Before the Seattle Seahawks and New England Patriots kicked off Super Bowl LX on Sunday (Feb. 8) at Levi’s Stadium in Santa Clara, Calif., musicians from an assortment of genres took the field to celebrate America — including Coco Jones, who opened the Super Bowl 2026 preshow with a stunning performance of “Lift Every Voice and Sing.” Often referred to as the Black National Anthem, “Lift Every Voice and Sing” is a hymn that dates back to the year 1900 and is a prayer for freedom for all in America.

Dressed in a white gown augmented by the colors of the Pan-African flag (red, black, green) rendered in shimmering sequins, Jones delivered a technically assured version of the song. Backed by an orchestral octet, Jones demonstrated the vocal command and flair that helped her net a Grammy for best R&B performance category in 2024. Her debut album, Why Not More?, dropped in 2025, following the success of her Billboard Hot 100 hit “ICU.”

“Lift Every Voice and Sing” was added to Super Bowl celebrations in 2020, when Black Lives Matters protests were taking place across the United States and the NFL was under fire for taking disciplinary measures against NFL players who “took a knee” during the National Anthem during the late 2010s to protest police brutality and racial inequality.

Later during the preshow, Green Day performed a medley of their punk-pop hits, Brandi Carlile sang “America the Beautiful” and Charlie Puth performed “The Star-Spangled Banner” (aka the National Anthem). During the Big Game’s halftime, Bad Bunny will take the stage to perform the Apple Music Super Bowl LX Halftime Show.

Charlie Puth hit the Levi’s Stadium field in Santa Clara, California, on Sunday (Feb. 8) to perform the national anthem at the 2026 Super Bowl.

Dressed in a brown leather bomber jacket over a white shirt and tie with jeans, Puth stood on a white platform on the field to play keyboard while singing “The Star-Spangled Banner.” He was backed by a band and choir dressed in all white, who added extra depth to his pop-styled rendition of the national anthem.

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Appropriately, when Puth sang the line “and the rockets’ red glare, the bombs bursting in air,” the cameras cut to the Levi’s Stadium big screen as fireworks burst above a close-up of the singer/songwriter. The cameras also cut to a perfect shot of an American flag waving in the wind backed by the nearby Golden Gate Bridge.

Puth ended his performance with an unexpected final note, adding his own touch to the more than 200-year-old song.

Puth’s “Star-Spangled Banner” was preceded by Brandi Carlisle’s “America the Beautiful,” as well as Green Day’s Opening Cermony performance.

Late last year, Puth announced his fourth studio album, Whatever’s Clever!, due March 27 via Atlantic Records, alongside a music video for lead single “Changes.” In the ’80s-inspired visual, Puth let fans in on some big personal news in: His wife, Brooke Sansone, makes a cameo and they both place their hands on her belly to signal that they’re about to become a family of three. So far, he’s released three songs from the upcoming album: “Changes,” “Beat Yourself Up” and “Cry,” which just dropped on Friday.

In Sunday’s Super Bowl, the Seattle Seahawks are playing the New England Patriots and Bad Bunny is set to perform at the halftime show.

You know where they’d be found: Bay Area natives Green Day took the stage at Levi’s Stadium in Santa Clara, Calif., on Super Bowl Sunday (Feb. 8) to help celebrate the Big Game’s 60th anniversary with a hit-filled set during the opening ceremony, ahead of the Seattle Seahawks and New England Patriots taking the field to duke it out for the Lombardi Trophy.

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The six-minute, four-song set started subtly, with several violinists playing the gorgeous strains of “Good Riddance” as Super Bowl MVPs of decades past made their way onto the field to celebrate the Big Game’s six-decade milestone. As greats such as the Manning brothers, Tom Brady, Joe Montana and Jerry Rice finished walking out to the field, the cameras panned to the stage, and Green Day took over the rest of the song, then kicked into the rest of the medley.

As fans on the field waved red foam heart-grenades (the image on the cover of the band’s 2004 album American Idiot) instead of foam fingers, the band transitioned into Billboard Hot 100 hits “Holiday” (No. 19), then “Boulevard of Broken Dreams” (No. 2) before closing with a rollicking “American Idiot” (No. 61), not once mentioning the state of American politics, as the band is wont to do.

As the final song wrapped, the cameras panned out to show the football greats lined up along both sides of the stairs leading up to the stage. With the set ending, Green Day frontman Billie Joe Armstrong yelled excitedly to kick off the rest of the festivities: “Welcome to the Baaaaay! It’s Super Bowl 60!”

The Grammy-winning rockers were first announced as performers on Jan. 18. “We are super hyped to open Super Bowl 60 right in our backyard!” Armstrong said in a statement at the time. “We are honored to welcome the MVPs who’ve shaped the game and open the night for fans all over the world.”

Though Green Day avoided making any political statements during its set at the pre-show ceremony, the band did not hold back leading up to the Big Game, making headlines not only for the announcement of its performance before the game’s start, but also for speaking out against the Trump administration, which the rockers have not been shy about doing over the years. During the band’s performance at Spotify’s The FanDuel Party held at San Francisco’s Pier 69 on Friday (Feb. 6), Armstrong had a strong message for Immigration and Customs Enforcement agents.

“Quit your s—ty ass job. Quit that s—ty job you have,” the frontman said bluntly, according to videos captured by attendees. “Because when this is over, and it will be over at some point of time, Kristi Noem, Stephen Miller, JD Vance, Donald Trump — they’re gonna drop you like a bad f—king habit. Come on to this side of the line.”

And as he has done at many previous shows, Armstrong tweaked the lyrics of hit song “American Idiot.” Instead of the usual “I’m not part of a redneck agenda” lyric, the rocker declared, “I’m not part of the MAGA agenda.” He also made a pointed reference to the recent headlines surrounding the release of a batch of the Epstein files during “Holiday,” singing “the representative from Epstein Island has the floor” rather than “the representative from California.”

The president also made his distaste for Green Day and Super Bowl Halftime Show headliner Bad Bunny apparent before the game. “I’m anti-them. I think it’s a terrible choice,” Trump told the New York Post of the performers in January. “All it does is sow hatred. Terrible.” 

The 2026 Super Bowl kicks off at 6:30 p.m. on NBC and Peacock.


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“Die for Me,” the latest single from ZAYN, tops this week’s fan-voted music poll.

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Music fans voted in a poll published Friday (Feb. 6) on Billboard, choosing the former One Direction member’s new release as their favorite.

“Die for Me” debuted during a week that had several popular new music releases — from Tame Impala and Jennie, J. Cole, Nick Jonas, sombr and more. ZAYN’s track was fans’ top pick in this round, bringing in a whopping 80% of the vote.

The R&B-pop single “Die for Me” — and its music video, seen above — comes ahead of the release of Konnakol, ZAYN’s just-announced fifth solo studio album. The LP arrives on April 17 via Mercury Records/Island Records U.K., and is the follow-up to his 2024 set, Room Under the Stairs.

“It’s that time again, I have been lucky enough to make a fifth studio album,” the singer said in a press statement. “Konnakol in its definition is the act of creating percussive sounds with one’s voice, but what it means to me lies somewhere much deeper. It is a sound that holds the reverberation of a time before words existed.”

“I have always drawn on my heritage for inspiration since I first started making my own music — this album is a development of that understanding, knowing more now than ever, who I am, where I come from and where I intend to go,” ZAYN shared.

Soon after delivering the news of Konnakol, ZAYN unveiled a set of upcoming dates for the Konnakol Tour, scheduled to begin on May 12 in Manchester, England. The trek has him performing at arenas and stadiums in the U.K., Mexico, North America and South America.

Among the new releases trailing behind “Die for Me” are Tame Impala and Jennie’s “Dracula” remix, with 9% of the vote; J. Cole’s The Fall-Off album, with 3% of the vote; Nick Jonas’ Sunday Best, with 2% of the vote, and sombr’s “Homewrecker,” also with 2% of the vote.

See the final results of this week’s poll below.


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Brett Favre is weighing in on which musical act he’ll watch during the 2026 Super Bowl Halftime Show.

On Saturday (Feb. 7), the former Green Bay Packers quarterback, 56, shared on X why he’s choosing Turning Point USA’s “All-American Halftime Show” over Bad Bunny‘s performance on Sunday (Feb. 8) at Levi’s Stadium in Santa Clara, California.

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“Not familiar with Bad Bunny so don’t know if his music is good or bad,” Favre wrote on X. “I’m just going to watch what I know Lee Brice, Kid Rock All-American Halftime Show.”

The NFL Hall of Famer’s post also included a clip of himself discussing his halftime music pick on an episode of his 4th and Favre podcast, which he co-hosts with David Kano.

The official Super Bowl LX halftime show will feature Grammy winner Bad Bunny, who is from Puerto Rico, and American territory, and performs almost exclusively in Spanish.

Turning Point USA, founded by late conservative activist Charlie Kirk, announced its “All-American Halftime Show” shortly after Bad Bunny was revealed as the Super Bowl headliner. The Turning Point lineup for Super Bowl Sunday includes Kid Rock, Lee Brice, Gabby Barrett and Brantley Gilbert. The show is being billed as an alternative to the NFL’s official halftime performance.

Favre, a supporter of President Donald Trump, was met with some backlash in the comments section of his post on X.

“Shocking that the guy that defrauded his states welfare and sent unsolicited d—k pics to a reporter, aligns with kid rock and maga,” one person wrote. Another commented, “You wouldn’t [like] Bad Bunny, Brett. He actively gives back to his community instead of defrauding it.”

The remarks alluded to Favre’s involvement in a Mississippi welfare controversy, in which investigators claimed that public assistance funds were misused for projects tied to the former athlete. The case received national attention because the funds were meant to help low-income families. Favre has denied any wrongdoing, and the issue has continued to unfold through civil litigation and public scrutiny.

Others agreed with Favre’s choice, writing, “Me too! Dont know who bad bunny is???” Another added, “Amen Brett!!” alongside an image of the American flag.

Super Bowl LX is set for Sunday, with the Seattle Seahawks facing the New England Patriots. The game will air on NBC, with livestreaming available on Peacock. The Turning Point USA halftime show will air on Turning Point’s social media channels, as well as platforms including The Daily Wire and TBN.


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Don Toliver lands his first No. 1 album on the Billboard 200 chart as OCTANE starts atop the list dated Feb. 14. The set launches with 162,000 equivalent album units earned (his best week ever) in the United States in the week ending Feb. 5, according to Luminate.

Plus, Bad Bunny’s DeBÍ TiRAR MáS FOToS jumps 9-2 after its album of the year win at the Grammy Awards on Feb. 1, while Noah Kahan’s Stick Season returns to the top 10 (rising 13-7) after the release of the lead single from his forthcoming album and the announcement of his tour.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 2,500 ad-supported or 1,000 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Feb. 14, 2026-dated chart will be posted in full on Billboard‘s website on Feb. 10. For all chart news, follow @billboard and @billboardcharts on both X and Instagram.

Of OCTANE’s 162,000 equivalent album units earned in the latest tracking week SEA units comprise 131,000 (equaling 138.98 million on-demand official streams of the set’s tracks, marking Toliver’s best streaming week ever; it debuts at No. 1 on Top Streaming Albums), album sales comprise 31,000 (his biggest sales week, it debuts at No. 1 on Top Album Sales) and TEA units comprise a negligible sum. Sales of the album got a boost from its availability across multiple deluxe boxed sets containing a copy of a CD and a piece of branded clothing, vinyl variants and three deluxe digital download editions of the album (each with one bonus track).

OCTANE was released as a standard widely available 15-track digital download album, while its CD, vinyl and expanded download and streaming editions contained additional tracks.

OCTANE marks the fifth top 10, the entirety of Toliver’s charting titles. He previously hit the top 10 with HARDSTONE PSYCHO (No. 4 in 2024), Love Sick (No. 8, 2023), Life of a DON (No. 3, 2021) and Heaven or Hell (No. 7, 2020). The Travis Scott-led hip-hop collective JACKBOYS, of which Toliver is a member, has logged a pair of No. 1s with JACKBOYS 2 (2025) and its self-titled set (2020).

Bad Bunny’s former No. 1 DeBÍ TiRAR MáS FOToS jumps 9-2 on the latest Billboard 200, following its win for album of the year at the Grammy Awards (Feb. 1). The set earned 85,000 equivalent album units in the tracking week ending Feb. 5, up 138% compared to the previous week. The project also won best música urbana album, while its track “EoO” won best global music performance.

Morgan Wallen’s chart-topping I’m the Problem falls a spot to No. 3 with 77,000 equivalent album units earned (up 11%). Olivia Dean’s The Art of Loving gets pushed down a spot to No. 4 despite a 38% increase (to 70,000), following her win for best new artist at the Grammy Awards.

Two former leaders are next, as Taylor Swift’s The Life of a Showgirl climbs 6-5 (46,000, up 1%) and the KPop Demon Hunters soundtrack steps 8-6 (43,000, up 6%).

Noah Kahan’s Stick Season steps back into the top 10 for the first time in more than a year, rising 13-7, with 42,000 equivalent album units (up 48%). The singer-songwriter’s new single, “The Great Divide,” dropped Jan. 30, while its music video premiered during a commercial break on CBS’ broadcast of the Grammy Awards Feb. 1. The track is the lead single from the album of the same name, due April 24. Then, on Feb. 2, Kahan announced a stadium tour that is slated to begin on June 11.

Stick Season, which peaked at No. 2 in March 2024, was last in the top 10 on the Nov. 23, 2024-dated chart (No. 10) and last ranked at No. 7 or higher on the Aug. 24, 2024-dated chart (No. 7).

Three former No. 1s round out the top 10 of the latest Billboard 200 as Zach Bryan’s With Heaven on Top falls 4-8 (41,000 equivalent album units earned, down 17%), SZA’s SOS ascends 10-9 (38,000, up 8%) and A$AP Rocky’s Don’t Be Dumb dips 5-10 (34,000, down 25%).

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.


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Greg Brown, founding guitarist of Cake and writer of the band’s hit song “The Distance,” has died.

Cake announced Brown’s passing in a social media post on Saturday (Feb. 7). His age was not provided in the announcement, but a 2021 Billboard feature listed him as 51 at the time.

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“It is with heavy hearts that we share the news of Greg Brown’s passing after a brief illness,” Cake wrote on Instagram alongside a black-and-white photo of their late bandmate.

The Sacramento, California–based rock act — whose current members include vocalist John McCrea, trumpeter/keyboardist Vince DiFiore, guitarist Xan McCurdy, bassist Daniel McCallum and drummer Todd Roper — did not specify an exact cause of death.

“Greg was an integral part of CAKE’s early sound and development,” the group added. “His creative contributions were immense, and his presence — both musical and personal — will be deeply missed. Godspeed, Greg.”

Cake was founded in Sacramento in 1991, with Brown on guitar alongside McCrea, DiFiore, and others. He played on the band’s first two albums: its 1994 debut, Motorcade of Generosity, and the 1996 follow-up, Fashion Nugget.

Brown was the sole songwriter of Cake’s 1996 single “The Distance,” which reached No. 4 on Billboard‘s Alternative Airplay chart.

“[McCrea] took to it right away, and I didn’t really understand what he saw in it so much,” Brown told Billboard of “The Distance” in 2021. “I liked the way it sounded and everything, but I thought ‘Frank Sinatra’ was a much stronger choice for the single. But the record label chose it and it worked out.”

Brown left Cake in 1997 following a tour in support of Fashion Nugget.

“I might have told you one thing back when I was 27 years old, and I left hot headed and mad about what I considered to be irreconcilable personality problems or whatever,” he said in 2021. “As 51-year-old me, I see a much larger context of what was going on in my life. Rather than get into all of it, I would just say there was a lot of turmoil at the time, and I felt like leaving Cake would be a decision that would be good for my health.”

The guitarist went on to start his own band, Deathray, with fellow former Cake member Victor Damiani on bass. He also joined a brief side project of Weezer’s Rivers Cuomo called Homie, playing on the group’s only release, “American Girls,” from the soundtrack for 1998’s Meet the Deedles.

After releasing two Deathray albums in the early 2000s, Brown reunited with Cake to play guitar on “Bound Away,” which appeared on the group’s 2011 album, Showroom of Compassion.

See Cake’s post about Brown’s death on Instagram here.


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3 Doors Down dominated Billboard’s rock charts in the 2000s and beyond, also crossing to pop formats and the upper reaches of the Billboard Hot 100.

As previously reported, Brad Arnold, a founding member and lead singer of the band, died on Feb. 7 following a battle with cancer. He was 47.

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“Brad helped redefine mainstream rock, blending post-grunge accessibility with emotionally direct songwriting and lyrical themes that resonated with everyday listeners,” the group shared in a statement.

3 Doors Down made its Billboard chart debut on Jan. 29, 2000, and went on to achieve five No. 1s among 13 top 10s through 2016 on the Mainstream Rock Airplay chart. “Loser” led for 21 weeks in 2000-01 — the longest command in the list’s history, which dates to 1981.

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On Alternative Airplay, the band has tallied four top 10s, including “Kryptonite,” which ruled the ranking for 11 weeks in 2000.

The act’s combination of crunch and melody clicked with mainstream audiences, with three of its hits topping the Pop Airplay chart, among five top 10s: “Kryptonite” (for five weeks in 2000), “When I’m Gone” (one week, 2003) and ballad “Here Without You” (six, 2003). On Adult Pop Airplay, “Here Without You” reigned for 13 weeks and “It’s My Time,” for three in 2008.

3 Doors Down boasts two No. 1 albums among five top 10s on the Billboard 200. Seventeen Days debuted at the summit in February 2005 and follow-up 3 Doors Down opened on top in June 2008. Arnold co-wrote every original composition on the group’s six LPs.

The Mississippi-based band rose to the top 20 of the all-genre, multimetric Hot 100 five times between 2000 and 2008. Below, count down 3 Doors Down’s five biggest Hot 100 hits.

“The impact Brad Arnold and 3 Doors Down had on us is immeasurable,” Monte and Avery Lipman, co-founders of Republic Records, which signed 3 Doors Down to a partnership in 1999, told Billboard in a statement following Arnold’s passing. “Brad’s connection to people and his rare ability to lift their spirits through words and music is that of legends. Brad Arnold will forever be with us in spirit.”

3 Doors Down’s Biggest Billboard Hot 100 hits chart is based on actual performance on the weekly Billboard Hot 100, through the Feb. 7, 2026, ranking. Songs are ranked based on an inverse point system, with weeks at No. 1 earning the greatest value and weeks at No. 100 earning the least. Due to changes in chart methodology over the years, eras are weighted to account for different chart turnover rates over various periods.


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One man has died and six others were hospitalized after attending the Dreamstate music festival in Australia.

The New South Wales Police were patrolling the electronic music event at Sydney Olympic Park on Saturday (Feb. 7), when multiple festival-goers began experiencing what authorities described as “medical episodes,” according to TMZ.

The festival — dubbed online as the “ultimate trance and techno destination” — featured a lineup that included Paul van Dyk, Vini Vici, Gareth Emery, Ben Nicky and Giuseppe Ottaviani. A second day of the event was scheduled to take place at Melbourne’s Flemington Racecourse on Sunday (Feb. 8).

The man who died at the scene in Sydney was reportedly in his 40s and had not been formally identified at press time. Six other people were hospitalized, with one person remaining in critical condition.

A report is being prepared for the coroner.

“A crime scene has been established, and police commenced an investigation into the circumstances surrounding the incident,” the New South Wales Police told People.

Investigators say the man may have suffered cardiac arrest possibly linked to a suspected drug overdose, and police are looking into whether multiple attendees experienced a mass drug overdose during the festival, according to 9News Australia.

During the festival, Dreamstate organizers shared a warning on its Instagram Story from VIC Health, noting that “high-dose MDMA capsules and pills are circulating in Victoria.”

Officials later confirmed there was no pill-testing facility available at the event, according to TMZ.

John Graham, Australia’s Minister for Music and the Night Time Economy, told the Australian Broadcasting Corporation (ABC) that “there was no trial pill-testing facility available at the event.” But he added that a “safety action plan was in place” at the event and followed government rules.

“A range of harm reduction initiatives are in place at festivals, including support and health promotion workers, health messaging, free chilled water, misting fans, chill-out spaces and well-equipped medical services,” a NSW Health spokesperson told ABC.


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Tributes from across the rock world have poured in following the death of Brad Arnold, the frontman of 3 Doors Down, who died Saturday (Feb. 7) at age 47 after a battle with stage 4 kidney cancer.

Arnold’s death was confirmed earlier in the day by the rock group via social media, prompting messages of remembrance from fellow musicians who toured alongside him during the peak of post-grunge and hard rock’s commercial dominance in the early 2000s.

Among the first to publicly pay tribute was Brent Smith of Shinedown, who shared a video message recalling how 3 Doors Down helped his band early in their career.

“You guys were the first band that ever took us out on the road,” Smith said, referencing Shinedown’s opening slot for 3 Doors Down in 2003. “Brad was always kind, always encouraging, and always real.”

He captioned the post: “Thank you for the music. Thank you for the songs. Thank you for your love. Thank you for your friendship, and thank you for inspiring us all. May your light shine through all of time, and space forever.”

Alter Bridge wrote, “Thank you Brad, your friendship was one we will hold close forever. Until we meet again,” Sevendust added, “Rest now brother. Thank you for all you have given us.”

Creed offered a brief note of support — “Sending love to the Arnold and 3DD family” — as Black Stone Cherry remembered Arnold as an early champion, adding, “Brad was always such a top notch, class act to us… Even before we were anything at all — he supported us.”

Mark Tremonti also shared a personal message, calling Arnold “one of the kindest people I’ve ever had the privilege of calling my friend.”

“It is absolutely heartbreaking to realize that you’ll never get to perform or just have a laugh with a friend that you grew up with in the music industry,” Tremonti added.

David Draiman of Disturbed echoed those sentiments, writing: “Brad was always a gentleman, a stellar musician, and a good man. May his memory be a blessing to all who knew and loved him.”

Producer Howard Benson — who has worked across rock radio staples for decades — also paid tribute, writing, “I will always cherish the time we spent together making music and talking about life. RIP Brad.”

Additional tributes came from artists including Seether, Adam Gontier of Three Days Grace, Staind, and more.

Arnold co-founded 3 Doors Down in Escatawpa, Mississippi, and rose to prominence as the voice behind the band’s breakout 2000 single “Kryptonite,” which peaked at No. 3 on the Billboard Hot 100 and helped propel the group’s debut album The Better Life to multi-platinum status. The band went on to score multiple top 10 albums on the Billboard 200 and a string of mainstream rock radio staples throughout the 2000s.

In recent years, Arnold had spoken openly about his cancer diagnosis, sharing updates with fans while continuing to express gratitude for the support he received from the music community.