The Weeknd’s “Blinding Lights” outshines all competitors on Billboard’s Top Hot R&B/Hip-Hop Songs of the 21st Century chart. The smash lands at No. 1 on the survey, which is based on performance on the weekly Hot R&B/Hip-Hop Songs chart from the start of 2000 through the end of 2024.

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“Blinding Lights” claims the shiny prize largely for its unprecedented longevity in the top 10: 59 weeks, the most of any song not only in the quarter century but in the entire history of the Hot R&B/Hip-Hop Songs chart, dating to its 1958 consolidation into a single, genre-encompassing listing. Of its run in the top 10, “Blinding Lights” snagged 11 frames at No. 1 — the most among The Weeknd’s nine career champs.

In November 2021, “Blinding Lights” crowned Billboard’s Greatest of All Time Hot 100 Songs chart, dating to the weekly list’s August 1958 start. “I don’t think [it] has hit me yet,” The Weeknd told Billboard upon learning of the song’s all-time, all-genre command. “I just count my blessings, and I’m just grateful.”

Reflecting the biggest names in R&B and hip-hop from Y2K to today, check out the top 10 songs on Billboard’s Top Hot R&B/Hip-Hop Songs of the 21st Century chart below and the entire 100-position ranking in Billboard’s Greatest of All Time charts menu.

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Following the reveal of Billboard’s Top R&B/Hip-Hop Artists of the 21st Century chart and the unveiling of the Top R&B/Hip-Hop Albums of the 21st Century chart, check back Friday (Aug. 29) for Billboard’s rundown of The Top Producers of the 21st Century on the Hot R&B/Hip-Hop Songs Chart, with all coverage of Billboard’s 21st Century Charts here.

Billboard’s Top R&B/Hip-Hop Artists, Top R&B/Hip-Hop Albums and Top Hot R&B/Hip-Hop Songs of the 21st Century recaps reflect performance on weekly charts dated Jan. 1, 2000, through Dec. 28, 2024. The Top R&B/Hip-Hop Artists category ranks the best-performing acts in that span based on activity on Top R&B/Hip-Hop Albums and Hot R&B/Hip-Hop Songs. (Titles released prior to mid-1999 are excluded, although such entries that appeared on Top R&B/Hip-Hop Albums or Hot R&B/Hip-Hop Songs in that span contribute to the calculation of the Top R&B/Hip-Hop Artists chart.) The Top Producers of the 21st Century on the Hot R&B/Hip-Hop Songs Chart reflects producers with the most No. 1s on weekly Hot R&B/Hip-Hop Songs charts dated Jan. 1, 2000, through Dec. 28, 2024, with ties broken by most top 10s and most overall chart entries.

Halsey announced the dates for the 2025-2026 Back to Badlands international tour on Thursday morning (Aug. 28). The global swing will celebrate the 10th anniversary of the singer’s 2015 debut album, which debuted at No. 2 on the Billboard 200 and featured the singles “Ghost,” “New Americana” (No. 60 on the Billboard Hot 100), as well as “Colors” and “Castle.”

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The Live Nation-produced tour will kick off with a special show at the Hollywood Forever Cemetery on Oct. 14, before moving on to gigs in Mexico City, Dallas, Atlanta, Philadelphia, Boston, Washington, D.C., Minneapolis, Chicago, Denver, Toronto and New York, winding down at the Fillmore Detroit on Jan. 17.

From there, the outing will move on to a European swing and wind down with three shows in Australia in mid-February. Tickets for the tour will first go on sale through an artist pre-sale kicking off on Tuesday (Sept. 2), with additional pre-sales running throughout the week before the launch of a general on-sale beginning on Sept. 5 at 10 a.m. local time here.

According to a release, Badlands is one of the only albums in music history to have every song RIAA certified gold, platinum or multi-platinum. The singer recently released a new video for the Badlands fan favorite “Gasoline,” with a promised second new video soon for another classic from that era, “Drive.” The album has always been a special one for Halsey, who in 2020 celebrated its fifth anniversary with their first-ever live album, Badlands (Live From Webster Hall).

Check out the dates for Halsey’s 2025-2026 Back to Badlands world tour below:

  • Oct. 14: Los Angeles, Calif. @ Hollywood Forever 
  • Oct. 22: Mexico City, MX @ Pabellón Oeste 
  • Oct. 24: Dallas, Texas @ South Side Ballroom 
  • Oct. 26: Atlanta, Ga. @ Coca-Cola Roxy
  • Oct. 29: Philadelphia, Pa. @ The Fillmore Philadelphia 
  • Nov. 2: Boston, Mass. @ MGM Music Hall at Fenway
  • Nov. 4: Washington, DC @ The Anthem 
  • Nov. 6: Minneapolis, Minn. @ The Armory
  • Nov. 8: Chicago, Ill. @ Byline Bank Aragon Ballroom 
  • Nov. 12: Denver, Colo. @ Fillmore Auditorium
  • Jan. 9: Toronto, ON @ History 
  • Jan. 13: New York, N.Y. @ Hammerstein Ballroom 
  • Jan. 17: Detroit, Mich. @ The Fillmore Detroit 
  • Jan. 22: Amsterdam, NL @ AFAS LIVE 
  • Jan. 23: Berlin, DE @ Velodrom 
  • Jan. 24: Dusseldorf, DE @ Mitsubishi Electric Halle 
  • Jan. 26: Paris, FR @ L’Olympia 
  • Jan. 29: Manchester, UK @ Aviva Studios 
  • Feb. 3: London, UK @ 02 Academy Brixton
  • Feb. 13: Sydney, AU @ The Hordern Pavilion 
  • Feb. 17: Brisbane, AU @ Riverstage
  • Feb. 19: Melbourne, AU @ Festival Hall


  

The Oasis drone show made its way to the skies over Chicago on Wednesday night (Aug. 27) on the eve of the band’s first gig in the U.S. in nearly 17 years. As they previously did in Dublin and Toronto, Manchester and other stops on their reunion tour, the band lit things up over the windy city by flying drones spelling out their iconic logo in advance of Thursday night’s (Aug. 28) show at the 62,000-capacity Soldier Field.

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Fans posted pics of the stunning display, which found the massive lower case Oasis logo rendered in blue hovering in the air near the home of the Chicago Bears.

What a difference a decade and a half makes. The last time Liam and Noel Gallagher played in the Chicagoland area they were further up the road a bit at the 18,500-capacity Allstate Arena in Rosemont. The sold out show on Thursday is the reunited Brtipop group’s only Midwestern stop on their North American swing, which kicked off on Aug. 24 with the first of two shows at Rogers Stadium in Toronto. Following their one-off in Chicago, the tour will move on to two gigs at MetLife Stadium in East Rutherford, N.J. (Aug. 31, Sept. 1) and a double-down at the Rose Bowl in Pasadena, Calif. (Sept. 6, 7), before moving on to Mexico City.

And while the Chicago show is completely sold out, luckily for Noel’s daughter, Anaïs, she knows a guy. And even if she misses the Soldier Field stop, she’s already been able to catch a crazy amount of gigs, something she said never gets old.

“I’ve been burning the candle at both ends,” she said on the BBC Radio show she hosts, Mad For Oasis, in revealing that she attended the band’s first 12 gigs in a row in Cardiff, Wales, five nights in the siblings’ hometown of Manchester and a five-night run at Wembley Stadium in London in late July.

“I’m knackered, I don’t know how my dad and uncle do it when they’re actually working on stage every night,” she said. “It’s been great. One of my friends said to me, ‘Are you not getting bored?’ and I’m like, I could never get bored of the shows, they’re just that good that I have an amazing time.”

And, in case you were wondering, yes, she has done the Poznan every single time during the bit in the show where singer Liam gets the crowd to do the Manchester City football team’s signature move in which they face away from the stage, put their arms around their neighbor’s shoulders and jump up and down in unison.

“It’s so funny,” she said. “Every time I bring my friends, they’re like ‘What are we doing?’ and I’m just like, put your drinks down. They’re like, ‘Why am I putting my drink down?’ I’m like, just you wait…”

Focusing on its core digital music business helped BMG keep earnings steady on lower revenue in the first half of 2025, the company reported Thursday (Aug. 28). The Berlin-based company had revenue of 424 million euros ($463 million) in the first six months of the year, down 8% from the prior-year period. Organic revenue — income from existing operations — fell just 4%. 

Operating EBITDA was flat at 122 million euros ($133 million). With the reduction in revenue, EBITDA margin improved to 29% from 26.5% in the first half of 2024. The margin improvement was the result of numerous factors, CEO Thomas Coesfeld told Billboard. “It’s distribution, it’s catalog acquisitions, and first and foremost, it’s about focusing the business, for the time being, on publishing and recordings.” 

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Music streaming revenue had high single-digit growth, which put BMG on par with its larger competitors. That helped push digital’s share of total revenue to 72% from 69% a year earlier. While subscriber growth has slowed in major markets, Coesfeld is “optimistic” about streaming’s ability to drive continuing growth. “It’s prices in the Western world, and it’s usage expansion, penetration and our [royalty] pool increases in all fast-growing markets.”

The revenue decline was also the result of greater emphasis on digital. Back in 2023, not long after Coesfeld took the CEO role, BMG sold its stakes in two live entertainment companies, Undercover and Karo, to focus on its core businesses. Physical product, which has lower margins than digital formats, also played a lesser role in the first half of the year. The decline in physical sales was “very intentional,” said Coesfeld, adding that BMG’s physical distributor, Universal Music Group, has helped with forecasting and adjusting order sizes to reduce inventory on hand. As a result, he said, physical sales declined but costs improved.

BMG, which has grown through numerous acquisitions since its founding in 2008, continues to see catalog acquisitions as “the centerpiece” of its strategy to acquire repertoire. BMG acquired 17 catalogs in the first half of the year, up from 10 in the prior-year period. While details on the acquisitions were not revealed, the company claimed the deals were “consistently delivering strong returns and fueling future growth.” 

Coesfeld also pointed to the successes of the front-line division in the U.S. headed by John Loba. In the first half of the year, BMG’s recorded music division had standout success from Jelly Roll, Spiritbox, yung kai, Wiz Khalifa and Billy Idol, among others. Signings and extensions in the period include MeeK, Olly Murs, Evanescence, Mark Keller, i-dle, Joyce Wrice, Fredrik and Jessi. A deal with pop hitmakers OneRepublic was announced in July.

“The first song [“Beautiful Colors”] being released by OneRepublic, that puts BMG in a different position compared to last year,” said Coesfeld. “It’s in pop, it’s in the U.S. And, still, at the same time, we keep releasing great songs in [the] country [genre] in the U.S. out of Nashville.” 

Game knows game. Weezer and Oasis are solid proof. Oasis, the record-smashing Britpop heavyweights who set the record with the U.K.’s fastest-selling album (with 1997’s Be Here Now) and saw all seven of their studio albums reach the summit on the national chart, took time out to praise Weezer and its frontman Rivers Cuomo. Liam Gallagher in 2005 called Cuomo his “favorite rock star,” rare kudos for the famously surly singer.

The love goes in both directions. “We think very highly of them as well,” Weezer’s Brian Bell tells Rolling Stone Australia. The Weezer rhythm guitarist, keyboardist, backing vocalist, and occasional lead vocalist,  recounted a moment at a rehearsal space in London during the ’90s. The American indie band was taking time out in a common area when Liam strutted past and shouted, “Buddy Holly. Top tune, mate!”

“That kind of respect and accolade from someone that you revere,” Bell enthuses, “is the best thing you could possibly hear from somebody. Those kind of things matter by somebody you revere. So whatever he thinks of us, we think highly of them as well. If they think lowly of us, we still think highly of them.”

Bell has bought tickets for Oasis’ Live ’25 Tour date at Rose Bowl Stadium next month, having briefly entertained the idea of seeing the Brits play in Scotland to experience the “cultural phenomenon” in full.

Oasis isn’t the only beloved ’90s band hitting the road this year. Weezer have live dates across the Americas through November, then the indie rockers head down under for a headline stint on the Good Things festival tour, which visits Melbourne, Sydney and Brisbane in early December.

“We’re doing great. We’re kind of having a renaissance in a way. It’s an exciting time for us creatively and in the band,” Bell explains over a Zoom call. “We’ve never got along so well, and everybody’s very happy. So it’s a good time.”

That excitement might explain the band’s impressively productive spell during the pandemic, during which Weezer released six albums, including the Van Weezer project and the four album saga, Seasons.

And an unexpected lift came last year, when Weezer’s self-titled collection (also known as the Blue Album) marched into Billboard 200 chart, at No. 87, following its 30th-anniversary deluxe reissue. Even a mysterious Weezer film is said to be in development. Cuomo got tongues wagging at Coachella earlier in the year, when he told the audience, “we’ve been busy making the Weezer movie back in L.A. the last couple weeks.”

Bell admits “it’s possible” that new music could be premiered on international stages this year. “Anything’s likely,” he says. “We’ll play hits and things that people want to hear, but we also want to really enjoy the experience as well.” There’s “one song” he says the band has been brewing, which could make a setlist for a show near you. “It’s a great time to be alive for us.”

Sting is being sued by his former Police bandmates Andy Summers and Stewart Copeland over alleged missing royalties for their signature song “Every Breath You Take,” according to reports published by the Los Angeles Times and other titles.

Summers and Copeland filed their lawsuit in London High Court, in which they claim they were never properly credited as songwriters on “Every Breath You Take,” their biggest hit in the U.S. The pair also claim they never received royalties for their contributions to it.

Sting (real name: Gordon Matthew Sumner) and his publishing company, Magnetic Publishing, are listed as defendants in the suit.

Released in 1983, “Every Breath You Take” went all the way to No. 1 on the Billboard Hot 100 chart, the band’s first and only leader on the chart, and won a brace of Grammy Awards, for song of the year and best pop performance by a duo or group with vocals.

The evergreen number grew wings when Summers’ arpeggio was sampled on Puff Daddy and Faith Evans’ Notorious B.I.G. tribute from 1997, “I’ll Be Missing You.” In 2023, Puff Daddy went on the record as saying he pays Sting $5,000 every day for the use of that sample, a comment he later walked back.

In 2022, Sting sold his entire song catalog from his early days in The Police through his solo career to the Universal Music Publishing Group, a business decision that reunites his music publishing rights with his master recordings.

While terms of that deal were not disclosed, Billboard previously reported that Sting had been shopping a music asset bundle that produced an annual royalty income stream of about $12-$13 million and was looking at a roughly $360 million payday.

With their bleach-blonde hair, tight performances, and collection of radio friendly hits, including “Roxanne,” “Message In A Bottle”, “Walking On The Moon”, “Don’t Stand So Close To Me”, “Every Little Thing She Does,” “King Of Pain” and more, The Police were arguably the biggest band in the world, certainly for an album cycle or two.

In the UK, the band landed five consecutive No. 1s on the Official UK Albums Chart. The bandmates went their separate ways after completing the 1984 world tour in support of the Synchronicity album, before reuniting briefly in 1986 for a rerecording in “Don’t Stand So Close To Me,” which appeared on a greatest hits collection.

The former bandmates settled their differences to mount a 2007–2008 world tour, marking the 30th anniversary of their formation. Sting is booked to perform at QPAC’s Glasshouse Theatre in Brisbane next year, where he will present his musical The Last Ship.

America voted, the results are in. And for seven unfortunate acts, the America’s Got Talent dream dries up.

Following Tuesday night’s second Quarterfinal, the live results show revealed three more talents who advance to the Semifinals.

It was a nervy wait, but a great result for Bay Melnick Virgolino, the 10 year old rock and blues guitarist; Leo High School Choir; and dance troupe Unreal, whose names were read out by host Terry Crews.

It’s the end of the line, however, for Duo Stardust, Ben Hightower, Alain Simonov, Alex Zinger, Jonglissimo, Boston Dynamics, EDT Dance Team, all of whom are sent home after their QF efforts.

The artists that move ahead in NBC’s talent competition will return to the AGT stage on Tuesday, Sept. 16 to compete in the Top 12, where they’ll be joined by the three acts that won America’s vote last week: Jourdan Blue, LightWire, and Sirca Mare. The remaining six will be determined during the next two weeks of competition.

As previously reported, Mama Duke cruises all the way to the Final, after winning Mel B’s Golden Buzzer on Tuesday night’s live elimination spot.

“You know what,” the Spice Girl remarked, “Missy Elliott better be watching out for you because you’re coming right now.” And with that, the British pop star slammed down the Golden Buzzer.

Judges Simon Cowell, Howie Mandel and Sofia Vergara were also effusive in their praise of the aspiring hip-hop artist.  “I loved your audition,” Cowell remarked. “This might have been actually better. You have what I call it. Can’t explain what it is, it’s a feeling. You just know it and you have it. And this is going to be big, honestly. I really really like you.”

The Top 12 will chase seven available positions the Final, which include one Semifinal Golden Buzzer, six America’s votes, and the four Quarterfinal Golden Buzzer Acts. The ultimate winner gets more than bragging rights; they’ll collect a $1 million prize.

Earlier during the results special, LSU Tigers star and AGT alum Flau’Jae performed her original rap number, “Remember When,” a tribute her to father, the late Savannah rapper Camoflauge (Jason Johnson) who was killed in 2003 before she was born. Watch below.

Longtime best friends Taylor Swift and Selena Gomez have shared a lot over the years — and now they get to share their engagement journeys.

On Wednesday (Aug. 27) — the day after Swift and NFL star Travis Kelce shared that they’re getting married following two years of dating — Gomez shared the news on her Instagram Stories with the message: “When bestie gets engaged 🥰.”

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Gomez herself is also engaged, sharing the news back in December that she and pop producer Benny Blanco are getting married. “forever begins now..,” Gomez captioned the Instagram announcement, with Swift responding in the comments: “Yes I will be the flower girl.”

In a second Instagram Stories post on Wednesday night, Gomez also shared a fan-made meme from X user @solelynostalgia. The meme shows a quote-tweet of a 2009 post from Swift, in which she wrote to Gomez: “Real love still happens sometimes. It’s not just something we make up when we’re nine. I have to believe that. You do too.” Above that nearly two-decade-old tweet, a message reads, “16 years later,” above side-by-side images of Swift and Gomez’s engagement photos.

While they haven’t shared a wedding date, Gomez and Blanco’s nuptials are rumored to be coming very soon, with the girls trip the singer/actress was on this past weekend reported to be her bachelorette party.

Swift and Gomez have been friends since 2008 — the year before Taylor’s sweet Twitter message about love. Their friendship started when they were both dating Jonas Brothers (Taylor dated Joe while Selena dated Nick), and Gomez said after their respective breakups: “I like to say the best thing we got out of those relationships was each other.”

A 16-year-old has been convicted in Germany of helping plan the foiled terrorist plot that targeted Taylor Swift’s planned Eras Tour stop in Vienna last year.

A panel of judges in Berlin’s Higher Regional Court found the teenager, identified by prosecutors only as “Mohammed A,” guilty on Tuesday (Aug. 26) of preparing a serious act of violence that endangered the state and supporting a foreign terrorist organization. The judges issued a juvenile 18-month suspended sentence, meaning the teen will serve probation and avoid prison as long as he doesn’t reoffend during that time.

Mohammed A., a Syrian national living in Germany, was 14 years old at the time of Swift’s scheduled concerts at Vienna’s Ernst Happel Stadium in August 2024. The judges found that he became radicalized by Islamic State (IS) propaganda online and got in contact via social media with an Austrian teenager who was making plans to bomb one of the Eras Tour shows in Vienna.

“The defendant had, among other things, sent him a video of bomb-making instructions and put him in touch with an IS member,” says the announcement issued by Berlin court officials. “The attack plans were never carried out because the plan was uncovered by Austrian authorities in a timely manner.”

Court officials say Mohammed A. “made a comprehensive confession” during the trial, which was held behind closed doors due to confidentiality rules for juvenile defendants.

All three of Swift’s planned Eras Tour shows in Vienna were canceled after the terrorist plot was uncovered. The main Austrian plotter, a 19-year-old, was quickly arrested alongside multiple alleged accomplices.

Swift’s reps did not immediately return a request for comment on the Mohammed A. conviction. The pop superstar addressed the foiled terrorist attack in a lengthy Instagram post after the Eras Tour’s European leg wrapped last year, saying it “filled me with a new sense of fear, and a tremendous amount of guilt because so many people had planned on coming to those shows.”

“But I was also so grateful to the authorities because thanks to them, we were grieving concerts and not lives,” Swift wrote. “I was heartened by the love and unity I saw in the fans who banded together.”

The Ye documentary In Whose Name? has released an explosive trailer, featuring appearances from Drake, Kim Kardashian and Elon Musk.

Directed by Nico Ballesteros, the doc follows Ye (formerly Kanye West) from about 2018 until 2024 and is completely shot on an iPhone. The trailer jumps around from West’s deteriorating relationship with then-wife Kim Kardashian — who filed for divorce in 2021 — to his failed 2020 presidential run and Sunday Service performances.

“The best thing about being an artist who’s bipolar is anything you do and say is an art piece,” Ye says in the clip.

The doc pulls the curtain back on Ye to give fans an authentic look at the method to his madness in recent years and what makes him one of the most polarizing artists of the 21st century.

There are plenty of celebrity cameos, including studio sessions with Drake, Pharrell and Swizz Beatz. West is also shown walking out with Playboi Carti and Marilyn Manson at the Donda 2 listening party in Miami and delves into his relationship with his children.

“Should I have blown up the Gap sh–? Should I have blown up the Adidas sh–? But the answer is yes,” he says, referencing his split with the companies following his antisemitic remarks in 2022.

In Whose Name? will be released in about 1,000 theaters across the U.S. on Sept. 19 for a limited time. Tickets can be purchased on the doc’s website. “A documentary six years in the making,” a press release for the film reads. “3,000 hours of footage refined to one story about the world’s most polarizing living artist.”

Watch the In Whose Name? trailer below.