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Regardless of whether you prefer ready-made or DIY costumes, it’s always fun to dress up for Halloween! But when it comes to finding that perfect costume, it all depends on what makes you comfortable.

Face masks, for example, have been the norm for more than two years, so you might feel better wearing a Halloween mask instead of going all out on a costume. If so, horror icons like Michael Myers, Jason, Ghostface from Scream, and even Squid Games masks are good options that won’t cost you very much money.

Need more variety? We’ve rounded up a collection of pop culture Halloween costumes that you can have delivered in time for All Hallow’s Eve, and some that you can BOPIS (buy online and pick up in store).

From superheroes to anime, movie characters, TV characters and more, check below for a list of 11 of the coolest pop culture Halloween costumes for 2022. And for more Halloween content, be sure to read our lists of the best musician-inspired Halloween costumes and spooky decorations.

Euphoria Costume: Cassie Howard

BP. Mixed Print Dress

$24.50

$49

50% OFF

“You guys can all judge me if you want but I do not care. I have never, ever been happier!” The bathroom scene from Euphoria has been memed more times than we can remember. For those who want to channel one of East Highland High School’s most notorious character’s, the Western-style look is pretty iconic. Get into costume with this BP. mixed print dress and baylee booties, throw in some hair clips, and don’t be scared to pile on the blue eyeshadow. Click here for more DIY costume ideas for Rue, Maddy, Fezco, Lexi and Kat.

Scooby-Doo Costumes: Velma

Buy: Jerry Leigh Scooby-Doo Velma Halloween Costume for Adults, Standard Size, Includes Shirt, Skirt, Glasses, Knee Socks $45.99

Everybody loves Velma! The Scooby-Doo character has always been a fan favorite, and she might be even more popular after her coming out moment from HBO Max’s Scooby Doo Halloween movie went viral last week. Whether you’re going DIY or ready-made, Velma’s costume is pretty easy to put together — all you need is a shirt, skirt, knee socks, a wig and her signature glasses. Find Scooby Doo and other character costumes here.  

Anime Costumes: Naruto

Buy: US Size Adult Anime Black Orange Top Pants Cosplay Costume (X-Large) $49.99

Celebrate the 20th year anniversary of Naruto this Halloween. The Naruto Uzumaki costume pictured above is available in sizes S-XXL (and custom sizes). Find Naruto costumes at Amazon and Spirit Halloween in adults and kids’ sizes. Want more anime options? Check out costumes inspired by Sailor Moon, Avatar the Last Airbender, Attack on Titan and other shows here.

Regency Era Costumes: Bridgerton

Buy: Edwina Costume Dress for Women Vintage Regency Dress Victorian Ball Gown Pink Lace High Waistline Tea Gown (S, Pink) $112.00

The regency era is having a renaissance! This Bridgerton costume from Amazon is inspired by the character Edwina Sharma and includes a pink, lace high-waisted dress and long white gloves. Find more Bridgerton-esque looks at Amazon, Etsy and Nordstrom, or shop the Bridgerton collection at Bloomingdale’s.  Regency era costumes can also be used to dress as some characters from HBO Max’s House of the Dragon and Prime Video’s The Rings of Power.

Royal Costumes: Queen Elizabeth

Buy: Rubie’s womens Queen Wig Party Supplies, Multicolor, One Size US $17.00

Speaking of royalty, expect to see costumes inspired by The Crown this Halloween. 2022 was an emotional year for the British royal family, following the death of Queen Elizabeth and the 25th anniversary of the death of Princess Diana. Queen Elizabeth are sold out online, but DIY options are more fun! Throw on an oversized sweatshirt and biker shorts to pull off one of Princess Diana’s causal looks, or recreate Queen Elizabeth’s looks in a double-breasted coat, vintage style cocktail dress and a replica of one of her signature hats. Find wigs, sashes, tiaras and other royal costume accessories here.

Superhero Costumes: Spider-Man

Buy: Goodd Superhero Spider Costume Spandex Jumpsuit Halloween Cosplay Costumes Kids/Adults (Kids-XL, 2019) … … $45.99

Spider-Man: No Way Home was one of the biggest movies of the last year, so it makes sense that the webbed hero’s costumes is among Amazon’s best-sellers. Spider-Man is always a cute costume idea for kids and adults. Find Batman costumes here and here for Dr. Strange.

Top Gun Costumes

 

Buy: Leg Avenue mens – Official Top Gun Flight Suit 8s Movie Jumpsuit Halloween for Men Adult Sized Costumes, Khaki/Green, Medium Large US $79.19

Top Gun is holding steady as the biggest movie of 2022. Suit up in this Top Gun costume available in sizes ranging from X-Small to 3X. You can also get the costume in women’s and kids’ sizes.

Hocus Pocus Costumes

Buy: Party City, Hocus Pocus Winifred Sanderson Halloween Costume for Women, Large/Extra Large, Dress with Attached Coat $50.00

Cast a spell this Halloween in a Hocus Pocus costume available as Winifred, Sarah, or Mary Sanderson (another great group costume idea). The Winifred costume pictured above only includes the floor length dress, the teeth, choker and wig are sold separately.

Encanto Costumes

Adult Mirabel ‘Encanto’ Halloween Costume

$49.99

We don’t talk about Bruno! But we do talk about how to dress up as Encanto characters for Halloween. Choose from Bruno, Isabela, Antonio, Abuela Alma and other characters with costumes from Amazon, Spirit Halloween and shopDisney.

Minions Costumes

Minions Adult Costume

$44.99

Minions was another 2022 blockbuster. The move sequel became a TikTok phenomenon after fans dressed in black suits to watch the film in theaters around the country. Find a selection of Minions costumes for kids and adults at Halloween Costumes, Spirit Halloween and Amazon. Dress as Gru in this mask and scarf or throw on a black suit.

She-Hulk Costumes

Buy: She Hulk Deluxe Adult Costume Small $60.99

She-Hulk made her debut in the 1980 comic The Savage She-Hulk, and it only took 42 years for the green superhero to land her own TV series. If you’re a fan of She-Hulk on Disney+, you might like the costume above, which includes a jumpsuit, fingerless gloves and boot covers. Want to DIY? Throw on a gray suit and green makeup.

In June of 2012, a wide-eyed Brandon Wisniski stepped out of his older brother’s car and into their future. 

“I didn’t have a tent, I didn’t really have a plan,” Wisniski says. “I was just like, ‘We are going to Electric Forest,’ and it was the best experience I ever had in my life at that point.”

This past June, on the 10-year anniversary of that fateful leap, the producer-rapper-DJ now known to fans around the world as Wreckno returned to Electric Forest — but this time, their older brother didn’t turn around and go home after dropping them off at the edge of the campgrounds. 

Instead, the younger Wisniski pulled their brother and mom with them on stage to perform a full-on live show with vocals, choreography and backup dancers, completing a full-circle moment now memorialized in the six-and-a-half minute documentary Homecoming Queen: An Electric Forest Success Story, shared for the first time below.

“Getting to really show who I am as a performer on stage,” Wisniski says, “then playing a song with my mom and my brother, and we all got to hug onstage? That’s probably the most pure thing that’s ever happened in my life.”

We caught up with Wisniski — who identifies with any and all gender pronouns — during a rare moment in their Detroit home. Just a three hour drive from their hometown in rural Manistee, MI (population: 6,200), Wisniski is also light-years away from the small town scene of their youth. (Electric Forest takes place an hour south of Manistee, in the similarly tiny/rural Rothbury, MI.)

“Growing up queer in a small town, I had a lot of love around me, but there’s certain things that you do that kind of waters yourself down so you can survive a little bit easier,” Wisniski says in the doc. “But I am very thankful as well, that I went through some of the things that I went through, because it makes me that much more fierce on stage and it makes me very proud to do things that I’m able to do now as a very out and loud queer person.”

As witnessed in the doc, Wreckno’s new live show takes as much inspiration from Britney Spears and Nicki Minaj as their collaborator GRiZ. (Wreckno collaborated with the fellow Michigander on the 2020 queer anthem “Medusa” and appeared onstage during GRiZ’s headlining set at Electric Forest this year.)

While Wreckno has only had the chance to perform the show four times — at Detroit Pride, Electric Forest, GRiZmas in July and Lollapalooza — those landmark events have forever changed the artist’s outlook.

“I feel bad, because every time I’m on stage now, I don’t have my crew,” Wisniski says. “Now I know the scope of the show I can give, and it feels like I’m reverting a little bit. I know all the choreography, but it doesn’t have the same impact when I’m TikTok dancing alone [in the DJ booth].” (Wreckno is currently on a North American club tour, and will do their next live performance at Red Rocks on Oct. 27, as part of Rezz’s Rezz Rocks IV.)

While this is all marking aa new chapter for Wreckno, it’s the end of a long first chapter for the boy that was. Homecoming Queen opens with a shot of baby Wisniski staring into the camera. We hear his mother on the other side of the lens, encouraging him to sing.

“When I first started teaching myself how to dance, I would watch ‘Bad Romance’ over and over until I knew all the steps — and she would have to deal with it,” Wisniski laughs. “She remembered me as a 16-year old coming back from [Electric Forest] with scrambled brain cells, like, ‘Hey!’ She had seen me do this for like 10 years … She knew I could do all this stuff. She knows who I want to be a performer, but [the Electric Forest show] was her first time really seeing it.”

On stage and on the mic, Wreckno’s persona has erupted into a spicy and powerful sexual being, as evidenced by the June single “Delusional,” on which Wreckno raps, “I got way too much drip to be stuck in a cubicle / And yo man can’t decide, am I sexy or beautiful?”

“A couple of years ago, I was just trying to convince myself of a lot of it,” the artist says, “and now I’m kind of like, ‘Oh no, I’m aware that we are awesome and kids wanna hear this.’ So I think that has changed, where like, I really believe some of the s–t I’m saying.”

That confidence is contagious, too. Walking through the Forest after their performance, Wreckno fans new and old approached the performer to thank them for their set. It was one, the fans said, that genuinely helped young queer kids, weirdos and dreamers of all genders, sexual orientations and personal backgrounds see themselves and their own strength put on a pedestal for all to appreciate. 

“You talk about it from the time you’re booked, your dream festival… but the whole time, you don’t really know exactly how it’s going to go,” Wisniski says. “You never know who this will touch in the future.

The 16-year-old version of Wisniski would almost certainly agree.

Bush frontman Gavin Rossdale is excited to be touring in support of a new album he’s genuinely proud of — but it’s a tough time to be on the road.

“This year has been equally as disastrous for me as the other two years I didn’t tour,” Rossdale tells Billboard‘s Behind the Setlist podcast. After six weeks in Australia and another six weeks in Europe, Bush joined Alice in Chains and Breaking Benjamin for a 30-city tour across North America that wrapped up Oct. 8 at the Xfinity Center in Mansfield, Mass. As an opening act with a new single to support, Rossdale likens Bush to “a quintessential baby band” rather than a veteran act that gets more than 3 million monthly Spotify listeners. 

Rossdale’s need to promote a new album and reacquaint with fans has run into the harsh realities of the post-pandemic world: a glut of bands rushed back to touring in 2022, inflation has reached a 40-year high and equipment is in short supply. “Rooms are more expensive. Buses are more expensive. What about the f—ing gas companies? OK, hey, there’s a war going on. So sorry, but we have to hike prices up or $8 a gallon in L.A., right?” he says sarcastically.

Rossdale pauses and changes to an optimistic tone. “But creatively, we’re on a high,” he says. Bush’s ninth studio album, The Art of Survival, released Oct. 7, finds Rossdale and company full of bombast, huge guitars and memorable hooks. “I think this record is fire. And thank God it’s a good record. Imagine doing all this and having a mediocre record!”

Rossdale and Bush hit it big in 1994 with Sixteen Stone, one of the most successful albums of the grunge era that has been certified six-times platinum in the U.S. on the strength of such tracks as “Everything Zen,” “Glycerine,” “Comedown” and “Machinehead.” Sixteen Stone accounts for about half the songs in a typical set on the recent tour. “It feels mean-spirited to not play those songs,” he says. The balance of the set are tracks from Bush’s 2020 album The Kingdom, and the first single from The Art of Survival, “More Than Machines.” Other songs made occasional appearances, such as “The Sound of Winter” from 2011’s The Sea of Memories and “The Chemicals Between Us” from 1999’s The Science of Things.

Bush has gone through cycles over the last three decades, and Rossdale is realistic about the band’s position. “There are times I’ve reaped the benefits of this band, and there are times I’ve laid the groundwork so that the band continues,” he says. “It’s just the hard reality of life. I feel like I never want to discuss the business, but it’s good for people to know that we’re truthfully in it together, and I’m just planting seeds.”

At times acerbic (when talking about corporate greed) and passionate (when talking about the Supreme Court’s overturning of Roe vs. Wade that inspired the song “More Than Machines”), Rossdale comes off as more grateful than anything else. “I’m living like everyone else: just day to day, getting through it as best I can, and appreciating that I’m damn lucky to be alive and have this great record.” 

Listen to the entire interview with Gavin Rossdale with Behind the Setlist on Spotify, Apple Podcasts, Stitcher, iHeart, Amazon Music or Audible.

Cardi B took to Instagram on Sunday (Oct. 9) to share a snippet of her verse on a recorded remix of Ice Spice‘s breakout hit, “Munch (Feelin’ U).”

“If you tell somebody we f—, but I ain’t nut, n—-, you cappin’ / N—-s a munch, eat it for breakfast / B—-es a scam, b—-es is desperate / B—-es be dirty, go get tested, way too easy, don’t wanna catch it,” Cardi raps over the drill beat, over a clip of the star showing off a black mini dress and strappy heels.

While fans were hyped to hear the fresh rendition of Ice Spice’s track, Cardi took to Instagram to reveal that the unofficial remix will not see a release date. “I’m not putting that song out by the way,” she tweeted. “You know I don’t tease.”

When asked why, she explained that she likes the song, but “don’t love it… just having fun.”

The Bronx rapper’s “Munch” has blown up over the past month and a half and now has 18.41 million on-demand U.S. streams, according to Luminate. Last month, Ice Spice signed with 10K projects, the label confirmed with Billboard.

Cardi, meanwhile, is fresh off the release of her GloRilla collaboration, “Tomorrow 2,”  which debuted at No. 3 on Billboard’s Hot R&B/Hip-Hop Songs chart. The track also opened at No. 9 on the Billboard Hot 100, giving the Memphis rapper her first top 10 visit — and first top 40 hit. It also extends Cardi B’s Hot 100 top 10 count to 11.

Mac Miller‘s talent lives on, as the late rapper is featured on Robert Glasper‘s newest track, “Therapy, Pt. 2.”

“Give an inch, they take a mile, take a mile, I’ll take a acre/I’m a, alien communicator, f—ing up the human nature/Projectile vomit on a song, the fluid nasty, uh,” Miller raps on the sequel to Glasper’s 2014 song of the same name.

The song is “product of the friendship the two shared and perfectly encapsulates the musical gifts of both artists,” according to Miller’s estate, per Rolling Stone. “Anyone that followed Malcolm’s career closely is already aware of the respect he held for Robert’s work.”

“It was such an honor to have been able to do this joint with my bro @macmiller before he left us.. may his legacy live on,” Glasper wrote on Instagram celebrating the new track.

Miller passed away at age 26 on Sept. 7, 2018 from an accidental overdose of fentanyl, cocaine and alcohol, according to the toxicology report released by the Los Angeles County Coroner’s office. 

Listen to “Therapy, Pt. 2,” off of Glasper’s Black Radio III: Supreme Edition album out on Friday (Oct. 14).

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With their triumphant performance Saturday night (Oct. 8) in New York City, Wisin & Yandel displayed their formidable trajectory. Although they became reggaeton fixtures over two decades ago — including in the Big Apple, with performances in iconic clubs like Club Exit and Copacabana for the Latin American diaspora — their Madison Square Garden gig showcased their undisputed stature as legends of the genre. 

Clad in Mad Max-esque gear, the Puerto Rican pair appeared onstage and enthralled for about two hours. Fresh off releasing their tenth — and perhaps final — album together, La Última Misión (The Last Mission), Wisin & Yandel performed a mix of classics and new songs from their latest release. Their high energy was felt on a thousand, complete with riveting pyrotechnic effects, captivating back-up dancers, and a set of costume changes that brought more eye candy to the crowd.  

Related

The dynamic duo kicked off their tour in Miami’s FX Arena on Sept. 30, the same day of their album release. They will set foot in major North American cities like Toronto, Houston, Las Vegas, Ontario and Los Angeles. And, in December, Wisin & Yandel are poised to break their own record with a series of 14 homecoming gigs at Coliseo de Puerto Rico José Miguel Agrelot, belovedly known as El Choli to locals. That also includes a performance on New Year’s Eve, the first time ever the iconic venue holds a show on said date. 

Here are five things that stood out at the Wisin & Yandel MSG show. 

Their Apocalyptic Style Is Reinforced With Riveting Pyrotechnic Effects 

Wisin & Yandel arrived on stage dressed in Mad Max-esque combative gear, with Wisin in all black, and Yandel in off-white combative attire. There were the pyrotechnic effects in full force to boot, blazing between the fans and performers, and against a Jumbotron that showed a collage of dystopian, Fast & Furious-type visuals with plenty of explosions. A costume change later, the Puerto Rican duo fired up in a shiny, fire-engine red get-up as they continued to captivate fans for nearly two hours. 

Latin Pride Is on Full Display

Doing a quick 360, one saw plenty of Latin American flags lofted throughout. Although New York City is one of the most racially and ethnically diverse places in the U.S., there’s no denying that Wisin & Yandel will keep representing Latin pride throughout their next tour stops. “¿Dónde está mi gente Latina?” or “Where are my Latin people!?” will always be a signature call-out in reggaeton. 

Nostalgia Is a Significant Factor 

Although fresh off releasing a brand-new album, their MSG set was packed with classic bangers. Opening with 2007’s combustible “Ahora Es,” their explosive energy inspired a gigantic throwdown, with concert-goers dancing all around. Whether standing on their seats, thrusting with their beas or moving towards the stair aisles for more space to gyrate, one couldn’t help but burst out with lots of motion, especially when one recalls the yesteryears. The pair spanned through their hits since their chart-topping 2000 album, Los Reyes del Nuevo Milenio, and when they nearly wrapped up with their penultimate number “Rakatá,” all hell broke loose. 

“You don’t know how many things are going through my mind right now,” said Wisin in Spanish. “I want to thank all of you for so many years of love and affection. There are many people here who have been fans of Wisin & Yandel for more than 20 years.” 

Calling Out All the Single Ladies 

Let’s be real, no old school or modern day reggaeton show would be complete without the frequent single-lady call outs. “Where are the Dominican ladies?!” Wisin often shouted in Spanish. The genre first came to notoriety for its lyrical raunch, a quality that has remained at the core of reggaeton. The affection is reciprocated, especially when femininity and feminism have evolved in the last two decades. “Where are the women who are in charge of their household?!” the group further shouts. “Where are the women who like to dance reggaeton?!” (Never forget “Si no estás bailando con ella, ¡salte!”, lyrics from “Rakatá,” “Sexy Movimiento” or “solo para mujeres” songs.) Couples were embraced too, as the kiss-cam went around shooting affectionate pairs. 

La Última Misión Tour Is Wisin & Yandel’s Last Stint Together — For Now 

New songs from La Última Misión were received with lots of excitement, especially since it marks the revered group’s legendary run as a formidable act of reggaeton. They’ve continued to churn out massive hits — like their recent single “Besos Moja2,” featuring Rosalía, which was highly praised. Because they killed it on stage and performed loads of worthy chart-toppers, and because Wisin & Yandel as a team will come to an end, this is why La Última Misión Tour is one not to miss.

Chlöe Bailey is an R&B diva in her own right. The 24-year-old Atlanta native has carved out her own lane as she discovers her sound outside of Chlöe x Halle, her duo with equally musical genius sister Halle Bailey.

But that doesn’t mean the superstar — with music approval from the likes of Beyoncé — doesn’t need guidance to navigate an industry that has become obsessed with social media crazes from TikTok, Instagram and Twitter.

At the New Yorker Festival on Saturday (Oct. 8), Chlöe, who dazzled in a long-sleeve crystal-embedded dress, chatted with journalist Lauren Michele Jackson after an intimate but rocking performance that had the crowd on their feet, giving a standing ovation.

During the conversation, Jackson asked Chlöe how social media, especially TikTok, affects the creative process of musicians. Chlöe’s hit single “Have Mercy,” which became a major TikTok dance challenge, had the songstress thinking just how much social media affects artists going deeper within themselves during the music-making process.

“Well, before your song’s gonna pop off on TikTok, you know, there was YouTube and the radio and all that stuff,” said Chlöe.

“So no matter which generation we’re in, there’s always something that you want your music to be like, lived on, right? So I think when we program our minds to think about being number one and winning these awards when you’re creating, it suffocates you, and it stifles the process,” Chlöe continued.

With that in mind, Chlöe remembered a quote that legendary producer Quincy Jones — whose decades of hitmaking include credits like the Grammy Award-winning Michael Jackson‘s Thriller — told her.

“He told my sister and I, he said, ‘The second money enters the creative process, God walks out the room,’” Chlöe said.

“That resonated with me because if I’m thinking about all of the things that I’m expecting to get from what I’m about to create, then I’ve already stopped the process right then and there,” Chlöe continued.

“And there’s been so many times where I’ve gotten in my head because yes, you have to have songs or popping singles or whatever, that’s great, but you can’t let it rule you, and you can’t let it control you,” she said. “And now I think why I have been creating so freely and openly right now; it’s because I have a project I’m proud of and have done.”

That’s not all. During one of Chlöe x Halle’s performances, Chlöe was getting major butterflies, while Halle seemed calmed and prepared. However, gospel singers Mary Mary — known for hit singles such as “God in Me,” “Shackles” and “Yesterday” — noticed the duo before they hit the stage, and that’s when Mary Mary gave the two some musical advice they couldn’t forget.

“They turned to us and said, ‘Don’t go out there trying to sing and prove yourself to anyone,” she recalled. “Sing for God, sing to God, and everything else will fall into place.’”

“And I think that is such incredible advice for me when it comes to performing because, yes, when I’m on stage, I want everybody to like me. Yes, I want them to sing the songs. I want them to be engaged and involved, and anytime there’s crowd participation, I want them to participate, but sometimes life doesn’t work out that way,” Chlöe said. “So at least I have to be proud of the passion and the heart that I put out on that stage, and almost say thanks with my gift as I’m using it at that moment.”

The crowd applauded Chlöe for speaking eloquently about her craft. As far as a new single and album, fans will just have to wait for that news.