Spotify is diving even deeper into the Fan Life with a follow-up to the launch in April of its multi-media campaign putting a spotlight on the unique rituals, styles and celebrations of fandoms of some of the world’s most popular performers.

The second go-round, launching on Tuesday (Aug. 26) shines the light on real-life fans of Bad Bunny, Charli xcx, Lil Uzi Vert, Rezz, Sleep Token, Megan Moroney and Pitbull as they celebrate their favorite artists in their own unique fashion.

“When we launched the first Fan Life campaign a few months back, we knew we’d tapped into something real when fans were literally ripping the ads off walls to take them home,” says Spotify’s vice president of marketing and partnerships Marc Hazan about the second stage of a campaign that launched in April with billboards celebrating the rituals of seven global fandoms for Chappell Roan, Doechii, Oasis, Olivia Rodrigo, Rosalía, SEVENTEEN and Turnstile.

“That’s the energy we wanted to build on. The whole idea has always been for fans to see themselves in what we create, and with this second launch, we wanted to take it even further,” adds Hazan. “These seven films go deep into fandom in its rawest form… We didn’t want to just show fandom, we wanted people to feel it – the sweat, the sound, the inside jokes. Every detail is real: the clothes came from fans’ closets, the music was what they actually love, and the energy came from the fans who live this every day. At Spotify, we’re not just observers, we’re fans too. This campaign is our love letter to the communities that make music culture so powerful.”

The accompany films tell the rich story of that fandom, from a pair of giddy Charli xcx fans doubling-up on a city bike festooned with pink balloons laughing their way through a sunrise ride cued to “party 4 u,” to a group of female Pitbull diehards rocking out to their favorite rapper on a city bus while dressed in Mr. Worldwide drag featuring bald caps, black suits and drawn-on goatees.

There are also films showing Lil Uzi Vert followers just losing it in a sweaty mosh pit, two Rezz fanatics doing last minute make-up touch-ups in a club bathroom, goth-y Sleep Token devotees solemnly spraying painting pink flamingos black, Megan Moroney besties singing along to “Tennessee Orange” in the car and a sweet mini glimpse of a man dancing with his abuela in the kitchen to Bad Bunny’s “Baile Inolvidable.”

The campaign will begin to roll out this week on Spotify’s socials, as well as on billboards and in subway stations around the world. The Fan Life campaign will also feature local artist fandoms that connect with regional audiences around the world, including followers of Italian rapper Kid Yugi, French-Malian singer Aya Nakamura, U.K. rapper/singer PinkPantheress, Brazilian vocalist Pabllo Vittar and Mexican indie pop band Latin Mafia, among others.

Watch the Fan Life videos below.

Eladio Carrión is set to hit the road with the DON KBRN World Tour, which kicks off on Wednesday (Aug. 27) in Charlotte, North Carolina.

With a massive 32-song setlist that leans heavily on his latest album, DON KBRN, the Puerto Rican rapper is delivering a fully immersive experience that bridges his hard-hitting trap sound with intricate, cinematic visuals. From introspective tracks like “Paz Mental” to the adrenaline-charged “Mbappé,” the “Bzrp, Vol. 40” collab and Bad Bunny’s “Thunder y Lightning” starring Carrión, fans can expect a relentless performance that promises to shake every venue he steps into.

“I’ve been dreaming up this tour since the very beginning of the creative process for the new album,” Eladio Carrión tells Billboard Español. “The idea was always to give fans a full 360 experience, something that connects the music, the visuals, and the energy all in one. “We took that Yakuza inspiration and blended it with the high-intensity vibe that makes my shows go wild. I wanted to be closer to the fans, to make it feel like a nonstop riot, pure high energy from start to finish.” To kick it up another level, he is bringing rising trap star Danny Towers as the opening act.

The U.S. leg of the tour, presented by Live Nation, spans 17 cities and wraps on Sept. 27 in Los Angeles. But Carrión is just getting started. He’ll head south to Latin America for 17 shows, beginning Oct. 2 in Guatemala City. From there, he’ll hit global hotspots like Bogotá, Quito, Lima, Santiago de Chile, Buenos Aires, and México City.

Rounding out the tour, the “Coco Chanel” wordsmith will head to Europe in January 2026 for nine dates in Spain, closing out a global circuit. Stops include cities like Madrid, Bilbao, Granada, and Barcelona, making sure fans across the Atlantic get to experience the full DON KBRN moment.

Check out the full tour dates here and setlist below:

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Addison Rae and Lucky Brand are bringing back the 2000s full force with the launch of their collaborative ultra low-rise jeans with the goal of turning low-rise skeptics into believers.

The “Fame Is a Gun” singer is known for her love of a Y2K silhouette. She’s documented her love of low-rise in music videos for tracks such as “Headphones On” and within her personal style journey as seen via social media. The star has also been known to reference iconic low-rise looks on legends such as Britney Spears from time to time.

Addison Rae & Lucky Brand's Low-Rise Denim Collab: Here's Where to Buy It

Addison Rae x Lucky Brand Ultra Low Rise Addison Flare in Bare <br>

Low-rise light wash jeans.


All this to say that the notion of her creating an ultra low-rise style with help from Lucky Brand was a no-brainer. Rae’s denim creation, aptly titled the Addison Flair, is currently available on Lucky Brand’s website, retailing for $129. The low-rise jean comes in two colorways: Bare, a light wash, and Hidden, a deep indigo hue. No matter the colorway, sizing options range from 34 to 35.

The collaboration all began when Rae set out to find the perfect low-rise jeans. The singer was gifted a pair of low-rise Lucky Brand jeans hailing from the brand’s archives. What followed was a collaborative pursuit fueled by a love of low-rise denim, scrutinizing over fit and flair, and thus, the Addison Flair was born. As you’d expect, the denim is slim-fitted, sits super low on the hips and features a flared hemline that perfectly pairs with boots. Special touches of Rae’s can be spotted throughout the revamped denim via collectible back patches, hang tags and the brand’s signature “Lucky You” fly label.

Addison Rae & Lucky Brand's Low-Rise Denim Collab: Here's Where to Buy It

Addison Rae x Lucky Brand Ultra Low Rise Addison Flare in Hidden

Low-rise dark wash jeans.


While not everyone is on board for the low-rise trend, these jeans are sure to convert a few haters into lovers. Both washes are extremely versatile, and the sizing options are vast, allowing everyone to try their hand at the polarizing trend. To style, we’d likely opt for something simple, letting the fit of the jeans speak for themselves. Think cropped white baby tees and chunky moto boots — something that screams Americana.

“Addison brings a magnetic confidence and cultural relevance that aligns perfectly with Lucky Brand’s rebellious spirit,” Stefani Fleurant, executive vice president of sports and lifestyle marketing at Authentic Brands Group, the company that owns Lucky Brand, said in a statement. “This collaboration is a celebration of self-expression and nostalgia, with a modern twist that speaks to a new generation of Lucky fans.”

Kendrick Lamar‘s groundbreaking performance at the 2025 Super Bowl — during which he pointedly mocked Drake, played through much of his Billboard 200-topping album GNX and was joined on the field by a crip-walking Serena Williams — feels like it was just yesterday. But alas, the next iteration of the annual event is now less than six months away, and it’s only a matter of time before the 2026 Halftime Show performer is announced.

Related

And with there likely being just a few weeks left before Jay-Z’s Roc Nation reveals which artist’s name will top the big game’s billing (for the past few years, the announcement has consistently come in September), now is the perfect time to start daydreaming about who would make for a great show.

Could this be the year the billionaire rap mogul finally appoints himself to do the honors? Or will 2026 be Drizzy’s chance to respond to the insults thrown his way the year prior? Maybe annual rumors that Taylor Swift may headline will finally have some merit come Super Bowl LX, or maybe the NFL will go K-pop by bringing out BTS on the year of the boy band’s post-military comeback. There’s also Lady Gaga and Justin Bieber, both of whom released blockbuster albums in 2025 and could easily light up the stage. It could be anyone!

But on the heels of Dot’s memorable showcase — and Usher, Rihanna, Dr. Dre & co. and The Weeknd’s before it — Billboard wants to know which star your money is on for the Feb. 8 mid-game concert at Levi’s Stadium in Santa Clara, Calif. Vote for the artist you most want to see headline next year’s halftime show in the poll below.

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

If you’re prepping for a Labor Day weekend gathering, you’ve got a few things you’ll need to take care of before hosting.

You’ve got your burgers and hot dogs, sunblock, charcoal for the grill, paper plates and a guest list to end all guest lists — the whole nine. We at ShopBillboard are here to remind you that you still need to check off music. We might be biased but nothing is more important to a party or backyard barbecue than curating the right tunes. In the spirit of curating the best summer vibe ever, we found this Monster MFS 1 Portable Bluetooth Speaker for 71% off available right now on Amazon. The speaker is a steal at just $39.99, coming equipped with all the things you need to get your party going.

The MFS1 model features multiple audio source output options and supports AUX input, TF card slot and FM radio. The speaker can produce 40 watts of stereo sound that is far-reaching, clear and crisp. If you didn’t know, speaker wattage will tell you the amount of electrical power a speaker can handle. If you’re a music nerd like us, you’ll know that a higher wattage of a speaker doesn’t necessarily mean you’re getting the best sound quality. Instead, it can be a good indicator for when and where you can use your speaker.

This Monster Speaker Will Help You Ace Your Labor Day Weekend Barbecue

Monster MFS 1 Portable Bluetooth Speaker

$39.99 $139.99 71% off

Buy Now On Amazon

A large wireless speaker with Bluetooth.


For example, this Monster MFS 1 speaker is 40 watts, which would indicate that the sound emitted is perfect for both indoor and outdoor usage, something you’d want in a portable style. If your speaker is lower than 20 watts, it’s likely made for indoor use. Anything about 50, you’ll likely find at a concert or music festival. You’ll want to keep in mind what space you’ll be playing your music in before buying.

Beyond its wattage, the Monster MFS 1 comes with a removable silicone strap so you can carry it with you or leave it stagnant while on hiking and beach trips or out soaking up the sun in your own backyard. The speaker also boasts a 12-hour battery life on one single charge, meaning you can blast the latest Chappell Roan or BLACKPINK non-stop without missing a beat. To connect your device to the speaker, you’ll want to go into your device’s settings and hit Bluetooth. The MFS 1 speaker will pop up, you’ll tap on it and boom, you’re connected. Simple as that.

KPop Demon Hunters continues to take over the Hot 100 with songs from HUNTR/X and the Saja Boys, while Morgan Wallen continues to remain a staple in the top 10.

Tetris Kelly” This is the Billboard Hot 100 top 10 for the week dated Aug. 30. New in the top 10: HUNTR/X shows us “How It’s Done,” “Just In Case” slips to No. 9. As does Bieber’s “Daisies” to eight. “Lose Control” spends another week at seven. “Love Me Not” is down to six. “Soda Pop” hits a new No. 5 peak while “Your Idol” is still at four, and Morgan and Tate at No. 3. Alex Warren’s ordinary falls to two, and grabbing a second weekend No. 1 is “Golden” from KPop Demon Hunters.

If you want more Billboard, make sure you hit the subscribe button and ring the bell to be notified on all our latest videos you you.

Despite HUNTR/X and Saja Boys’ conflicts (and certain members’ conflicted feelings toward each other) in Netflix’s KPop Demon Hunters, the acts team up to score half the top 10 on the Billboard Global 200 chart.

Related

HUNTR/X’s “Golden” adds a sixth nonconsecutive week at No. 1 on both the Global 200 and Billboard Global Excl. U.S. charts. In July, the song became the first leader on each list for the act, whose music is voiced by EJAE, Audrey Nuna and REI AMI.

Meanwhile, HUNTR/X’s “How It’s Done” holds at its No. 5 Global 200 high and “What It Sounds Like” lifts 11-10, becoming the act’s third top 10.

Along with the trio’s three entries, Saja Boys place at No. 3 with “Soda Pop,” which keeps at its peak rank, and No. 4 with “Your Idol,” which has also reached No. 3. Both songs are sung by Andrew Choi, Neckwav, Danny Chung, Kevin Woo and samUIL Lee.

Since the Global 200 began in September 2020, KPop Demon Hunters is the first soundtrack to stack five simultaneous (or total) top 10s. It joins 10 other albums whose songs have claimed half the region or better concurrently: Bad Bunny’s DeBÍ TiRAR MáS FOToS (this January-February) and Un Verano Sin Ti (2022); Kendrick Lamar’s GNX (2024); Taylor Swift’s The Tortured Poets Department (2024), 1989 (Taylor’s Version) (2023) and Midnights (2022); Drake’s For All the Dogs (2023), Her Loss, with 21 Savage (2022), and Certified Lover Boy (2021); and Harry Styles’ Harry’s House (2022).

The Billboard Global 200 and Global Excl. U.S. charts rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.

Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.

“Golden” leads the Global 200 with 113.5 million streams (down 4% week-over-week) and 16,000 sold (up 10%) worldwide in the week ending Aug. 21.

The only song not from the KPop Demon Hunters soundtrack in the Global 200’s top five, Alex Warren’s “Ordinary,” repeats at No. 2 after 10 weeks on top beginning in May.

“Golden” tops Global Excl. U.S. with 80.9 million streams (down 6%) and 8,000 sold (up 9%) outside the U.S.

“Ordinary” holds at No. 2 on Global Excl. U.S., following eight weeks at No. 1 starting in May; “Soda Pop” buzzes 4-3 for a new high; BLACKPINK’s “Jump” falls 3-4, after it led in its debut week in July; and “Your Idol” is steady at No. 5 best.

The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated Aug. 30, 2025) will update on Billboard.com tomorrow, Aug. 26. For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

Oasis brought their long-awaited Live ’25 reunion tour to Toronto for the first date of their North American tour on Sunday night (August 24).

It’s the first time the quintessential Britpop band has come to Canada in 16 years, and they made it count. Rain started coming down a little after halfway through the concert, during “Stand by Me,” and never abated, but Oasis didn’t shorten their setlist.

Related

The band played songs from throughout their catalogue: six songs from their classic debut Definitely Maybe, eight from their beloved sophomore album (What’s The Story) Morning Glory? and many others from throughout their career. With a few exceptions, they played mostly crowdpleasers from their ’90s peak, with only two songs coming from the year 2000 or later.

For those paying attention to the first leg of their reunion tour in Europe, there were no surprises. This was the same 23-song setlist Oasis played from their opening reunion show in Cardiff, Wales to their last one before North America in Dublin, Ireland. But fans who came to belt along with classics like “Wonderwall” and “Don’t Look Back in Anger” were not disappointed, letting themselves get fully soaked to stay until the encore.

Before their customary “F—in’ in the Bushes,” (2000) the walk-on intro track they’ve used for over a decade, they also played Canadian rock legend Neil Young’s “Rockin’ in the Free World” before coming onstage at 8:45 p.m. ET.

Earlier, opening band Cage The Elephant played their own 11-song set, including three Billboard Canadian Hot 100-charting hits: “Ain’t No Rest For The Wicked,” “Shake Me Down” and “Come a Little Closer.”

After another date at the new Rogers Stadium tonight (August 25), they will travel to Chicago, East Rutherford (New Jersey), Los Angeles and Mexico City.

Find the full setlist from night 1 in Toronto below, and find the full show recap here.

This article was originally published by Billboard Canada.

The last time Oasis played Canada, they left on a sour note.

At Virgin Festival on Toronto Islands in 2008, Noel Gallagher was attacked by an intoxicated fan, who pushed him into a speaker and broke three of his ribs. It turned out to be their final time in the country, as Noel and his brother and band co-leader Liam Gallagher had a bitter sibling rivalry that took well over a decade to resolve.

Related

Now, 16 years later, they’ve returned to Toronto on a much higher note: reunited for the blockbuster Oasis Live ’25 tour, beginning the North American tour at Rogers Stadium. Oasis was one of the first acts announced for the 50,000-capacity outdoor venue, and they made it count on night 1 on Sunday (August 24), delivering a packed setlist of fan-favorites despite a downpour of rain that lasted for the second half of the concert.

“You have one last chance to prove that you loved us all along,” Oasis told North America in a billboard before announcing the tour.

Toronto showed they definitely have.

Liam and Noel Gallagher were joined by Paul “Bonehead” Arthurs (guitar), Gem Archer (guitar), Andy Bell (bass) and Joey Waronker (drums).

Here were the biggest and best moments.

This article was originally published by Billboard Canada.

In the 1970s, ‘80s and ‘90s, many blockbuster movies were practically synonymous with the music featured in them or on their star-packed soundtracks.

For some films, music was woven into their plots, making for a natural fit, such as the dance-floor odes Saturday Night Fever and Footloose.

In other cases, musical superstars segued to on-screen starring roles — and did double duty by supplying memorable songs, such as Prince with Purple Rain and Whitney Houston with The Bodyguard and Waiting to Exhale. Meanwhile, Dirty Dancing became a vehicle for star Patrick Swayze to make his chart debut as a recording artist.

Related

Other soundtracks, such as two entries in the Beverly Hills Cop franchise, largely became collections of smash songs, regardless of their cinematic ties.

Not only did soundtrack songs enhance moviegoers’ experiences, but many became big hits on the Billboard Hot 100, with multiple soundtracks generating three or more top 10s.

By the 2000s, the flow of soundtracks packed with hits had stalled. A Billboard story in 2004 outlined various reasons for their decline, from oversaturation to filmmakers attempting to make songs work in storylines and rising artist fees.

Now, after a drought of 28 years, a soundtrack has generated not only three, but four Hot 100 top 10s once again: Netflix’s animated KPop Demon Hunters. The set slays with HUNTR/X’s “Golden,” which first hit No. 1 on the Aug. 16 chart, and “How It’s Done” and Saja Boys’ “Your Idol” and “Soda Pop.”

The soundtrack has also become the first to have boasted four Hot 100 top 10s simultaneously, surpassing Saturday Night Fever and Waiting to Exhale, each of which stacked three at a time. The latter, notably, yielded a record five total top 10s.

Related

“It’s so thrilling that people are hearing the songs in two ways,” KPop Demon Hunters executive music producer Ian Eisendrath previously told Billboard. “Some are loving the film, and the film is making the songs hits … and then some people are just encountering the songs, and the songs are making the film hit.”

Popcorn and pop hits: Here’s a look at soundtracks that have spun off three or more Hot 100 top 10s.

(Small print, like the credits at the end of a movie: Only soundtracks with three or more Hot 100 top 10s released from them as singles are included below. So, no Help! by the Beatles, as the title track and “Ticket To Ride” were released from the 1965 album’s U.S. version but third No. 1 “Yesterday” was not on its American tracklist. Plus, 1985’s Miami Vice TV soundtrack houses three top 10s, but Tina Turner’s “Better Be Good to Me” was released as a single from her album Private Dancer and became a hit a year earlier. Meanwhile, 1998’s City of Angels includes three songs that became top 10s on the Radio Songs chart, but Alanis Morissette’s “Uninvited” was not released as a commercial single and never hit the Hot 100.)