It’s mere days before Christmas, and Paycom Center is unusually quiet.

The arena — home of the Oklahoma City Thunder, the reigning 2025 NBA champions — typically holds 18,000 roaring fans, but today, you could hear a pin drop. Yet even in silence, the Thunder’s accomplishments speak loudly. Division title banners hang proudly from the rafters. Scan past those banners and across the empty arena, and three words in bold orange and blue come into focus: Committed. Community. Together.

That trifecta isn’t just the glue that keeps the Thunder ahead of the competition — it’s the ethos of Simon Gebrelul’s ISLA Management. Since launching ISLA in 2018, Gebrelul and his co-founder, EK, have proved that a powerhouse management company can be built on a foundation of friendship — at least when the friends in question are some of the biggest stars in sports and music today, including Thunder superstar and reigning NBA MVP Shai Gilgeous-Alexander and Grammy Award-nominated, multiplatinum singer GIVĒON.

“My clients are my friends,” says Gebrelul, 34. “I met some of them playing video games early on when I was 16, 17, 18. You go hard for the people you care about. I’ve gotten in front of huge companies and burned relationships because I was standing up for clients. When you love them that much, the relationship with whatever brand doesn’t matter. I’m going to live or die on the sword with my client. You lose that when you try to become more of a company than a family.”

Read the full Shai Gilgeous-Alexander, GIVĒON and Simon Gebrelul cover story here.

Billboard cover stars Shai Gilgeous-Alexander and GIVĒON sit down with manager Simon Gebrelul to talk about the sports and music connection and what it takes to build real longevity. From pressure and accountability to discipline, creativity and business, the trio breaks down how they navigate two worlds at the highest level. Shai opens up about MJ comparisons, his interest in music, motivation and what’s in heavy rotation on his playlist. GIVĒON talks about his next goals, his growth trajectory, how he met SGA and Simon, and more!

Carl Lamarre: We are here at the Paycom Center here in Oklahoma City. First and foremost, we are here celebrating our sports and music issues with the cover stars. I first want to address this to Shai and Giv. Obviously, you guys come from two different worlds, sports and music. I would love for y’all to touch on how Simon has been able to help y’all think long term about success and longevity and what that looks like under his watch.

GIVĒON: I mean, for me, when I met them, I was still a server. I was kind of antsy about everything when it comes to deals. I wanted to do everything right away. And like, the biggest thing he taught me about longevity was building up your leverage, and that comes with quality, that comes with being patient, and it’s just like having some business acumen too. I think that’s the biggest, one of the biggest takeaways.

I remember you were dog walking too back in the day.

GIVĒON: Yeah, I always had a little entrepreneurial spirit. 

I was gonna say you got the hustler spirit in you. 

GIVĒON: I hated that s*** though. I miss the dogs, though, but I’d rather be doing this.

I ain’t mad at that. What about you Shai?

Shai Gilgeous-Alexander: Yeah, for me, he came into my, like, my life as a friend at first, and our relationship was just organic. I had an approach on the court that I had really honed in on and, like, understood, like you said, longevity, being a professional and those types of things. But he really showed me how to, like take that approach in the business side of life in the world, and from there, everything skyrocketed. He unlocked a bunch of doors I’d never even seen. He changed my life, for sure.

GIVĒON: And he is a wizard. He really is a wizard.

I mean, brother man. Brother man. I mean, listen, you know, we’re here obviously, before the sports and music issue, you’re at the heart of it with two superstars. Why do you think now, more than ever, sports and music is so like, tightly conjoined. The worlds, why are they like so close together right now?

Keep watching for more!

The 10th annual Love Rocks NYC benefit concert for God’s Love We Deliver will hit the Beacon Theatre in New York City on March 5 with a lineup including Hozier, Mary J. Blige, Elvis Costello, the Goo Goo Dolls, Jon Batiste, Paul Simon and more.

The gig supporting the non-profit that delivers nutritious meals for people affected by serious illness will also feature performances by ZZ Top guitarist Billy F. Gibbons, Four Non Blondes singer and Grammy-nominated producer/songwriter Linda Perry, Nile Rodgers & Chic, the Preservation Hall Jazz Band, the Bangles’ singer Susanna Hoffs, Trombone Shorty, Warren Haynes and others.

In addition to the performers, the show produced by real estate broker/concert producer Greg Williamson, concert producer Nicole Rechter and fashion designer John Varvatos will feature appearances from comedians and actors JB Smoove, Jeff Ross, Julianne Moore, Paul Shaffer, Whoopi Goldberg and Zarna Gang.

Since its founding in 1985 in the midst of the AIDS epidemic, God’s Love We Deliver has served more than 40 million meals to those in need, with this year marking the organization’s 40th anniversary. “For the past ten years, my co-executive producers Nicole Rechter, John Varvatos, and I have been on an incredible journey building and growing an unforgettable music experience-one that we are immensely proud of,” said Love Rocks co-executive producer Williamson in a statement. “As a native New Yorker, it has been a privilege to create such a meaningful platform to raise both funds and awareness for an essential organization that supports our fellow New Yorkers.”

Last year, according to the release, the staff of God’s Love We Deliver and 20,000 volunteers cooked, packaged and home-delivered four million medically tailored meals to 15,000 New Yorkers living with and affected by severe illness. Since 2017, the Love Rocks NYC concerts have raised $65 million, funding 6.5 million meals to New Yorker affected by illness.

Pre-sale tickets will go on sale on Wednesday (Feb. 11) at 10 a.m. ET, before a public on-sale launches on Friday (Feb. 13) at 10 a.m. ET; click here for ticket information.

“We are thrilled to celebrate the milestone 10th anniversary of LOVE ROCKS NYC, which continues to harness the power of music to support our vital mission,” added God’s Love We Deliever president/CEO Terrence Meck. “Not only are we commemorating the incredible dedication of the executive producers, their team, the artists and fans who have supported our community, but we are also marking 40 years of God’s Love We Deliver, and having delivered more than 40 million meals since our founding in 1985.  We are so proud of our work nourishing New Yorkers affected by severe and chronic illness, and we are grateful to Love Rocks NYC for the visibility and funds it raises for God’s Love We Deliver.”

The show’s house band will be led by music director Will Lee (CBS Orchestra) and feature: Eric Krasno (Phil Lesh & Friends), Ivan Neville, Larry Campbell (Bob Dylan), Michael Bearden (Lady Gaga) and a six-piece horn section, Pedrito Martinez (Bruce Springsteen), Shawn Pelton (Saturday Night Live), Ricky Peterson (Stevie Nicks) and Steve Gadd (Paul Simon).

Check out the trailer for this year’s show below.


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All five of this year’s Oscar nominees for best original song are represented on Songwriters Hall of Fame’s annual virtual event “A Conversation With 2026 Oscar-Nominated Songwriters for Best Original Song,” which is streaming on-demand through March 16 exclusively on songhall.org.  It is free to watch.

This year marks the 10th anniversary of the annual program, in which the Songwriters Hall of Fame spotlights the songwriters nominated in that marquee category. Diane Warren, who is nominated for a record-setting ninth consecutive year, discusses her solo-written power ballad “Dear Me” from Diane Warren: Relentless. The panel also includes this year’s only other songwriter who wrote a nominated song alone – Nicolas Pike, nominated for the first time for writing the aria “Sweet Dreams of Joy” from Viva Verdi!

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EJAE is on hand to talk about “Golden” from KPop Demon Hunters, the global K-pop smash that she co-wrote with Mark Sonnenblick, Joong Gyu Kwak, Yu Han Lee, Hee Dong Nam, Jeong Hoon Seo and Teddy Park.

Raphael Saadiq talks about the blues number “I Lied to You” from Sinners, which he co-wrote with Ludwig Goransson.

Bryce Dessner talks about the acoustic ballad title song from Train Dreams, which he co-wrote with Nick Cave.

The event is moderated by legendary songwriters (and SHOF inductees) Nile Rodgers, who is SHOF chairman, and Paul Williams, a SHOF Johnny Mercer Award recipient and a three-time Oscar nominee for best original song. He was nominated for co-writing “Nice to Be Around” from Cinderella Liberty and the much-loved “The Rainbow Connection” from The Muppet Movie. He won for co-writing “Evergreen (Love Theme From A Star Is Born)” from A Star Is Born, which was a Billboard Hot 100-topping smash for Barbra Streisand.

Performing the National Anthem at the Super Bowl is a daunting prospect at best. Between nerves about singing the legendarily tricky tune, the intimidation factor of knowing that there are tens of thousands of people in the stadium and more than 100 million others tuning in and trying to live up to Whitney Houston’s unbeatable 1991 version of the Anthem at Super Bowl XXV, it’s a potential fools errand at best.

Charlie Puth kept all of that in mind going into Sunday’s (Feb. 8) Super Bowl in Santa Clara, Calif. and, as it turns out, he actually went out of his way to pay homage to Houston instead of running away from that gold standard. “Thank you everyone for your kind words. It was an honor to sing The National Anthem. I wrote the arrangement in a very specific way to honor Whitney Houston– I hope that was heard,” wrote Puth of his musical nod to Houston’s all-time rendition.

Puth’s performance had a lite gospel feel to it and found him accompanied by a choir and orchestra as he played along on a Rhodes keyboard. He had kind words for the musicians as well, adding, “Thank you to the Oakland Interfaith Gospel Choir, the Sainted Choir, the Color of Noize Orchestra, Steve Hackman, and Kenny G for joining me on stage. And thank you Adam Blackstone for writing such a beautiful choir part. I love music so much.”

Dressed in a brown leather bomber jacket over a white shirt and tie with jeans, Puth crooned the Anthem in a crystal-clear falsetto over the traditional close-up shots of the stars from the two teams — the victorious Seattle Seahawks and New England Patriots — getting their game faces on, with the performance ending on a soaring high note during a thrilling stealth bomber fly-over.


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Nobody knew Lady Gaga was going to make a surprise appearance during Bad Bunny‘s historic, joyous Super Bowl LX halftime show on Sunday night (Feb. 8) in Santa Clara, Calif. But hours after shocking the crowd at the game and viewers at home with her salsa-fied “Die With a Smile” performance, Gaga said she wouldn’t have missed it for anything.

“It was my absolute honor to be a part of Benito’s halftime show,” wrote Gaga on Instagram early Monday morning (Feb. 9) along with a short clip of her performance, which included her crooning a completely revamped version of her Billboard Hot 100 No. 1 smash with Bruno Mars accompanied by a cadre of horn and percussion players.

“Thank you Benito for inviting me and thank you to the entire cast for welcoming me onto your stage,” Gaga continued. “I wouldn’t miss it for the world.”

It was Gaga’s third trip to the Super Bowl, following on her singing of the National Anthem in 2016 and headlining her own explosive halftime show the next year. And while Gaga’s cameo gave Benito’s already high-energy show the classic buzzy boost any surprise pop-in by a star of her caliber can, she made it all about honoring Bad Bunny and tailoring her performance to his spirit and vibe.

In addition to re-fashioning “Die With a Smile,” Gaga also dressed for the occasion in strappy red heels, a flowy blue strapless dress with a plunging neckline, ruffled skirt and an oversized red Flor de Maga brooch, an homage to the official flower of Puerto Rico. After her song, Gaga hopped down to show off her salsa moves by twirling around with Benito, before disappearing into the crowd as BB danced on to his hit “BAILE InoLVIDABLE.”


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In what might be the most unexpected TV moment of 2026 so far, PinkPantheress stunned with a surprise appearance on The Weakest Link this weekend.

The 24-year-old vocalist-producer appeared in Saturday’s (Feb. 7) episode of the British quiz show, hosted by Romesh Ranganathan. Other contestants included comedian Harriet Kemsley and podcaster Hilary Gish Whitehall, mother of Jack Whitehall. 

PinkPantheress aced questions on pop icons including Lady Gaga and Harry Styles, making it to the final three. She knew that Harry Styles’ song is called “Music For A Sushi Restaurant” and not “Music For A Greasy Spoon,” and answered a question about Gaga’s Mayhem Ball tour correctly. 

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During a round of literature questions, the singer was asked about Shakespeare and blurted out “Chaka Khan” – a reference to RuPaul’s wildly wrong (and random) answer on The Weakest Link in 2001. The meme‑worthy moment has since delighted fans on social media.

For viewers in the U.K., the full episode can be watched back on BBC iPlayer.

The week prior, Pink attended her first Grammy ceremony as a two‑time nominee. The rising star, nominated for best dance/electronic Album for Fancy That and best dance pop recording for her hit “Illegal,” spoke with Billboard about how meaningful it was to be recognised by the voting academy.

“I did not expect [to be at the Grammys] at any point, I was 19 when I started making music on the internet,” she said. “When you start out like that, you think, ‘Is this going to translate to everyone offline? I don’t know’. To make it here… I just never imagined it would happen.”

Fancy That has become one of the standout releases of 2025, earning widespread acclaim in both the U.K. and US. The nine‑track project debuted at No. 72 on the Billboard 200 and No. 3 on the UK Official Albums Chart, also earning a prestigious Mercury Prize nomination.

Since its release, Pink has pursued numerous other sidequests beyond her appearance on The Weakest Link. Last summer, she won a youth chess grand slam tournament in Bromley, while she also participated in an episode of Impractical Jokers.


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Not many people can say they’ve starred in a Taylor Swift music video – but Graham Norton can. During a conversation with actress Maria McErlane on the Wanging On podcast, the Irish chat show host reflected on working with Swift for her newly-released “Opalite” music video. 

“It was like a movie shoot, a massive, massive deal,” said Norton of filming the star-studded visual at the Whitgift shopping centre in Croydon, south London, towards the end of 2025. “Everyone was lovely on set, it was a really, really fun experience.”

Featuring appearances from actors Domhnall Gleeson, Cillian Murphy, Greta Lee and Jodie Turner-Smith, plus singer-songwriter Lewis Capaldi, the video serves as a call-back to a Graham Norton Show appearance in October featuring Swift and the rest of the “Opalite” cast. During the episode, Gleeson expressed his desire to one day be in a Swift music video.

Introducing the video via an Instagram post, Swift called Norton “insanely charismatic and lovable” and said of the October show: “I remember thinking I got ridiculously lucky with the group I was paired with … I was instantly struck with an idea.” Produced with a retro 90s aesthetic, “Opalite” was also written and directed by Swift.

“The whole thing came to her in a blinding flash while she was on the [Graham Norton Show] sofa,” said Norton. “The next thing you know, she’s written this whole treatment. Taylor is a marvelous director. Her ability to not get stressed is extraordinary.”

The video premiered exclusively on Spotify and Apple Music on Friday (Feb. 6), ahead of a wider release on YouTube over the weekend. It comes four months after Swift released her The Life of a Showgirl album, the Billboard 200 chart-topper that debuted at No. 1 following its Oct. 3 release and spent a total of 12 weeks at the summit. In the U.K., the record became her 14th No. 1 on the Official U.K. Albums Chart.

According to the Official U.K. Singles Chart midweeks, published Sunday (Feb. 8), “Opalite” is on course to become Swift’s eighth U.K. No. 1 single. If it hits the top spot, it will mark the first time any of Swift’s albums have produced two U.K. No. 1 hits; The Life of a Showgirl’s lead single “The Fate of Ophelia” spent seven non-consecutive weeks atop the chart in 2025.

During the latest episode of Wanging On, Norton also discussed how he is “so in awe” of himself for keeping news of the “Opalite” shoot secret, which took place towards the end of last year. “We filmed the video in the back end of November and I’m like, ‘Please release the video so I can tell someone I’m in it,” he explained. “On New Year’s Eve, I was with a gaggle of gays and I just thought, ‘This is so good, surely I can tell them… but I didn’t.”

Swift has appeared several times on The Graham Norton Show over the years as a guest to promote her music, including visits during the Midnights, Lover and Red eras.


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The Paul brothers offered sharply different reactions to Bad Bunny’s Super Bowl halftime performance, taking to X on Sunday night (Feb. 8) as debate over the show continued to dominate social media.

Taking over Levi’s Stadium in Santa Clara, Calif., the Puerto Rican superstar commanded the stage with a riveting 13-minute set filled with global hits, heartfelt tributes and powerful messages, and drew a flurry of reactions from viewers and celebrities alike.

Jake Paul first weighed in by encouraging viewers to turn off the broadcast, framing the move as a protest against corporate decision-making tied to viewership.

“Purposefully turning off the halftime show,” Paul wrote. “Let’s rally together and show big corporations they can’t just do whatever they want without consequences (which equals viewership for them). You are their benefit. Realize you have power.”

He continued, “Turn off this halftime. A fake American citizen performing who publicly hates America. I cannot support that.”

The comments quickly sparked backlash online, including a public response from his brother, Logan Paul, who said he disagreed with Jake’s stance.

“I love my brother but I don’t agree with this,” Logan Paul posted. “Puerto Ricans are Americans & I’m happy they were given the opportunity to showcase the talent that comes from the island.”

The exchange came amid a wave of reactions to Bad Bunny’s halftime appearance, which blended music, choreography and imagery referencing Puerto Rican identity and culture. The performance drew both praise and criticism, with the artist becoming a focal point in broader political and cultural debates surrounding the Super Bowl.

Earlier on Sunday, President Donald Trump also criticised the halftime show in a social media post, calling it “absolutely terrible,” further amplifying the online conversation around the performance.

Bad Bunny has not publicly responded to the Paul brothers’ comments as of publication. A representative for Bad Bunny did not immediately return Billboard’s request for comment.

Role Model delivered one of Laneway Festival’s most unexpected crossover moments on Sunday night (Feb. 8), bringing out members of The Wiggles during his set at the Sydney leg of the touring Australian festival.

Midway through his performance of “Sally, When the Wine Runs Out,” the U.S. singer-songwriter invited Tsehay Hawkins (Yellow Wiggle), Lucia Field (Blue Wiggle) and original member Jeff Fatt (Purple Wiggle) onstage, where they danced alongside him as the crowd erupted. Footage of the moment was quickly shared across social media, including by triple j, drawing widespread fan reaction.

https://www.instagram.com/reels/DUfSTT2EXqM

Role Model has turned “Sally” into a rotating live collaboration moment across recent performances.

At the Auckland launch of Laneway 2026 last week, New Zealand artist BENEE filled the role, marking a reunion with the singer after their 2024 collaboration “notice me.”

Last year, Charli XCX joined Role Model during his Saturday Night Live debut, a performance that generated significant online buzz.

The Sydney appearance formed part of Laneway Festival’s 21st anniversary Australian run, which opened with back-to-back sold-out shows on the Gold Coast and in Sydney. Organisers confirmed in a statement that both dates sold out completely.

“What a way to kick off our Australian run with a sold-out show on the Gold Coast,” festival co-founders Danny Rogers and Jerome Borazio said.

“The response to Laneway this year has been beyond anything we could have imagined. We’re so grateful to the fans, the artists, and the incredible team who bring this festival to life.”

This year’s Laneway lineup is headlined by Chappell Roan, with performances from PinkPantheress, Wet Leg, Wolf Alice, Gigi Perez, BENEE, Teen Jesus and the Jean Teasers and more across the national tour.

The festival continues this week with stops in Melbourne, Adelaide and Perth, with limited tickets remaining for all three dates. Fans have already begun speculating online about who may join Role Model onstage next as his rotating “Sally” tradition continues.

Laneway Festival wraps its 2026 run later this month.