The music world has been left stunned with the announcement of Ozzy Osbourne‘s death, with the Black Sabbath frontman passing away at the age of 76 Tuesday (July 22), just weeks after playing his final concert.

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Without sharing his cause of death, Osbourne’s family shared the news in a statement, writing that “our beloved Ozzy Osbourne has passed away this morning” and adding that the rock legend was “with his family and surrounded by love” in his final moments. In response, artists of all generations and genres have been flooding social media with words of shock and grief, as well as messages of support for Osbourne’s family, which includes his wife of more than 40 years, Sharon Osbourne, and six children.

Metallica shared a throwback photo with Osbourne and stamped it with a simple heartbroken emoji on Instagram, while Green Day’s Billie Joe Armstrong wrote on the site: “No words. We love you Ozzy.”

Rage Against the Machine’s Tom Morello shared a photo of himself and Osbourne and captioned it, “Good bless you Ozzy.”

Rolling Stones guitarist Ronnie Wood shared a photo of himself and Osbourne on X and wrote, “I am so very sad to hear of the death of Ozzy Osbourne. What a lovely goodbye concert he had at Back To The Beginning in Birmingham.”

Elton John posted a heartfelt tribute on Instagram. “So sad to hear the news of @ozzyosbourne passing away,” he wrote, posting a throwback photo of himself and Osbourne. “He was a dear friend and a huge trailblazer who secured his place in the pantheon of rock gods — a true legend. He was also one of the funniest people I’ve ever met. I will miss him dearly.”

Pearl Jam shared a picture of Osbourne along with a personal note from Mike McCready. “Sad to hear Ozzy died today,” he wrote. “When I was in high school I discovered Sabbath. ‘War Pigs’ was terrifying and mesmerizing at the same time. It was Ozzy’s voice that took me away to a dark universe. A great escape … Thanks for the music, Ozzy it makes our journey in life better.”

Posting a photo of Osbourne when he was younger, Questlove simply wrote, “Long Live The Oz … Rest In Melody.”

Over on X, Gene Simmons of KISS wrote: “Sad to report Ozzy has passed away. He was a giant. Admired and loved by millions of fans worldwide. Prayers and condolences go out to the Osborne family.”

Posting photos of himself and Osbourne — including one featuring Jelly Roll — Flavor Flav also wrote on X, “Man,,, real heart broken over the passing of OZZY OSBOURNE,,, we go way back … Sending my love and prayers to Sharon and his kids and whole family.”

Ice T wrote on the platform, “RIP Ozzy. Right after the recent huge Black Sabbath final concert. Sad.. In my opinion the Creators of Heavy Metal.”

The Smashing Pumpkins posted an older video of Billy Corgan discussing Osbourne’s love of music with Sharon and wrote, “We [love] you too, Ozzy.”

Jack White shared an elegant black-and-white photo of Osbourne on Instagram and simply wrote, “He made it.”

Yungblud delivered a lengthy eulogy on Instagram, sharing a photo of himself and Osbourne, whom he called the “greatest of all time.” “I didn’t think you would leave so soon the last time we met you were so full of life and your laugh filled up the room,” Yungblud wrote. “But as it is written with legends, they seem to know the things that we don’t … I am truly heartbroken.”

Drummer Matt Cameron posted photos of Osbourne and penned, “Rest in Power King Ozzy.”

PETA also issued a statement mourning the Prince of Darkness — who had recently partnered with the animal rights organization — remembering him “most fondly for the gentle side he showed to animals … Ozzy will be missed by animal advocates the world over.”

Osbourne’s death was certainly unexpected to fans, as the icon had performed just three weeks prior in Birmingham, England, at Black Sabbath’s last-ever concert. He was joined on stage at Villa Park stadium by the rest of the band’s classic lineup: Tony Iommi, Geezer Butler and Bill Ward.

The late legend is survived by his first wife, Thelma Riley and their children, Jessica, Lewis and adopted son Eliot. With Sharon, he shares kids Aimee, Jack and Kelly — the latter of whom the heavy metal pioneer got to see get engaged to Slipknot’s Sid Wilson at Black Sabbath’s goodbye show.

Over the last decade, Afrobeats has made significant inroads in the global music industry, from invitations to conquer the biggest stages in the world to cross-cultural collaborations with Western superstars like Beyoncé, Drake and Ed Sheeran. And it’s earned institutional recognition. Billboard launched the U.S. Afrobeats Songs chart in 2022 that ranks the 50 most popular Afrobeats songs in the country every week, two years after the Official Charts Company launched the Official U.K. Afrobeats Chart that ranks the 20 most popular Afrobeats in the nation. Last year, The Recording Academy introduced the best African music performance category one year after the MTV Video Music Awards and two years after the American Music Awards presented the best Afrobeats video and favorite Afrobeats artist awards, respectively.  
 
And to commemorate the game changers of the genre, Billboard is ranking the 50 best Afrobeats songs of all time. This list is highlighting the foundational, influential and popular songs within Afrobeats with an s, not to be confused or conflated with Afrobeat, another genre from the 1960s that Fela Kuti pioneered, which fuses West African percussive rhythms and styles like fuji and highlife with American jazz and funk as well as unabashedly political lyrics and chanted vocals.

Emerging in the 2000s, Afrobeats is a popular style of West African music that employs polyrhythms and syncopation and draws inspiration from hip-hop, R&B, dancehall and more while incorporating romantic, celebratory and sociopolitical lyrics sung in Yoruba, Nigerian Pidgin and English. We didn’t include some popular songs that contain only some elements of Afrobeats, like Tyla’s “Water.” (Tyla herself has acknowledged that Afrobeats has paved the way for her international success as an African artist, but it’s not the hallmark attribute of her music). And we sprinkled in some alté to honor Nigeria’s alternative scene, as well as street-pop to represent the pivotal subgenres under the Afrobeats umbrella.  
 
Billboard staffers and contributors agreed on the following criteria: stylistic representation of the genre, local popularity, regional expansion, cultural impact and commercial success. Given the geographical makeup of this group of journalists – ranging from the U.S. to the U.K. to Nigeria – these 50 songs represent how Afrobeats gained momentum at home before migrating and making noise in different markets, echoing the rallying cry of “Afrobeats to the world!” The making of this list did not go without a few debates about which songs stayed and which ones didn’t. And even though a few heavy-hitters like the heralded “Big 3” – Wizkid, Davido and Burna Boy – have contributed numerous defining hits, the max number of songs one artist can have on the list is three, to ensure we capture the breadth of the music as best we can by making room for more artists.  
 
We’re rolling out this list 10 songs a week, starting Tuesday (July 22). Read No. 50-41 below, and stay tuned next week for the unveiling of No. 40-31.  

Tim Leiweke, the live entertainment mogul and former CEO of Oak View Group (OVG), has pled not guilty to rigging bids for the construction of Austin’s Moody Center Arena after self-surrendering in the criminal antitrust case.

Prosecutors allowed Leiweke to turn himself in on Monday (July 21) rather than face arrest for this month’s indictment, which accuses him of conspiring with the chief executive of Legends Hospitality to rig the bidding for OVG’s construction and management of the $338 million, 19,000-seat Moody Center in 2017.

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After surrendering, Leiweke appeared in federal court in Austin and pled not guilty to the single charge of violating the Sherman Antitrust Act. Judge Susan Hightower released Leiweke on a $1 million bond, with orders that he stay in the continental U.S. and hand over his passport.

Leiweke was until recently the CEO of OVG, which he founded alongside legendary music manager Irving Azoff after leaving his former post as CEO of live music behemoth AEG in 2013.

The Department of Justice’s Antitrust Division alleges in the case that Leiweke made an illegal anticompetitive deal with Legends Hospitality during the bidding for the Moody Center contract. Prosecutors say Leiweke promised to award building subcontracts to Legends if they withdrew plans to bid on the project.

Sources tell Billboard that the DOJ discovered this alleged conspiracy while reviewing the emails of former Legends CEO Shervin Mirhashemi as part of its regulatory probe into the company’s merger with ASM Global last year.

OVG and Legends both admitted to bid-rigging as part of non-prosecution agreements in which they agreed to pay respective penalties of $15 million and $1.5 million. The two companies are now cooperating with prosecutors.

Leiweke stepped down as CEO of OVG following the indictment, but he maintained his innocence in an internal staff email announcing the resignation.

“It is not true, and I am confident that jurors in Austin will see this case for what it is — wrong on the facts and the law and a misguided attempt to criminalize the lawful, ethical and procompetitive efforts of complementary businesses joining forces to deliver a compelling proposal,” Leiweke wrote.

Leiweke remains a shareholder of OVG and vice-chair of the company’s board of directors.

The European Union’s antitrust regulator said on Monday (July 21) that it opened an “in-depth,” second phase of its investigation into whether Universal Music Group’s plan to acquire Downtown Music Holdings would hurt competition for music distribution and artist and label services there.

The commission’s preliminary review of UMG’s $775 million deal with Downtown concluded that the merger could give UMG commercially sensitive data about its rival record labels and “remove Downtown as an important competitive force in the market for [artist and label] services.” The regulator, which has the authority to review the transaction because UMG is headquartered in the Netherlands, now has until Nov. 26 to issue a decision.

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“By acquiring Downtown, UMG would purchase a large provider of services for labels that compete with UMG and for artists. Opening an in-depth investigation will allow us to assess more carefully whether this acquisition would have a negative impact on artists, labels and, ultimately, European consumers,” Valdis Dombrovskis, the group’s commissioner for economy and productivity, implementation and simplification, said in a statement.

If the deal is approved, the world’s largest music company would buy one of the largest independent music services and distribution companies. That prospect has sparked an outcry from indie music trade companies and organizations.

A UMG spokesperson did not immediately respond to a request for comment, but the company has previously said it is waiting for the European Commission’s final decision and is confident the merger would enhance its offering to artists, labels and other independent music companies.

Founded in 2007 in New York, Downtown Music Holdings is the parent company of the direct-to-creator distributor CD Baby and the direct-to-business technology and distribution platform FUGA, as well as SongTrust and several other companies.

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Europe’s independent music trade organization IMPALA, which represents around 6,000 indie music companies and associations, welcomed the second phase of the European Commission’s investigation and said it hopes the regulator will block the deal, according to a press release. The group argues that the tie-up between UMG’s Virgin Group and Downtown poses a serious threat to competition in part because it follows UMG gaining a majority ownership stake in the indie label group [PIAS] in 2024 and buying the Netherlands-based indie group called 8ball earlier this year.

“Our concern is simply that there is a point at which big becomes too big,” IMPALA said in a statement. “This acquisition must be stopped outright in order to avoid one company leveraging its market power to shape the music ecosystem to its advantage.”

The European Commission said its concerns center on Downtown’s role in processing “commercially sensitive data of third-party record labels,” which it says UMG could use to advantage its recorded music division while harming rivals. It also noted that UMG is already “the leader in the market for the wholesale distribution of recorded music in the EEA.”

Drake and LeBron James’ long-time friendship splintered when the Lakers superstar was spotted at Kendrick Lamar’s Pop Out concert last year following Drizzy’s battle with K.Dot.

Fast-forward to earlier this week, when James was seen with his wife, Savannah, and business partner Maverick Carter at a day party — reportedly in Cannes, France — turning up to Lamar’s “Not Like Us.”

Footage showcased James in a bucket hat dancing and singing along to every lyric of the Drake diss before the video shifts focus to Amazon CEO Jeff Bezos and his new wife, Lauren Sanchez.

“He dancing harder to it now leswitch up,” one fan commented on the video on Instagram. Another added: “He forcing it now!”

Drake hasn’t been shy about sending shots in James’ direction throughout 2025. At the top of the year, Drizzy’s Conductor Williams-produced “Fighting Irish Freestyle” appeared to see Drake jab at James for betraying him.

He’s also continued to tweak lyrics to tracks like “Nonstop” during his shows. “How I go 6 to 23 but not LeBron,” Drake rapped at Wireless Festival earlier in July.

During the same festival, Drake also sported a new tattoo, which covered up the former ink of James’ high school jersey, but now features NBA MVP and Oklahoma City Thunder star Shai Gilgeous-Alexander, who is a fellow Canadian.

There’s also been much made about a bar on Drake’s “What Did I Miss?” single, which fans believed was a shot at James for switching sides on the 6 God. “I saw bro went to Pop Out with them, but been d—k riding gang since ‘Headlines,’” he raps on the track.

With Drake touring through Europe and hard at work on his upcoming Iceman album, it remains to be seen if he’ll have any more lyrical barbs for LeBron going forward.

Giveon announced on Tuesday (July 22) that he’s embarking on Dear Beloved, The Tour this fall in support of his sophomore album, Beloved.

Beloved was released on July 11, 2025, via Not So Fast and Epic Records. The 14-track project included previous singles “Twenties” and “Rather Be,” both of which hit the top 30 of Hot R&B/Hip-Hop Songs. It debuted at No. 8 on the Billboard 200 this week (chart dated July 26), marking the second top 10 album for the R&B singer following his 2021 compilation LP When It’s All Said and Done … Take Time. Beloved also debuted at No. 4 on Top R&B/Hip-Hop Albums.

Produced by Live Nation, the trek will kick off at Seattle’s WAMU Theater on Oct. 1 and stop by major cities like Los Angeles, Houston, Atlanta, Chicago and Toronto before wrapping up at NYC’s Madison Square Garden on Nov. 6. Special guests Free Nationals, Charlotte Day Wilson and Sasha Keable will join on select dates throughout the tour. 

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Tickets are available starting with an artist presale today at 11 a.m. PT. Additional presales will run throughout the week ahead of the general on-sale beginning Friday, July 25 at 10 a.m. local time at giveonofficial.com.

“How this album is going to translate to the live show – I think it’s going to be magical because the album was made live, so it’s made to be performed live. It’s going to be my best tour,” he said in a recent Rolling Stone interview before the release of Beloved. “I want to do strings, I want to do horns, I want to do background vocals, so I feel like [I’ll have] a full eight to 10-piece [backing band], depending on how big the stages are. The album is really a movie, it’s a world, and I want the night to feel like that.”

See the dates for Giveon’s Dear Beloved, The Tour below.

Justin Bieber’s long-awaited return yields a No. 1 debut for his new album, SWAG, on Billboard’s Top R&B Albums chart (dated July 26). The surprise album, teased only hours before its arrival on July 11, opens with 163,000 equivalent album units earned in United States for the tracking week of July 11-17, according to Luminate.

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SWAG gives Bieber his second No. 1 on Top R&B Albums, which began in October 2012. It follows Changes, which reigned for three weeks in February-March 2020.

Of SWAG’s first-week total, streaming activity contributed 155,000 units, a figure equal to 198.8 million official on-demand audio and video streams of the album’s songs — Bieber’s biggest streaming week ever for an album. Just over 6,000 units are from traditional album sales, with the remaining balance (a little more than 1,000 units) deriving from track-equivalent album units. (One unit equals the following levels of consumption: one album sale, 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams for a song on the album.)

Elsewhere, SWAG enters at No. 2 on the Top R&B/Hip-Hop Albums and the all-genre Billboard 200, ranking behind JACKBOYS and Travis Scott’s JACKBOYS 2 on both lists.

In addition to a No. 1 start on Top R&B Albums, Bieber also banks the No. 1 spot on the multi-metric Hot R&B Songs chart with SWAG cut “Yukon.” The track registered 15.3 million official U.S. streams and 1,000 digital sales downloads for its coronation.

“Yukon” gives Bieber his sixth No. 1 on the Hot R&B Songs chart, dating to its October 2012 launch. He first topped the list in a featured role alongside Quavo and Chance the Rapper on DJ Khaled’s “No Brainer,” a six-week champ in 2018, and followed with his own “Yummy” (four weeks, 2020), “Intentions,” featuring Quavo (two, 2020), “Peaches,” featuring Daniel Caesar and GIVĒON (10, 2021) and a supporting turn with Tems on Wizkid’s “Essence” (nine, 2021).

In all, SWAG sparks eight debuts on the Hot R&B Songs, pushing Bieber to 32 total entries on the nearly 13-year-old list. Here’s a review of his placements this week:

No. 1, “Yukon”
No. 2, “Go Baby”
No. 4, “Way It Is,” feat. Gunna
No. 7, “Devotion,” with Dijon
No. 8, “Sweet Spot,” with Sexyy Red
No. 10, “Swag,” with Cash Cobain & Eddie Benjamin
No. 12, “Too Long”
No. 15, “Zuma House”

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

If you know anything about music, well, you’ve probably heard a lot about Marshall and their products.

The British company was founded all the way back in 1962 by shop owner and drummer Jim Marshall and is best known for designing and manufacturing music tech, including amplifiers, speaker cabinets, headphones and effects pedals. If their extensive line of tech isn’t impressing you, their fans might. Jimi Hendrix, Eric Clapton and Pete Townshend have famously used Marshall amps over the years to enhance their sound.

In short, it’s a company that makes tech for musicians by musicians, so you know it’s good. With so much in their extensive catalogue to choose from, we as music nerds are breaking down the best of the best products to shop now. We’ll cover the new and old from headphones and earbuds to portable speakers.

From Speakers to Headphones Shop Music Nerd-Approved Marshall Products

Major V Headphones in Midight Blue

Wireless on-ear headphones.


Looking for quality sound all wrapped up in a sleek and stylish package? Well, look no further than Marshall’s Major V headphones. Retailing for $159.99, the style seemingly draws design inspiration from retro models, what with the square headphone cushions and striking branding. If you’re taking your tunes with you on the go, these headphones can be folded up and stored away, easy as pie.

As far as technical aspects go, you’ve got up to 100+ hours of wireless playtime and wireless charging accompanied by Marshall’s classic “crunchy” sound that amplifies your listening experience tenfold. You can shop up to four colorways; however, the new Midnight Blue colorway is probably our favorite.

From Speakers to Headphones Shop Music Nerd-Approved Marshall Products

Emberton III Portable Speaker in Midnight Blue

Portable speaker with 32+ hours of playtime.


Speaking of Midnight Blue, Marshall’s Emberton III received the same colorful treatment. The deep navy hues look absolutely stunning when contrasting with the gold accents featured throughout. Beyond looking extremely sexy, this portable speaker boasts 32+ hours of playtime, along with what Marshall calls True Stereophonic, which is basically crisp and clear 360° sound. If you do want to bring your speaker with you to the beach or on a spontaneous camping trip, you won’t have to worry about your tech sustaining any damage because it’s water and dustproof. In fact, the speaker’s IP67 rating allows it to be submerged in water for up to 30 minutes.

From Speakers to Headphones Shop Music Nerd-Approved Marshall Products

Motif II A.N.C. Wireless Earbuds in Black

Wireless earbuds with 30 hours of playtime.


When it comes to Marshall’s design, you’re getting quality sound and stylish design, all in one. These wireless earbuds are a great example of those two sentiments. Retailing for $219.99, the style is all black with gilded accents and contrasting Marshall logo detailing in stark white cursive. Beyond the looks, these earbuds boast up to 30 hours of playtime and noise-cancelling tech that really lets you tune out the world and hone in on your music. If the noise-cancelling effect is too much, you can turn on transparency mode, allowing those outside noises back in. These buds are Bluetooth connected and can also charge wirelessly inside the case.

From Speakers to Headphones Shop Music Nerd-Approved Marshall Products

Mode Wired Earbuds in Black

Wired in-ear earbuds with built-in microphone and remote.


Who said wired headphones weren’t cool? The style has been receiving a major resurgance in popularity, seen on talked-about tastemakers like Charli XCX and Addison Rae. Now you can follow in your faves footsteps with these Marshall Mode wired earbuds in all black. Unlike some of the older wired earbud models, these include a built-in microphone and remote so you can adjust your sound on the go.

Ever have trouble with earbuds fitting your ears? Well, not anymore. These include a unique design that anchors to your ear, preventing the buds from going anywhere. You’ve also got four ear tip sizes so you can find the perfect fit for you. As far as sound goes, these earbuds have custom-tuned dynamic drivers that produce rich and powerful audio every time.

From Speakers to Headphones Shop Music Nerd-Approved Marshall Products

Stanmore III Portable Speaker in Brown

Bluetooth speaker delivering home-filling Marshall sound.


This is one of the beefier Bluetooth speakers that Marshall has. The Stanmore III delivers audio that fills any space. Said audio was re-engineered, allowing users a more immersive experience, whether you’re bumping that new Tyler The Creator or Lorde. You can easily get to listening by connecting to this speaker from any device using Bluetooth, RCA or 3.5 mm. Don’t just take our word for it. The Stanmore III received the 2023 Reddot Design Award Winner for its innovative design and sustainable approach.

From Speakers to Headphones Shop Music Nerd-Approved Marshall Products

Willen II Portable Speaker in Cream

Portable speaker with 17+ hours of playtime.


Don’t let the size of this portable speaker fool you. The Willen II packs a punch, offering high-quality sound with heavy bass along with up to 17+ hours of playtime. For easy on-the-go listening, you’ve got a fastening strap that attaches to almost anything. You’ve also got a nifty little built-in microphone that allows you to take calls completely hands-free. If your Willen II does die out on you, not to fret. The speaker charges up in only 20 minutes.

Ozzy Osbourne, whose distinctly dark vocals and appetite for extreme behavior made him the ideal frontman for the transformational heavy metal band Black Sabbath — qualities which also propelled him through an even more successful solo career — has died at age 76. “It is with more sadness than mere words can convey that we have to report that our beloved Ozzy Osbourne has passed away this morning,” reads a statement released on Tuesday (July 22). “He was with his family and surrounded by love. We ask everyone to respect our family privacy at this time.” No cause of death was provided.

His death comes just weeks after Black Sabbath’s final concert, which took place on July 5 and netted $190 million, making it the highest grossing charity concert of all time.

Osbourne’s abilities as a vocalist – his uniquely sharp timbre and bellowing lung power – gave him the fortitude to cut through even the densest metal songs like a foghorn. Starting with Sabbath in 1970, his voice helped defined what heavy metal became. The image he inaugurated at that time became just as indelible. By voicing Sabbath’s reliably morbid lyrics, clad in the band’s trademark funereal attire, he earned the nickname The Prince of Darkness. The credibility of that image, at times, struck Mr. Osbourne as hilarious. “They all thought I lived in some Bavarian castle and at midnight my bat wings came out and I flew around the battlements,” he told British GQ in 2004.

Osbourne’s solo career, which began in 1980, saw his notoriety soar through a series of increasingly outrageous, and alarming, antics, two of which involved decapitation. During a 1981 meeting with executives at his record company, he bit the head off a live dove to get their attention, while the next year, he performed the same act on a dead bat while on-stage, spitting the creature’s blood on the audience for good measure. One month later, while wearing a dress owned by his later wife Sharon Arden, he urinated on a monument erected to honor those who died at the battle of the Alamo in Texas. As a consequence, he was banned from the city of San Antonio for a decade. Osbourne later blamed all those actions on profound intoxication, a state he frequently admitted to maintaining for much of his career. One such binge escalated to the point where he tried to strangle Sharon, by then his wife, an act he didn’t remember committing. “It’s one of the most regretful things,” he told British GQ. “I woke up in jail the next morning. Thank God, she dropped the charges. And still I didn’t stop drinking.”

At the same time, Osbourne appreciated the PR power of his out-of-control behavior. “Part of me is happy,” he told Rock Hard Magazine in 1991. “Because rock ‘n roll is a sensationalist business. If you haven’t got controversy, you haven’t got rock ‘n roll. You’ve got fucking Phil Collins.”

Osbourne’s image received an improbable overhaul when he arose as an oddly lovable TV star in the early aughts. Along with his wife and two of his children, he starred in the MTV series The Osbournes, one of the first family-centered reality shows, and one of network’s biggest hits. The show, which served as a precursor to such powerful reality programs as Keeping Up with The Kardashians, presented Osbourne as doddering, gibberish-spewing dad but one who adores his family unendingly. While some saw the portrayal as a contradiction of his devilish image, he viewed them as part of a piece. “I’m just a zany ham,” he told The Philadelphia Inquirer in 2018. “It’s all entertainment.”

With Sabbath, Osbourne was inducted into the Rock and Roll Hall of Fame in 2006. All nine of the albums he recorded with that band went gold, while five achieved platinum status. Among his solo efforts are 1991’s No More Tears, which peaked at No. 7 on the Billboard 200 chart and sold over 3 million copies in the U.S., according to Nielsen Music. Seven of his solo releases went top 10 on the Billboard 200, while 17 of his singles made the top 10 of the Mainstream Rock Songs chart, two hitting that list’s peak. His creation of Ozzfest in 1996, dedicated to his beloved heavy metal, became one of the most successful, and enduring, festival tours of all time, spawning affiliated roadshows from the U.K. and Europe to Israel.

John Michael Osbourne was born on Dec. 3, 1948, in the Aston area of Birmingham, England. He was the fourth of six children to mother Lilian, who was a factory worker, and father, John, also known as Jack, who toiled as a toolmaker. He earned the nickname Ozzy in elementary school, by which time he was struggling with undiagnosed dyslexia, attention deficit disorder and low self-esteem. “I’ve never been comfortable in my own skin,” he told The Guardian in 2007. “For some reason, I’m a frightened soul.”

Embarrassed about the lack of money in his home, Osbourne lost himself in the fantasy of music. Listening to the Beatles’ “She Loves You” made him want to be a musician. He quit school at age 15 and worked in construction, plumbing and in an abattoir. He tried burglary but, “it was less than three weeks before I got caught,” he told The Big Issue in 2014. “I did feel very stupid.”

When his father decided to teach him a lesson by refusing to pay his bail, he spent six weeks in Winson Green Prison. His father did, however, buy him a microphone, inspiring him to pursue music seriously. Osbourne’s first gig came in 1967, when future Sabbath bassist Geezer Butler hired him for his band Rare Breed. After two gigs, they broke up, freeing the singer and Butler to join with the other future Sabbath members, guitarist Tony Iommi and drummer Bill Ward. The foursome were billed for a while as Earth before adopting their haunted moniker in 1969, based on a like-named horror movie. Recognizing the attraction people have to scary films, the band hit on the novel idea to translate the morbid thrill of Grand Guignol to rock ‘n roll. They did so by stressing menacing guitar riffs, shadowy bass lines, and thundering drums, topped by the Osbourne’s devilish voice. He credited their embrace of darkness to their hard life in Birmingham, and to their rebuke of San Francisco’s summer of love. “Drizzly rain, no shoes on my feet,” he told The Guardian in 2007. “And I put the radio on and there’s some guy singing ‘if you go to San Francisco, wear a flower in your hair!’ I thought, ‘this is bollocks. The only flower I’m likely to wear is on my fucking grave.’”

When Warner Bros. Records signed the group to a modest deal, the company had no idea their sound would tap into such a deep and enduring market – though, initially, their audience consisted mainly of young men. Sabbath’s self-titled debut made the British top 10 and the top 25 on the Billboard 200, remaining on the charts in the U.S. for a full year. By the fall, the band issued a powerful follow-up, Paranoid, which sold even better, leaping to No. 12 on the Billboard 200 while generating Sabbath’s two Billboard Hot 100 hits, “Iron Man” and “Paranoid.” As the band readied their third album, Master of Reality, in 1971, Osbourne married his first wife, Thelma Riley. He adopted her son from a previous marriage and the couple soon had two other children of their own. Osbourne later referred to his young marriage as a terrible mistake, given his absence on the road and growing substance abuse. While his inebriation didn’t affect the artistry of the band’s first five albums, by the late ’70s, Sabbath were floundering, both creatively and personally, due to in-fighting, lack of inspiration and heavy drug use. As a result, Osbourne was fired by the band in the spring of 1979, and replaced by ex-Rainbow singer Ronnie James Dio.

For the next few months, a despondent, dejected Osbourne went on a self-destructive binge. He was rallied by Sharon Arden, whose father, Don Arden, then managed both the singer and his ex-band. Osbourne credits Arden with turning him around, and with encouraging him to form his own band, who backed him for his solo debut, Blizzard of Ozz. It became one of the best-selling works of his career, bolstered by songs like “Crazy Train” and “Mr. Crowley,” the latter penned for the famous Satanist Aleister Crowley. His follow-up, Diary of a Madman, in 1981, sold over 3 million copies. But tragedy came the next year when the gifted guitarist in his band, Randy Rhoads, was killed in the crash of a light aircraft, which also took the lives of two others. Though deeply depressed, Osbourne married Sharon four months after the incident. His solo albums continued to sell in huge numbers, never dipping below gold status, or missing the top 25 of the Billboard 200, right through his last studio work, 2010’s Scream; the only exception was a 2005 collection of interpretive recordings titled Under Covers.

In late 2011, the original lineup of Sabbath announced a reunion tour and an album to be produced by Rick Rubin. When contractual issues caused drummer Bill Ward to bow out, Rage Against the Machine’s stick-man Brad Wilk stepped in. Two years later, the band issued their first album with Osbourne in over thirty years. Titled 13, it hit No. 1 both in the U.K and on the U.S. Billboard 200. The band began a farewell tour in January of 2016, playing their final show the next February. One year later, Osbourne announced his farewell tour as a solo artist, though he insisted he would still do isolated gigs.

Osbourne is survived by his first wife, Thelma Riley, their two children, Jessica and Lewis, and their adopted son Eliot, as well as his second wife Sharon and their children, Aimee, Kelly and Jack.

Later in his life, Osbourne took pains to point out that he spent far more time as an established solo artist than in Sabbath and that he preferred the freedom allowed by the latter role. He also became sober, after years of drying out only to fall off the wagon. In interviews, he expressed an increasing sense of appreciation. “When we did our first Black Sabbath album fifty years ago I thought, ‘this will be good for a couple of albums and I’ll get a few chicks along the way,’” he told Rolling Stone in 2018. “My life has just been unbelievable. You couldn’t write my story; you couldn’t invent me.”

Bakers gonna bake, bake, bake, bake, bake. Taylor Swift recently made Selena Gomez some homemade sourdough in celebration of the Rare Beauty founder’s romance with Benny Blanco, complete with a cute pun on the gift tag.

As shared by the producer in a photo on his Instagram Story on Tuesday (July 22), he and Gomez — who celebrated her 33rd birthday over the weekend — received a helping of bread straight from the Eras Tour headliner’s kitchen. Topped with an ornate floral pattern baked into the dough, the gift was decorated with various stickers displaying Swift’s handwriting, reading, “Home-made sourdough,” “For Selena + Benny” and “‘It’s a loaf story.’”

The 14-time Grammy winner signed her name on a sticker at the bottom of the bread bag, which arrived in a gift basket. Swift also sent a scented candle and a couple of bottles in the package.

The sweet gift comes just a few days after Gomez partied with both Swift and Blanco for her birthday, as seen in photos shared by the Only Murders in the Building actress on Instagram on Sunday (July 20). The festivities took place a few days early, as Gomez’s big day is actually on Tuesday; Blanco marked the occasion by posting a carousel of photos of his famous fiancée snoozing and wrote on Instagram, “our life is a dream… so i’m never waking u up… happy birthday my love.”

While the sourdough may have been baked with a little extra love considering Swift and Gomez have been besties for nearly two decades, the former is well-known for crafting and doling out homemade treats. In 2024, Kansas City Chiefs coach Andy Reid revealed that the pop star had baked Pop-Tarts (Taylor’s Version) for his offensive linemen, and shortly prior, Bernie Kosar shared that Swift had made cinnamon rolls for Travis Kelce before a big game.

Plus, pretty much every autumn, Swift’s recipe for chai sugar cookies resurfaces anew online.