It’s a love story, the likes of which could be lifted from any number of Taylor Swift albums. TayTay’s engagement to NFL star Travis Kelce, however, was no surprise in the inner circle.

On Tuesday, Kelce, the Super Bowl-winning tight end, officially put a ring on it when he and Swift announced they were tying the knot.

That’s old news in the Kelce family. Kelce’s father, Ed Kelce, says his son proposed to TayTay earlier this month.

Speaking with News 5’s John Kosich, Ed Kelce remarked, “Travis actually did the proposal, oh, maybe two weeks, not quite two weeks ago.” Kelce’s father continued, “He was going to put it off till this week. I think she was getting maybe a little antsy, but he was going to put her off till this week, to, you know, make some grand thing, to make it a big special event. And I told him repeatedly, you know, you could do it on the side of the road, do it any place that makes it a special event … when you get down on one knee and ask her to marry you.”

On the big day, Travis popped the question in the garden at his home in Lee’s Summit, Missouri.

“He got her out there, they were about to go out to dinner, and he said, ‘let’s go out and have a glass of wine,’ … they got out there, and that’s when he asked her, and it was beautiful,” Ed Kelce remarked. “They started FaceTiming me and their mother and her folks to make sure everybody knew. So, to see them together is great.”

The Kelce happy is thrilled to welcome the new, superstar addition.

“They’re just two young people very much in love, cast in a spotlight that they really haven’t sought but kind of followed with their success in their respective fields,” Ed Kelce says.

In what will be remembered as one of the popular culture moments of the decade, Swift and Kelce delivered the good news via a joint Instagram post, sharing a photo of the footballer down on one knee as Swift lovingly cradles his face. “Your English teacher and your gym teacher are getting married,” they wittily wrote in the caption.

The post also features photos of the couple embracing in a romantic garden of flowers, as well as a snap showing off Swift’s gold engagement band with a massive diamond in the center. The exciting update comes after about two years of dating.

Mama Duke has things to say. And based on her Quarterfinals performance Tuesday night, Aug. 26th on America’s Got Talent, folks want to it hear all about it.

A youth development leader at the YMCA by day, Mama Duke is a rap star in-waiting by night. Under the bright lights of AGT, she smashed an original work, “The Mama Duke Show,” dropped the talent show’s judges into her flow, and left everyone in the house wanting more.

Wearing a pink and green Michigan University sweater, she ripped out: “Simon says you might stay, you still can go. But ain’t no x’s on his tic-tac-toe.”

When the Mama Duke Show reached its conclusion, Simon Cowell, naturally, went first. “I loved your audition,” he remarked. “This might have been actually better. You have what I call it. Can’t explain what it is, it’s a feeling. You just know it and you have it. And this is going to be big, honestly. I really really like you.”

Howie Mandel struggled to hear above the din created by the studio audience. “What you have is authenticity. You are so real, you’re so pure, you’re such a star, you speak to the world. We want to be you, we want to watch you, we want to buy tickets to see you. You’re going places.”

Sofia Vergara was drawn to Mama Duke’s “clever” lyrics and her “likeable” nature. “I don’t think we’ve ever had anyone like you here on this stage. I really hope that America votes for you.”

Mel B is a fan. “You know what,” the Spice Girl remarked, “Missy Elliott better be watching out for you because you’re coming right now.” And with that, the British pop star slammed down the Golden Buzzer.

Now, America votes. The results will be announced Wednesday night on NBC.

The Wiggles are handling a different type of hot potato — a workplace dispute that has reached Australia’s Federal Court.

The legendary kids entertainers are being taken to court by Luke O’Neill, who in January 2024 was unveiled as their first ever CEO, but was sacked just 16 months later.

O’Neill is suing Wiggles Holdings Pty Ltd, group co-founder and “blue” wiggle Anthony Field, and general counsel Matthew Salgo, alleging breaches of the Fair Work Act, including claims of unpaid bonuses and unlawful dismissal.

According to documents filed with the court, reported by The Guardian, O’Neill’s employment was terminated in late May 2025, a dismissal he alleges had no reasonable basis.

O‘Neill claims several issues surfaced, which are documented in the paperwork. A year after slotting into the the role, he alleges he challenged additional hires not approved by himself or the company, and claims that on Feb. 18, Field “questioned his competence” during a staff meeting attended by approximately 13 employees, and “undermined him.” He also details being “excluded” from an important toy sale meeting, before his ouster.

Following his departure, The Wiggles reportedly paid him a bonus in the gross sum of A$86,266 ($56,000), O’Neill said in the paperwork, which he disputes is less than the full amount owed.

A spokesperson for The Wiggles has responded to the court case. “For 35 years, The Wiggles have been dedicated to bringing joy, learning, and high-quality children’s entertainment to families around the world,” reads a statement, seen by The Music Network.

“Our greatest privilege has always been helping children laugh, sing, and dance, and creating happy memories for families to share. The claim made by Luke O’Neill is currently before the Court and will be defended. It is not appropriate that we make any comment until the Defence has been filed.”

O’Neill joined The Wiggles as a consultant on April 1, 2023, before being appointed CEO on Jan. 8, 2024, with a remit to lead the organization’s digital transformation and global expansion.

As previously reported, O’Neill was expected to expand the Wiggles’ digital footprint, develop new products, grow the commercial operations of the business, and build greater distribution channels to reach larger audiences.

The case is slated to be heard by Justice Michael Lee, with a first case management hearing scheduled for Sept. 8.

The Wiggles are a powerhouse, racking-up more than 30 million sales of albums and DVDs, and upwards of 8 million book sales. Along the way, the group has won triple j’s Hottest 100 countdown (with a cover of Tame Impala’s “Elephant”); bagged a No. 1 album on the ARIA Chart; became the first band in Australian history to perform two national arena tours in a single year; nabbed the Ted Albert Award for outstanding service to Australian music (a first for a kid’s entertainment act), and filled arenas around the world.

Earlier this year, another first with the release of Wiggle Up, Giddy Up!, featuring music and collaborations with such country artists as DashaDolly PartonLainey WilsonJackson DeanOrville PeckMacKenzie Porter and Lucky Oceans.

A new studio album, The Tree of Wisdom, is due out Oct. 3 and will be supported with live dates.

Glory, hallelujah! Teen Jesus and the Jean Teasers return later this year with GLORY, their sophomore studio album.

Fresh from another north American headline tour and separate arena trek opening for Pearl Jam, the Australian indie rockers will drop their next collection Nov. 7 via Mom + Pop.

GLORY is produced by three-times Grammy Award winner Catherine Marks (boygenius, Wolf Alice), and houses the previously-released cuts “Balcony,” “Unscarred,” and the new single “MOTHER,” which arrives today and sees guitarist Scarlett McKahey step into lead vocals for the first time.

“MOTHER,” which opens as a brooding, mid-tempo blues number which builds to a full-throttle chorus, is “for every beautiful, magical lady who’s been caught in the crossfire of a man pretending to be good,” reads a statement from the alternative rock outfit.

“It’s about the built up rage of watching incredible women being mistreated by inadequate men, over and over again since the beginning of time. ‘MOTHER’ builds into a fiery rage and leaves no room for anyone else’s voice.”

On it, McKahey sings, “I shall not suffer a holy man’s crusade.”

GLORY is stage two in what has been an extraordinary couple years for Teen Jesus and the Jean Teasers, formed a decade ago by schoolmates Anna Ryan (lead vocals/guitar), McKahey (guitar/vocals), Jaida Stephenson (bass) and Neve van Boxsel (drums).

Several weeks after their debut LP I Love You dropped in at No. 6 on the ARIA Chart, Teen Jesus played a breakthrough showcase for Spotify at the inaugural SXSW Sydney 2023. Spotify doubled down on its support by including the band in its worldwide New Noise Artists to Watch list for 2024, tipping them success alongside the likes of Chappell Roan, The Last Dinner Party, Tyla and Teddy Swims. 

Later, Teen Jesus would sign with New York-based Mom + Pop Music for the world outside of Australia and New Zealand, and with Warner Chappell for publishing. Mom + Pop Music handled the September 2024 release of I Love You Too, a deluxe edition of their debut album which featured collaborations with Softcult and The Linda Lindas, and won the 2024 AIR Award for Best Independent Rock Album or EP.

Then, a sweet moment when Teen Jesus opened the 2024 ARIA Awards, and went on to win the coveted Michael Gudinski Breakthrough Artist honour.

Formed in the nation’s capital Canberra, Teen Jesus have supported Foo Fighters in Australia, and secured spots opening for Pearl Jam in both the US and Australia.

“Everything that has happened has been completely unbelievable,” Ryan told Rolling Stone Australia. “It’s been insane. To even be in proximity to those heavyweight bands is crazy, let alone playing on the same stages.”

Lana Del Rey’s country album is still cooking. According to a new cover interview with W, the singer’s long-delayed set is now called Stove and will come out in January.

Most recently scheduled to come out this past spring, Del Rey decided to postpone the album to add six songs.

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“They were more autobiographical than I thought, and that took more time,” she told W. “The majority of the album will have a country flair. Eight years ago, when I was looking to make a country record, no one else was thinking about country,” she said, adding that she then contemplated putting out an album of covers called Country & Western but instead began writing originals. “Now everyone is going country! I’ve asked myself, Should I retire all my snakeskin boots? Should I put my cowboy hats in storage?”

Del Rey first teased her country album in January 2024 at the Billboard x NMPA Songwriter Awards event, announcing the title was Lasso and that it would come out in September 2024. “We’re going country!” she declared. “It’s happening.”

However, in October, after the proposed release date had come and gone, Del Rey said on an In Style red carpet that a shift in the “musical atmosphere” had led her to pause the project, which she collaborated on with producers Jack Antonoff, Luke Laird, Zachary Dawes and Drew Erickson. “The songs I have I love; I don’t want to turn it into something that’s half-cooked.”

The pause was short-lived: Last November, Del Rey posted on Instagram that her album, now called The Right Person Will Stay would come out on May 21, though that date passed without the album’s release. “So grateful that my 13 tracks came together with my beautiful work between Luke, Jack, Zach and Drew Erickson amongst others,” the singer-songwriter wrote at the time. “Happy for you to hear a few songs coming up before Stagecoach. Starting with Henry. Love always.”

In April, she released the ethereal, acoustic guitar track now called “Henry, Come On,” which she debuted live at Stagecoach the same month, along with “Stars Fell in Alabama,” a song written for her new husband, Jeremy Dufrene.

Taylor Swift’s The Tortured Poets Department is back in the top 10 of the Billboard 200 chart for the first time in more than six months, as the 2024 set jumps from No. 18 to No. 10 on the chart dated Aug. 30, following the Aug. 12 announcement of her forthcoming album, The Life of a Showgirl (due Oct. 3).

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The next day (Aug. 13), she appeared on a highly watched episode of her now-fiancé’s podcast, New Heights, to discuss the upcoming release.

Poets spent 17 nonconsecutive weeks atop the Billboard 200 beginning in May 2024, the most weeks atop the list of any of Swift’s 14 No. 1 albums.

Swift has a total of 10 albums on the latest Billboard 200, with five of them in the top 40. It’s not uncommon for Swift to have a bevy of albums on the chart in any given week, though this week marks the first time she’s had five albums in the top 40 at the same time since the Jan. 25-dated chart.

Here’s a look at all of Swift’s albums on the latest Billboard 200 chart, dated Aug. 30:

Rank, Title (Last Week’s Rank)
No. 10, The Tortured Poets Department (No. 18)
No. 20, Lover (No. 38)
No. 21, folklore (No. 29)
No. 26, reputation (No. 32)
No. 28, Midnights (No. 44)
No. 50, 1989 (Taylor’s Version) (No. 87)
No. 57, Red (Taylor’s Version) (No. 111)
No. 82, 1989 (No. 98)
No. 123, evermore (No. 193)
No. 177, Speak Now (Taylor’s Version) (reentry)

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album.

In the 10 days following Showgirl’s announcement (Aug. 12-21), Swift’s catalog of albums earned 299,000 equivalent album units in the United States, according to Luminate. That’s an increase of 43% as compared to the 10 days prior (208,000; Aug. 2-11). Further, in terms of song streams, Swift’s catalog of songs tallied 334.7 million on-demand official streams in the U.S. during the Aug. 12-21 frame — a gain of 39% versus the 10 days prior (241.57 million, Aug. 2-11).

After Taylor Swift and Travis Kelce announced their engagement on Tuesday (Aug. 26), social media exploded with well-wishes for the superstar couple — from ecstatic fans and the pair’s famous friends alike.

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Celebrity reactions included Sabrina Carpenter, who is the only featured artist on Swift’s upcoming The Life of a Showgirl album, teaming up with her Eras tourmate for the project’s title track. On Instagram Stories, Carpenter shared 10 white hearts above an engagement photo of the couple embracing with their foreheads touching.

Charlie Puth shared the same photo on his Instagram Stories, writing above it: “Congratulations Taylor & Travis! This is the best part of life. So happy for you both!!” Puth was in his own #EngagementEra last year, before marrying longtime family friend Brooke Sansone in September 2024.

Jelly Roll couldn’t contain his all-caps excitement on Instagram Stories, writing, “Let’s go TRAV AND TAYLOR! Congrats big dog! @killatrav love looks good on you bubba.”

Avril Lavigne shared the engagement post too, writing on Instagram Stories: “Awww huge congratulations to @taylorswift and @killatrav.” She finished her message with three ring emojis and three shimmering pink heart emojis. Chainsmokers DJ/producer Alex Pall chimed in on Instagram Stories too, with a message for the NFL star: “Shout out to the lover boy @killatrav.”

Beyond Swift’s fellow pop stars, Kelce’s football family also weighed in on the news, with Chiefs quarterback Patrick Mahomes sharing three red hearts on Instagram Stories alongside the engagement post, and his wife Brittany writing on IG: “Two of the most genuine people meet & fall in love. Just so happy for these two.”

Gracie Hunt, daughter of Chiefs Chairman and CEO Clark Hunt, shared her “congratulations” on Instagram Stories, adding, “so happy for you two.” She also released a statement to People, which read: “I can’t stop smiling — Travis and Taylor’s engagement feels like a modern fairytale unfolding in real life. Their love story has captured so many hearts, and now it’s stepping into an even more magical chapter.”

Some more of Swift’s high-profile friends sent messages too, with Taylor’s childhood bestie Abigail (name-dropped on her Fearless single “Fifteen”) simply writing, “This ❤️,” above the engagement news on Instagram Stories, while supermodel/actress and longtime #Squad member Cara Delevingne wrote “@taylorswift + @killatrav” with 14 hearts-on-fire emojis.

After President Trump’s surprisingly supportive reaction to the engagement news earlier Tuesday, another vocal Swift critic, conservative host Megyn Kelly, shared that she was “rooting” for the couple — among other less-cheerful words. “I am rooting for them,” Kelly wrote on her website, after saying that Swift lost her when “she went political and, like anybody who does that in the arts, they risk alienating half the country.” Kelly’s essay continued: “I don’t think it is a coincidence that the person she ultimately decided to settle down with is a real man, is a football player, is a tough guy who doesn’t really take a lot of sh– from people. That is generally attractive to most women. I think it is no accident that this gal from the south [Note: Swift is from Pennsylvania] who started out singing country songs found him attractive, and he was ultimately the one who won her heart. I also think it is obvious the reasons why he would be attracted to Taylor Swift, so I am rooting for them.”

Swift and Kelce had nothing but support from tennis legend Martina Navratilova, who simply shared a clapping emoji alongside the news on X.

Celebrity chef Gordon Ramsay wins for the best reaction, as he perfectly played off the couple’s original “Your English teacher and your gym teacher are getting married” caption in his own Instagram post. “From one ring to the next,” Ramsay wrote alongside a photo of himself with Kelce on the field for the 2023 Super Bowl, in which Kelce’s Chiefs beat the Eagles. “Congrats @killatrav & @taylorswift ! From your favourite Home Ec Teacher.”

Organizers of Burning Man’s infamous Orgy Dome have announced that the space will not open during the event this week following damage by heavy winds over the weekend.

“Our build team worked so hard this past week to *erect* our lovely space,” reads a post published Sunday by the official Orgy Dome Instagram account. “Unfortunately, the winds yesterday undid all that labor and wrecked our structure. We are still here and thankfully safe, we hope to gift the playa some workshops and will keep you updated.”

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This post followed another one from earlier the same day announcing that “what remains of the dome is beyond repair.”

An annual tradition at Burning Man, the Orgy Dome is a space where, its organizers say, “couples and moresomes can escape the dust and heat of Black Rock City. We pride ourselves in creating a sex-positive, consensual space for couples and moresomes to play during their stay at Black Rock City. The Orgy Dome is a safe, inclusionary, and exploratory environment. All couples and moresomes who are adults are welcome in the Dome – straight, lesbian, gay, bi, polyamorous and monogamous. We welcome the combination of love in all forms.”

The Orgy Dome is among several installations and projects that were destroyed or damaged following a Sunday windstorm that happened at the Burning Man site, located in the remote Black Rock Desert of northern Nevada. Other reported damage includes a 50 foot tall art installation called Black Cloud that was created by a team of artists from Ukraine and which was meant to serve as a symbol of freedom for the country amid its ongoing war while also warning about the dangers of a potential World War III.

According to a press release from the creators of Black Cloud, “After 5:30 p.m. [on Aug. 24] a sudden hurricane-force wind swept across the desert. Despite the calculations, the installation withstood only the first fifteen minutes. A powerful gust tore the structure apart from within, and the storm destroyed Black Cloud completely.”

“Even though on paper and by calculations it was supposed to withstand even such a storm, reality proved otherwise,” Vitaliy Deynega, the general producer of Black Cloud, wrote on his Facebook page. “It held against the wind for the first fifteen minutes, and then tore apart in the middle—the storm burst inside and destroyed it completely.” Organizers note that they plan to reassemble Black Cloud in locations throughout Europe, with dates and locations to be announced.

While high winds and white-out level dust storms are common during any given year at Burning Man, the hurricane-force winds on Saturday, when gusts reached up to 50 mph, are far less frequent. Widely circulated videos from the storm show these winds toppling tents and shade structures while raising massive dust clouds.

The forecast Tuesday (Aug. 26) also predicts a 51% chance of rain and thunderstorms, conditions that could further complicate matters on a site that’s sensitive to rain.

The windstorm marks the third time in the last four years that Burners have faced particularly challenging weather conditions. In 2022, temperatures reached up to 106 degrees, creating what was for many the hottest Burning Man in memory. Then in 2023, nearly an inch of rain fell on the site, creating expanses of thick mud that required organizers to put a no-driving order in place. The single gate to the event was closed, no more Burners were let in, and those already on-site were advised not to leave.

Burning Man is happening now through Sept. 1.

The internet has had a lot to say about Betty Who‘s recent appearance on the Made It Out podcast — and now, King Princess is offering her two cents on the situation.

In a TikTok posted Tuesday (Aug. 26), Mikaela Straus shared her thoughts on the recent controversy, in which Who talked about being a queer woman while dating a straight man, and how it felt “like a crime to be straight” in the queer community.

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“You are not a victim because you started dating a man and queer people are disappointed in you because you used the queer community to market your music,” Straus said in her video. “They feel betrayed, that’s fair, you have to live with that. Who cares? To get up on a podcast and claim this victimhood when you are in a position of privilege — dating a man in a heteronormative society — is ridiculous, and it is not going to resonate with people.”

Straus did not specifically call out Who by name, but clarified in a comment under the video that her statements were “about the many divas who felt the need to do this THIS YEAR,” seemingly also referring to similar controversies that erupted around JoJo Siwa and Fletcher.

“Date a man, it’s not a big deal. But why are you on a podcast talking about it? It’s not an interesting narrative,” Straus continued in her video. “We live in a country where our rights are being stripped from us every day, and you think it’s important to get on a podcast and talk about how hard it is to be in a heteronormative relationship? Diva!”

During her appearance on the Made It Out podcast, Betty Who also made comments about lesbian pop star Reneé Rapp, saying that she would “hold space” for the singer to one day fall in love with a man while trying to make a larger point about the fluidity of sexuality. “Reneé Rapp is like, ‘You’ll never catch me dating a man.’ It’s like, ‘Go off, queen! I love that for you,’” Who said. “But I also hold space for her in 10 years if she goes, ‘Oops, I met the love of my life and it’s this man, I didn’t mean to.’ It’s like, that’s OK!”

Check out King Princess’ take on Betty Who’s comments below:

As fan speculation continues to run rife online, Noel Gallagher has shared whether Oasis will switch up the setlist on the band’s Live ‘25 Tour.

Since kicking off their triumphant reunion tour in Cardiff, Wales, last month (July 4), the Gallagher brothers have performed the same 23-song set at each show – including a five-night hometown residency at Manchester’s Heaton Park plus stadium gigs in London, Edinburgh and Dublin.

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The tour rolled on into Toronto’s Rogers Stadium over the weekend (Aug. 4), heralding the start of a North American leg that includes dates in Chicago, East Rutherford and Pasadena over the next fortnight. As “Lyla” soundtracked a promotional video ahead of the band’s first Canadian gig in nearly 17 years, fans had hoped for some changes to the setlist for the forthcoming run.

The current Live ’25 setlist, which was performed in its entirety in Toronto, leans heavily on material from the legendary Britpop band‘s first two records: 1994’s Definitely Maybe and (What’s the Story) Morning Glory?, released the following year. Notable absences from their post-2000 output include the aforementioned “Lyla” and “Stop Crying Your Heart Out” – the latter being one of their biggest streaming-era hits.

British comedy writer Matt Morgan shared his thoughts on the setlist during a recent episode of his podcast, adding that he’d discussed this with his close friend Noel Gallagher (via NME). The pair have previously appeared on BBC Radio 2 together, as well as numerous episodes of Morgan’s podcast. “It’s mad that they’re doing the same set,” he began.

“I thought they would vary it slightly. I said to Noel, ‘Don’t you just want to mix it up?’ He said, ‘No, I like it like that.’ He knows where he is. They bang it out.”

Morgan then explained that he had talked to the songwriter and guitarist after one of Oasis’ recent shows at Wembley Stadium. “[Noel] looks so happy. He is. I didn’t see him on the Friday because he just goes quickly but on Saturday, because he didn’t have a gig the next day, he was hanging out for a bit. He was well happy with it all.”

He continued: “At various points I spoke to him in the last year about it, and he sort of moved his opinion of what [the set was] gonna be and what it is. I think it’s done so well and felt so good. He seems very happy with it. And he looks happy on stage, actually. He’s not plodding through it.”

Later in the year, the Oasis Live ‘25 tour will head to South America, Australia, South Korea and Japan, culminating Nov. 23 at Estádio do Morumbi in São Paulo, Brazil.