Metallica and Stranger Things‘ Joseph Quinn held an epic backstage jam session at this year’s Lollapalooza in Chicago.

Hours before Metallica’s headlining performance at Lolla on Thursday (July 28), the legendary rockers met up with the British actor, whose metalhead character Eddie Munson brought renewed interest to the band’s 1986 classic “Master of Puppets” during season four of the Netflix sci-fi series.

“I’m a big fan of [Stranger Things]. Have been since season one,” Metallica frontman James Hetfield tells Quinn while seated backstage at the festival. “My kids and I, it’s a bonding experience for us.”

Quinn spent months perfecting the intricate metal guitar solo, and his hard work didn’t go unnoticed by Hetfield, who thanked the actor for doing the song justice. “It’s all I was listening to for two years,” Quinn told the group. “I feel very connected to you guys.”

The actor’s much talked-about scene takes place when the entire cast is working to take down the season’s main villain, Vecna. Eddie and Dustin (played by Gaten Matarazzo) are in charge of distracting Vecna’s guarding fleet of bat-like creatures in the Upside Down, which they decide to do by staging a full-blown performance of “Master of Puppets,” led by Quinn on electric guitar.

Back at the festival, Quinn was invited to jam with Metallica in the band’s tuning room, where he expertly played the heavy track alongside Hetfield and guitarist Kirk Hammett, with drummer Lars Ulrich providing the beat.

“You’re hired!” Hammett says after they finish the opening riff, with Ulrich playfully adding, “We’d like to make an announcement: Metallica is now a five-piece, guys.”

Metallica ended the jam session by giving Quinn a signed B.C. Rich guitar that resembles the one he used in Stranger Things.

Later in the day, Metallica closed out their Lollapalooza set by paying tribute to Quinn’s Munson while performing “Master of Puppets.” Staged in front of a large video screen playing the Stranger Things standout scene, the band synchronized their performance of the song with Eddie’s.

When the final episodes of season four dropped earlier this month, Metallica took to social media to express their excitement for the spotlight on “Master of Puppets,” which has also climbed to the top 40 of the Billboard Hot 100 since Eddie’s rock star moment.

“We were all stoked to see the final result and when we did we were totally blown away,” the band wrote on Instagram. “It’s so extremely well done, so much so, that some folks were able to guess the song just by seeing a few seconds of Joseph Quinn’s hands in the trailer!

Watch Metallica and Quinn jam backstage at Lollapalooza on Twitter below.

🤘this is for Eddie 🤘
Joe Quinn met Eddie Munson’s heroes: @Metallica! pic.twitter.com/y0oaSLpT6P

— Netflix (@netflix) July 29, 2022

Two of the artists nominated for the 2022 MTV Video Music Awards go way back with the VMAs, to the very first show in 1984.

Madonna, who is nominated for best long-form music video for “MADAME X,” was nominated for best new artist in a video at the inaugural MTV Video Music Awards for “Borderline.” She didn’t win — the award went to Eurythmics for “Sweet Dreams (Are Made of This”) — but she left with something even better than an award: She stole the show with her fully committed performance of “Like a Virgin,” in which she writhed around the floor of Radio City Music Hall in a wedding dress.

The other 2022 VMA contender who was nominated at the first VMAs is Elton John. The pop legend is nominated this year for both song of the year and best collaboration for “Cold Heart (PNAU Remix),” his hit collab with Dua Lipa. Elton was also a double nominee at the first show, for the exuberant “I’m Still Standing,” which was up for best choreography in a video and best editing in a video.

The VMA nominations were announced on Tuesday. The awards will be presented Aug. 28 at Prudential Center in Newark, N.J.

Elton has never won in a competitive VMA category, though he and his longtime songwriting partner Bernie Taupin received a special recognition award in 1987. (It would be nice if Elton finally won one of the few awards that has eluded him. Now he just needs to buckle down and win an Emmy so he can become an EGOT.)

Madonna has won 19 competitive VMAs and one non-competitive award, the Video Vanguard Award. Interestingly, she received that award in 1986, one year before she finally won her first competitive VMA for “Papa Don’t Preach.”

Madonna’s biggest night at the VMAs came in 1998 when she won six awards – five for “Ray of Light” and one for “Frozen.” “Ray of Light” brought Madonna her only VMA for video of the year, following back-to-back nods in that category for “Like a Prayer” in 1989 and “Vogue” in 1990.

Madonna’s most recent VMA win came in 1999 when “Beautiful Stranger” from Austin Powers: The Spy Who Shagged Me won best video from a film.

But the 1984 show is where she seized the moment, took a huge risk (it could have been remembered as a disaster) and became the most talked-about star in the music business overnight. At the time of the VMAs (Sept. 14, 1984), she had not yet reached the top 10 on the Billboard 200 and had cracked the top 10 on the Billboard Hot 100 just once, with “Borderline,” which peaked at No. 10 in June. Within five months, she had topped both charts for multiple weeks.

In his 2017 list of the 100 greatest awards show performances of all time, Billboard’s deputy editor Andrew Unterberger ranked Madonna’s 1984 VMAs performance No. 2 (just behind Beyoncé’s Lemonade medley on the same show in 2016). Here’s how Unterberger described it: “The singing is occasionally pitchy, the staging feels a bit haphazard, and the presentation is downright low-budget by modern-day standards. But if you had to pick one four-minute clip to demonstrate what an award-show performance could and should be at its best, there’d be absolutely no debate: Madonna’s ‘Like a Virgin,’ in which she stepped down from a wedding cake at the very first Video Music Awards and writhed her way into the heart of the 1980s. Before Madonna, the best award-show performances could hope for was to get people to buy the record, after her, they became the historical record; the way we remember stars at their most iconic, and the way they demonstrate their immortality, no matter whose names are in the night’s envelopes. It’s the veritable big bang for the format as pop art.”

Several of the top nominees and performers from the 1984 awards have since died, which is sobering, but perhaps not surprising. Thirty-eight years is a long time. They include David Bowie, who was one of the inaugural recipients of the Video Vanguard Award, the first winner of best male video for “China Girl,” and a performer on the show (albeit pre-taped and from London, where he sang his then-current hit “Blue Jean”).

Other 1984 nominees who have since died include Michael Jackson, a video of the year nominee for “Thriller” and a three-time winner on the night (albeit a no-show: his awards were all accepted by his pal Diana Ross); Donna Summer, a best female video nominee for “She Works Hard for the Money”; plus numerous group members – Ric Ocasek of The Cars (the upset video of the year winners for “You Might Think”), Dusty Hill of ZZ Top, Eddie Van Halen of Van Halen, Charlie Watts of The Rolling Stones, Freddie Mercury of Queen, Eric Carr of KISS, and Eric Woolfson of the Alan Parsons Project.

Dan Aykroyd, one of the stars of the top-grossing film of 1984, Ghostbusters, and Bette Midler, who was between hits at the time, but is always a hoot, co-hosted the first VMAs. Performers on the show, in addition to Madonna and Bowie, were Tina Turner (“What’s Love Got to Do With It,” which went on to win Grammys for record and song of the year in February 1985), Rod Stewart (“Infatuation”), Huey Lewis & the News (“I Want a New Drug”),  ZZ Top (“Sharp Dressed Man”) and Ray Parker Jr. (“Ghostbusters”).

Christina Aguilera was soaking up the summer sun on Friday (July 29), sharing a series of poolside bikini photos.

“Loving me for me,” she captioned the first snaps, alongside a geo-tag indicating that the “Genie in a Bottle” singer is currently vacationing in Spain. In a follow-up video, the pop star shared her “religious experience” swimming by the pool and enjoying the Spanish scenery.

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A post shared by Christina Aguilera (@xtina)

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A post shared by Christina Aguilera (@xtina)

It’s been a big year for Aguilera, who released her EP La Fuerza in January, which comes more than 20 years since her first Spanish-language album, Mi Reflejo. “I’ve always had it in me. I never stopped singing in Spanish,” she previously told Billboard. Whenever the opportunities came about where I was really passionate about a project, I’d go for it. I always say when you grow up with something, if it’s part of your household, my mom was fluent in Spanish, that’s how she met and connected with my dad, who’s from Ecuador. I heard the language so much. I always say, when it’s in you, it never leaves you.”

La Fuerza debuted at No. 2 on the Latin Pop Albums chart on the Feb. 5-dated survey. La Fuerza landed two songs on Hot Latin Songs (a blend of airplay, digital sales and streaming data): the set’s lead offering “Pa’ Mis Muchachas,” with Becky G, Nicki Nicole and Nathy Peluso (No. 37 high, Nov. 6, 2021), and “Santo,” with Ozuna, which debuted at No. 24 on the all-metric tally, at No. 29 on the all-genre Latin Airplay chart, and shooted 23-6 on Latin Pop Airplay.

This week, Beyoncé enters her Renaissance movement, Blackpink tees up their return, and Hayley Kiyoko releases her second album ‘Panorama’.