Iron Maiden will return to North America in 2027 for the third and final leg of its Run for Your Lives tour.

The heavy metal legends announced the 2027 dates Friday (Oct. 16), extending their 50th-anniversary trek after previously planning to take a break from live performances next year.

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“As many of our fans know, Maiden were planning on taking a break from live performances in 2027,” Maiden bassist Steve Harris said in a statement. “But we’ve been enjoying this last leg in the USA and Canada so much that we all had a chat and decided we should take the show to parts we missed, particularly the North West and South East. It just seems fair to our many fans there who have given us tremendous support for so many years.”

The Live Nation-promoted tour begins April 14, 2027, at the Tacoma Dome in Tacoma, Washington, and concludes May 11, 2027, at UBS Arena in Belmont Park, New York.

Bullet For My Valentine and The Raven Age will join the trek as special guests, marking the first time since 1983 that Iron Maiden has toured with two other British bands on the bill.

After the North American run, the Rock & Roll Hall of Fame inductees will perform at two U.S. music festivals: Sonic Temple in Columbus, Ohio, on May 14 and Boardwalk Rock in Ocean City, Maryland, on May 16.

The 2027 dates “will definitely be the last” of Maiden’s Run for Your Lives tour, according to a press release. The trek will have played 107 shows by the time it concludes.

“We can’t get everywhere but we can try!” Harris continued in his statement. “Also, we have always enjoyed playing the many great festivals that are in Europe and wanted to experience a couple more in the USA which we will do at the end of the tour in Columbus and Maryland. At festivals you are not just playing to your own fans so it’s always a challenge and we all love a challenge!”

Tickets go on sale to the general public Oct. 23, following an artist presale beginning Monday (Oct. 19). Additional presales will take place throughout the week.

See Iron Maiden’s Run for Your Lives North American tour dates below:

April 14: Tacoma Dome (Tacoma, Wash.)
April 16: Rogers Arena (Vancouver, British Columbia)
April 18: Moda Center (Portland, Ore.)
April 20: Toyota Amphitheatre (Wheatland, Calif.)
April 22: North Island Credit Union Amphitheatre (Chula Vista, Calif.)
April 24: Glen Helen Amphitheater (San Bernardino, Calif.)
April 26: Talking Stick Resort Amphitheatre (Phoenix)
April 28: Dos Equis Pavilion (Dallas)

May 1: Benchmark International Arena (Tampa, Fla.)
May 2: iTHINK Financial Amphitheatre (West Palm Beach, Fla.)
May 5: Lakewood Amphitheatre (Atlanta)
May 7: Coastal Credit Union Music Park at Walnut Creek (Raleigh, N.C.)
May 9: The Meadows Music Theatre (Hartford, Conn.)
May 11: UBS Arena (Belmont Park, N.Y.)


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From career milestones to new music releases to major announcements and those little important moments, Billboard editors highlight uplifting moments in Latin music. Here’s what happened in the Latin music world this week.

Becky G Opens Up About Identity and Mental Health at Project Healthy Minds Event

Becky G brought Project Healthy Minds’ World Mental Health Day Festival to a powerful close on Saturday (Oct. 10) in New York with an intimate conversation on identity, creativity and mental health. Moderated by NBC News correspondent Morgan Radford, the panel gave the Mexican American star space to reflect on growing up in the public eye, protecting her peace and learning to tell her story on her own terms.

“The whole concept of being a role model is to model this idea of perfection, and I don’t think that is real at all,” Becky G said. “Instead of being a role model, I’ve always felt the responsibility to be a real model, which means I’m not going to have all the answers. I’m not going to get it right every single time.”

She also spoke candidly about therapy, family and her healing journey, saying: “I had to become the person that I needed most, and that’s when Becky G came to be.” The conversation arrives just days before she is scheduled to join Billboard’s Latin Music Week for a Superstar Q&A this Wednesday (Oct. 21).

NEW YORK, NEW YORK - OCTOBER 10: Becky G poses with fans at the Project Healthy Minds' Fifth Annual World Mental Health Day Festival at Spring Studios on October 10, 2026 in New York City.  (Photo by Rob Kim/Getty Images for Project Healthy Minds)

Becky G poses with fans at the Project Healthy Minds’ Fifth Annual World Mental Health Day Festival at Spring Studios on Oct. 10, 2026 in New York City. Credit: Rob Kim/Getty Images for Project Healthy Minds

Rob Kim/Getty Images for Project Healthy Minds

BMI Creates Space for Women Songwriters in Música Mexicana

“Música mexicana has historically been a male-dominated field, making it more important than ever to champion the women creatives who are shaping its future,” said Lilibeth Patron, BMI’s associate director of creative for Latin, in a statement. “Las Compositoras+ is about fostering community and creating space for connection and collaboration.”

Led by singer-songwriter Erika Vidrio, the camp began at the Fender offices before moving to a Bel Air house, where the participants spent several days developing new music together. Held in Los Angeles earlier this month and announced Sept. 30, the four-day retreat brought together Damaris Bojor, Lorena Cabral, Tania Dominguez, Poe Leos, MXKA, Marián Oviedo, Jacqie Rivera and Adriana Ríos to collaborate and write new songs for potential placements.

BMI's Las Compositoras Song Camp on September 23, 2026 in Bel Air, CA, United States (Photo by JC Olivera for BMI)

BMI’s Las Compositoras Song Camp on Sept. 23, 2026 in Bel Air, Calif. Credit: JC Olivera for BMI

Jc Olivera/BMI

Lin-Manuel Miranda to Receive iHeartRadio’s Corazón Latino Award

Lin-Manuel Miranda will receive the 2026 iHeartRadio Corazón Latino Award during iHeartRadio Fiesta Latina on Saturday (Oct. 17) at Miami’s Kaseya Center. Hosted by Enrique Santos and Dayanara Torres, the concert event will feature performances by Anuel AA, Myke Towers, Farruko, Manuel Turizo, Eladio Carrión, FloyyMenor, Greeicy, Alleh and Rey Tony y Helabusador “Los Titi.”

The award recognizes Miranda’s lasting contributions to Latin music and culture, while the event will also bring together artists and presenters from across entertainment. A free kickoff party will take place Oct. 15 at Miami Design District, featuring Tony Succar’s “Unity: The Latin Tribute to Michael Jackson” with special guests including Anthony Ramos, Leslie Grace and Howie D of the Backstreet Boys. The main event will broadcast across iHeartRadio’s Latin stations nationwide.

Latin Recording Academy Announces 2026 Leading Ladies of Entertainment

The Latin Recording Academy announced its 2026 Leading Ladies of Entertainment honorees on Oct. 6, recognizing four women whose work has shaped Latin music and the broader entertainment industry: María Fernández, Sandra Jiménez, Salomé Limón and María Rosa García “Niña Pastori.”

The 10th anniversary class represents executive leadership, digital innovation, music production and artistry. Fernández is chief operating officer of Sony Music Entertainment Latin Iberia; Jiménez is YouTube’s regional director and head of music for Latin America and U.S. Latin; Limón is a five-time Latin Grammy-winning producer, composer and engineer; and Niña Pastori is a six-time Latin Grammy winner and Grammy nominee.

The honorees will be celebrated during Latin Grammy Week in Las Vegas, with Amazon Music returning as presenting sponsor for the third consecutive year. They will also be invited to mentor the next generation of women through the Latin Grammy Cultural Foundation’s Leading Ladies of Entertainment Mentorship Program.

“It’s always been a dream of mine to play such an iconic venue,” Miley wrote on social media just hours ahead of her Hollywood Bowl performance on Friday night (Oct. 16).

It was a funny reminder for longtime fans who have seen the child actor ascend to pop star heights; while Miley has been around and iconic for so many years, it’s really been the last few in which her career has been celebrated more widely.

At the 2024 Grammys, she won her first award (actually, two) for her Billboard Hot 100 No. 1 smash “Flowers,” taking home record of the year and best pop solo performance. In 2025, she joined Spotify’s exclusive Billions Club, delivering a hits-filled set in Paris to perform her biggest songs including “Wrecking Ball” and “The Climb.” And earlier this year, she celebrated the 20th anniversary of Hannah Montana with a Disney+ special and rare media blitz.

Already this year, she dropped Cyrus from her stage name — joining mononymous legends like Madonna, Cher and Beyoncé. And now, in her own words, she is living out a longtime dream of playing Los Angeles’ famed venue the Bowl.

Miley last performed a full set four years ago, in Mexico for over 150,000 fans (the Bowl’s capacity is 17,500). Since, she became a frequent guest at Chateau Marmont for intimate, invite-only sets but has otherwise remained absent from the stage. Needless to say, anticipation and fervor was at an all-time high for her first of two sold-out Bowl shows (the second is Sunday, Oct. 18).

From the live debut of Bass Persuades standouts to the sing-alongs for generational hits like “We Can’t Stop,” “Party in the U.S.A” and “The Climb,” here are the seven most notable moments from Miley’s major live return.

Diddy was reportedly transferred to a Pennsylvania federal prison following a physical altercation earlier this week, and 50 Cent wasted no time in trolling Combs on Friday (Oct. 16).

The G-Unit mogul has been busy in promo mode for his Street Fighter movie, which hit theaters on Friday, but he made sure to carve out a few seconds to stay updated on the Diddy saga behind bars.

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“Diddy on the move, he gonna turn up in this next joint on gang,” he quipped on IG. The second slide had 50’s followers in stitches, as he posted a wind-up toy resembling Diddy that was blowing bubbles out of his butt. “Yoo this nicca the worst son nah lollll yall niccas stupid son,” Bobby Shmurda wrote.

TMZ reported that Combs had been transferred from FCI Fort Dix in New Jersey to Federal Correctional Institution, Allenwood in Pennsylvania. Diddy was allegedly involved in a confrontation with another inmate that left him hospitalized with a head injury, but both Diddy‘s family and the Bureau of Prisons denied reports about the alleged dispute between the disgraced Bad Boy mogul and Christopher “Dudus” Coke, who is the leader of an infamous Jamaican crime organization.

50 Cent was behind last year’s Sean Combs: The Reckoning docuseries detailing Diddy’s case and history of alleged sexual abuse, which the Queens rapper won an Emmy for.

The “In Da Club” rapper appeared on Jimmy Kimmel Live! on Tuesday (Oct. 14) where he reacted to reports of Combs watching the series about his downfall in prison. “He saw the whole thing… I’m sure (he) thought it was the best documentary he ever saw in his life,” 50 said.

Combs was sentenced to 50 months behind bars in October 2025 after being convicted on two charges of prostitution transportation, which is a violation of the Mann Act. Diddy is currently scheduled to be released in March 2028.

Billboard has reached out to Diddy’s reps for comment.

Sean “Diddy” Combs has been transferred from a low-security prison in New Jersey to a similar federal facility in Pennsylvania, Billboard can confirm.

A spokesperson for the Federal Bureau of Prisons told Billboard that Combs was moved on Friday (Oct. 16) from FCI Fort Dix to FCI Allenwood’s low-security section. “For privacy, safety and security reasons, we do not discuss the conditions of confinement for any individual in our custody, including reasons for transfer,” said the prison rep.

The Fort Dix prison in New Jersey and Allenwood facility in Pennsylvania are the same level of low-security institution. Combs’ rep did not immediately return a request for comment on Friday.

Combs had been incarcerated at Fort Dix since October 2025, shortly after he was sentenced to four years in prison for arranging interstate prostitution events dubbed “freak-offs.” He spent a year before that at Brooklyn’s Metropolitan Detention Center, and this time will be credited toward his overall sentence.

The former music mogul has reportedly been involved in several fights since arriving at Fort Dix and landed in solitary confinement more than once. In September, a bombshell NBC News investigation reported he had been living a “pampered” life at Fort Dix featuring contraband smartphones, Chinese-style massages and Hennessy cognac.

Combs is currently set to be released in March 2028, though the Bureau of Prison’s release schedule is a moving target. He’s also asking an appeals court to shorten the prison term for violations of federal prostitution laws, arguing that his sentencing judge unfairly disregarded a jury’s decision to acquit him of more serious racketeering and sex-trafficking charges.

Swizz Beatz and Alicia Keys stopped by Michael Jackson‘s house shortly before the King of Pop’s untimely death back in 2009. The Bronx record producer recently stopped by The Real Report With Tony Yayo and Uncle Murda and revealed that Jackson apparently had a crush on his R&B superstar wife.

Swizz didn’t feel offended or disrespected or anything like that. He actually thought it was kind’ve “cool” and took initiative to set a meet-up between the two singers.

“I found out that Michael had a crush on my wife. In a cool way, but Michael’s a virgo, so I don’t know. I’m a virgo,” he said jokingly. “And so I think Janet was the one that told A.K. and she was like, ‘You know, my brother always had a crush on you.’ So I thought it was cool to set up for her to meet him. Just for both of them to just have that moment as fans of each other.”

He added: “We set up the meeting at the crib. We go to the house, Michael was so cool Michael was so cool, bro. Just seeing him in his real element. He had his beautiful kids there. I remember we brought gifts for the kids and he was just excited about going on a tour. He was just like, ‘Yo, when I do this, I’mma hit ’em with that,’ showing A.K. some of his moves.”

He also raved about a jerk lobster dish that Mike’s Jamaican personal chef made and said he offered him his framed Thriller plaques after Swizz said he noticed them sitting on the floor propped up on a wall, but he said no because he didn’t want to seem too “thirsty,” even after Mike dismissed them as “just things.”

You can watch the full conversation below.

Chappell Roan seemingly had one goal when joining forces with Olivia Rodrigo for an “Expectations” remix, and that was to spice things up in her own way.

In an interview with Apple Music’s Zane Lowe, the pop stars disclosed their creative process behind the collaboration, with Roan revealing how her perspective helped define the new verse in the song.

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“I love making things a little gay,” Roan said during the interview. “It was fun to just be like, they’re all wives.”

The singer, who is known for celebrating queer experiences in her music, said contributing to the track felt special because it was her first-ever feature.

“This is obviously [the] first feature I’ve ever done before,” she said. “It feels like the perfect [fit] for me.”

Roan also praised Rodrigo’s original songwriting, explaining that she appreciated how the song explored a relatable subject through pop music.

“I was like, wow, it’s so cool that she is putting a pretty difficult concept within a pop song,” she said. “I was like, this is so real.”

The inspiration for Roan’s verse also came from a conversation about dating gone wrong. Rodrigo recalled being in the studio with Roan while they worked on the song’s second verse, sharing stories about some of the experiences she had while dating men.

“I have a vivid memory of being in the studio with you, Chappell, and we were trying to write the second verse, and I was telling you all of the crazy stuff that boys have done to me,” Rodrigo said. “And you’re like, ‘Oh my god, you need to start dating girls. This is crazy.’”

Roan’s contribution decidedly gave the song a brand-new perspective, turning Rodrigo’s original track into a collaboration that showcases the way both artists seem to approach love, dating and expectations.

The new version also builds on the creative influences behind Rodrigo’s original song. The singer explained that she initially wrote “Expectations” as a mantra song, hoping to create something listeners could repeat to themselves. She cited Kendrick Lamar‘s smash hit “HUMBLE.” as an example of the kind of track that could get stuck in someone’s head.

Rodrigo also shared that Roan’s “attitude and swagger” influenced her while making the song, which brings the collaboration incredibly full-circle now that Roan has contributed her bold, attitudinal lyrics to a song that Rodrigo said already drew inspiration from her.

“Expectations” has already had its individual moment on the charts, debuting at No. 20 on the Billboard Hot 100 in June 2026. The track is part of Rodrigo’s third studio album, You Seem Pretty Sad for a Girl So in Love, which debuted at No. 1 on the Billboard 200. Roan, meanwhile, has also had an impressive chart history, with hits including “Good Luck, Babe!” and “The Subway” making their way in the top 10 of the Hot 100 during the years of their release, with both tracks also exploring themes of the queer experience and rocky relationships.

Watch the full interview below.

Nelly is a Swiftie — and he had the wedding invitation to prove it.

In the trailer for the second season of Nelly & Ashanti: We Belong Together, released Thursday (Oct. 15), the rapper and his wife showcase themselves prepping for and heading to Taylor Swift and Travis Kelce’s highly anticipated wedding, with Nelly making his fandom clear.

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“We got invited to Taylor and Travis’ wedding. Nelly is a Swiftie,” the rapper says in the clip.

But before the couple set foot in Madison Square Garden, a little marital disagreement threatens to steal the spotlight. While on the way to the wedding, Ashanti realizes that Nelly has forgotten something for their outing. This causes a brief back-and-forth between the pair over a missing bottle of lotion.

“F—, babe, you didn’t put the lotion in here?” Ashanti says as she rummages through her purse. Nelly dislikes her dropping the F-bomb, but they carry on with their outing as if nothing was out of the ordinary.

The trailer gives audiences a glimpse into the couple’s relationship beyond the wedding festivities, with appearance from Fat Joe, Ja Rule and Jadakiss. Ashanti is also shown in the recording studio as she works on re-recording her masters, a move that connects her to a growing conversation about artists reclaiming ownership of their music — including, most famously, Swift herself.

Swift has been a very influential figure in that conversation. After the pop superstar embarked on her mission to rerecord her first six studio albums following the sale of her original masters, Ashtani spoke about being inspired by Swift’s example.

“I think Taylor is amazing for what she’s done and to be able to be a female in this very male-dominated industry, to accomplish that is amazing,” Ashanti told Metro UK in 2022. “More of us have to continue that narrative of women empowerment.”

Nelly and Swift also have a history. The rapper has joined the pop superstar onstage during her tours, fostering a connection between them that makes his Swiftie declaration all the more appropriate. In a 2015 interview with Rolling Stone, Nelly described Swift as “like a little sister” and praised her potential to become one of the greatest female artist of all time.

Nelly has a chart history of his own to acknowledge as well. His 2002 smash “Hot in Herre” and his Kelly Rowland collaboration “Dilemma” both reached No. 1 on the Billboard Hot 100. The latter, released in 2002 as well, became one of the most defining hits of his career, spending 10 weeks atop the chart. Ashanti has also made her mark on the Hot 100, scoring her first No. 1 as a solo artist with “Foolish” in 2002. That same year, she appeared on Fat Joe’s “What’s Luv?” and Ja Rule’s “Always on Time,” both of which reached the chart’s top two.

Separate from music, the new season also follows Nelly and Ashanti as they steer through parenthood with their soon, Kareem, and decide how much of their family life they want to share publicly.

Nelly & Ashanti: We Belong Together returns to Peacock on Nov. 19. Watch the trailer below.

Adéla‘s “Nicole Kidman” has already won over its namesake, and now another pop icon is getting in on the fun: Madonna.

The Queen of Pop soundtracked a new TikTok with the rising star’s viral track, sharing a clip of herself posing in a striking gold dress while appearing to get ready for a formal event. The video gives the song another stamp of approval from an established pop star as it continues to gain momentum, proving that when it comes to feeling like Nicole Kidman, the invitation extends to musical royalty.

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Madonna using the song is an incredible, notable moment for Adéla as she continues to scale the charts and climb to the summit of pop stardom. The Slovak singer released her debut album, PRIMA, in September, introducing listeners to her bold, theatrical brand of pop. The project made an immediate impression on the charts, debuting at No. 4 on the Billboard 200.

“Nicole Kidman,” meanwhile, has become one of the album’s most defining songs. The track recently rose to No. 9 on the Billboard Hot 100, giving the star her first top 10 Hot 100 hit. Its catchy title and playful celebration of confidence and manifestation have helped it find an audience across social media, with celebrities adding their own spin to the phenomenon. Among the list of stars who have participated in the trend are Kesha, Tove Lo, Pedro Pascal, Dua Lipa and Kristen Wiig.

Kidman herself has also previously embraced the song, helping bring its real-life namesake into the conversation surrounding the track. Madonna’s new TikTok adds another layer to story, connecting Adéla’s internet-fueled breakthrough with one of pop music’s most iconic superstars.

And Madonna knows a thing or two about chart success. Across her career, she has earned 12 No. 1 hits on the Hot 100 and nine No. 1 albums on the Billboard 200, establishing her title as the Queen of Pop.

For Adéla, a nod from an artist with that kind of legacy is another exciting moment as “Nicole Kidman” continues its chart run. The song’s premise is all about channeling the confidence and glamour of a Hollywood star — and with Madonna now using it as her soundtrack, the fantasy feels right at home in the pop universe.

Watch the TikTok below.

Ben Katovsky, who previously ran the Blackstone-backed music catalog investment firm Recognition Music Group, was appointed CEO of the advance financing platform Pipeline on Thursday (Oct. 15).

Founded and chaired by veteran music investor and former Francisco Partners private equity executive Matt Spetzler, Pipeline launched with $200 million in lending capital to independent music companies for artist finances, using the label’s digital royalties as the collateral. As more artists sign short-term distribution deals, which allow them to retain ownership and often the majority of the income their music generates, having enough cash on hand to keep rising stars is a persistent problem for indie companies.

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Pipeline inked a partnership with Merlin and acquired the tech-forward music valuation firm Clarty Partners earlier this year. Now, fresh off the sale of Recognition’s portfolio of 45,000 songs, which included compositions by Neil Young, Shakira, Journey  and Red Hot Chili Peppers, Katovsky teams up with Spetzler to bring the pair’s music rights, investment and business-building experience to Pipeline’s partners.

“We started Pipeline because there is enormous value in music IP, and too many of the companies that own it haven’t had the backing to realize their ambitions,” Spetzler said in a statement. “Ben is one of very few people who has built, financed and run a world-class rights business at scale, delivering very strong outcomes for investors while caring for the music and the people behind it.”

During Katovsky’s time leading Recognition, it completed a $372 million asset-backed security issuance prior to the sale of its catalog to Sony Music Publishing in July. Before Recognition, Katovsky spent seven years at BMG, where he rose to the role of COO. Originally from South Africa, Katovsky got his start at Counterpoint Systems, developing technology solutions for managing intellectual property.

“I’ve spent my career at the intersection of music, technology and investment, working with some of the most innovative companies in our business,” Katovsky added in a statement. “Pipeline is building a different model for how companies and creators can access capital, giving songwriters, artists, labels and publishers greater flexibility and control over how they grow. Matt and the team have built something impressive and I’m excited to be joining them to empower the music and wider creative industries.”