Ivy Queen delivered a masterclass in female Latin urban power as she kicked off the Billboard Latin Women in Music 2026 special, airing live on Thursday (April 23) on Telemundo.

Accompanied by a dozen male dancers, the legendary Puerto Rican artist dazzled with a powerful medley of her classics, showcasing her commanding presence in a black coat over a red bra, silver boots, and long blond braids that reached her waist. Moments later, she received the Pioneer Award from Colombian urban music star Feid.

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“For me, it is a source of pride to be able to travel the world with a repertoire that validates my flow, my character, and my essence — and, above all, to be able to put food on the table for my daughter Naiovy, who is watching me, through the music I fell in love with and which has been my companion for so long,” Ivy said upon accepting the award.

After emphasizing that behind great artists are incredible women in the music industry, such as managers, publicists and others, she added: “Women, being underestimated is the beginning of everything. … Don’t forget, on this journey, to present yourself in a way that shows others how you want to be treated. Everything begins with you.”

Lastly, she said, “Let’s remember that an authentic path takes longer, but the impact is legendary because it lasts forever. Naiovy, I’m going home with this for you.”

Honored for helping transform the music industry by breaking barriers, paving new paths and inspiring future generations, Ivy Queen — who was previously recognized as an Icon at the 2023 Billboard Women In Music Awards — has held the crown as the Queen of Reggaetón for more than three decades. She began her career in the early 1990s, when the genre was an underground movement dominated by men.

On the Billboard charts, she made her first entry in 1999 with “In the Zone” alongside Wyclef Jean, which debuted at No. 38 on Rhythmic Airplay. Since then, she has appeared consistently on the charts, achieving 20 entries on Latin Rhythm Airplay and nine on Top Latin Albums — including three in the top 10 — as well as 11 solo entries on the Latin Rhythm Albums chart, including eight top 10s and two No. 1s.

Her most iconic song to date, “Quiero Bailar” — in which she sings about how arousal and flirting do not equate to consent — reached No. 6 on the Tropical Airplay chart and debuted on Hot Latin Songs and Latin Airplay in 2005.

Hosted by Chiquis, the fourth edition of Billboard Latin Women in Music also honors Rosalía as Woman of the Year, as well as Gloria Trevi (Lifetime Achievement Award), Julieta Venegas (Artistic Excellence), Becky G (Global Impact), Young Miko (Unstoppable Artist), Joy (Agent of Change) and Lola Indigo (Artistic Evolution).

Gloria Trevi chatted with Billboard’s Ingrid Fajardo and Jessica Roiz ahead of Billboard Latin Women in Music 2026.

Becky G chatted with Billboard’s Ingrid Fajardo and Jessica Roiz ahead of Billboard Latin Women in Music 2026.

David Bisbal chatted with Billboard’s Ingrid Fajardo and Jessica Roiz ahead of Billboard Latin Women in Music 2026.

Boutique music rights company MusicBird acquired the master royalty income of musician Dougie Thomson’s recordings with the band Supertramp, in which he served as bassist for more than 15 years. The deal includes hit tracks like “Goodbye Stranger,” “Give a Little Bit” and “Breakfast in America.”

Paul Brown, CEO of MusicBird, said in a statement: “We have ambitious growth plans and are continuing to build momentum, converting our deal pipeline, while staying true to our investment strategy with a laser focus on brilliant music. With enduring global popularity spanning more than half a century, Dougie’s catalogue further diversifies our collection of music rights across different eras and geographies, as well as bringing the weight of truly stratospheric commercial success to our collection.

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“As an integral part of one of the most successful bands of all time, Dougie’s career is a rare combination of creative impact, longevity and cultural influence at the highest level of popular music,” Brown added. Supertramp’s music continues to find new fans and opportunities for success, and we are excited to be part of that ongoing journey.”

Said Thomson: “I am immensely proud of the music I recorded with Supertramp and am grateful that so many people are still listening to and discovering it now. The MusicBird team has genuine care for this music, and I am pleased to entrust them with my interest in the catalogue.”

Check out more recent music deals below, including a Futures Music Group fundraise, a PopArabia acquisition and a Bandsintown/Amazon Music integration.

Lola Índigo chatted with Billboard’s Ingrid Fajardo and Jessica Roiz ahead of Billboard Latin Women in Music 2026.

Julieta Venegas chatted with Billboard’s Ingrid Fajardo and Jessica Roiz ahead of Billboard Latin Women in Music 2026.

Chiquis chatted with Billboard’s Ingrid Fajardo and Jessica Roiz ahead of Billboard Latin Women in Music 2026.

JOY chatted with Billboard’s Ingrid Fajardo and Jessica Roiz ahead of Billboard Latin Women in Music 2026.

The Recording Academy convened music creators, industry leaders and lawmakers in Washington, D.C., this week for its 25th Grammys on the Hill initiative. The three-day event ran from April 21-23.

“Grammys on the Hill represents the core of the Recording Academy’s year-round work to advocate for music people and ensure their rights are safeguarded in our culture,” Harvey Mason jr., CEO of the Recording Academy, said in a statement. “As we mark 25 years of Grammys on the Hill, we are reminded that music creators must remain at the center of every conversation shaping the future of the industry, especially as AI and other emerging technologies continue to transform it.”

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On Tuesday (April 21), more than 200 Recording Academy members, industry leaders and members of Congress gathered at The Hamilton Live in downtown Washington, D.C., for the Grammys on the Hill Awards, which honored Sen. Chris Coons (D-DE) and Rep. María Elvira Salazar (R-FL) for their bipartisan work to protect musicians as artificial intelligence continues to reshape the music industry. They are champions of the NO FAKES Act, legislation that would establish federal protections against unauthorized AI-generated replicas of a person’s voice and likeness.

“Today, too many artists have had their intellectual property, likenesses and livelihoods stolen by online pirates and AI artists,” said Sen. Coons. “I’m proud to be spearheading efforts in Congress to safeguard your ideas and creativity because what you do cannot be replaced. As a Senator, I’ve had the opportunity to travel all over the world and have seen how American music helps people see us, understand us, and believe in our American dream.”

“I’m truly honored to be recognized by the Recording Academy, a distinction that underscores the vital role music creators play in shaping our culture and economy,” said Rep. Salazar. “At a time of rapid technological change, protecting the voices, rights and livelihoods of artists is more important than ever. I remain committed to advancing policies like No Fakes Act to ensure creators are respected, their work is protected, and their likeness is never exploited.”

Grammys on the Hill Advocacy Day, held on Wednesday (April 22), brought artists, songwriters, producers and other music advocates to Capitol Hill to meet with lawmakers to discuss one of the most pressing issues facing creators today: the impact of AI on the music community. As AI reshapes the music landscape, the Recording Academy is advocating for policies that ensure human creators are protected, credited and fairly compensated. Artists including Durand Bernarr, Grace Potter, Israel Houghton, Maggie Rose and Molly Tuttle met with lawmakers including Sens. Alex Padilla (D-CA), Bernie Sanders (I-VT) and Lisa Blunt Rochester (D-DE), and Reps. Darrell Issa (R-CA), Erin Houchin (R-IN), Jason Smith (R-MO), Maxwell Frost (D-FL), Nathaniel Moran (R-TX), and Sydney Kamlager-Dove (D-CA) to discuss the importance of the NO FAKES Act, as well as the TRAIN Act and the CLEAR Act.

Grammys on the Hill Advocacy Day also included a roundtable briefing focused on AI and the future of music with Sens. Marsha Blackburn (R-TN) and Peter Welch (D-VT). The day concluded with a reception on Capitol Hill hosted by the Academy’s Black Music Collective, in cooperation with the Congressional Black Caucus, to honor the enduring influence of Black music. The reception featured a performance by Bernarr, who won his first Grammy in February: best progressive R&B album for BLOOM. It also featured a presentation of a $10,000 donation from Amazon Music and the co-chairs of the Black Music Collective to Howard University as recipients of the 2026 “Your Future Is Now” music equipment grant.

Grammys on the Hill concluded on Thursday (April 23) with the third annual Future Forum, a conference convening music creators, industry leaders and policymakers for discussions on the most pressing issues shaping the music industry. Future Forum featured a keynote conversation with Mason and Lyor Cohen, YouTube’s global head of music, exploring how the creative community and industry leaders can work together to face the challenges presented by AI.

Dr. Chelsey Green, chair of the Recording Academy board of trustees, led a panel on the role of music education in preparing the next generation for the future. Other programming included a panel presented with the Academy’s Producers & Engineers Wing on how artists are using AI in the recording studio.

Since its inception, Grammys on the Hill has led to several major legislative victories, including the landmark Music Modernization Act in 2018 and the PEACE Through Music Diplomacy Act in 2022.


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