UPDATE (Sept. 4): Daniel Blumberg, who won an Oscar for best original score in March for The Brutalist, is nominated for the Discovery of the Year Award at the 2025 World Soundtrack Awards. Blumberg is competing with Robin Carolan (Nosferatu), Jung Jae-il (Mickey 17), Dave Metzger (Mufasa: The Lion King) and Hania Rani (Sentimental Value).

The first round of nominations were announced by Film Fest Gent and the World Soundtrack Academy on Aug. 5. This second wave of nominations also includes the Public Choice Award, WSA Game Music Award, and Belgian Film Composer of the Year. Winners will be announced on Oct. 15 at the annual WSA Ceremony & Concert during Film Fest Gent, Belgium’s biggest international film festival.

PREVIOUSLY (Aug. 5):“I Lied to You” from Ryan Coogler’s box-office smash Sinners is nominated for best original song at the 2025 World Soundtrack Awards, which boosts its chances of being nominated for an Oscar.

A song from each of writer/director Coogler’s last two films was nominated in that marquee Oscar category – “All the Stars” from Black Panther and “Lift Me Up” from Black Panther: Wakanda Forever.

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Sinners was released in April and ranked No. 1 at the box office in each of its first two weekends. It’s the fifth-highest grossing film so far in 2025 domestically, behind A Minecraft Movie, Lilo & Stitch, Jurassic World: Rebirth and Superman, and No. 12 for the year so far worldwide.

Ludwig Göransson and Raphael Saadiq co-wrote “I Lied to You,” which was performed by Miles Caton, one of the stars of the film. Both writers are past Oscar nominees for best original song. Göransson was nominated for co-writing the aforementioned “Lift Me Up”; Saadiq for co-writing “Mighty River” from Mudbound. In addition to his best original song nod, Göransson is a two-time Oscar winner for best original score, for Black Panther and Oppenheimer.

The other four nominees for best original song at the World Soundtrack Awards are from 2024 films and thus can’t be in the running for Oscars next year. (One of them, “El Mal” from Emilia Pérez, won the Oscar earlier this year. Of the others, “Never Too Late” from Elton John: Never Too Late, was nominated; “Winter Coat” from Blitz was shortlisted but not nominated; and “Beautiful That Way” from The Last Showgirl wasn’t even shortlisted.)

German composer and pianist Volker Bertelmann is nominated for both film composer of the year (for Conclave and The Amateur) and television composer of the year (for The Day of the Jackal, Dune: Prophecy and The Count of Monte Cristo). Bertelmann won film composer of the year at the 2023 World Soundtrack Awards.

Philip Glass and Michael Nyman are set to receive lifetime achievement awards.

Here’s the full list of nominations.

Best Original Song

    “Beautiful That Way” from The Last Showgirl – written by Andrew Wyatt, Lykke Li, Miley Cyrus; performed by Miley Cyrus, Andrew Wyatt, Matt Dunkley

    “El Mal” from Emilia Pérez – written by Clément Ducol, Camille, Jacques Audiard; performed by Zoe Saldaña, Karla Sofía Gascón

    “I Lied to You” from Sinners – written by Ludwig Göransson, Raphael Saadiq; performed by Miles Caton

    “Never Too Late” from Elton John: Never Too Late – written by Elton John, Brandi Carlile, Andrew Watt, Bernie Taupin; performed by Elton John, Brandi Carlile

    “Winter Coat” from Blitz – written by Nicholas Britell, Steve McQueen, Taura Stinson; performed by Nicholas Britell, Saoirse Ronan

Film Composer of the Year

    Volker Bertelmann – Conclave; The Amateur

    Daniel Blumberg – The Brutalist

    Kris Bowers – The Wild Robot

    Clément Ducol and Camille – Emilia Pérez

    Alberto Iglesias – The Room Next Door

    John Powell – How to Train Your Dragon

Television Composer of the Year

    Volker Bertelmann – The Day of the Jackal; Dune: Prophecy; The Count of Monte Cristo

    David Fleming, Gustavo Santaolalla – The Last of Us (Season 2)

    Ariel Marx – Dying for Sex

    Bear McCreary – The Lord of the Rings: The Rings of Power (Season 2)

    Martin Phipps – Black Doves

    Theodore Shapiro – Severance (Season 2)

Discovery of the Year Award

Daniel Blumberg – The Brutalist

Robin Carolan – Nosferatu

Jung Jae-il – Mickey 17

Dave Metzger – Mufasa: The Lion King

Hania Rani – Sentimental Value

Public Choice Award

Buio come il cuore (Dark is the Heart) – David Cerquetti

Hola Frida – Laetitia Pansanel-Garric

Ni chaînes ni maîtres – Amine Bouhafa

Reagan – John Coda

The Lord of the Rings: The War of the Rohirrim – Stephen Gallagher

WSA Game Music Award

Clair Obscur: Expedition 33 – Lorien Testard

Doom: The Dark Ages – Alex Klingle, Brian Lee White, Brian Trifon, Jay Wiltzen

Dune: Awakening – Knut Avenstroup Haugen

Farewell North – John Konsolakis

Neva – Berlinist

Belgian Film Composer of the Year

Vincent Cahay – Maldoror

Ruben De Gheselle – Young Hearts; There was, There was not

Frédéric Vercheval – Largo Winch: Le prix de l’argent

Best Original Composition by a Young Composer

Neville Bharucha

Théo Cascio

Bongseob Kim

Lifetime Achievement Award

Philip Glass

Michael Nyman

We don’t know where, or when, Taylor Swift and Travis Kelce will get married, but we do know that one legendary band is raising a hand to offer up their reception rocking services. On Wednesday (Sept. 3), Rock and Roll Hall of Famers Foreigner shot their shot with the superstar couple in an Instagram post in which they volunteered to be their wedding band.

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“Dear Taylor Swift and Travis Kelce, we know what love is,” they wrote. “We spent 40 years figuring it out… and now you guys have too. Please accept this as our formal offer to be your wedding band. Best wishes, Foreigner.”

“I Want To Know What Love Is,” the lead single from the band’s 1984 album Provocateur is their only No. 1 hit on the Billboard Hot 100 tally, spending two weeks at the top in December of that year. The beloved ballad has been covered by everyone from Australian singer Tina Arena and country star Wynonna Judd to Mariah Carey, who released it as a single in 2009 from her Memoirs of an Imperfect Angel album.

A week after announcing their engagement, Kelce pulled back the curtain on the proceedings on this week’s episode of his New Heights podcast with brother Jason. “You gotta know your gal,” he said when asked for advice on pulling off the perfect proposal. “You can’t let how somebody else does it make you feel like you need to do it that way. I would just say, know your partner, know who you’re doing it for, and do it for the right reasons. Everything else will be beautiful.”

See the pitch from Foreigner below.


  

Lil Jon may want to reconsider his diminutive stage name after his shocking finish in the annual Muscle Beach championship in L.A.’s Venice Beach. The 53-year-old, Grammy-winning “Turn Down For What” MC took home the third place trophy in the annual Men’s Physique Masters Over 45 category on Monday (Sept. 1).

Looking super shredded thanks to his years long fitness journey, Jon pumped iron, flexed and posed with the best of them as the showed off his winner’s medallion in an impressive Instagram video from the competition. “3RD PLACE! ALHAMDULLIAH. THANKS TO ALL THAT SUPPORTED ME ON THIS JOURNEY!!” he wrote.

“It’s been a lot physically, just in the gym, dedication, eating, focus. I’m winning just by being here and changing my lifestyle, mentally and physically,” Jon said in an interview with ABC 7 during the competition. “One of the things I hope is that I can be an inspiration to so many people who say, ‘Oh, I don’t have time. I can’t do it.’ If I can do it, then you can do it too.”

The annual Labor Day tradition in Venice Beach is billed as the greatest outdoor bodybuilding show on Earth and is open to amateurs only. Athletes from around the world descend on the famed stretch of beach every year to compete in categories including bodybuilding, physique, bikini and wellness.

Jon has been chronicling his wellness journey over the past year, posting videos of fasting cardio, his impressive pull-up skills and ridiculously jacked triceps. In addition to his dedication to eating well and working out, Jon has been feeding his mind as well via two albums of guided meditations, 2024’s Total Meditation and Manifest Abundance: Affirmation of Personal Growth and teaming up with Peloton last summer for a new Artist Series, bringing his catalog to six of the workout company’s live classes, including cycling, tread, row, meditation and strength.

As festival season comes to a close, fans still have one more big fest to look forward to — and they just added plenty of new names to get excited about.

On Thursday (Sept. 4), Global Citizen announced that Adam Lambert, Bill Nye, Liza Koshy and Danai Gurira will join the 2025 Global Citizen Festival lineup as co-hosts on Sept. 27. The quartet of stars will join actor-singer Hugh Jackman, who was previously announced as the host for the annual benefit festival.

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Additionally, the organization also announced a number of guest speakers that are set to appear at this year’s festival — including Kristen Bell, Tony Goldwyn, Laurie Hernandez, Nate Burleson and Vladimir Duthiers among others — while adding Latin superstar Camilo to the lineup of performers.

The news comes months after the organization announced that The Weeknd and Shakira would serve as headliners at the festival, with stars like Tyla, Mariah the Scientist and Ayra Starr also set to perform. “I’m honored to headline the incredible Global Citizen Festival in Central Park this September,” Shakira wrote in a statement at the time. “I can’t wait to perform, unite, and inspire action.”

Fans who are unable to come see the concert live in New York City will be able to watch the show via livestream on YouTube, Apple Music and Apple TV on Sept. 27.

Earlier this summer, Lambert made headlines for his breakout performance as Judas in a three-night presentation of Jesus Christ Superstar at the Hollywood Bowl, where he starred alongside Cynthia Erivo as Jesus. Speaking to Billboard before the show’s run, Lambert praised his co-star’s performance, while adding that he was “excited by the challenge of presenting the audience with a production led by a female, Black ‘Jesus,’” and encouraged the audience who came to see the show to “expand their minds a bit.”

Oasis are on a glide path to wrapping up their brief run of U.S. reunion shows. After kicking things off on Aug. 28 at Chicago’s Soldier Field, then rocking more than 140,000 ecstatic, bucket hat-wearing fans during a double-down at MetLife Stadium in East Rutherford, N.J. on Aug. 31 and Sept. 1, the Gallagher brothers will hit the Rose Bowl in Pasadena, Calif. on Saturday (Sept. 6) and Sunday (Sept. 7).

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But before that, the band shared the latest live track from their get back run on Thursday morning (Sept. 4) with the release of “Wonderwall (Live from Dublin, 15 August ’25).” Recorded last month during a double-down at Croke Park in Dublin, Ireland on the first of two sold-out nights that saw them playing to more than 160,000 fans, the shows were the group’s first gigs in Ireland since 2009.

The recording opens with singer Liam Gallagher’s existential question: “Where the f–k would we all be without ‘Wonderwall?’ Where would we be? Selling carpets or some s–t like that.” Backed by brother Noel Gallagher’s acoustic guitar at the top, the recording is the perfect encapsulation of the energy and enthusiasm the group has been me with on their triumphant reboot, with the audience lustily singing along to every iconic line from the song that ran up to No. 8 on the Billboard Hot 100 in early 1996, giving Oasis their highest charting song to date on the tally.

The new live “Wonderwall” joins a handful of other live songs they’re released so far, including: “Bring It On Down (Live from Edinburgh, 9 August ‘25),” “Slide Away (Live from Cardiff, 4 July ‘25),” “Cigarettes & Alcohol (Live from Manchester, 11 July ‘25),” and “Little By Little (Live from London, 2 August ‘25).” 

Oasis are 22 dates into the 41-show tour that nobody thought would ever happen given the Gallaghers’ legendarily fractious relationship. Instead of the old rancor and unpredictability, so far the tour has been all hugs, hand-holding and pithy quips from Liam, with fans reveling in the joy of seeing the band roar back in top form and conquer the U.S. on a scale they never achieved during their initial late 1990s-early 2000’s run.

After the L.A. shows, the tour will move on to two nights in Mexico City (Sept. 12-13) and another pair of gigs at Wembley Stadium in London before moving on to South Korea and Japan in late October and then Australia and South America in November.

Listen to Oasis’ live version of “Wonderwall” below.


  

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The road to Super Bowl LX in California starts with the first week of the NFL regular season. To kickoff the season, two NFC East rivals go head-to-head to glory on the gridiron.

The Dallas Cowboys take on the Philadelphia Eagles at Lincoln Financial Field in Philadelphia, Pennsylvania, tonight (Sept. 4).

When Does Dallas vs. Philadelphia Start?

The Dallas vs. Philadelphia game broadcasts live, with kickoff at 8:20 p.m. ET/5:20 p.m. PT. The game airs on NBC and livestreams on Peacock.

Where to Watch Dallas vs. Philadelphia for Free

For cord-cutters, there are a few ways to watch Dallas Cowboys vs. Philadelphia Eagles, especially if you want to watch for free. DirecTV has a five-day free trial, while other streaming services, such as Fubo and Hulu + Live TV, offer a free trial so you can watch NBC for free.

Keep reading for more details on how to watch the Dallas-Philadelphia game online.

How to Watch Dallas vs. Philadelphia With DirecTV

A subscription to DirecTV — which comes with NBC for Dallas vs. Philadelphia — gets you access to live TV, local and cable channels, starting at $49.99 for the first month of service and $84.99 per month after that. The service even offers a five-day free trial to watch for free if you sign up now.

You can watch local networks such as Fox, ABC, CBS and PBS, while you can watch many of the best sports networks, including ESPN, FS1, CNBC, NBA TV, NHL Network, Big Ten Network, TNT Sports, The Golf Channel and many others.

How to Watch Dallas vs. Philadelphia With Hulu + Live TV

The Dallas Cowboys vs. Philadelphia Eagles game on NBC is available to watch with Hulu + Live TV too. Prices for the cable alternative start at $82.99 per month, while each plan comes with Hulu, Disney+ and ESPN Unlimited at no additional cost.

Hulu + Live TV might be best for those who want all of these streaming services together in one bundle. It features many other networks, including ABC, Hallmark Channel, BET, CMT, Disney Channel, NBC, Fox Sports and more.

How to Watch Dallas vs. Philadelphia with Fubo

To watch Dallas vs. Philadelphia on NBC, Fubo starts at $54.99 for the first month, $84.99 per month afterwards (the streamer’s current deal) with more than 240 channels — including local and cable — that are streamable on smart TVs, smartphones, tablets and on web browsers.

The service even gets you live access to local broadcast networks including NBC, CBS and ABC, while it has dozens of cable networks, such as ESPN, Bravo, CMT, ID, TV Land, VH1, TLC, E!, FS1, MTV, FX, Ion, OWN, Paramount Network and much more.

How to Watch Dallas vs. Philadelphia with Peacock

The Dallas-Eagles game livestreams on Peacock, which is also the home for NFL on NBC, for subscribers only. If you’re already a subscriber to Peacock, you can watch the game for free. Not a Peacock subscriber? Monthly plans start at just $10.99 per month for Peacock Premium and $16.99 per month for the commercial-free, Premium Plus. If you subscribe to Peacock’s annual plans you’ll be able to save around 17% off your streaming package.

Who Is Performing During Dallas vs. Philadelphia Game?

There’s a few of performances throughout the game. The NFL game starts with Boyz II Men performing the National Anthem before kickoff, while singer Laurin Talese performs “Lift Every Voice and Sing.”

How to Buy Dallas vs. Philadelphia Tickets Online

Want to attend the Dallas-Philadelphia game in person? There are still last-minute tickets to the NFL season opening game available via Vivid Seats (get $20 off purchases of $200 and over with code BB2024), SeatGeek (your first purchases can get $10 off ticket order $250 and with code BILLBOARD10), StubHub and GameTime (score $20 off ticket orders of $150 and over with code SAVE20). Prices vary depending on the city and seats available.

Moreover, you can save $150 off when you spend $500 with promo code BILLBOARD150, or $300 off when you spend $1,000 with promo code BILLBOARD300 at TicketNetwork.com.

Starting at 8:20 p.m. ET/5:20 p.m. PT, NFL Season Opener 2025-26: Dallas Cowboys vs. Philadelphia Eagles broadcasts on NBC. It’s available to livestream on DirecTV for free tonight.

Want more? For more product recommendations, check out our roundups of the best Xbox dealsstudio headphones and Nintendo Switch accessories.

It’s Billboard R&B/Hip-Hop Power Players week, and we had Zeddy Will and Cash Cobain join staffers Delisa Shannon and Kyle Denis for an episode of Billboard Unfiltered Live on Wednesday (Sept. 3).

This week’s show debated who is the current king and queen of rap in New York City. Denis went with Joey Bada$$ as the king, based on the dominance he showcased this year in battle and with his new album.

“He basically single-handedly took on an entire coast and won,” Denis said. “That new album is flames. He’s got this tour coming up. I’m really proud of the way that Joey maneuvered this year throughout music, throughout fashion, throughout acting.”

Zeddy Will went with the queen being Nicki Minaj. “She’s been able to still for all these years come back and sell arenas out,” he claimed. “She did MSG twice back-to-back. Her fanbase is still crazy to this day and she got all the hit records. The numbers don’t lie.”

As for Cash, he’s keeping it classic with Hov. “The king of New York is Jay-Z,” he said matter-of-factly. “It’s Jay-Z. Multi-platinum albums [and] president of Def Jam. He’s like the richest rapper, right? What didn’t he do?”

Cobain teased rumors that have been swirling about Jay-Z potentially coming back to drop his first solo album since 4:44. “I heard Jay-Z about to drop some s—t. That’s what I heard. That’s about to shake the world,” he said.

From Cardi B to A$AP Rocky, plenty of other names were floated for their stake at the crown, but the trio didn’t come off their original picks.

Watch the full episode below.

Lady Gaga announced late Wednesday (Sept. 3) that she had to postpone her Mayhem Ball Tour stop in Miami after fans had already packed Kaseya Center for the show.

She revealed that her voice was strained during rehearsals on Tuesday night and that it hadn’t improved during her warm-up ahead of Wednesday night’s show.

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“Hi everyone I am really so so sorry but I need to postpone tonight’s show in Miami,” Gaga wrote in an all-caps message posted to her Instagram Stories. “During rehearsal last night and my vocal warmup tonight my voice was extremely strained and both my [doctor] and vocal coach have advised me not to go on because of the risk it poses.”

In her message, Gaga expressed just how “agonizing” the decision was for her to make, but she couldn’t ignore the potential for long-term damage to her voice.

“I want to be hardcore and just push through this for you but I don’t want to risk long term or permanent damage on my vocal cords,” Gaga wrote. “There is a significant risk based on all our combined experience with a show like ours and as you know I sing live every night –and even though this was a hard and agonizing decision I would be more afraid of the long term implications on my voice. I hope you can forgive me and accept my sincerest apologies for any disappointment, let down, inconvenience. I am so so sorry. I tried so hard to avoid this. I take serious care of myself to be able to put on this highly demanding show. I love my fans so much, respect you and hope you can accept my sincere regretful apology.”

To end the message, Gaga assured fans: “We are trying to reschedule the show as quickly as possible.”

Videos on social media showed fans pouring out of Miami’s Kaseya Center after being informed of the last-minute postponement.

Gaga kicked off her Mayhem Ball Tour in Las Vegas in July and has U.S. dates scheduled through Sept. 18 in Chicago. Her international dates — with stops in Europe, Australia and Asia — go through Jan. 30.

Next up, Gaga is scheduled for two more dates at New York’s Madison Square Garden this weekend — on Saturday and Sunday — as well as a performance on Sunday night’s MTV Video Music Awards.

Earlier Wednesday, Gaga dropped “The Dead Dance,” featured in the second season of Wednesday, along with a Tim Burton-directed music video and a deluxe edition of her most recent Mayhem album.

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Before hit ’90s shows like South Park and King of the Hill, we had Beavis and Butt-Head, the eccentric, counter-culture duo poking fun at music videos, musicians and pop culture in general.

Decades later, the hit animated series created by Mike Judge is back after a two-year hiatus. With season 11 (or season 3, if you’re counting from its 2022 reboot) out today, we’ve gathered all the info you need to stream the latest episodes online for free.

At a Glance: How to Watch the New Season of ‘Beavis and Butt-Head’ Without Cable

  • Stream: Paramount+
  • TV Channel: Comedy Central
  • Premiere: Sept. 3, 2025

In season 3, our favorite counter-culture teenage icons are now older, richer than ever, and out to “buy Metallica.” After being hit a with a gold bar mid-concert, band co-founder and lead singer James Hetfield is prevented from doing the deal but the mayhem doesn’t stop there. The trailer reveals even more whacky mischief the pair get into, including becoming aliens, Butt-Head removing his braces (he falls in love with himself), and the usual inventive and gratuitous acts of violence.

How to Watch ‘Beavis and Butt-Head’ Online

Yes, the series did originally end in 2011, however, Paramount+ pumped new life into the hit series back in 2022. After its two-year hiatus, the show is back for its eleventh season and fans can stream the latest season online on the streaming service without cable.

Paramount+ has a 7-day free trial available, so you can watch Beavis and Butt-Head online for free with a subscription. The streamer has two tiers for streaming plans to choose from. The first is the Paramount+ Essential plan, which is ad-supported and goes for $7.99 per month. It grants you access to everything the streamer has to offer, including and catalog titles — from hubs such as CBS, CBS Sports, CBS News, BET, Comedy Central, MTV, Nickelodeon and The Smithsonian Channel — but with limited commercial breaks throughout movies, TV shows and live TV.

The other is Paramount+ with Showtime, which is ad-free and goes for $12.99 per month. This plan has all of Paramount+ originals and network hubs, as well as programming from Showtime with hits including Yellowjackets, Billions, The Curse, The Chi and Your Honor without any ad breaks.

Watch the trailer for the new season of Beavis and Butt-Head.

As opposition to the $775 million acquisition of Downtown Music Holdings by Virgin Music Group heats up, Downtown CEO Pieter van Rijn says the controversial deal has attracted more attention because of the buyer’s owner, Universal Music Group (UMG), than it has for the benefits musicians would enjoy from the combination.

In an open letter obtained by Billboard, which arrived as the European Commission investigates the acquisition’s potential effect on competition, van Rijn took aim at what he called “misinformation” aimed at “undermin[ing] our longstanding and trusted client relationships….It’s disappointing to see how quickly some parts of our industry closed the door to rooms we — and others — helped build.” He added that the debate about the acquisition, announced on Dec. 16, and its impact on the independent music community “must be honest. It must be about facts, not agendas.”  

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While van Rijn referred to the acquisition as a “merger” of Downtown and Virgin, a label services provider owned by UMG, European regulators are more concerned about the transaction’s potential to hurt competition for artist and label services. In July, European regulators began a four-month investigation into the acquisition after a standard preliminary review, owing to the fact that UMG is the largest record label/publisher by both annual revenue and market capitalization, and that Downtown owns a variety of companies that allow independent recording artists and songwriters to generate revenue in today’s digital-focused market, including distributors FUGA and CD Baby, publishing administrator Songtrust and rights management company AdRev.  

Opposition quickly mounted after Virgin and Downtown announced the acquisition. The day after the revelation, the deal was opposed by independent music groups IMPALA, Association of Independent Music (AIM) and IMPF, a global trade body for independent music publishers. IMPALA executive chair Helen Smith called the transaction “another land grab” and urged European competition authorities “to set the standard internationally” by blocking the deal.  

But van Rijn has painted the company’s acquisition by Virgin as an opportunity to better serve independent artists who need a range of services to compete in the modern global music business. He called Virgin “a business that aligned with our own, not only in its philosophy but also in the complementary services that we offered.” Downtown had been approached by other interested suitors, van Rijn said, but Virgin’s interest marked the first time Downtown encountered a potential partner “who wanted to invest in Downtown, our team, and our clients.” 

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Without naming names, van Rijn referenced independent music groups that “chose to overlook the clear benefits for their members” that the acquisition offers. Independent artists, he continued, need partners “to open doors and unlock the potential of their music.” He added that these artists would be better off under a combined Downtown-Virgin that could offer “more resources, greater support, more innovative technology, all while not only maintaining, but actually building on, the great service levels, platforms, and the flexibility of our current offering.” 

Van Rijn’s open letter followed a similar statement by Virgin co-CEOs JT Meyers and Nat Pastor in July that explained the motivation behind the acquisition (to combine the two companies’ “unique capabilities” to create “an even more robust and flexible suite of services”) and addressed concerns about independent artists and labels’ sensitive data ending up in the hands of a UMG-owned company. “Virgin already handles — with the care and confidentiality they deserve — the sensitive client data of hundreds of partners,” they wrote. “Betraying the trust our clients have bestowed on us would be self-destructive: they would quickly, and quite rightly, end the relationship.” 

In his letter, Van Rijn also acknowledged artists’ concerns about data protection and security as “natural” but insisted that “Virgin, like Downtown, operates in a culture built on trust. And, therefore, our clients can expect the same, if not expanded, industry-leading data protection and security they are used to now.”