Fugees rapper Pras Michel had emergency surgery for colon cancer removal on Thursday (Aug. 28), postponing a key court hearing following his conviction on illegal foreign lobbying and conspiracy charges.

Michel was originally due in court Friday (Aug. 29) for a hearing over how much money he must forfeit to the government over the 2023 convictions. But in a filing last month, his lawyers said he had “experienced a significant medical concern” that would prevent him from appearing.

Related

In a statement to Billboard on Monday, Michel’s spokeswoman Erica Dumas revealed why: Doctors had discovered colon cancer in Michel during a routine checkup.

“Pras missed Friday’s sentencing hearing while undergoing emergency surgery for colon cancer removal,” Dumas said. “We stand with him and his family and wish him a full recovery as he addresses this serious health matter.”

The artist is “recovering right now until he is in the clear and focused on spending time with his family ahead of sentencing,” Dumas said, adding, “He still remains hopeful for his future.”

Comprised of Lauryn Hill, Wyclef Jean and Michel, the Fugees rose to fame in the 1990s with hits like “Killing Me Softly,” “Ready or Not,” and “Fu-Gee-La.” After splitting up in 1998, the three each had successful solo careers and mostly stayed separate until recent years, when they have attempted multiple reunion tours.

In 2019, Michel was hit with sweeping federal criminal charges over accusations that he funneled money from now-fugitive Malaysian financier Jho Low, the mastermind of the 1MDB embezzlement scandal, to Barack Obama’s 2012 presidential campaign. Michel was also accused of trying to squelch a Justice Department investigation into the scheme, and of trying influence an extradition case on behalf of China under the Trump administration.

In April 2023, following a trial that included testimony from actor Leonardo DiCaprio and former U.S. Attorney General Jeff Sessions, Michel was convicted on 10 counts including conspiracy, witness tampering and failing to register as an agent of China.

Prosecutors are seeking a decades-long prison sentence, arguing starkly that Michel “betrayed his country for money.” His lawyers have asked for a far lighter sentence of 36 months, which they say would be a “just sentence in this case.” A sentencing hearing has not yet been scheduled.

The hearing initially scheduled for Friday was to decide forfeiture — the process of turning over ill-gotten gains after a criminal convictions. The federal government is seeking a whopping $64,923,226 from Pras; his lawyers have called that sum “grossly disproportionate to the offenses of conviction.”

Federal prosecutors consented to the postponement of Friday’s hearing over Michel’s health issues. A new date is scheduled for Oct. 3.

Camila Cabello is showing love to Fifth Harmony following her former group’s surprise reunion.

On Sunday (Aug. 31), the girl group — now comprising Ally Brooke, Normani, Lauren Jauregui and Dinah Jane — surprised fans by reuniting onstage for the first time in seven years during the Jonas Brothers’ concert at Dallas’ Dos Equis Pavilion. After the performance, Fifth Harmony shared a clip on Instagram of themselves performing their 2015 hit “Worth It,” which peaked at No. 12 on the Billboard Hot 100.

Related

Cabello, who exited the group in late 2016 to launch her solo career, showed her support in the comments by posting four red heart emojis in a subtle but heartfelt nod to her former bandmates.

The reunion wasn’t entirely out of the blue. In the hours leading up to the performance, 5H sparked speculation by sharing their first social media post since 2018. “#FifthHarmonyFollowSpree,” the group wrote on X prompting Harmonizers to theorize that something big was coming.

Reunion rumors have been circulating for months. In March, both Brooke and Jane hinted at the possibility during an interview at the 2024 Billboard Women in Music event.

“We’ll see… we’re not sure,” Brooke said when asked about reuniting. Jane added, “I love that our fans can reminisce on such good times and I love that we’re getting the credit again. Our music was very impactful at the time and I feel like it was kind of overlooked, to be honest. So now that it’s reviving again on its own it just shows our music speaks for itself.”

Fifth Harmony came together in 2012 on season two of the U.S. edition of The X Factor. The group rose to fame with their debut album, Reflection, in 2015, which included “Worth It,” their first top 20 hit on the Billboard Hot 100 chart. Their success continued with “Work From Home” featuring Ty Dolla $ign, which peaked at No. 4 on the chart in June 2016.

In December 2016, the group announced Cabello’s departure through social media. “After 4 and a half years of being together, we have been informed via her representatives that Camila has decided to leave Fifth Harmony,” the group’s remaining members wrote. “We wish her well.”

Cabello went on to launch a successful solo career, most recently releasing 2024’s C,XOXO, which debuted at No. 13 on the Billboard 200. Over the years, she’s also topped the Hot 100 with “Havana” featuring Young Thug and “Señorita” with ex-boyfriend Shawn Mendes.

Fifth Harmony officially disbanded in 2018, with each member pursuing various solo projects.

Sabrina Carpenter is rewriting the chilling ending to her Rocky Horror-inspired “Tears” music video.

On Friday (Aug. 29), the 26-year-old pop star released the original version of her haunting “Tears” video, coinciding with the drop of her seventh studio album, Man’s Best Friend.

Related

The nearly five-minute clip follows Carpenter as she recovers from a car accident that appears to have killed her traveling companion. Alone and disoriented, she stumbles upon a creepy, isolated house. Inside, she discovers a world of sex and hedonism, evoking the cult classic horror musical The Rocky Horror Picture Show. The video culminates with Carpenter ending the life of her presumed-dead lover.

“Wait, no, you died earlier, I thought? It’s a thing, someone has to die every video,” she says, as she throws a stiletto into his chest. “I’m sorry. We’ll always remember you, though.”

On Monday (Sept. 1), Carpenter teased “a new ending” to the “Tears” video on her Instagram Story, sharing a link to the clip on YouTube. In this alternate conclusion, her traveling partner meets yet another grisly fate.

After Carpenter is ejected from the eerie house, she looks up to see the man emerging from the woods. “Babe, I’m so glad you’re okay,” he says, limping and coughing. “I’ve been looking everywhere for you.” Suddenly, lightning strikes as he jitters with sparks and nervous laughter. Carpenter warns him to move aside as a cracking sound approaches. Before he can react, a tree crashes down on him. “I told him to move over,” she says, standing and grabbing her hat.

The video also features Academy Award-nominated actor Coleman Domingo in drag and accompanies Man’s Best Friend, Carpenter’s Jack Antonoff-produced follow-up to 2024’s Short n’ Sweet, which spent four weeks atop the Billboard 200.

Watch Sabrina Carpenter’s “Tears” video — now with a brand-new ending — above.


Billboard VIP Pass

Fifth Harmony is officially back.

On Sunday (Aug. 31), the girl group — now made up of Ally Brooke, Normani, Lauren Jauregui and Dinah Jane, following Camila Cabello’s 2016 exit — reunited on stage for the first time in seven years. The surprise moment happened during the Jonas Brothers’ JONAS20: Greetings from Your Hometown tour stop at the Dos Equis Pavilion in Dallas.

Related

Dressed in all-black outfits, the four-piece performed their 2015 hit “Worth It,” which peaked at No. 12 on the Billboard Hot 100 chart. The performance was streamed live on Samsung TV Plus.

“Y’all remember Fifth Harmony,” Normani told the crowd.

The group later posted a video of the reunion on Instagram, writing, “Where were you on August 31, 2025? Thank you @jonasbrothers for having us. Felt amazing to be back.”

“That was special!” Brooke wrote in the comments. Cabello, who left the group in late 2016, also showed her support in the comments by appropriately sharing four red heart emojis.

The Jonas Brothers also showed love, sharing a clip on Instagram of the performance and writing, “An honor to have our friends @fifthharmony up on stage tonight in Dallas on the Greetings From Your Hometown Tour.”

Fans had already been speculating something big was coming after Fifth Harmony’s official X account posted for the first time in seven years earlier that day.

“#FifthHarmonyFollowSpree,” the group wrote, marking their first post on the platform since July 2018.

Reunion rumors have been floating around for months. Back in March, Brooke and Jane teased the idea during an interview at the 2024 Billboard Women in Music event.

“We’ll see… we’re not sure,” Brooke said when asked about a reunion. Jane added, “I love that our fans can reminisce on such good times and I love that we’re getting the credit again. Our music was very impactful at the time and I feel like it was kind of overlooked, to be honest. So now that it’s reviving again on its own it just shows our music speaks for itself.”

Fifth Harmony first came together on the second season of the U.S. version of The X Factor in 2012 and found success with their debut album, Reflection, and hits like “Worth It” and “Work From Home” (featuring Ty Dolla $ign), the latter of which hit No. 4 on the Hot 100 in 2016.

Fifth Harmony eventually went on hiatus in 2018 to focus on solo projects. Since then, each member has explored their own path, but as Brooke hinted in a 2023 interview with Billboard, the door to a reunion has always been open.

“We’re women now and we have grown so much and we have done our own thing, gone our own ways and gone our own path. And now we’re together in a different light,” the singer said. “I’m trying to reunite with them, so I think some sort of reunion may happen.”

Taylor Swift’s The Life of a Showgirl is already breaking Spotify records weeks ahead of its release.

On Sunday (Aug. 31), the 35-year-old pop icon’s upcoming release became the most pre-saved album Countdown Page in Spotify history. The previous record was held by Swift’s The Tortured Poets Department in 2024. The streaming giant shared the news Monday morning on its official Instagram and X accounts.

Related

Spotify’s Countdown Page for The Life of a Showgirl launched on Aug. 14, accompanied by an exclusive playlist titled And, baby, that’s show business for you, a curated selection of 22 previously released tracks produced by the singer’s longtime collaborators Max Martin and Shellback.

This achievement marks yet another milestone in Swift’s long-standing dominance on Spotify. Over the years, she has shattered numerous streaming records, including becoming the platform’s most-streamed artist of 2024 with more than 26.6 billion global streams.

Swift announced The Life of a Showgirl on Aug. 12, just eight months after wrapping her blockbuster Eras Tour. The surprise reveal came during an appearance on New Heights — the podcast hosted by her boyfriend Travis Kelce and his brother Jason Kelce — where she shared the album’s title in a teaser clip posted to the show’s social media accounts ahead of the full episode’s release.

The Life of a Showgirl, Swift’s 12th studio album, is set to arrive on Oct. 3 and will feature 12 new tracks produced by Max Martin and Shellback.

Her previous album, The Tortured Poets Department, dropped in April 2024 and debuted at No. 1 on the Billboard 200 with the biggest opening week of her career. The project went on to spend 17 nonconsecutive weeks atop the chart and earned Swift her seventh nomination for album of the year at the Grammys.

See Spotify’s announcement of Swift’s latest milestone on Instagram below.

Country artist Bryan Martin has put his hand up after he was pulled off stage, intoxicated, and forcibly removed by police.

Martin’s performance at Schaghticoke Fairgrounds on Friday night (Aug. 29) went south, and caused enough concern among fans and event organizers that the Rensselaer County Sheriff’s Office was notified.

According to a statement from local police, Martin “displayed signs of intoxication and erratic behavior, which ultimately required him to be removed from the stage. Deputies and event staff attempted to assist Mr. Martin offstage, but due to his impaired state, he became resistant and had to be forcibly escorted out.”

The moment was captured on camera, and shows Martin lifted and removed from the site by a small team of officers.

Martin later turned to social media to apologize for — and explain — his behavior. “Sorry I let yall down tonight… truth is I’m not ok… been hitting it hard for a while and haven’t took time to be honest with myself about my mental health and it’s nothing new to struggle with my anxiety and depression,” he writes in a post on Instagram.

Martin continued, “I apologize for the bad days … but I’m grateful for the countless good nights we’ve shared this year. It’s been the most consistent streak I’ve seen in years.”

He continued, “I’m not ever proud when I reach for another drink.”

In the hours following the incident, reads the police report, Martin “acknowledged that he is struggling with alcoholism. This admission shifts the perspective from one of conflict to one of compassion.”

The larger issue is “not the resistance we encountered—it is the battle Mr. Martin himself is facing,” reads a message from Sheriff Kyle Bourgault. “Addiction is a disease, and it requires both accountability and empathy.”

The Louisiana native reportedly performed the following night at 290 Maine Street in Norway, ME.

Martin, who is signed to Average Joes Records, has had hits including “We Ride,” which reached No. 3 on Billboard Country Airplay chart last year. The single also gave Martin his first appearance on the Billboard Hot 100, entering at No. 96.

The Weeknd’s “Blinding Lights” continues to make history.

On Sunday (Aug. 31), Spotify announced on Instagram that the 2020 megahit has officially become the first song in the streaming platform’s history to hit five billion streams. Shortly after, The Weeknd (real name Abel Tesfaye) took to his Instagram Story to share the news with his 78 million followers.

Related

The new Spotify record follows another recent honor for the track. Just days earlier, “Blinding Lights” landed No. 1 on Billboard’s Top Hot R&B/Hip-Hop Songs of the 21st Century chart, which measures performance on the weekly Hot R&B/Hip-Hop Songs chart from the start of 2000 through the end of 2024.

Originally released in November 2019 as the second single from The Weeknd’s fourth studio album, After Hours, “Blinding Lights” dominated the Billboard Hot 100 chart for four weeks and became the first song to remain in the top 10 for an entire year. In November 2021, it made history once again by surpassing Chubby Checker’s “The Twist” to top Billboard’s Greatest of All Time Hot 100 chart.

In January 2024, “Blinding Lights” became the first to reach four billion streams on Spotify.

“I’ll never stop being humbled by anything I create making its way to millions of people let alone billions!” The Weeknd said in an exclusive statement at the time. “I’m so thankful this song makes people feel a way that they keep going back to listen.”

“Blinding Lights” is one of 28 songs by The Weeknd in Spotify’s Billions Club, more than any other artist. He also performed during Spotify’s first-ever Billions Club: Live concert in December.

Check out Spotify’s “Blinding Lights” announcement on Instagram below.

Baylee Lynn’s debut single “Cautiously Optimistic” tops this week’s new music poll.

In a poll published Friday (Aug. 29) on Billboard, music fans voted the 17-year-old singer-songwriter’s first-ever release as their favorite new track of the week.

Related

“Cautiously Optimistic” earned 64% of the vote, beating out fresh releases from artists like Sabrina Carpenter (Man’s Best Friend), Hayley Williams (Ego Death at a Bachelorette Party), Zach Top (Ain’t In It For My Health), and Blood Orange (Essex Honey).

The Tennessee native’s debut, produced by AJ Pruis, is a country-pop anthem inspired by artists like Dolly Parton and Faith Hill that captures the emotional journey of navigating love after heartbreak.

“When we wrote ‘Cautiously Optimistic,’ I envisioned this song being one that most teenage girls can relate to,” Lynn said in a statement. “I know what it’s like to be the girl who’s scared of letting her guard down because she fears being hurt again — but also what it’s like to be the girl who’s so good at ignoring all the red flags. I am beyond thrilled for this song to finally be out in the world!”

The track was co-written by Lynn, Pruis, Kyle Sturrock and Brett Tyler.

Carpenter’s Man’s Best Friend took second place in the poll, pulling in 26% of the vote. The pop star’s seventh studio album, produced by Jack Antonoff, arrives just over a year after her Grammy-winning Short n’ Sweet, which topped the Billboard 200 for four weeks.

Williams’ Ego Death at a Bachelorette Party, a collection of previously released singles with a brand new song titled “Parachute,” came in third with nearly 4% of the vote.

Check out the full results of this week’s poll below and visit Billboard’s Friday Music Guide for more must-hear releases.

Camila Cabello surprised fans with a piano-ballad rendition of “Torn,” the single that became Natalie Imbruglia’s breakthrough hit on U.S. radio in 1998, at a pair of shows in Australia this week (Aug. 27 and 30).

Melbourne and Sydney, two of the final stops on Cabello’s Yours, C Tour — the C,XOXO singer has a Sept. 14 concert slated for São Paulo, Brazil — were a fitting setting to cover “Torn,” recorded by the Australian-born Imbruglia for her 1997 debut studio album, Left of the Middle. Seated at the piano at both gigs, Cabello channeled the sincerity of Imbruglia’s vocal performance on “Torn, and on Saturday night shared a video of one of her performances on X.

“when in australia… you have to sing torn,” Cabello captioned the clip. “ily natalie imbruglia & ily australia.”

Imbruglia’s “Torn” soared to No. 1 on a trio of Billboard charts (Radio Songs, Pop Airplay and Adult Pop Airplay) in 1998, and peaked at No. 42 on the Hot 100. She was nominated for a Grammy for best female pop vocal performance for “Torn,” but ultimately lost to Celine Dion and her inescapable “My Heart Will Go On.” Though Imbruglia’s take on “Torn” is the one most pop fans know, it was actually a cover for her, too — as the song was first released by the band Ednaswap in 1995.

Imbruglia’s released a total of six albums throughout her career, with 2021’s Firebird being her most recent. She performed under the guise of “Bluebell” on The Masked Singer last year.

Watch Cabello’s live performance of “Torn” below.

Chalino Sánchez, the “King of Corridos,” would have turned 65 on Aug. 30. While his tragic murder in May 1992 ended his life, his musical legacy continues to thrive.

Thanks to technology, some of his timeless recordings are being brought back to life through collaborations with other artists. Fifteen of Sánchez’s tracks, owned by Cintas Acuario — a label based in Long Beach, California — are being reimagined for a new project.

“I bought the songs from him; they’re mine. That’s how we did business,” Pedro Rivera, owner of the label, shared exclusively with Billboard Español. (Rivera is the father of regional Mexican music stars Lupillo Rivera and the late Jenni Rivera.) “We respected each other deeply. Chalino was one of the most loyal men I’ve ever met — he always kept his word.”

The first release from this project is “Rigo Campos,” a song written more than 30 years ago by Mario Quintero, the lead singer of Los Tucanes de Tijuana. Chalino recorded his own version back in the day, but the two never met in person. Now, through the magic of technology, they’re singing together in a music video that premiered on Thursday, Aug. 28.

“It took over three years from the first meeting to today’s release,” Quintero, thrilled by the song’s reception, told Billboard Español. It has already become a trending topic in Mexico. “Unfortunately, I never got the chance to meet Chalino… [But] technology made it possible for Los Tucanes and Chalino to appear together in the video as if he were still here.”

Sánchez rose to fame in the late ’80s and early ’90s with his corridos in the California music scene. His raw, unpolished voice and straightforward style resonated with migrant communities and working-class listeners. Songs like “Nieves de Enero,” “Alma Enamorada” and “Baraja de Oro” became classics.

On May 16, 1992, he was murdered in Culiacán, Sinaloa, after a performance. He was only 31 years old.

Quintero, who as the leader of Los Tucanes heads one of the most respected norteño and corrido groups in the market, spoke to Billboard Español about “Rigo Campos,” the current restrictions on corridos in Mexico, and even a possible World Cup anthem in the works:

Billboard Español: What are the Origins of “Rigo Campos”?

Quintero: The song is based on a well-known event in Tijuana, I think it was around 1991. It was talked about a lot on the news in both Mexico and the U.S. Back then, we were just starting out, and even to this day, I draw inspiration from real-life events. I wrote the song, and it became popular locally. I used to go to record stores to check out new releases and see if anyone had recorded one of my songs. One day, I was surprised to find the song on a cassette by Chalino Sánchez. I remember opening it and seeing that it credited him as the author. My excitement immediately turned to disappointment. Turns out, he had heard it from us, liked it and recorded it with Cintas Acuario. The song was already registered to me, so we cleared everything up.

How did this particular collaboration come about?

Juan Rivera [Pedro Rivera’s son] reached out to invite me to take part in this album they’re producing with Chalino’s songs. I thought it was such an exciting idea, and of course, I was honored to include my song. It took over three years from our first meeting to now releasing “Rigo Campos.” We’re overjoyed with the public’s response. Unfortunately, I never got to meet Chalino. There was this one time he had a press conference in Tijuana, but we were busy working and couldn’t go. I had wanted to thank him for recording my song, but the opportunity never came up. Now, through technology, we were able to bring him back to life in the video, and it’s as if he’s really there with us. It was a huge effort by the teams at Cintas Acuario and Master Q Music to make it happen. The hardest part was bringing Chalino’s essence into the present, but they nailed it.

Why do you think Chalino’s legacy endures so many years after his death?

Chalino had this unique ability to take well-known songs and make them his own with his distinctive style. That’s what made him so successful. Of course, he was also heavily criticized, but people couldn’t ignore his authenticity. He wasn’t trying to imitate anyone — he was born to be an original, and that’s why he’s still such a massive influence in norteño and banda music. Producing this song was such a fulfilling experience. Listening to his voice straight from the original tapes, you realize how powerful it was. He didn’t need backing vocals; he was naturally in tune and simply incredible. Back then, there wasn’t the technology we have now, so hearing him sing was truly special. Recording this duet with him now feels like a dream come true. It didn’t happen before, but it’s happening now — and that’s what matters.

What do you think of the current bands and restrictions of corridos in Mexico?

We love corridos, but we also respect the rules in every place we perform. We understand the situation. The problem isn’t with corridos themselves; there are broader social issues at play. I think the authorities have good intentions, and we always follow any rules or restrictions. For example, at our recent show at the Auditorio Telmex in Guadalajara, we weren’t allowed to perform any corridos. Of course, some fans wanted to hear them, but we respect the law. At the end of the day, the law is the law, and we have to follow it as citizens. Where we’re allowed to perform corridos, we will. Where we’re not, we’ll just play “La Chona” three times, or “El Tucanazo,” or “Me Gusta Vivir de Noche.” We’ve got plenty of songs in our repertoire.

Speaking about “La Chona,” it’s become a major hit and played in many sporting events. Any plans to use it during the World Cup?

As the composer of “La Chona,” it’s such an honor and a privilege to see it still going strong. Every day, we get videos from all over the world of people dancing and singing along to it. When we first recorded it, I didn’t even like the song that much — I preferred others. But it carved out its own place, and now, more than 30 years later, new generations are still loving it. For the World Cup, we’re working on a project that I think fans are going to love. In the meantime, we’re heading to Chile, Colombia, Honduras, Guatemala and Bolivia this year, and next year we’ll be taking our music to Spain. Europe is becoming such an important market for regional Mexican music.

A few days ago you played for over 100,000 people. Why do Los Tucanes still draw big crowds?

I think we’ve earned the love of our fans through our music and the way we are. Los Tucanes are one of those groups that can do it all — romantic songs, corridos, cumbias — we mix norteño music with other genres. I think that’s why we have such a special place in people’s hearts. There are also people who grew up listening to our music but never got to see us live, so they come to our shows now. And it’s so touching to see multiple generations at our concerts — parents, kids, even grandparents. It’s such a blessing.