First she was Jenny from the Block, then she was “Lola,” but now Jennifer Lopez is ready to show you a darker side with her newest performance.
On Friday (Sept. 5), Lopez released her rendition of the titular track from her forthcoming movie musical adaptation of Kiss of the Spider Woman. Over a waltzing melody, Lopez goes full Broadway, as she belts her way through the John Kander and Frank Ebb-penned classic about love, seduction and death.
“Sooner or later, in sunlight or bloom/ When the red candles flicker, she’ll walk in the room,” she sings on the track. “And the curtain will shake and the fires will hiss/ Here comes her kiss.”
Alongside the new single, JLo also shared a set of new photos from the film, depicting her character dressed in a shimmering green gown and spiky black bangs, posed in a prison cell and against a massive web. The singer shared another section of the song’s lyrics alongside the photos: “There’s only one pin that can puncture such bliss… Her kiss.”
The film — set for release in theaters on Oct. 10 — adapts the Tony Award-winning 1992 Broadway musical, which originally starred Chita Rivera. The film will follow the story of Valentín (Diego Luna) and Molina (Tonatiuh Elizarraraz), two inmates in an Argentinian prison who form a bond as Molina relays the plot of a glamorous Hollywood movie starring his favorite vampy diva, Ingrid Luna (Lopez).
While the film has yet to be released publicly, early screenings at the Sundance Film Festival and Locarno Film Festival drew positive reviews from critics, with review-aggregation site Rotten Tomatoes giving the film a score of 83%. “Weaving a visually sumptuous web of musical intrigue, Kiss of the Spider Woman showcases beauty in tragedy through wondrous performances by Jennifer Lopez, Tonatiuh Elizarraraz and Diego Luna,” the site’s critical consensus reads.
Listen to Lopez’s rendition of “Kiss of the Spider Woman” below.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-09-05 15:45:292025-09-05 15:45:29Jennifer Lopez Unveils Her Sultry Rendition of Title Track From ‘Kiss of the Spider Woman’ Movie
RZA, Raekwon The Chef and Cappadonna celebrated everything Wu-Tang Clan and everything hip-hop during Thursday night’s (Sept. 4) R&B Hip-Hop Power Players event in Brooklyn.
After being introduced by Billboard CEO Mike Van, RZA, Raekwon and Cappadonna took the stage at Williamsburg’s Unveiled to accept the Hip-Hop Hall of Fame Award. During their speech, RZA noted that rap’s hall of famers are most often the people who work behind the scenes. (Check out the full speech above.)
“When you think about hall of fame, you thinkin’ about it being full of people with fame, famous people,” RZA said. “But there are so many other people who are not famous that helps build our culture. Helps build the career of the artist. Whether it’s a Steve Rifkind, Lyor Cohen or Wendy Goldstein, or a Dante Ross… or a Billboard Magazine. There’s so many elements that go towards a career to make it famous. There’s so many elements that go towards the culture to make that culture famous.”
RZA went on to explain that hip-hop started in the streets of New York before rising up to become a “global, multi-billion dollar movement that’s feeding families all over the world.”
The Chef then stepped in to give his thanks to Billboard before Cappadonna closed it out by thanking the fans and bringing Loud Records founder Steve Rifkind on stage to thank him for believing in the Wu.
The R&B Hip-Hop Power Players event also honored Leon Thomas and GELO, who are the brand’s R&B and Hip-Hop Rookie’s of the Year, respectively. The event then closed out by honoring Cardi B with the Impact of the Year Award.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-09-05 15:25:362025-09-05 15:25:36Wu-Tang Clan’s RZA, Raekwon & Cappadonna Celebrate Those That ‘Help Build Our Culture’ During Billboard’s Hip-Hop Hall of Fame Award Speech
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Hailey Bieber‘s Rhode Skin is now available at Sephora.
Time to rejoice! The model’s beauty and skincare brand was once only available on rare occasions or online at Rhode’s website. Starting Sept. 4, you can shop everything from Bieber’s famed Glazing Milk to her Peptide Lip Treatments in store and online at Sephoras nationwide.
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In May, Bieber’s brand was acquired by E.L.F. Cosmetics in a deal for $1 billion. The model’s move to sell is a major one, considering how much money this deal is. With this change, Bieber will step into a bigger role as chief creative officer and head of innovation at Rhode, as well as a strategic advisor at e.l.f. Cosmetics. This e.l.f. takeover could mean expansion for the Rhode brand, given the model’s products are usually available only through her online store or via pop-ups.
Major company dealings aside, we’re taking this move to Sephora as a sign to shop some of Rhode’s best products. We’ve compiled a list of some of our must-haves to grab now via Rhode Skin’s website and Sephora.
A milky serum-like product that leaves skin feeling glossy and hydrated.
It’s a serum formula with a milky texture. Rhode’s innovative Glazing Milk is a must-have for skincare fanatics. Retailing for $32, this product is jam-packed with rich skincare ingredients that may promote immense hydration without feeling sticky or heavy on the skin.
A ceramide trio may help your skin’s barrier function, while beta-glucan — a polysaccharide — helps lock in moisture while calming irritation and redness. Finally, a blend of magnesium, zinc and copper acts to help defend the skin against free radicals, or in simpler terms, unstable molecules that can damage skin cells and lead to premature aging. We recommend starting your day with this product. Pat onto clean, dry skin with your hands, massaging in for a plum and hydrated finish.
This viral Peptide Lip Treatment — which can fit into a custom Rhode phone case for easy access — basically put Rhode Skin on the map. Why is it so great? The product is beneficial for your lips, thanks to those trusty peptides in the name. Working alongside moisturizing shea butter and cupuaçu, the peptides work to plump the lips while helping reducing fine lines. If you’re feeling funky, this lip treatment comes in a multitude of scents all packed with the same benefits. We’ve got yummy Vanilla, Salted Caramel and Watermelon Slice. If scented products aren’t your thing, there’s also an unscented version.
The Pocket Blush is a newer addition to Rhode Skin’s line, but it’s just as good as the rest. This product is a cream formula that offers the user a natural flush in seconds. Perfect for every skin tone, the blush comes in nine shades including Piggy and Sleepy Girl. Our favorite is Spicy Marg, a vibrant orange hue that’s perfect for summer. You get 0.18 oz of product with a lightweight formula that you can simply swipe on and tap into the skin. It’s as simple as that.
A colored peptied lip treatment in a glossy finish.
If you’re looking for skincare-infused makeup, Rhode Skin’s Peptide Lip Treatment also comes in a colored gloss formula. It’s the same nourishing formula in five eye-catching shades. Our favorite is the Espresso hue, a rich chocolate brown akin to a freshly roasted espresso bean. Raspberry Jelly and PBJ are also great deep berry shades for those with darker complexions.
Lather, cleanse, repeat. It’s that easy. Rhode Skin’s Pineapple Refresh is a refreshing daily cleanser that can add vibrancy to your skincare routine. The secret is in the balm-to-lather formula that starts off balmy and foams up when lathered in your hands or on the face. This action, accompanied by hydrating polyglutamic acid and brightening green tea extract, helps rid the skin of dirt and imperfections while softening and moisturizing post-rinse. But where does the pineapple come in, you ask? Pineapple enzyme is utilized as a gentle and natural exfoliant that doesn’t dry out the skin post-use. Simply lather and rub into the skin and rinse with warm water.
Are your lips lacking shape? Well, Rhode Skin’s Peptide Lip Shape aims to fix that. Like many products on this list, the Lip Shape is formulated with peptides that can help soften lips for a visibly smooth appearance. These crayon-esque lippies come in 11 neutral hues and are perfect for sculpting out your lip shape with ease. We like the brownish tan of Bend and Lunge hues for summer, but the neutral pink is also great for adding a natural flush of color. These lip liners are creamy, gliding on the lips with ease for on-the-go application. If you’re feeling bold, we recommend overlining past your natural lip line for a fuller finish.
Skin prep has never been so easy, especially on the go. With Rhode Skin’s Travel Set, hydrated glowing skin will be easier to maintain. Perfect for your next spontaneous vacation, this four-piece set includes some of Rhode’s bestsellers in full-size and minis, including the Pineapple Refresh, Glazing Milk, Barrier Butter and the Peptide Glazing Fluid. You’ve got a cleanser, serums and moisturizer all in one nifty kit. What’s not to love?
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-09-05 15:15:332025-09-05 15:15:337 of the Best Products From Hailey Bieber’s Rhode Skin Line to Shop at Sephora Now
On Thursday night (Sep. 4), Cardi B accepted the 2025 Billboard impact of the year award at the R&B / Hip-Hop Power Players Event in Brooklyn.
After the presentation by this writer — Billboard‘s senior director of R&B / Hip-Hop — Cardi delivered a rousing speech, highlighting her love for hip-hop and building a long-lasting legacy in the game. “Hip-hop is a feeling. When I was growing up, I didn’t want to be the Shakiras, the J-Los, and the R&B artists; I wanted to be like Trina and Lil Kim. I wanted to be like them,” Cardi said.
Cardi’s affinity for the culture continued when she spoke on wanting to fulfill her passions for hip-hop as a child growing up, who once feared that her reality would shatter her dreams of MC fame.
“I’m just so happy that I’m a part of something that I love. I always dreamed about this career — I just felt like with the environment that I was in, dreaming was dreaming,” she shared. “Reality crushes your dreams. So I’m happy that my career is the career that I always dreamed of.”
She added, “I want to be spoken about forever. We talk about all these hip-hop artists who came out 20 years ago and 30 years ago, and I want to be a part of that. I don’t want to be a moment. I want to be a legacy so I can die in peace one day and my kids can be like, ‘That’s my mama.’”
Cardi was one of the handful of artists honored at the 2025 Billboard’s R&B / Hip-Hop Power Players Event. Legendary collective the Wu-Tang Clan was inducted into Billboard’s Hip-Hop Hall of Fame, while rising star Leon Thomas earned breakthrough artist of the year. Promising newcomers Gelo, Odeal and Ravyn Lanae were each named rookie of the year for hip-hop, African music, and R&B, respectively.
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It’s back to school season, which means two things: getting used to the insane morning rush to the bus again and the obligatory first-day-of-school pics from everyone you know. And, in this case, celebrities really are just like us.
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Take Carey Hart. P!nk‘s husband and former motocross champ got in on the fall tradition by posting a sweet pic of the couple’s eldest child, 14-year-old daughter Willow Sage Hart, as she prepared to leave the house for her first day of high school. Rocking jeans, a pink crop top, a couple of water bottles and a smile that’s a dead-ringer for her mom’s, Willow looks ready to take on the world.
“1st day of school for the kiddo’s!!!! So crazy that Willz is starting high school today,” wrote Hart in the Instagram post in which the couple’s daughter sported a wavy 1970s side-part bob. “My lil girl is growing up and taking the 1st major step in chasing her dream,” Hart continued. “You will be on broadway one day. So proud of you. And Jamo, just don’t eat to much glue 🤣🤣🤣.”
The latter was a jokey reference to the couple’s other child, eight-year-old son Jameson Moon Hart, who also looked ready to take on the world with his close-cropped bleach blonde hair, white t-shirt, patterned shorts, orange sneakers and shiny braces smile.
Hart paid tribute to Willow on her 14th birthday back in June, when he posted a smiling current photo of the budding musical theater star in a white dress and chunky necklace alongside a throwback pic of her crushing a popsicle in her younger years. “My #1. I love you to the moon, around it 10,000,000 times, and back. Happy 14th kiddo. You are gonna change the world. I’m beyond proud of you. Love papa,” he wrote.
P!nk also honored their first-born back in June, when the singer gushed about Willow hopping on the coffee table in the family living room during the Tony Awards to sing her version of the Tony-nominated musical Boop!‘s “Where I Wanna Be.” In a comment on the impromptu performance, P!nk said, “I like when she sings at me.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-09-05 15:05:342025-09-05 15:05:34P!nk and Carey Hart Celebrate Daughter Willow’s First Day of High School With Adorable Pic: ‘So Proud of You’
Prior to the pandemic, Ariana and the Rose was in the thick of Brooklyn nightlife, bringing slamming synth-pop and eye-popping performance art to clubs, warehouses and queer-friendly spaces. It goes without saying, but during the COVID-19 period, Brooklyn nightlife (or nightlife of any kind) dried up, sending Ariana DiLorenzo to TikTok. There, her frank, funny musical musings on love and heartbreak, delivered while seated at a piano, attracted a new audience.
When the world opened back up, Ariana and the Rose brought that conversational, storytelling approach to beloved NYC gay bar Club Cumming. (Named after co-owner Alan Cumming, it’s attracted everyone from Broadway stars to Paul McCartney.) After that, she brought a full project — the Breakup Variety Hour live show — to famed Manhattan venue Joe’s Pub for a sold-out debut last October. Now, on Oct. 15, she’s headed back to Joe’s Pub – and beyond – to support The Breakup Variety Hour, her upcoming album which builds upon the show and its sly self-help premise.
“I knew I wanted to make something that felt like more than just a collection of songs,” she explains. “I had been watching episodes and clips of The Cher Show and old Bette Midler live shows and the idea and inspiration for a one-woman show came from that. Bette Midler was a huge creative inspiration for this, the Barbra Streisand specials from the ‘60s. They’re so theatrical and over the top yet relatable and funny. I love that style of performing, so I backed into that concept with the show also being an album,” she says. “My new album is like a long catch-up with your favorite friend that you haven’t seen in a while.”
The Breakup Variety Hour drops Oct. 10, preceded by “I Just Came to Say Goodbye” (one of her best-ever vocal performances) and “I’m Fine,” a disco-fied ode to pretending you’re great even when you’re falling apart post-breakup. Like much of the album, “I’m Fine” exists somewhere between winking self-flagellation and legit self-help – she’s laughing at herself for repeating the same mistakes in love while celebrating her strength and trying to move forward, via six steps toward recovery. Additionally, another preview of the album, the reflective “Limitless,” drops today.
“The album is about putting yourself back together after heartbreak. My example on the album is romantic heartbreak but really, it’s a love letter to picking yourself back up again after any heartbreak,” she continues. “It’s a very ‘take what you need’ kind of record. You can listen straight through and experience the full story, you can listen just to certain steps and their corresponding song (depending on your mood), you can just listen to the songs. It’s really whatever you’re needing.”
Of her return to Joe’s Pub, which has housed everyone from Amy Winehouse to Adele, Ariana says, “It feels very full circle to bring the show back a year later, having it change and grow so much and now having the music released as an album as well. Joe’s Pub is such a special venue and it feels so cool to have gotten to develop this show and idea there.”
Check out her The Breakup Variety Hour tour dates below.
Oct 15 – New York, NY – Joe’s Pub Nov 11 – Austin, TX – 29th Street Ballroom Nov 13 – Salt Lake City, UT – Urban Lounge Nov 16 – San Francisco, CA – Brava Theater Center Nov 18 – Los Angeles, CA – El Cid Nov 21 – Boise, ID – Shrine Ballroom Basement Nov 23 – Portland, OR – Al’s Den Dec 8 – Chicago, IL – Beat Kitchen with more to be announced…
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Over the past several years, few music industry stories have been quite so unusually successful as that of Laufey.
The Iceland-born 26-year-old singer and multi-instrumentalist arrived on the scene with the EP Typical of Me in 2021, released independently through AWAL, before releasing her debut album Everything I Know About Love the following year. But it was 2023’s Bewitched that catapulted her into the mainstream consciousness, debuting at No. 18 on the Billboard 200 and ultimately winning a Grammy Award for best traditional pop vocal album. All of which seems like a story that, while not exactly straightforward, is not particularly unheard of.
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The difference, for Laufey, is that she isn’t really making traditional pop vocal music: instead, the supremely talented artist is bringing a blend of jazz and classical music into the pop realm for a mainstream Gen Z audience in a way that hasn’t really ever happened before — and is still doing it independently through AWAL. This week, her third album, A Matter Of Time, debuted at No. 4 on the Billboard 200 and at No. 1 on four separate Billboard charts — Independent Albums, Jazz Albums, Traditional Jazz Albums and Vinyl Albums — and became the highest-charting jazz album since 2018.
But chart success is just one aspect of Laufey’s appeal — she’s also a natural expert at social strategy, caters to her fans with initiatives like her Laufey Book Club and her annual A Very Laufey Day (a sort of cross between fan celebration, performance piece and interactive scavenger hunt) and has become a must-see touring artist as well. And her success over the past five years, culminating with this big album achievement, earns her manager, Foundations Artist Management’s Max Gredinger, the title of Billboard’s Executive of the Week.
Here, Gredinger discusses the last few years of Laufey’s rise through A Matter of Time, how she has brought her own brand of pop music to the mainstream and what comes next: “We’re just getting started.”
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This week, Laufey’s new album A Matter of Time debuted at No. 1 on four Billboard charts and became her first Billboard 200 top 10, arriving at No. 4. What key decision did you make to help make that happen?
Culture comes from the top down, and Laufey has always led the charge with her creative vision. We had a global team meeting in Reykjavik, where Laufey grew up, at the top of the year about the album and how we wanted to approach this rollout, which we kicked off with Laufey talking through the world of the album. It’s been great reflecting on the decisions made in that room and seeing where we stood firm or pivoted during the campaign.
A Matter of Time is the highest-charting jazz album in seven years. Given that jazz is not often topping the charts, or particularly popular with younger generations, how have you worked to introduce Laufey’s music to younger and pop-leaning audiences?
Laufey’s mandate has always been to be a part of bringing her beloved influences of classical and jazz music to her generation. She communicates with them on channels native to both her and her audience, and as a consumer, she is part of the same cultural conversation. We talked in the early days of working together on targeting her peers and not just pandering to an audience that we thought would “get” what she does.
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As the album was coming out, a remix of “From The Start,” from her last album Bewitched, started blowing up on TikTok. How did that help build momentum, and how do you guys use TikTok in general to help market her music?
Jiandro remixed “From The Start,” and Laufey joined the trend. It became a catalyst for the original recording, which two years after its release is now reaching new consumption peaks daily. The core of our TikTok strategy is watching Laufey do her thing on the platform. In nearly five years of working together, we’ve never once needed to provide direction or ask her to post more. She is her own best advocate and is the most brilliant marketing executive I’ve ever met. Outside of her channels we have a robust global shortform strategy.
How have you grown Laufey’s fan base over the course of her three albums, particularly since Bewitched, which brought her a ton of attention and won a Grammy for best traditional pop vocal album?
Laufey’s commitment to engaging fans on tour and engaging with local audiences around the world and not just online has been essential. There’s a natural global nature to an Icelandic-Chinese artist who grew up between D.C. and Iceland and now lives in L.A. Great art has always been paramount. We have a stellar team at Foundations, Vingolf and AWAL that work tirelessly every day on world building out Laufey’s vision across a litany of different verticals in addition to the traditional records, publishing, merchandising, etc., like Mei Mei The Bunny, Laufey Book Club, The Laufey Foundation and A Very Laufey Day. Laufey and [twin sister] Junia work so hard to make sure every creative detail is accounted for.
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The album racked up 71,000 sales, her best sales week yet, boosted by eight vinyl and three CD variants. What was your guys’ sales strategy with this release, and how does vinyl play a role in that?
We created exclusive variants with unique creative for a myriad of different partners, and not just creating variants to check a box or for the sake of sales. The product included a 7” release that Laufey only revealed to her audience after they already had it in hand and released on DSPs on A Very Laufey Day. Laufey spent countless hours at home, traveling, in green rooms, etc. signing physical product.
Laufey has remained independent, releasing music through AWAL, despite tons of major label interest. Why have you guys gone that route, and what has it allowed you to do that you may not have been able to otherwise?
We’re fortunate to have partners that trust, enable and empower Laufey to both create and own art that is true to her and in turn resonates with her audience. They are an incredible global team and both myself and Laufey are very grateful to have worked with them in the trenches on three album campaigns, all of which have been bigger and more ambitious than the last.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-09-05 15:00:322025-09-05 15:00:32How Laufey Landed the Biggest Jazz Album In Years With ‘A Matter of Time’
When Shakira says “Mexico is my home” because she also feels Mexican, the Colombian superstar — just like her hips — doesn’t lie. In my opinion, the deep love that the Latin American country has for the singer-songwriter is only comparable to the sentiment Mexicans feel for the Colombian Nobel Prize-winning author Gabriel García Márquez, who made Mexico City his home until his passing in 2014.
In Mexico, Shakira achieved her first musical successes thanks to her 1995 album Pies Descalzos, with which she captivated the country and later all of Latin America with the hit “Dónde Estás Corazón.” Thirty years later, the fervor Mexicans feel for her music has translated into a wave of successes and several unprecedented records, from one million tickets sold for her 28 concerts in Mexico as part of the Las Mujeres Ya No Lloran tour, to the 12 shows at Estadio GNP Seguros (formerly Foro Sol) that Shakira is set to complete this month.
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Given this, the opportunity to participate in the “Walk with La Loba,” the powerful entrance with which the Barranquilla native kicks off her show each night before 65,000 people, at Estadio GNP Seguros, made it doubly epic and emotional.
I received the invitation to be part of “the pack” from promoter OCESA in coordination with Sony Music Mexico for Aug. 30, during Shakira’s eleventh show at that iconic venue in the capital. Recognized by Billboard as the No. 1 concert stadium in the world, it has hosted luminaries ranging from Metallica and Paul McCartney to Taylor Swift and Lady Gaga.
That night in the pack were TV hosts Odalys Ramírez, Joanna Vega-Biestro, and Pame Voguel. The writer of this piece proudly represented Billboard Español. Host Karole Soriano and actress Sandra Itzel were also part of the group. By that time, we knew the special guest of the night would be pop star Belinda, with whom Shakira performed the ballad “Día de Enero.”
We were lined up in order of height alongside the rest of the fans, and fortunately, being chaparrita (short), as we say in Mexico, I was able to be among the first in line. We walked toward one of the entrances of the venue, dressed in the provided silver raincoats and futuristic glasses.
Shortly after 9:00 p.m., Shakira appeared in a golf cart escorted by security personnel. She approached her “pack” for the night and quickly greeted a few people, while I tried to capture the moment with my phone. Although I had the chance to briefly interview her in March when she began her Mexico trek, seeing her up close again filled me with excitement.
The lights went out, and the show’s intro began. The walk started, bringing with it a rush of adrenaline. I recorded only a few moments because I wanted to truly savor the experience of walking alongside one of the greatest artists in history — No. 1 among Billboard‘s 50 Best Latin Pop Artists of All Time. What a privilege!
The stadium roared with Shakira’s presence as she walked toward the stage embodying an empowered woman, embraced by the Mexican audience that loves her so deeply. She knows it, and she reciprocates that love with a Mexican-themed section in her show where, on this occasion, in addition to performing “Ciega, Sordomuda,” she sang “Sombras Nada Más” accompanied by a mariachi band. The song, made famous by iconic ranchera singer Javier Solís, was introduced by the star as one of her father William Mebarak Chadid’s favorites.
Upon reaching the stage, Shakira performed “La Fuerte,” an electronic music track that sets the tone for the rest of the concert. From there, we were guided down the hallway toward the exit, and everyone headed to their assigned seats to enjoy the two hours plus show.
In my nearly 20-year career as a journalist, there have been many exciting moments — among them, a soundcheck with U2 in 2006 at Estadio Azteca — and now everything I experienced with the Colombian star during her triumphant return to Mexico with her most successful tour yet. I feel incredibly fortunate to witness this historic moment and the deep love she feels for Mexico, a sentiment that is absolutely reciprocated. The phrase “¡Shakira, hermana, ya eres mexicana!” (Shakira, sis, you’re already Mexican!) has never felt more true.
Shakira will return to Mexico City to conclude her record-breaking performances at Estadio GNP Seguros on September 18, before continuing her tour through other Latin American countries.
Shakira makes her entrance at Estadio GNP Seguros in Mexico City on August 30, 2025.
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Ravyn Lenae, GELO and Odeal accepted the R&B, Hip-Hop and African Rookies of the Year award at Billboard‘s 2025 R&B/Hip-Hop Power Players event Thursday night (Sept. 4) at Unveiled in New York.
Staff writer Kyle Denis and I introduced the three Rookies, touting their Billboard chart stats — Lenae scored her first Billboard Hot 100 top five hit with “Love Me Not” and GELO’s “Tweaker” topped Rhythmic Airplay — and genre-blending capabilities, as Odeal has captured the global spotlight with his emotive, experimental blend of Afro-fusion, alté and R&B.
“As I was preparing for tonight, I kept reflecting on how transformative this past year has been for me. So many of my wildest dreams have become reality, and I’m still pinching myself to be living in a season I’ve worked toward for so long,” said Lenae, who also touched on the working process behind her 2024 critically acclaimed sophomore album Bird’s Eye, the parent project of “Love Me Not.”
“I knew I had to strip everything back and reconnect with who I am beyond success or perception,” she added. “That meant going home to the Southside of Chicago, walking through my family home, eating my grandma’s cooking, revisiting the albums that made me want to sing in the first place. Those little things reminded me of my roots, my magic.”
When the spotlight was on Odeal, he reflected it back on everyone else in the room. “I want everyone to celebrate themselves at every time. My manager today told me to never be late to your own party, ’cause I’m literally always late to everything it’s ridiculous,” he said. “With that being said, I just want everyone to celebrate themselves at any given moment because life is short and we’re all doing absolutely amazing and we have to work twice as hard as almost anyone, you know what I’m talking about.”
GELO also shared his gratitude for being a part of Billboard‘s Rookie of the Year tradition at R&B/Hip-Hop Power Players. “It means a lot to be a part of the Billboard Rookie of the Year and all that. Thank everybody for having me, man, it’s been a blessing,” he said.
Related
Ravyn Lenae Is Billboard’s R&B Rookie Of The Year
GELO Is Billboard’s Hip-Hop Rookie of the Year
Odeal Is Billboard’s African Rookie of the Year
Lenae, GELO and Odeal will perform at Billboard Hip-Hop/R&B LIVE Friday night (Sept. 5) at Webster Hall on a bill headlined by Billboard cover starLeon Thomas.
This year marks the first time Billboard has separated R&B and hip-hop for this distinction and added African music as another category. Teezo Touchdown won the R&B/Hip-Hop Rookie of the Year award last year, following Ice Spice (2023), Blxst (2022) and the inaugural recipient Baby Keem (2021).
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-09-05 14:55:332025-09-05 14:55:33Ravyn Lenae, GELO & Odeal Accept R&B, Hip-Hop and African Rookie of the Year Awards at 2025 Billboard R&B/Hip-Hop Power Players
If you listened to our 1996 Oasis Vintage Pop Stardom episode of the Greatest Pop Stars podcast, you’d know that host Andrew Unterberger and his longtime partner Lisa Ebe were planning on going to see Oasis on the Live ’25 tour in Dublin, Ireland last month — but were hardly positive that the Gallagher Brothers would make it to the show in tact. But not only has the full band made it to each of the 22 dates on its much-anticipated stadium tour — the lads’ first tour of any kind since breaking up in 2009 — but Oasis has been receiving the best reviews, the most attention and the overall greatest feelings that it’s been able to claim since the mid-’90s, when it was arguably the biggest band in the world.
In this bonus Pop Star Performance Review episode of Greatest Pop Stars, Andrew is once again joined by Lisa to discuss the Oasis show they saw at Croke Park in Dubin — and also the second Live ’25 show they saw a couple weeks later, much closer to their New York hometown at MetLife Stadium in East Rutherford, New Jersey. They compare and contrast the two shows and the two experiences of seeing the band, and try to capture exactly what it’s been that has made this tour so special both for them, and seemingly everyone else who’s gotten the chance it so far.
Along the way, they try to answer all the other burning questions about Oasis and Live ’25: Who are the only currently touring pop stars who we can compare the current state of live Gallaghermania to? Is it fair enough that the band hasn’t changed up the setlist a single time yet this tour? Could it have gotten away with playing more songs from the ’00s (and would we have wanted them to try)? How have Liam and Noel managed to go so far apparently without getting at each other’s throats? Can we accept an Oasis dynamic seemingly built more around love and respect than vitriol and fighting? Will other bands benefit from this reunion’s mega-success? And perhaps most importantly: Will Oasis end up doing it again?
Check it out above, and subscribe to the Greatest Pop Stars podcast on Apple Music or Spotify (or wherever you get your podcasts) for weekly discussions every Thursday about all things related to pop stardom!
And as we say in every one of these GPS podcast posts — if you have the time and money to spare, please consider donating to any of these causes in the fight for trans rights:
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-09-05 14:45:302025-09-05 14:45:30What Has Made Oasis’ Live ’25 Tour So Special (Beyond It Actually Happening In the First Place)?