of the amount you paid, or the option of a cash refund.

Where to buy affordable tickets to Kacey Musgraves' Middle of Nowhere 2026 tour online.

PROMO CODES

SeatGeek


More options for affordable ticketing to Musgraves’ tour can be found on SeatGeek. A quick click through the website reveals tickets for the singer’s tour going for as low as $60. To make ticketing even more affordable on SeatGeek, you can use promo code BILLBOARD10 at checkout to receive $10 off. The ticketing service features a buyer guarantee that ensures easy ticket purchases every time.

Where to buy affordable tickets to Kacey Musgraves' Middle of Nowhere 2026 tour online.

EARN REWARDS

Vivid Seats


Another great option is Vivid Seats. At the time of publication, Musgraves‘ tickets are selling for as low as $59 at venues like the Barclays Center in Brooklyn, NY. The site has some of the lowest pricing we’ve seen on our search thus far, beyond Ticketmaster.

If you’re looking to make ticketing on Vivid Seats even more affordable, you can use our promo code BB30 to snag $30 off your purchase. The ticketing service offers a 100% buyer guarantee that vows your transaction will be secure, that your tickets will be delivered before your event, and that those tickets will be valid and authentic. 

Where to buy affordable tickets to Kacey Musgraves' Middle of Nowhere 2026 tour online.

PROMO CODE

TicketNetwork


TicketNetwork is yet another option we’ve found that has pretty affordable ticketing to Musgraves’ tour. Pricing starts at $63 at some venues, a steal when compared to pricing via other ticketing sites. When you search for tickets on TicketNetwork, you can use our code BILLBOARD300 to save $300 off orders of $1,000 or more, or code BILLBOARD150 to save $150 off orders of $500 or higher.

Where to buy affordable tickets to Kacey Musgraves' Middle of Nowhere 2026 tour online.

LOWEST PRICING

Gametime


Gametime is a third-party site with really great pricing on Musgraves’ tour. As we searched through the site, we found pricing starting in the $60 range for venues in Milwaukee, Brooklyn and Chicago to make shopping for the perfect ticket even easier, Gametime will notify you when certain venues and dates are discounted. You’ll see indicators on your search that will tell you which venues are in high demand, a helpful tool for preplanning your attack plan when purchasing tickets.

When purchasing tickets through Gametime, the ticketing site guarantees that buyers are protected in the event that their concert is unexpectedly canceled. Tickets will arrive on time at the most affordable price. If you do happen to find lower pricing elsewhere, Gametime will hook users up with 110% of the difference.

Kacey Musgraves Middle of Nowhere Tour 2026 Tour Dates

  • Sept. 11: Fiserv Forum in Milwaukee, WI (Buy tickets online at StubHub)
  • Sept. 12: Enterprise Center in St. Louis, MO (Buy tickets online at StubHub)
  • Sept. 22: Target Center in Minneapolis, MN (Buy tickets online at StubHub)
  • Sept. 23: T-Mobile Center in Kansas City, MO (Buy tickets online at StubHub)
  • Sept. 25: Bourbon & Beyond in Louisville, KY (Buy tickets online at StubHub)
  • Sept. 27: Bridgestone Arena in Nashville, TN (Buy tickets online at StubHub)
  • Sept. 28: Bridgestone Arena in Nashville, TN (Buy tickets online at StubHub)
  • Sept. 30: State Farm Arena in Atlanta, GA (Buy tickets online at StubHub)
  • Oct. 2: Spectrum Center in Charlotte, NC (Buy tickets online at StubHub)
  • Oct. 5: Toyota Center in Houston, TX (Buy tickets online at StubHub)
  • Oct. 7: Moody Center in Austin, TX (Buy tickets online at StubHub)
  • Oct. 8: Moody Center in Austin, TX (Buy tickets online at StubHub)
  • Oct. 10: American Airlines Center in Dallas, TX (Buy tickets online at StubHub)
  • Oct. 11: American Airlines Center in Dallas, TX (Buy tickets online at StubHub)
  • Oct. 13: Ball Arena in Denver, CO (Buy tickets online at StubHub)
  • Oct. 15: Delta Center in Salt Lake City, UT (Buy tickets online at StubHub)
  • Oct. 17: Mortgage Matchup Center in Phoenix, AZ (Buy tickets online at StubHub)
  • Oct. 18: Crypto.com Arena in Los Angeles, CA (Buy tickets online at StubHub)
  • Oct. 19: Crypto.com Arena in Los Angeles, CA (Buy tickets online at StubHub)
  • Oct. 20: Crypto.com Arena in Los Angeles, CA (Buy tickets online at StubHub)
  • Oct. 23: Oakland Arena in Oakland, CA (Buy tickets online at StubHub)
  • Oct. 26: Climate Pledge Arena in Seattle, WA (Buy tickets online at StubHub)
  • Oct. 27: Climate Pledge Arena in Seattle, WA (Buy tickets online at StubHub)


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