Phil Wickham banks his sixth leader on Billboard’s Christian Airplay chart as “What an Awesome God” ascends 2-1 on the list dated Aug. 16. During the Aug. 1-7 tracking week, the song increased by 10% to 5.1 million audience impressions.

On Billboard’s Christian AC Airplay chart, the track reigns for a second frame, having upped Wickham’s career count to eight No. 1s.

“What an Awesome God” has become a popular worship anthem, especially in churches. It was written and originally recorded by Rich Mullins, who released it on his album Winds of Heaven, Stuff on Earth, which hit the Top Christian Albums top 10 in April 1989.

For Wickham’s update, released in April, he and Jonathan Smith wrote new verses, combined with Mullins’ original chorus.

On Christian Airplay, “What an Awesome God” follows “The King Is in the Room,” which hit No. 4 in July. Wickham had last led with “Angels (Glory to God)” for two weeks over the 2024 holidays. He earned his first No. 1 with “This Amazing Grace,” which dominated for 10 weeks starting in March 2014.

Words About ‘Words’

Donald Lawrence earns his seventh Gospel Airplay No. 1 as “Words” rises 2-1 (up 6% in plays).

The song is billed as by Donald Lawrence Presents Music + Arts Global featuring Blanche (last name McAllister). Music + Arts Global is a three-day seminar that includes classes and discussions on gospel music, held this past May in Stockholm.

Lawrence last topped the chart with “In Him There Is No Sorrow,” with Twinkie Clark and Yolanda Adams, in April 2024.

Everything’s coming up billions for Miley Cyrus. The singer is celebrating the news that her fifth video has crossed the one billion views mark on YouTube. The latest track to reach that hallowed height is Miley’s 2013 lead Bangerz single “We Can’t Stop,” the party-starting anthem written and produced by Mike Will Made It, P-Nasty and R. City, with additional lyrics from the singer and a sample of Doug E. Fresh’s hip -hop classic “La Di Da Di.”

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The turn-up tune topped out at No. 2 on the Billboard Hot 100 at the time of release, notably blocked from No. 1 by Robin Thicke’s “Blurred Lines” — Cyrus and Thicke would perform a legendarily raunchy, suggestive medley of their respective hit songs at the 2013 MTV Video Music Awards.

Despite some grumbling about the suggestive content of the “We Can’t Stop” clip at the time from critics struggling to wrap their heads around the then-21-year-old Disney star’s transition from kid-friendly pop singer to hip-hop adjacent provocateur, the video blew up right away. It set a record at the time on Vevo for most views in the first 24 hours, then another record after getting hitting Vevo Certified status for 100 million views in just over a month for a visual Billboard described at the time as “subversive, mesmerizing and unhinged.”

The Diane Martel-directed video definitely painted Cyrus in a whole different light. Wearing golden grillz and writhing on a bed in a white bra and hot pants, it finds the singer surrounded by friends who eat sandwiches made out of $100 bills, building french fry skulls, twerking and butt-slapping, pretending to slice off their fingers and dirty dancing with giant teddy bears.

From scenes of Miley in a fishnet bathing suit making out with a doll wearing a similar outfit to the singer smashing a giant beer bottle piñata filled with hot dogs and winking drug references to “dancing with Molly”, the loud and proud debauchery finds its thesis statement in the refrain, “And we can’t stop/ And we won’t stop/ We run things they don’t run we/ Don’t take nothing from nobody.”

Cyrus had previously crossed the one-billion views mark with 2013’s Billboard Hot 100 No. 1 “Wrecking Ball,” as well as 2009’s “Party in the U.S.A.,” 2013’s “23” with Mike WiLL Made-It, Wiz Khalifa and Juicy J and her other No. 1 hit, 2023’s “Flowers.”

Watch the “We Can’t Stop” video below.

Welcome to heartbreak. Kid Cudi and Ye (formerly Kanye West) had a close bond in the late 2000s and well into the 2010s, but that magic is gone. Cudi joined CBS Mornings on Wednesday (Aug. 13), where he discussed his fractured relationship with Yeezy.

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“It’s a sad thing,” Cudi explained. “The freedom we experienced when we were creating, it will just never happen again, and that’s just the heartbreaking side of things.”

The Cleveland rapper said that West left him heartbroken “multiple times.” “Just the code of a friendship,” he added. Kid Cudi even shared they’ve tried to revive their friendship on different occasions, but “[Ye’s] said some things that there’s no coming back from.”

Cudi got specific about how much West’s comments criticizing Virgil Abloh, the late Louis Vuitton designer, after his death irked him.

“The comments that he’s had about Virgil Abloh are just some of the most evil, vile, disturbing, f–ked-up things I’ve heard,” he said. “Every time he took a dig at Virgil, it just made me super angry. Virgil was an angel to everyone.”

While he considered Ye a “really good friend” at one point in their lives, that ship has sailed, as Cudi’s “done” with him now and doesn’t recognize the guy he was once tight with.

“There’s no coming back from that, man,” Cudi continued of his Kids See Ghosts collaborator. “I’m done with you. And it breaks my heart because I loved Kanye. I really loved him. He was part of my life changing and at some point, he was a really good friend, but the man that he has become … I just don’t know that guy anymore. I don’t know him. I don’t know that version of him, and it’s really heartbreaking.”

Ye — who in recent years has faced criticism and consequences for his repeated hate speech — helped usher Cudi to stardom with his contributions to 2008’s 808s & Heartbreak album. A decade later, they finally reunited for a true joint project with 2019’s Kids See Ghosts.

While they had their falling outs and reconciliations in the past — see their memorable reunion on stage in Sacramento in November 2016, for example — the duo appears to be done for good, at least from Cudi’s side.

Cudi’s memoir arrived on Tuesday (Aug. 12), and he’s preparing the release of his Free album on Aug. 22. Watch his full interview with CBS Mornings below.

Country icon George Strait, 1970s rock veterans KISS, Broadway star Michael Crawford, disco queen Gloria Gaynor and actor Sylvester Stallone are the 2025 Kennedy Center Honorees – the first class of honorees since President Donald Trump took over the Kennedy Center in February, firing trustees who had been appointed by President Joe Biden and replaced them with his own picks.

In his first term, Trump never once attended the annual Kennedy Center Honors gala, making him the first president to never attend the event during his term. In announcing this year’s inductees at the Kennedy Center on Wednesday (Aug. 13), Trump also revealed that he will host this year’s show. The show will air on CBS in December. It will mark the first time a president has hosted the show.

Last year’s honorees, the last class to receive the honors under President Biden, were filmmaker Francis Ford Coppola, iconic rock band Grateful Dead, singer-songwriter-guitarist Bonnie Raitt, jazz trumpeter Arturo Sandoval and The Apollo Theater in Harlem, the first venue to receive the honor.

The Kennedy Center Honors were first presented in 1978. The inaugural class consisted of contralto Marian Anderson, dancer-actor-singer Fred Astaire, choreographer George Balanchine, composer Richard Rodgers and pianist Arthur Rubinstein.

While the focus in the early years was on fine arts – heavy on classical and opera – over the decades, it has broadened to also include more popular forms of music. In 1987, B.B. King became the first blues artist to be inducted. Other performers who were the first in their genres to be honored were Roy Acuff for country in 1991, Aretha Franklin for R&B in 1994, Pete Seeger for folk in 1994, Bob Dylan for rock in 1997, Gloria Estefan for Latin music in 2017 and LL Cool J for rap in 2017.

Here’s a quick look at this year’s honorees.

JISOO of BLACKPINK‘s new music video for “Your Love” is everything BLINKs see in their dreams.

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In the hypnotic visual for the South Korean performer’s solo single posted Monday (Aug. 11), she models a pink princess gown while wandering mystical nature landscapes provided by Rainforest Wild ASIA in Singapore, where the video was filmed. “Your love feels like the rain, feels like a song I used to know/
And your love feels like the way there’s only green lights driving home,” JISOO sings as rose petals rain down on her.

The video comes about six months after the K-pop star dropped “Your Love” as part of her AMORTAGE EP. Featuring five tracks total, the project reached No. 11 on the Billboard Top Album Sales chart — marking JISOO’s first solo entry on the listing — while single “Earthquake” peaked at No. 47 on the Billboard Global 200.

JISOO also performs “Your Love” during her solo set each night on BLACKPINK’s ongoing DEADLINE World Tour, which kicked off in early July after more than a year of the group’s members spending time apart to focus on independent projects. LISA, JENNIE and ROSÉ have also been playing solo sets during their shows, which will continue with a run of Asia dates in October and January.

And while JISOO thrived during her solo era with AMORTAGE, she told Billboard back in February that she couldn’t wait to reunite with her bandmates. “Working solo has been an amazing experience,” she said at the time. “But honestly, it can get a little lonely sometimes.”

“Last year, as each member focused on individual activities, we all grew a lot,” she continued. “Now, as we come together for this year, I feel like we’ll be able to return with an even bigger and more spectacular presence.”

Watch JISOO’s new music video for “Your Love” above.

Morgan Wallen is No. 1 again on the fledgling TouchTunes Artists Chart, and for the second quarter of 2025, he was an even more ubiquitous presence on the company’s jukeboxes, racking up 10 appearances between the songs-based Frontline and Catalog rankings as well.

The TouchTunes charts for the second quarter of the year track the most played songs and artists on TouchTunes jukeboxes from April 1 to June 30, with the Frontline ranking inclusive of music released in the last 18 months, followed by the Catalog tally for any music that was released more than 18 months ago. The TouchTunes Artists Chart tracks the same period, combining all of an artist’s plays across both rankings. TouchTunes has jukeboxes in more than 60,000 locations worldwide. Its data is not factored into other Billboard charts.

Wallen claimed the No. 1 spot on the inaugural TouchTunes Artists Chart last quarter (January-March), racking up the most plays by any act those three months. Not only is he tops among all acts again – his 10 appearances are also the most of any artist at one time since the Frontline and Catalog charts began being published every quarter a year ago (representing the second quarter of 2024), exceeding the eight he snagged in the first quarter of 2025.

That’s thanks in part to the release of I’m the Problem, Wallen’s fourth studio album, which was released halfway through the quarter on May 16. The LP, which has reigned on the weekly Billboard 200 chart for 10 of the 12 weeks since its release, accounts for six of the 25 spots on the latest Frontline list, paced by the title track, which leaps nine spots to No. 2 in its second quarter on the survey.

Three of the remaining five songs are debuts (“Just in Case,” No. 8; “I’m a Little Crazy,” No. 16; the Tate McRae-featuring “What I Want,” No. 24), while “Love Somebody” (No. 10) and “Lies Lies Lies” (No. 21) are holdovers from the previous iteration.

Wallen’s other appearances on the latest charts? As the featured act on Post Malone’s “I Had Some Help” (No. 5, Frontline) and via “Whiskey Glasses” (No. 8, Catalog), “Cowgirls” (featuring ERNEST; No. 19, Catalog) and “Last Night” (No. 20, Catalog). The latter is the Catalog ranking’s top debut of the month following multiple quarters on the Frontline tally (it was released in January 2023).

But while Wallen is a formidable presence across the latest TouchTunes charts, one accomplishment eludes him: a No. 1 song. That distinction again goes to Shaboozey’s “A Bar Song (Tipsy)” on the Frontline tally and Chris Stapleton’s “Tennessee Whiskey” on Catalog. Both songs have led every iteration of their respective charts so far.

That said, Shaboozey’s day in the sun (atop the Frontline chart, at least) could be nearing its end. In addition to an obvious time limit (only songs 18 months old and newer are eligible for Frontline, with exceptions given to tracks that may be older but are breaking in the U.S. for the first time), Shaboozey himself drops three positions on the latest Artists tally to No. 5 after debuting at No. 2 on the inaugural list.

He’s passed by Toby Keith (up three spots), Stapleton (up one) and AC/DC (up two). Keith’s “I Love This Bar” concurrently rebounds one place to No. 2 on Catalog, behind Stapleton’s “Tennessee Whiskey” and AC/DC’s “Thunderstruck” appears at No. 18 on Catalog.

Drake and George Strait, meanwhile, are the two debuts on the 10-position list.

On Frontline, Wallen isn’t behind the only newer songs making waves. Jessie Murph’s “Blue Strips” is the quarter’s top debut at No. 7, while Drake’s “Nokia” premieres just outside the top 10 at No. 11.

Other debuts include tunes from Riley Green, BigXthaPlug and The Red Clay Strays on Frontline, plus Def Leppard and Eric Church on Catalog.

For the second quarter in a row, the rock genre accounts for 38% of TouchTunes plays across both Frontline- and Catalog-eligible titles, the most of any genre, ahead of country at 23%. Country, however, makes up 44% of Frontline songs, while rock accounts for 10%.

See all rankings below.

TouchTunes Frontline Chart

  1. “A Bar Song (Tipsy),” Shaboozey (=)
  2. “I’m the Problem,” Morgan Wallen (+9)
  3. “Pink Pony Club,” Chappell Roan (-1)
  4. “I Never Lie,” Zach Top (+1)
  5. “I Had Some Help,” Post Malone feat. Morgan Wallen (-1)
  6. “You Look Like You Love Me,” Ella Langley feat. Riley Green (=)
  7. “Blue Strips,” Jessie Murph (debut)
  8. “Just In Case,” Morgan Wallen (debut)
  9. “Not Like Us,” Kendrick Lamar (-5)
  10. “Love Somebody,” Morgan Wallen (-3)
  11. “Nokia,” Drake (debut)
  12. “Beautiful Things,” Benson Boone (-4)
  13. “Messy,” Lola Young (+3)
  14. “Luther,” Kendrick Lamar with SZA (-4)
  15. “Worst Way,” Riley Green (debut)
  16. “I’m a Little Crazy,” Morgan Wallen (debut)
  17. “Too Sweet,” Hozier (-5)
  18. “All the Way,” BigXthaPlug feat. Bailey Zimmerman (debut)
  19. “Wondering Why,” The Red Clay Strays (debut)
  20. “4x4xu,” Lainey Wilson (-2)
  21. “Lies Lies Lies,” Morgan Wallen (-8)
  22. “TV Off,” Kendrick Lamar feat. Lefty Gunplay (-13)
  23. “Die With a Smile,” Lady Gaga & Bruno Mars (-6)
  24. “What I Want,” Morgan Wallen feat. Tate McRae (debut)
  25. “Whatchu Kno About Me,” GloRilla feat. Sexyy Red (-10)

TouchTunes Catalog Chart

  1. “Tennessee Whiskey,” Chris Stapleton (=)
  2. “I Love This Bar,” Toby Keith (+1)
  3. “Lose Control,” Teddy Swims (-2)
  4. “Friends in Low Places,” Garth Brooks (=)
  5. “Neon Moon,” Brooks & Dunn (=)
  6. “Simple Man,” Lynyrd Skynyrd (+2)
  7. “I Think I’ll Just Stay Here and Drink,” Merle Haggard (=)
  8. “Whiskey Glasses,” Morgan Wallen (+6)
  9. “Drinkin’ Problem,” Midland (+1)
  10. “Copperhead Road,” Steve Earle (=)
  11. “Rockstar,” Nickelback (+2)
  12. “Family Tradition,” Hank Williams Jr. (+4)
  13. “Don’t Stop Believin’,” Journey (-2)
  14. “Fat Bottomed Girls,” Queen (-5)
  15. “Brown Eyed Girl,” Van Morrison (-3)
  16. “The Joker,” The Steve Miller Band (+1)
  17. “Sweet Child o’ Mine,” Guns N’ Roses (+3)
  18. “Thunderstruck,” AC/DC (+1)
  19. “Cowgirls,” Morgan Wallen feat. ERNEST (-4)
  20. “Last Night,” Morgan Wallen (debut, has previously appeared on the Frontline chart)
  21. “Higher,” Creed (-3)
  22. “In the Air Tonight,” Phil Collins (=)
  23. “Something in the Orange,” Zach Bryan (-2)
  24. “Pour Some Sugar on Me,” Def Leppard (debut)
  25. “Drink in My Hand,” Eric Church (debut)

TouchTunes Artists Chart

  1. Morgan Wallen (=)
  2. Toby Keith (+3)
  3. Chris Stapleton (+1)
  4. AC/DC (+2)
  5. Shaboozey (-3)
  6. Lynyrd Skynyrd (+2)
  7. Zach Bryan (=)
  8. Drake (debut)
  9. Luke Combs (+1)
  10. George Strait (debut)

Tory Lanez has lost two of his appeals seeking to overturn his convictions for shooting Megan Thee Stallion, with judges rejecting his argument that the gun allegedly used in the crime had gone “missing.”

In a pair of rulings on Tuesday, a California appeals court denied two so-called habeas corpus petitions filed by Lanez’s attorneys challenging the his felony convictions over the 2020 incident, in which the singer shot Megan in the foot during a drunken argument.

Among other arguments, Lanez claimed in his petitions that key pieces of evidence — including the gun used in the shooting and bullet fragments removed from Megan’s foot — had not been made available to defense attorneys, violating his due process rights.

But in one of Tuesday’s rulings, the appeals court cited a response from prosecutors that said the gun was still simply sitting at the Los Angeles Police Department. And the court said testing it again for DNA evidence would have made no difference to the case.

“Petitioner has failed to [show] that additional DNA testing would establish a claim of actual innocence,” the court wrote. “Both parties’ experts at trial agreed that DNA testing of the magazine showed none of petitioner’s DNA was present, and as to the gun itself the inconclusive findings could neither exclude nor include petitioner as a minor contributor to the DNA found on the gun.”

The court also rejected arguments that prosecutors violated Lanez’s rights by failing to collect a DNA sample from Kelsey Harris – a friend of Megan who Lanez’s lawyers suggested at trial had actually pulled the trigger. “Petitioner essentially concedes that such a claim is ineffectual,” the appeals court wrote. “The prosecution does not have a duty to collect evidence helpful to the defense.”

Tuesday’s rulings are the not the end of the road for Lanez. His direct appeal of his convictions, in which his lawyers have called the guilty verdict a “a miscarriage of justice,” remains pending before the same appeals court. A live hearing for oral arguments is scheduled for next week, with a ruling at some point in the months ahead.

Lanez (Daystar Peterson) was convicted in December 2022 on three felony counts over the violent 2020 incident, in which he shot at the feet of Megan (real name Megan Pete) during an argument following a pool party at Kylie Jenner’s house in the Hollywood Hills. According to prosecutors, when Megan got out of the vehicle and began walking away, Lanez shouted “Dance, bitch!” and fired a gun at her feet. In August 2023, he was sentenced to 10 years in prison.

In addition to arguments about evidence and DNA, Lanez’s team has offered up testimony from Bradley James, a bodyguard for Harris, that he overheard Harris say that she fired the gun. But in Tuesday’s decisions, the appeals court said Lanez “offers no explanation” why such testimony was submitted in July 2025 “on the eve of oral argument.”

“To the extent petitioner asserts the James affidavit constitutes new evidence, the petition is untimely, and petitioner fails to explain and justify the significant delay in seeking habeas corpus relief on this basis,” the court wrote.

There are very few artists who can make everyone from X and Target to RuPaul’s Drag Race drop what they’re doing and rush out a response to an album announcement. Actually, only one, honestly.

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So there we were on Tuesday (Aug. 12), watching brands including the Olive Garden, FedEx, YouTube, Elmo, McDonald’s United Airlines, the City of Las Vegas, Lasik and Duolingo Brasil all reacting to Taylor Swift‘s announcement of her 12th album, The Life of a Showgirl by scrambling to get up pumpkin-hued memes to react to the color scheme for the singer’s upcoming era.

The news was so breathlessly received that even seemingly polar opposite entities such as X and RuPaul’s Drag Race just had to weigh in, with Elon Musk’s social media platform writing “New Profile Pic” along with its X logo remade in bedazzled orange, while RuPaul’s show high-kicked into the showgirl of it all with a clip of a contestant Bosco doing a fan dance.

National chains couldn’t resist either, as United Airlines tweeted, “Okay, finally calmed down enough to post something,” along with a jet taking off through flaked pumpkin skies and Shake Shack wrote, “Felt appropriate today” along with a shot of an orange drink. Buffalo Wild Wings teased “something hot coming 8.20.25” over a snap of a golden wing sitting atop their newly gingered logo and FedEx joked, “don’t mind us we’re just tidying up here #NewProfilePic” over, of course, their logo on top of the Showgirl color scheme.

Walmart wrote “a girl can dream [orange heart emoji] along with an image of an orange display titled “fingers crossed for 8/13” and the sign above reading “next era,” with cheekily named Swift-coded aisles 1989, 13, 22 and 87 in the background. While they didn’t directly name Swift, Cinnabon posted a tangerine frosted sticky bun with the message, “from now on when i send content to my boss im sending this and it will unlock when they give me a compliment.”

Google celebrated with a search result that brought on a rain of orange confetti and snippets of Swift lyrics, Olive Garden quipped that “she’s giving carbs, couture, and confetti. Consider this our official album cover prediction,” over a PhotoShopped snap of a breadstick wearing a showgirl outfit — with Fedex commenting “she’d look even better in purple and orange boots” — and Crumbl cookies promised, “see you next era” along with an orange flake square with the message “The Life of a Crumbl Girl” also in the Taylor next era hue.

Though he’s usually obsessed with counting licks, Tootsie Pops mascot Mr. Owl wondered, “Anyone else craving Orange today?” over a pic of a package or orange lollipops, while the Minions movie franchise posted “the life of a showgirl” along with a screengrab of one of the jabbering animated character sporting a Carmen Miranda-like showgirl fruit hat. Even Sesame Street‘s Elmo couldn’t resist, with an adorable post of the Muppet wearing headphones with a google-eyed number 12 above his head on an orange background and the message, “Elmo is ready for it! Are you? [orange heart emoji].”

Given Taylor’s NFL ties via Kansas City Chiefs boyfriend Travis Kelce, it wasn’t a surprise that some sports franchises took a dip into the TS 12 publicity pool as well. The Cleveland Browns posted a take on the album art teaser via an LP sleeve with their orange helmet logo — newly flaked in Swift’s honor — and the Arrow McLaren IndyCar Team wrote “to those who celebrate” above side-by-side snaps of Swift in a swirl of orange next to similarly hued driver Kyle Larson.

And you know Kansas City showed up, with Union Station KC celebrating KC Swifties through Sunday with a new TS12 photo op at its Grand Hall featuring a giant light-up TS12 logo surrounded by orange balloons. San Antonio also got in on the action, writing “new era, same river” above a PhotoShopped image of a river cruise on the orange-tinted San Antonio River.

There are so many more it’s hard to count, though some were collected by fans who cataloged homages from Threads, McDonald’s, Cincinnati’s Skyline Chili, the Las Vegas tourism bureau, Netflix, Lasik, Duolingo Brasil, the Pittsburgh Penguins and many more.

At press time no additional information was available about the singer’s follow-up to 2024’s The Tortured Poets Department, though it’s expected she’ll reveal more when she appears on the Kelce brother’s New Heights podcast on Wednesday (Aug. 13).

Eminem is never one to back down from a rap challenge, and after being called out by LL Cool J’s Rock The Bells platform on X, Slim Shady delivered.

Rock The Bells sent over a message claiming that nothing in the English dictionary rhymes with “silver,” and Em responded with a verse starting with just that word, and continued to put together a freestyled verse.

The effortless bars included plenty of random name-drops, ranging from comic Bill Burr to Super Bowl-winning quarterback Trent Dilfer and a reference to his Stans documentary.

“Silver pilfer kill fer Gilbert’s still hurts steel shirts Bill Burr milf word off kilter no filter chill brrrr feel burn still slur will stir Trent dilfer Val kilmer Still third shield her he’ll squirt Steven Spielberg Lil twerp Wilshire She’ll purr Kill birds milk curd feel worth Real nerd Stans documentary I liked your film sir,” he wrote to X.

Fans were impressed with Em’s dexterity. “My goat can make anything rhyme,” one person replied, while another said, “Bro’s a walking dictionary.”

Slim Shady is still keeping his mind and pen sharp these days. He reunited with JID for “Animals, Pt. 1” in July as part of the Atlanta rapper’s GDLU preluxe. Eminem also released his Stans documentary, which hit theaters over the weekend. Earlier in August, he popped out at the NYC premiere of the doc to speak to fans.

“Let me tell you why this s–t is crazy to me,” he said in a video of his remarks posted by Shady Media. “Because, when I was writing the song ‘Stan,’ I think I was just understanding the impact that my music was having on some people. And it’s so crazy to me to look at, over my career, just the fact that I was able to impact people.”

Check out Em’s rhyme and the challenge posted to X below:

Rauw Alejandro has been named the 2025 Hispanic Heritage Award honoree for Vision — a recognition that celebrates his “groundbreaking contributions to Latin music and his role in shaping its global future,” according the press release. The ceremony — which takes place on Sept. 4 at the Warner Theater in Washington, D.C — will air on PBS.

“As an artist in constant motion, Rauw Alejandro embodies the very essence of the Vision Award, bold in creativity, future-focused in his global impact and unapologetically original in everything he does,” said Hispanic Heritage Foundation president/CEO Antonio Tijerino in a statement. “His work is not just music, it’s a movement that confirms what Latin artists mean to the world.”

Rauw Alejandro added, “During this month of celebration, I’m filled with pride to keep elevating our story and our vibe from a special place. Thank you for this Vision Award at the Hispanic Heritage Awards. It’s an honor to join the list of incredible creatives who have received this recognition.”

In his statement, the hitmaker also revealed the title of his next album — Cosa Nuestra: Capítulo 0. Discussing the project, the superstar expressed his pride in representing Puerto Rico and the Caribbean through his work. “‘Cosa Nuestra’ has always been my way of representing my island, my culture and my people — wherever they may be,” he said. “Every detail — the beats, the visuals, the dancing — reflects part of our Puerto Rican roots and our connection with other sister cultures, because we’ve been shaping the history of music for a long time.”

“With my next project ‘Capítulo 0.’ I want to keep showcasing not only Puerto Rico, but the full essence of the Caribbean,” Rauw Alejandro continued.

The Vision Award follows the success of his critically acclaimed fifth studio album, Cosa Nuestra, released in November 2024. It earned the No. 1 spot on Billboard‘s Best Latin Albums of 2024, Ranked, and also reached the summit of the Top Latin Albums chart while entering the all-genre Billboard 200 at No. 6.

This year, the artist has stayed busy, releasing a series of hit singles, including “Buenos Términos” and “Carita Linda.” The latter soared to No. 1 on Billboard‘s Latin Airplay Chart, marking Rauw Alejandro’s third solo chart-topper and his 12th career No. 1.

HHA’s past honorees have included Celia Cruz, Bad Bunny, Tito Puente, Gloria Estefan, Ricky Martin, Fania All-Stars, José Feliciano, Carlos Vives, Alejandro Sanz, Juanes, Juan Luis Guerra, J Balvin and Los Tigres Del Norte.