Chappell Roan fans are going to have to be patient while awaiting the star’s sophomore album. The pop star has revealed that it could be several years before she completes a follow-up to 2023’s The Rise and Fall of a Midwest Princess.

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While speaking to Vogue in a piece published Monday (Aug. 4), Roan shared that he has no plans to accompany new single “The Subway” with an LP any time soon. “The second project doesn’t exist yet,” she told the publication. “There is no album. There is no collection of songs.”

“It took me five years to write the first one, and it’s probably going to take at least five to write the next,” she continued. “I’m not that type of writer that can pump it out … Even if I was in the studio 12 hours a day, every single day, that does not mean that you would get an album any faster.”

It’s not the first time Roan has touched on the fact that it could be a while before she completes her next full-length, though fans have at times been hopeful that it would come sooner as the Missouri native has released various tracks over the past year. On the first day of August, she dropped long-awaited ballad “The Subway,” which followed March’s Billboard Hot 100 top 10 hit “The Giver.” And last year, she released “Good Luck, Babe!,” which would become her breakout single.

In July, however, as Roan announced that she would be playing a series of pop-up shows in Los Angeles, Chicago and New York City, she told fans that she “wanted the chance to do something special before going away to write the next album,” implying that she hadn’t yet started the bulk of the work on a new LP.

Though it sounds like the vocalist is going to take her time making CR2 perfect, it’s hard to imagine how she could top Midwest Princess. Released in September 2023, the album slowly gained traction before reaching its peak at No. 2 on the Billboard 200 in August the following year. It also earned Roan her first-ever Grammy, with the star taking home best new artist at February’s awards.

Amid the whirlwind of sudden global fame, Roan has been open about how her mental health has suffered, at one point speaking out against toxic fan behaviors. In her interview with Vogue, however, she said that she’s finally learned how to balance her career with her personal life and well-being — and one important way of doing that has been deleting social media apps off her phone.

That means that whenever her next album does arrive, it won’t be informed by the scrolling world. “I’ve never written an album where I don’t have Instagram or anything,” she told the publication. “The album process is purely, only mine. No one on TikTok gets to see it.”

Calvin Harris and his wife, Vick Hope, are celebrating the birth of their first child. The Scottish superstar producer shared the news by posting a photo of himself holding the newborn, a boy named Micah, in an Instagram post Monday (Aug. 4).

“20th of July our boy arrived. Micah is here!” Harris’ caption reads. “My wife is a superhero and I am in complete awe of her primal wisdom! Just so grateful. We love you so much Micah.”

The photo carousel also includes photos of Hope in a water birth tank, along with an image of what looks to be Hope’s placenta, which Harris then shows chunks of in a food dehydrator, with the final image of the carousel being a jar of supplements presumably made from said placenta. Placenta consumption is not uncommon, with some believing that benefits can include helping new mothers in the postpartum period.

This isn’t the first time Harris has shared his alternative health habits. Last year, he revealed that he drinks raw egg yolks to stave off jetlag, typically stashing six eggs in his carry-on bag.

The comments section on Harris’ birth announcement post is naturally buzzing with congrats, with fellow artists including Armin van Buuren, Chris Lake, Sonny Fodera, Kygo and many others chiming in with well wishes.

The news follows Harris and Hope getting married in England in 2023. It is the first marriage for both.

Meanwhile on the charts, Harris’ latest single “Blessings” is currently in its eleventh week on Hot Dance/Electronic Songs. The song, a collaboration with singer Clementine Douglas, is currently at No. 5, down from its apex position at No. 3.

Avant Gardner LLC, the operator of New York’s troubled club Brooklyn Mirage, has voluntarily filed for Chapter 11 bankruptcy. The filing was made in the United States Bankruptcy Court for the District of Delaware.

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According to a statement provided to Billboard by a representative for Avant Gardner, “the decision to file for Chapter 11 relief follows several months of financial distress, culminating with Avant Gardner being unable to open its newly constructed Mirage event space for the 2025 season.”

Brooklyn Mirage is part of the Avant Gardner entertainment complex that also includes Great Hall and Kings Hall, both venues that will remain open and operating during the Chapter 11 process. These spaces have also hosted a number of shows that have been unable to happen at Brooklyn Mirage this season, and they will continue to do so for the rest of the year.

Avant Gardner has received a debtor-in-possession financing commitment from its existing lender. As part of its filings, the company anticipates entering into a stalking horse purchase agreement — an initial bid on the assets of a bankrupt company — pursuant to which the Company will sell its assets to an entity formed and controlled by its existing lender, subject to a court supervised over-bidding process.

The news is the latest twist in a saga that began in earnest in May, when Brooklyn Mirage was set to open after a substantial remodel. But the opening weekend shows by Sara Landry were nixed after inspectors declined to grant the facility a permit to open. All of this summer’s shows at Brooklyn Mirage being subsequently cancelled week by week in the months that have followed. (Artists including Rezz, The Chainsmokers and many more have, as Landry did, moved their performances to other New York City venues.)

Amid the turmoil, it was announced that Josh Wyatt would no longer serve as CEO of the club’s parent company, with Gary Richards, Avant Gardner’s non-executive chairman of the board, stepping in as the company’s new CEO to stabilize the company’s finances and bring back Brooklyn Mirage for 2026 and beyond.

“The Avant Gardner event complex is a truly special music venue that has provided cutting edge experiences over the years for artists and fans from all around the globe,” Richards says in a statement. “Everyone I speak to has had the best sets and very special memories at the Brooklyn Mirage. Two months ago I was brought in as CEO to rebuild the company’s culture and turn the business around. I believe this Chapter 11 restructuring is the most viable path forward — it will allow us to stabilize Avant Gardner and focus on building for the future.”

What were some of the most notable trends on the Billboard Hot 100 songs chart in the first half of 2025?

Hit Songs Deconstructed, which provides compositional analytics for top 10 Hot 100 hits, has released its Mid-Year 2025 State of the Hot 100 Top 10 report.

Here are five takeaways from Hit Songs Deconstructed’s latest in-depth research.

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Country Surges Past Hip-Hop & Pop

In the first six months of 2025, country was the most common primary genre in the Hot 100’s top 10, contributing to 29% of all top 10 hits.

Hit Songs Deconstructed notes the genre’s “dramatic rise from just 4% in 2021–22. This surge was driven largely by Morgan Wallen, who appeared on nine of the 11 country top 10s” from this January through June.

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Also, notably, Latin songs, which had no presence in the Hot 100’s top 10 in 2024, rebounded to an 8% share in the first half of 2025 thanks to three Bad Bunny hits: “Baile Inolvidable,” “DtMF” and “Nuevayol.”

If country holds on through the end of the year, it will make for a new genre champion. Looking back through the past decade, hip-hop led in 2017, 2018, 2020, 2022 and 2024, while pop wrapped on top in 2016, 2019, 2021 and 2023.

As for hip-hop and pop in the Hot 100’s top 10 over the first six months of 2025, both fell in prominence. “Pop has been on a general decline since 2020, decreasing from 40% of songs to just 24% during the first half 2025,” Hit Songs Deconstructed analyzes. “Hip-hop, after rising to 38% in 2024, dropped back to 26%.”

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Solo, So High

“Songs with a solo lead vocalist continued to rise for the fifth straight year, reaching their highest level in over a decade, at 74%” of Hot 100 top 10s in the first half of 2025, Hit Songs Deconstructed finds. “Conversely, songs with multiple lead vocalists dropped to their lowest level during the same time period at just over one-quarter.”

Hot 100 top 10s with multiple lead singers last held a majority in 2021, eking out a 51% – 49% win. Such No. 1s that year included The Kid LAROI and Justin Bieber’s “Stay” and Lil Nas X and Jack Harlow’s “Industry Baby.”

From this January through June, while two duets logged lengthy runs atop the Hot 100 — Kendrick Lamar and SZA’s “Luther” (13 weeks) and Lady Gaga and Bruno Mars’ “Die With a Smile” (five weeks) — Wallen (nine top 10s) has helped boost the share of top 10 hits by solo lead vocalists, along with, in addition to Bad Bunny, three each by Sabrina Carpenter and Drake.

A Major Development

“For the first time in a decade, top 10s in a major key surpassed those in a minor key, with a 53% – 45% split between them,” Hit Songs Deconstructed notes of the Hot 100 during the first half of 2025. (Top 10s driven by both keys have ranged between 0% and 3% over the past five years.)

Digging deeper, the mid-year report finds that despite the climb for major-key Hot 100 top 10s, the two most common keys were both minor: F-sharp minor and A minor, accounting for 13% and 11% of songs, respectively. Three of the five top 10s in F# minor peaked at No. 1: “4×4” by Travis Scott, “A Bar Song (Tipsy)” by Shaboozey and “Lose Control” by Teddy Swims.

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Introspection Increased

What did Hot 100 top 10s sound like, lyrically, in the first six months of 2025?

“The theme of introspection rose to its highest level in over a decade, at 42% of songs,” Hit Songs Deconstructed’s report shows. “The theme traversed an array of genres and styles,” via songs including Doechii’s “Anxiety,” Chappell Roan’s “Pink Pony Club” and Wallen’s “Smile.”

Introspective songs have bounded from a 33% share of Hot 100 top 10s in 2024 and a 12% take in 2022.

Roomy Writers’ Rooms

“Songwriting teams of five or more writers accounted for 61% of 2025’s top 10s, up notably from 37% in 2024,” per Hit Songs Deconstructed’s Hot 100 review.

“Conversely, those credited to a single writer dropped from 10% to 5% of songs — both attributed to Drake: “Nokia” and “Gimme a Hug,” the mid-year research reveals.

The next most common totals of songwriters behind Hot 100 top 10s in the first half of 2025 after five-plus: two (16%), three (11%) and four (8%).

Groups of five or more writers have dominated this decade, also leading in 2023 (38%), 2022 (54%) and 2021 (56%). No other combination in that period has claimed more than 23% of Hot 100 top 10s (two writers in 2024).

Meanwhile, producer teams of two were the most represented over the first half of 2025, with a 32% share of top 10s. Twosomes likewise led for all of 2024 (27%), 2023 (41%) and 2022 (40%).

Capitol Music Group and The Core Records have partnered to sign singer-songwriter Brandon Wisham. Born in Georgia and raised in South Carolina, Wisham was recently named as SiriusXM’s The Highway’s most recent Highway Find, and he will open shows for Tyler Hubbard, Lakeview and Austin Snell this fall.

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Wisham wrote his first song, “Pain Won’t Last,” at age 19; the song was a heartrending ode to losing his father to COVID-19. Bailey Zimmerman included a version of “Pain Won’t Last” on his 2023 project Religiously. The Album., and brought Wisham on as an opener for his 2024 tour.

Wisham issued his debut single “Back Together” earlier this year, and followed with songs including “Better Than The Day” and “Growin’ Up.” He made his CMA Fest debut in June and will release his new single, “She’s Good,” on Friday (Aug. 8).

“The way I’m feeling about this step is beyond what words can describe,” Wisham said in a statement. “Grateful to have found a team that is as passionate about my music as I am. Can’t wait to experience this journey alongside the best of the best!”

“We’re thrilled to welcome Brandon to the Capitol Records family,” Tom March, chairman and CEO of Capitol Music Group, said in a statement. “He’s a truly gifted songwriter with the kind of talent, drive and unstoppable passion that make for an extraordinary career in country music. We’re beyond proud to join forces with Brandon as he moves forward into his most exciting chapter yet.”

“Brandon has been part of The Core family from the start and we’ve believed in his talent and potential every step of the way,” Chief Zaruk and Simon Tikhman, co-founders and co-CEOs of The Core Entertainment, added. “Watching him grow and gain real momentum as an artist has been incredible, and signing him to The Core Records is a natural evolution of that journey. He’s got something truly special, and we’re excited to take this next step with him and help bring his vision to the world.”

Music executives Zaruk and Tikhman launched The Core Entertainment in 2019. The company includes The Core Records, with artists including Hannah McFarland and Josh Ross, and management division The Core Entertainment, with artists such as Wisham, Zimmerman, Nate Smith, Ryan Hurd and Nickelback.

An ex-girlfriend of Sean “Diddy” Combs — and one of the alleged victims cited by prosecutors in his indictment — is now urging a federal judge to release him from jail.

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Virginia Huynh, who was listed as “Victim-3” but never showed up at Diddy’s blockbuster racketeering and sex trafficking trial, filed court documents Sunday in support of the star’s recent efforts to secure release on bail until he’s sentenced in October.

Prosecutors have argued that Diddy must remain in jail because he’s dangerous and has an “extensive history of violence,” but Huynh said she does not “view Mr. Combs as a danger to me or to the community.”

“I want to assure the court that if released, I believe Mr. Combs will adhere to all conditions imposed and will not jeopardize his freedom or the well-being of his family,” Huynh wrote. “Allowing him to be at home will also support the healing process for all involved.”

Combs was acquitted last month on the most serious charges he faced over drug-fueled sex marathons called “freak-offs,” but was convicted on two lesser prostitution counts. His lawyers are currently pushing to throw out those convictions — or at the very least get him out of jail ahead of sentencing.

Huynh (who goes by “Gina”) was supposed to be a key part of the government’s case against Diddy. But days before the trial was set to start, prosecutors told the judge that they could not locate Victim-3, and she never ended up testifying before the jury.

Now, Huynh is frustrating prosecutors once again. In her letter to the judge, she identified herself as Victim-3 and directly asked the judge to release the star on bond ahead of sentencing — arguing that Combs is not the dangerous criminal portrayed by the feds.

“To my knowledge, he has not been violent for many years, and he has been committed to being a father first,” she wrote.

Huynh, who publicly alleged in a 2019 podcast interview that Diddy had stomped on her stomach and punched her in the head during their relationship, painted a different picture in her new letter to the judge.

“Our relationship, like many, was not always perfect, we experienced ups and downs, and mistakes were made but he was willing to acknowledge his mistakes and make better decisions in the future,” Huynh wrote. “Over the years that followed he made visible efforts to become a better person and to address the harm he had caused. By the time our relationship ended, he embodied an energy of love, patience and gentleness that was markedly different from his past behavior.”

Allowing Diddy to be released on bail ahead of sentencing will “allow him to continue caring for his family and fulfilling his responsibilities while still subject to the Court’s supervision,” Huynh said.

A spokesman for prosecutors did not immediately return a request for comment on Huynh’s letter.

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Combs was arrested and charged last year with racketeering (RICO) and sex trafficking violations over accusations that he ran a sprawling criminal operation aimed at facilitating the freak-offs — elaborate events which he allegedly forced his ex-girlfriend Cassie Ventura and other women to have sex with male escorts while he watched and masturbated.

But following a blockbuster trial in May and June, a jury cleared Combs on the RICO and sex trafficking charges. The mogul was found guilty on two other counts for transporting Ventura, another woman and various sex workers across state lines for the purposes of prostitution.

Combs will face sentencing on those convictions in October; sentencing guidelines suggest he’ll likely receive between two and five years in prison.

Sabrina Carpenter had a surprise trick up her sleeve during her headlining set at Lollapalooza in Chicago on Sunday night (Aug. 3). The “Manchild” singer wowed the massive crowd gathered around the T-Mobile main stage — while A$AP Rocky did the same on the opposite end of the park on the Bud Light stage — by treating them to a special mini-set from R&B legends Earth, Wind & Fire.

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And we can just let loose, right? We can just groove,” Carpenter, wearing a sparkly pink jumpsuit with her name across the chest said as the strains of EW&F’s 1981 Billboard Hot 100 No. 3 disco pop classic, “Let’s Groove,” bubbled up behind her. “So I thought, ‘why not bring out my friends from Chicago?’ Give it up for Earth, Wind & Fire!” she screamed as three members of the iconic group joined her on stage to sing the song’s familiar refrain.

“Let this groove, get you to move, alright/ Let this groove set in your shoes, stand up, alright,” singer Philip Bailey crooned in his signature falsetto. Carpenter spun in circles and shook it out to the song’s familiar funk pop groove, mouthing along and then joining in on the “move yourself and glide like a 747” verse with a gigantic smile on her face as she doubled up Bailey’s vocals on the chorus.

The mini-set also featured a run through EW&F’s perennial fall classic and 1979 Hot 100 No 8 smash “September.” Carpenter’s upcoming seventh studio album, Man’s Best Friend, is due out on Aug. 29, with the singer revealing the full track list last week with some help from an adorable golden retriever puppy.

Check out footage of Carpenter and EW&F at Lollapalooza below.

Jessie J found herself unexpectedly back in the hospital recently after surgery to treat breast cancer. According to E! News, in an Instagram Story on Saturday (Aug. 2), the 37-year-old singer born Jessie Ellen Cornish revealed that six weeks after surgery she was back in the hospital due to an unexplained health issue.

“How I spent the last 24 hours,” Jessie wrote on her Story along with photo in which she had an IV in her arm. “6 weeks post surgery and I was back in the same ward I was after my surgery. Not expected or planned. I had and still have symptoms that pointed towards a blood clot on the lung. IT IS NOT A BLOOD CLOT THANK GOD.”

Noting that her doctors were able to identify the infection, Jessie said she decided to finish her recovery at home. “They ran a lot of tests which ended up showing I have an infection (still trying to figure out what) and a little fluid on my lungs,” she said. “Finding it hard to breathe in, but I discharged myself last night (I hate being in hospital) and will continue the investigation as an outpatient.”

In a Story on Sunday (Aug. 3), the “Bang Bang” singer provided an update, writing, “I finally got a diagnosis of what’s been going on. Lots of people have been asking, apparently it’s called… Dramatic? I think that’s the spelling. My symptoms are the same and no idea what’s wrong yet. But my sarcasm and sense of humour are holding on.”

The singer also shared a selfie video from bed, noting that it was the first “real time” clip she’d posted since surgery, as she’s not been thinking about making content, but rather taking it easy. “I think people think that I’m like hanging on by a thread… which in some moments has felt that way,” she said. “Like two or three days ago when I woke up and I couldn’t breathe. I still have pain in my chest when I breathe, but it’s not as bad.”

She added that she has “very few other symptoms” now, which makes her hopeful that it was just a “viral p–s take.” The good news was that she was feeling a lot stronger and, as counseled by so many, she is resting. She also thanked her mom for being her rock, as well as friends and family who’ve come over to play with her two-year-old son, Sky, or who’ve popped in to do a load of laundry for her.

“I’m very grateful for my little gang,” she said.

In early July, Jessie was also sharing some gratitude after test results revealed no evidence of cancer spread a month after her breast cancer diagnosis in June. “AND. I AM OK. Results = I have NO cancer spread. Happy tears are real. Thank YOU for the prayers, the love, the well wishes, the joy and all the positive energy,” she said in the caption to an Instagram video.

Jessie initially underwent surgery on June 23, initially telling fans her cancer was “all gone” post-operation, then later clarifying that she was awaiting test results to confirm. “Lots of healing to go and one more surgery to make these cousins look more like sisters, but for now it’s gratitude time,” she added in a latest post about her mastectomy and breast reconstruction surgery. “I am changing my name to The LopJess monster.”

On Monday (Aug. 4), a small but mighty new physical music format arrived: Tiny Vinyl. Measuring at just four inches in size, Tiny Vinyl is a playable record that can hold four minutes of audio per side.

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The disc, according to a press release, aims to “[bridge] the gap between modern and traditional to offer a new collectible for artists to share with fans that easily fits in your pocket.”

Initial releases include singles from Chappell Roan (“Pink Pony Club” / “Naked In Manhattan”), Gracie Abrams (“That’s So True” / “I Love You, I’m Sorry”), Doechii (“DENIAL IS A RIVER” / “Anxiety”), Frank Sinatra (“Jingle Bells” / “Silent Night”), Lainey Wilson (“Somewhere Over Laredo” / “4X4XU”), Britney Spears (“Baby One More Time” / “Oops!…I Did It Again”), Rolling Stones (“(I Can’t Get No) Satisfaction” / “The Under Assistant West Coast Promotion Man”) — plus many more artists across decades and genres. 

In early 2024, Billboard reported that vinyl was on track to generate over $1 billion. Yet, a guest column questioned how the format could better harness the influence of superfans. Tiny Vinyl is hoping to be the answer.

Tiny Vinyl co-founders Neil Kohler and Jesse Mann had taken note of the vinyl resurgence — which had been steadily ticking upward, then ignited in the pandemic and has sustained. Over the same timespan, they noticed a trend toward miniature collectibles as well. And so they combined the two concepts into a modern day take on HitClips.

“We created Tiny Vinyl to reward fans with an adorable, collectible, and playable miniature vinyl record,” Kohler and Mann said in a statement to Billboard. And in addition to trends in vinyl and mini collectibles, the pair say a third trend especially worked in their favor: “hit songs are getting shorter,” they said. “We knew we needed our vinyl format to play an overwhelming majority of popular music, which happened to be trending to less than four minutes per song.”

Kohler and Mann partnered with Nashville Record Pressing (a subsidiary of vinyl manufacturing giant GZ Media) to develop the format. All Tiny Vinyl records are made from ​100% bio-attributed vinyl, and given their size, use approximately one tenth of the materials required to make a standard 12” vinyl record. 

“It was always important to us to make Tiny Vinyl play at 33rpm on a standard turntable,” Kohler and Mann said. “That’s the most common format, so we made that our standard. Lastly, to engage fans at this scale, we knew the jacket and art had to feel authentic, just like 12” vinyl — only at the 4” diameter.”

Starting today, Tiny Vinyl is available for purchase at national retailers including Target as well as directly through exclusive artist partnerships. With the goal of artists using the format for album launches, tour exclusives and more, each record is numbered and released as a limited edition.

Katy Perry’s Lifetimes Tour stop in Detroit turned a bit more dramatic than planned on Sunday night.

A young girl collapsed mid-show during Perry’s nightly ritual of bringing a few fans on stage to help her perform her 2011 single “The One That Got Away.” 

The fan, named McKenna, was spotted by Perry sitting in the very top corner of Little Caesars Arena, via a bright blue sequined skirt she was wearing. Perry even waited for her and a friend who came with her to make the long trip down to the floor level and embraced both as they came on stage, McKenna clearly overcome with emotion for being chosen.

She fainted as Perry prepared to start the song and was immediately attended to by members of the singer’s crew and venue medical staff; a visibly concerned Perry knelt alongside her as the crowd of about 13,000 chanted McKenna’s name in support. 

She was taken from the stage, after which Katy pulled the other three young fans into a group hug and led a prayer, saying, “Dear God, we pray for McKenna, that she will come back fully and brighter and better than ever. Amen.” 

Perry also remarked that, “It’s so much. Sometimes you’re so brave and you can get on stage, and it’s overwhelming. I understand that feeling.”

Perry then performed “The One That Got Away” and ushered the other three fans back off the stage. A short time later, while riding a giant butterfly prop above the crowd, she reported that, “McKenna’s doing great, by the way,” which was also confirmed to Billboard by backstage sources. Perry also shouted the fan’s name at the end of the song.

Sunday’s show was the 13th in the latest North American Leg of the Lifetimes Tour, which Perry kicked off during late April in Mexico City. The tour next stops Tuesday and Wednesday, Aug. 5-6, in Toronto and will run through Dec. 7 in Abu Dhabi.