California Gov. Gavin Newsom has officially declared Feb. 8 “Bad Bunny Day” across the state, coinciding with Bad Bunny’s upcoming Super Bowl LX halftime performance in Santa Clara.
“I am declaring tomorrow in California as ‘Bad Bunny Day’ when Bad Bunny performs at the big game in the Golden State with his soothing, beautiful voice, and his very nice looks,” Newsom said via X on Saturday.
Newsom later amplified his support with a tongue-in-cheek follow-up message, describing himself as “a tremendous lover of the Spanish” and “a huge fan of Puerto Rico,” before adding, “We love Bad Bunny! He is nearly as ‘hot’ as me — which is a big compliment, because there is nobody hotter. Happy Bad Bunny Day, America.”
Support also came from Tim Cook, who praised the artist on social media ahead of the game in a selfie with the singer to social media.
Bad Bunny, born Benito Antonio Martínez Ocasio, is set to deliver an all-Spanish halftime performance at Levi’s Stadium during Super Bowl LX, marking one of the most prominent Spanish-language showcases in the event’s history.
The appearance follows a landmark year for the Puerto Rican artist, who recently won Album of the Year at the 2026 Grammy Awards, becoming the first artist to claim the prize with a Spanish-language album.
Speaking earlier this week to Access Hollywood’s Scott Evans about his approach to the halftime show, Bad Bunny said, “I just want to be there. I’m just ready to do it. I want to feel it. I want people to watch it and enjoy it.”
The designation of “Bad Bunny Day” also arrives amid heightened political attention around the halftime performance. In recent public remarks, Bad Bunny has spoken out on immigration and identity, including a statement delivered at the Grammys in Los Angeles on Feb. 1, where he said, “ICE out… We’re not savage, we’re not animals, we’re not aliens — we are humans, and we are Americans.”
Apple Music, which has sponsored the Super Bowl halftime show since 2023, continues its partnership with the NFL and Roc Nation, the Jay-Z-founded company responsible for selecting halftime performers. The collaboration has emphasized global and multicultural reach in recent years, with Bad Bunny’s selection reflecting the NFL’s expanding Spanish-language audience.
Super Bowl LX kicks off Sunday, Feb. 8, at 6:30 p.m. ET / 3:30 p.m. PT. The game and halftime show will air on NBC, stream on Peacock, and be available via Spanish-language broadcasts on Telemundo and Universo.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-08 06:05:582026-02-08 06:05:58‘Bad Bunny Day’ Officially Declared in California for Super Bowl Weekend
The Backstreet Boys bring a fun, reimagined version of “I Want It That Way” to T-Mobile’s 2026 Super Bowl commercial, which they filmed in New York City with a snowstorm looming.
Related
Backstreet Boys Warm Up to Sing on TV for Super Bowl Sunday in New Ad Teaser: ‘We’re So Back’
Inside the 2026 Super Bowl Parties: J Balvin, Diplo, Green Day & More
Bad Bunny Ahead of Super Bowl: ‘I’m Just a Normal Guy That Makes Music’
“We were hit with the winter storm right at the exact same time we were supposed to start filming,” BSB’s Nick Carter revealed in an interview with Billboard’s Tetris Kelly, noting, “There was a lot of adjustments that were being made at the time because we were supposed to do a two-day shoot.”
That two-day schedule was condensed into one long day on set in the city at T-Mobile’s store in Times Square, where Carter says the temperature dropped to about six degrees, with snow imminent: “There’s a state of emergency basically in the city … The inside of the store was freezing. So every time that they opened the door it was like a wind tunnel, or like a refrigerator.”
As Carter shared, “It was a lot of fun, but it was also a lot of work — good work. Producers were incredible. Everybody had a lot of fun. Everybody was really creative.” He added that the group and the commercial’s production team bounced ideas off of each other, while bandmate Kevin Richardson chimed in, “It was a great collaboration.”
Billboard has a backstage look at the Backstreet Boys’ T-Mobile commercial shoot, premiering in the bloopers clip and the behind-the-scenes video below.
The commercial was created in partnership with Panay Films, with a 60-second spot scheduled to air during the second quarter of the game on Super Bowl Sunday (Feb. 8).
“This spot is about asking Americans to pause and think about what their wireless provider actually does for them,” said Lucy McLellan, chief brand and communications officer at T-Mobile, in a statement about the ad. “We believe people deserve more than just a connection — they deserve more benefits, more transparency and a better overall experience — and that’s what sets T-Mobile apart. Bringing the Backstreet Boys back was a fun way to put a fresh twist on an iconic song and bring that message to life on the biggest stage in the world. The takeaway is simple: it’s better over here.”
The in-store event had something like 50 extras present, the Backstreet Boys said: customers — and, clearly, BSB fans — at the T-Mobile store.
Druski and Pierson Fodé are also featured in the spot, which was directed by Steve Pink and produced by creative team Andrew Panay, Brian Klugman and Nate Tuck, with Kevin Anderson as editor.
Also among the talent was a young actor who was a pro through a commercial shoot that went late into the night due to the weather-adjusted timeline, AJ McLean recalled; her moment was opposite Machine Gun Kelly, who makes a comedic cameo at the end of the ad: “We knew that MGK had not started filming yet, and we had wrapped close to 2 a.m. and he hadn’t even started filming his bit yet,” McClean said. “So that means that little girl was probably there at, like, three in the morning … But everybody, from the extras to crew, they just kept the ball rolling.”
Ahead of getting on set, the Backstreet Boys put in time in the studio to record some new, funny lyrics to “I Want It That Way,” written specifically for the T-Mobile commercial.
“We recorded several different versions of the different takes and the lyrics,” Howie Dorough shared.
Watch T-Mobile’s Super Bowl commercial with the Backstreet Boys below, followed by Billboard‘s premiere of their bloopers and a behind-the-scenes video of the group’s on-set experience.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-08 03:47:342026-02-08 03:47:34Backstreet Boys Share Bloopers, Behind-the-Scenes Video From T-Mobile Super Bowl Commercial
Amid Rock the Country’s lineup disruptions this week — with artists including Shinedown, Ludacris, Morgan Wade and Carter Faith making exits — the festival’s July 25-26 weekend in Anderson, S.C., is no longer on the schedule.
Related
Bad Bunny Is Playing the Super Bowl Halftime Show: Can We All Just Shut Up and Dance?
Kid Rock Promises His Turning Point Halftime Show Will Be For People Who ‘Love Football, Love America, Love Good Music and Love Jesus’
Shinedown Pulls Out of Rock the Country Festival: ‘Our Band’s Purpose Is to Unite, Not Divide’
The South Carolina stop originally announced as part of an eight-city trek has been removed from Rock the Country’s website. Billboard reached out to a representative for Rock the Country for comment.
Anderson County administrator’s was informed of the event being called off on Feb. 5, reports the Greenville, S.C., publication The Post and Courier. No specific reason for the cancellation was stated.
As of Saturday (Feb. 7), the tour’s seven other stops remain on its schedule: Bellville, Texas (May 1-2); Bloomingdale, Ga. (May 29-30); Sioux Falls, S.D. (June 27-28); Ashland, Ky. (July 10-11); Hastings, Mich. (Aug. 8-9); Ocala, Fla. (Aug. 28-29) and Hamburg, N.Y. (Sept. 11-12).
Rock the Country’s lineup varies by date, with Kid Rock, Jason Aldean, Blake Shelton, Jelly Roll, Brooks & Dunn, Riley Green, Miranda Lambert, Hank Williams Jr., Ella Langley, Lynyrd Skynrd, Jon Pardi, Brantley Gilbert and dozens more artists set to perform throughout the tour.
Shinedown, who pulled out of the festival on Feb. 6, was one of the acts booked to perform at the South Carolina dates. The band opted to drop out after receiving backlash from fans for participating in the festival.
While event organizers have not explicitly stated any political affiliation, headlining performers Aldean and Kid Rock have both been vocal supporters of President Donald Trump. Kid Rock and Brantley Gilbert are appearing at Turning Point USA’s upcoming “All-American” alternative halftime show, set to broadcast opposite the NFL’s official Super Bowl Halftime Show starring Puerto Rican superstar Bad Bunny, whose Debí Tirar Más Fotos was recently the first all-Spanish album to win album of the year at the Grammy Awards.
“Shinedown is everyone’s band. We feel that we have been given a platform to bring all people together through the power of music and song. We have one boss, and it is everyone in the audience. Our band’s purpose is to unite, not divide. With that in mind, we have made the decision that we will not be playing the Rock the Country festival,” Shinedown said in a statement posted on its social media pages on Feb. 6.
The group stated, “We know this decision will create differences of opinion. But we do not want to participate in something we believe will create further division.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-08 01:36:112026-02-08 01:36:11Rock the Country’s South Carolina Stop Canceled After Several Artists Exit Tour
Green Day’s Billie Joe Armstrong delivered a pointed political message during the band’s pre‑Super Bowl concert in San Francisco.
During the punk-rock trio’s Friday (Feb. 6) performance at The FanDuel Party Powered by Spotify 2026 at Pier 29, Armstrong urged ICE agents to consider a different career path ahead of Sunday’s (Feb. 8) big game between the Seattle Seahawks and the New England Patriots.
Related
Donald Trump Berates Bad Bunny, Green Day Ahead of Super Bowl Performances: ‘I’m Anti-Them’
Bad Bunny Is Playing the Super Bowl Halftime Show: Can We All Just Shut Up and Dance?
Green Day’s Billie Joe Armstrong Pledges Support For ‘Brothers and Sisters in Minnesota’ Amid Ongoing ICE Immigration Raids
“Quit your s—ty ass job. Quit that shitty job you have,” the frontman told the crowd. “Because when this is over, and it will be over at some point of time, Kristi Noem, Stephen Miller, JD Vance, Donald Trump — they’re gonna drop you like a bad f—king habit. Come on to this side of the line.”
Armstrong’s remarks appeared aimed at ICE agents who might be in the Bay Area for Super Bowl LX, where Bad Bunny will perform during halftime at Levi’s Stadium in Santa Clara, California.
In addition to his comments, Armstrong altered the lyrics of opener “American Idiot” to sing, “I’m not part of a MAGA agenda,” and referenced Jeffrey Epstein by changing the words of “Holiday” from “the representative from California has the floor” to “the representative from Epstein Island has the floor.” The lyric comes amid the release of new Department of Justice documents related to Epstein.
Green Day is also set to launch Super Bowl LX with a pre-game opening ceremony performance of “their most iconic rock anthems,” the NFL said in mid-January. The ceremony will celebrate MVPs and 60 years of Super Bowl history.
This isn’t the first time the East Bay band has spoken out against President Donald Trump and his administration. Green Day has put the Trump administration on blast for nearly a decade, dating back to the American Music Awards in 2016, when they led a chant of “No Trump, no KKK, no fascist U.S.A.”
Most recently, Armstrong expressed his disdain at the band’s Jan. 17 concert in Los Angeles, altering lyrics in American Idiot to denounce “the MAGA agenda.” During Holiday, he voiced support “to our brothers and sisters in Minnesota” amid Trump’s aggressive immigration policies and ICE raids in Minneapolis. He told the crowd at the Kia Forum, “This song is anti-fascist. This song is anti-war.”
Green Day and Bad Bunny’s booking for this year’s Super Bowl drew criticism from Trump. “I’m anti-them. I think it’s a terrible choice. All it does is sow hatred. Terrible,” he said, according to the New York Post.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-07 21:35:462026-02-07 21:35:46Green Day’s Billie Joe Armstrong Encourages ICE Agents to ‘Quit That S—ty Job’ at Super Bowl Pre-Show
The Bay Area filled up with celebrities from every industry for the 2026 Super Bowl, set to take place at Levi’s Stadium on Sunday (Feb. 8) — and music stars were not the exception.
As spectators gear up for the New England Patriots and Seattle Seahawks game that includes a historic headlining Super Bowl halftime show by Bad Bunny, many parties took place across San Francisco leading up to the big event.
Billboard was present at many invite-only events, including the FanDuel Party Powered by Spotify that featured two rocking performances by Counting Crows and Green Day. The latter — formed by Billie Joe Armstrong, Mike Dirnt and Tré Cool — is set to kick off this year’s Super Bowl opening ceremony with “their most iconic rock anthems,” the NFL previously announced. genr
Meanwhile, Apple Music, which is presenting the halftime show this year, kicked off the weekend with a celebration at Apple Union Square that included special guests such as J Balvin, Becky G, Diplo, Travis Scott and Luis Fonsi, as well as a set by Bad Bunny’s official touring deejay, DJ Orma.
“I just want people to have fun,” Bad Bunny said during a press conference ahead of his big show on Sunday. “It’s going to be a huge party, what people can always expect from me,” he noted. “Of course, a lot of my culture. I don’t want to give any spoilers, but it’s going to be fun! I know I said people have four months to learn Spanish, but no, just come ready to dance.”
Below, check out photos from this year’s Super Bowl parties.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-07 21:17:252026-02-07 21:17:25Inside the 2026 Super Bowl Parties: J Balvin, Diplo, Green Day & More
Brad Arnold, a founding member and lead singer of 3 Doors Down, has died following a battle with cancer. He was 47.
The musician passed away peacefully in his sleep on Saturday (Feb. 7), surrounded by his wife, Jennifer, and loved ones, the Mississippi-based rock band wrote on its official Instagram page.
Related
Gone But Not Forgotten: Musicians We Lost in 2026
3 Doors Down Singer Brad Arnold Reveals Stage 4 Kidney Cancer Diagnosis: ‘I Have No Fear’
Ludwig Göransson, ‘Golden’ & More Win at 2026 Society of Composers & Lyricists Awards: Full List
“As a founding member, vocalist, and original drummer of 3 Doors Down, Brad helped redefine mainstream rock, blending post-grunge accessibility with emotionally direct songwriting and lyrical themes that resonated with everyday listeners,” the band wrote in a statement.
3 Doors Down announced in May 2025 that Arnold had been diagnosed with stage 4 kidney cancer and that the band would cancel its summer tour. In a video posted to social media at the time, Arnold shared the news himself, noting that he was battling clear cell renal cell carcinoma, which had spread to his lungs.
“I have no fear. I really, sincerely am not scared of it at all,” the singer said, emphasizing that he had been leaning on his faith during the medical battle. He also asked fans for their prayers. “I’d love for you to lift me up in prayer any chance you get. And I think it’s time for me to go and listen to ‘It’s Not My Time’ a little bit.”
During its early-2000s heyday, 3 Doors Down scored 10 Billboard Hot 100 chart hits, including three top 10s: 2000’s “Kryptonite” (No. 3), 2003’s “When I’m Gone” (No. 4), and 2003’s “Here Without You” (No. 5). The band also had two No. 1 albums on the all-genre Billboard 200 chart: Seventeen Days (2005) and the self-titled 3 Doors Down (2008).
Arnold earned three Grammy nominations for his work with 3 Doors Down: best rock song for “Kryptonite” and “When I’m Gone,” and best rock performance by a duo or group with vocal for “When I’m Gone.”
In its Instagram post, 3 Doors Down wrote that Arnold was a “devoted husband to Jennifer, and his kindness, humor, and generosity touched everyone fortunate enough to know him. Those closet to him will remember not only his talent, but his warmth, humility, faith, and deep love for his family and friends.”
The rock community flooded 3 Doors Down’s comments section, sharing their condolences. Alter Bridge wrote, “Thank you Brad, your friendship was one we will hold close forever. Until we meet again,” Sevendust added, “Rest now brother. Thank you for all you have given us.” And Creed commented, “Sending love the Arnold family and 3DD family,”
See 3 Doors Down’s full announcement about Arnold’s death on Instagram here.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-07 20:15:382026-02-07 20:15:38Brad Arnold, 3 Doors Down Lead Singer, Dies at 47 After Cancer Battle
Lana Del Rey is giving fans an update on music from her long-delayed country album.
On Saturday (Feb. 7), the 40-year-old singer-songwriter took to social media to tease the title and release date of her “favorite” track from the upcoming project, Stove.
Related
Lana Del Rey Announces New Album ‘Lasso’
Ludwig Göransson, ‘Golden’ & More Win at 2026 Society of Composers & Lyricists Awards: Full List
Bad Bunny Ahead of Super Bowl: ‘I’m Just a Normal Guy That Makes Music’
“I just wanted to make a little message and let you know that my new single, my favorite song [from the new album] — this is the one I’ve been waiting for,” Del Rey said in a video shared to her Instagram Story.
“’White Feather Hawk Tail Deer Hunter’ is coming out on the 17th,” she added, without specifying the month, though it’s presumably February.
The songstress noted that she worked on the track with producers Drew Erickson and Jack Antonoff, who “finally found that magical chord that I was missing.” The song was co-written with her husband, Jeremy Dufrene, her brother-in-law, and her sister Caroline “Chuck” Grant, with mixing handled by Dean Reid and Laura Sisk.
“There’s so many bits and phrases thrown in by other people,” Del Rey said in the black-and-white clip.
She also revealed that a music video for “White Feather Hawk Tail Deer Hunter” has already been made.
“We made the video, like just ourselves,” she said. “But still, it takes hours and hours of editing and downloading, uploading — all that.”
As for her upcoming 10th album, Del Rey suggested it could arrive in the next few months.
“I know, you’re asking about the record,” she said. “But honestly, soon. ‘Cause vinyl takes three months, so three months plus two weeks. It could be give or take a bit less than that.”
Del Rey first teased her country album in January 2024 at the Billboard x NMPA Songwriter Awards, announcing that it would be titled Lasso and set for a September 2024 release. “We’re going country!” she declared. “It’s happening.”
She released the album’s first single, “Henry, Come On,” in April 2025, at which point the set’s title had changed to The Right Person Will Stay. Originally scheduled for release in May, Del Rey postponed the set and later renamed the album Stove.
“They were more autobiographical than I thought, and that took more time,” she told W in August 2025, when the album was pushed to this year.
“The majority of the album will have a country flair. Eight years ago, when I was looking to make a country record, no one else was thinking about country. Now everyone is going country! I’ve asked myself, Should I retire all my snakeskin boots? Should I put my cowboy hats in storage?”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-07 19:20:442026-02-07 19:20:44Lana Del Rey Teases Release Date for New Single, Credits Husband Jeremy Dufrene as a Co-Writer
I’m going to wager that no other Super Bowl Halftime Show artist in history has garnered as much chatter, opinion, controversy or opinion pieces as Bad Bunny, who will perform on Sunday (Feb. 8) at the final between the Seattle Seahawks and the New England Patriots in Santa Clara, California.
Related
Let’s Stop Pretending Politics Is the Reason People Are Angry About Bad Bunny’s Super Bowl Halftime Set
Bad Bunny’s Super Bowl LX Halftime Show: Our Dream Setlist
How to Watch Super Bowl LX & Bad Bunny’s Halftime Show Online for Free
Every media outlet in the country seems to have a point of view: Is his performance a political statement? A cultural statement? An act of defiance? An act of disrespect toward this most venerable American sports tradition? A Latino power move? A Puerto Rican power move? In the past few weeks, I’ve received dozens of emails offering the opinion of industry leaders, hospitality executives, CEOs, entertainment figures, data companies and, in a twist, countless Latino and Puerto Rican university professors and PhDs touted as sage talking heads.
The opinions on Bad Bunny tend to fly fast and furious or high and lofty. In my entire time covering Latin music, I’ve never encountered such a plethora of “experts” on any artist, much less one that most have almost certainly never met, much less interviewed (shout out, however, to professors Vanessa Díaz and Petra R. Rivera-Rideau, who authored the excellent P FKN R: How Bad Bunny Became the Global Voice of Puerto Rican Resistance (Duke University Press).
“I’m just a normal guy that makes music,” Bunny said in an interview Friday with Access Hollywood’s Scott Evans. “I want people to feel happiness and joy. I want to make people dance. I want to make them feel proud and think that everything is possible.”
As transparent as that statement is, pundits are stuck on the fact that last summer, in an interview with i-D Magazine, Bunny said he wasn’t touring the U.S. for now because he had done so in the past, but that the possibility of ICE agents targeting his fans was a factor.
“There were many reasons why I didn’t show up in the U.S., and none of them were out of hate — I’ve performed there many times. All of [the shows] have been successful. All of them have been magnificent.” He added, “But there was the issue of — like, f—king Ice could be outside [my concert].”
Is that really a political statement? Last week’s NPR/PBS News/Marist poll found that 65% of Americans — that’s two-thirds of the country — say Immigration and Customs Enforcement has “gone too far,” an 11 point increase since last summer, when Bunny first mentioned the agency. In other words, the Puerto Rican star voiced what the majority of the country feels.
When Bunny picked up his Grammy award for album of the year this past Sunday (making history with the first all Spanish album to win the category), he gave a beautiful acceptance speech focused on pride and Puerto Rico, and punctuated at the very end with an “ICE out.” Again, is that really a political statement, in the wake of the fatal shooting of two U.S. citizens in Minnesota at the hands of ICE?
No. It’s common sense and decency.
Beyond that, however, I’ve said it before and I’ll say it again: Bad Bunny’s upcoming performance has many up in arms because he will sing only in Spanish, the language he’s always performed in and the language that’s made him the most-streamed music artist in the world on Spotify. And yet, in this country, many still see Spanish — which is also my native tongue — as the language of poor immigrants, of foreigners, of less-than.
Bad Bunny’s popularity does not stem from politics. It comes from making catchy, hooky, well-crafted songs that stem from a place of honesty and consistency in message that appeal to the masses, regardless of language and regardless of origin. In fact, when he recorded Debí Tirar Más Fotos, the album that propelled him to the Super Bowl and to his historic Grammy win, he wasn’t aiming for international recognition.
“I said, ‘I’m going to make an album from Puerto Rico, for Puerto Ricans,” he told me during an interview in August. “I didn’t think it would transcend so much. I genuinely didn’t care if this album was heard in this country or that country. I was happy to have it be successful in Puerto Rico.”
But with its irresistible beats, punctuated by traditional Puerto Rican rhythms and instrumentation, Debí Tirar struck a chord, becoming a global invitation to dance and celebrate. What else could be more in keeping with the spirit of the Super Bowl?
On Sunday, when Bad Bunny takes the stage, let’s stop for 30 minutes with the sermons and the politics and the lofty opinions. Let’s just shut up and dance.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-07 18:21:132026-02-07 18:21:13Bad Bunny Is Playing the Super Bowl Halftime Show: Can We All Just Shut Up and Dance?
The Winter Olympics of Milano Cortina 2026 are the major event that perpetuates Milan’s renewed international momentum, which began more than a decade ago with Expo 2015. They are also a strategic opportunity for Italy in a geopolitical context where international relations are rapidly changing and are also at stake in symbolic events such as sporting ones, as well as in the host country’s ability to manage them at best.
Related
Mariah Carey Nails Italian Rendition of ‘Volare’ & ‘Nothing Is Impossible’ at Olympics Opening Ceremony
How to Watch the 2026 Winter Olympics Online for Free and Without Cable
Laura Pausini Sings at Opening Ceremony of 2026 Winter Olympics & More Uplifting Moments in Latin Music
This is why on Friday night (Feb. 6), all eyes were on the Opening Ceremony of Milano Cortina 2026, which took place across the various venues of this edition of the Games — Cortina d’Ampezzo, Predazzo and Livigno — but centered at Milan’s San Siro Stadium, with a three-and-a-half-hour megashow created by Balich Wonder Studio, specialized in the creative direction of major events and with extensive expertise in Olympic ceremonies.
The show revolved around the concept of harmony, as well as Italianness.
“The Opening Ceremony is not just an exercise in technology or spectacle,” Marco Balich stated before the event. “It is, above all, a story told through people and emotions. In a complex world, we want to convey a message of harmony, beauty, and peace that can speak to everyone.”
Among the highly anticipated musical guests were Mariah Carey, Laura Pausini and Andrea Bocelli. In addition, the evening’s musical component included the participation of over 500 musicians who composed the original soundtracks.
The schedule began in the afternoon at the iconic Teatro Alla Scala, home to the official Red Carpet. Many protagonists of past editions of the Olympics passed by, from American snowboarder Shaun White (three-time gold medalist) to Dutch figure skating champion Irene Schouten. Icons from a wide range of fields, from cinema to fashion, were also present: Jeff Goldblum, Donatella Versace, Stanley Tucci and Marisa Tomei.
The music artists are those who catch our attention. Sunghoon of ENHYPEN had already distinguished himself as a torchbearer. At the Scala Theatre, he’s dressed very elegant, in a black suit and white shirt.
“Both athletes and K-Pop artists have the goal to make the fans happy and enjoy the event,” he says, having practiced figure skating competitively for 10 years. “When I was an athlete, my dream was to participate in the Olympics. Being here as an artist feels different but I’m also very honored.”
Also making an almost unexpected appearance is Usher, who talks about relationship between music and sport. “Music and sports go hand in hand. Music, for example, is very important in figure skating. But for the most part, it ultimately gives the athletes a soundtrack that helps to compel and push through,” he says.
The Opening Ceremony of Milano Cortina 2026 begins at 8 p.m. sharp with choreographic performances: 70 dancers from the Academy of Teatro Alla Scala reinterpret the myth of Cupid and Psyche. The shades of white and the chiaroscuro of the clothes, which recall the art of the neoclassical sculptor Antonio Canova, are then transformed into an explosion of color accompanied by the music of Italian classical composers Giuseppe Verdi, Giacomo Puccini and Gioachino Rossini.
After a tribute to Italian creativity, it’s time for one of the evening’s stars, Mariah Carey. The diva, center stage and surrounded by dancers, sings a cover of Domenico Modugno’s classic “Nel Blu, Dipinto di Blu” (also commonly known as “Volare”), completely rearranged and enriched with her famous high notes. This is followed by a hit song from her repertoire, “Nothing Is Impossible.”
The President of the Italian Republic, Sergio Mattarella, and the President of the International Olympic Committee, Kirsty Coventry, take their seats in the grandstand. A heartfelt tribute to Giorgio Armani follows. The king of Italian fashion passed away last September. Models parade wearing his creations, colored in green, white, and red, like the national flag.
Then it’s time for another highly anticipated star, Laura Pausini. Under the Italian flag, the pop star sings the national anthem. The long parade of athletes follows (over an hour), from Greece (traditionally first) to Italy, the host country. The crowd boos as the Israeli flag passes by and applauds the Ukrainian team with vigor.
Then it’s time for the institutional speeches. Giovanni Malagò, President of the Milano Cortina Foundation, takes the floor first.
“I love my country, I love sports. I’ve never been as proud to be Italian as I am tonight,” he says. “To the athletes I say: this is your time. Your years of dedication, the courage to dream, the determination to push the boundaries… These Games belong to you. During a time in which the world is so divided by conflicts, your very presence demonstrates that another world is possible. Unity, respect, harmony.”
After him, Kirsty Coventry speaks, still addressing the athletes. “Through you, we see the very best of ourselves,” she says. “You remind us that we can be brave, that we can be kind. When we see se an athlete stumble and find the strength to rise, we’re all reminded that we can do the same. When we see athletes embrace at the finish line, we’re reminded that we can choose respect. No matter where we come from, we all know this spirit.”
Also present at the San Siro Stadium is the actress Charlize Theron, Messenger of Peace of the United Nations, who reads a monologue inspired by a speech by Nelson Mandela. “Peace is not just the absence of conflict,” the actress says. “Peace is the creation of an environment where all can flourish, regardless of race, color, creed, religion, gender, class, caste or any other social markers of difference.”
The arrival of the Olympic flame at the San Siro Stadium is accompanied by the notes of another synonymous with Italianness, “Nessun dorma,” from Puccini’s opera “Turandot,” performed by the world-famous tenor Andrea Bocelli. The flame reaches the stage just as he reaches the highest note of the piece.
Immediately afterward, it’s the turn of rapper Ghali, perhaps the most controversial guest at the Opening Ceremony of Milano Cortina 2026 due to his pro-Palestine stance. He claims he was prevented from singing the national anthem and from speaking in Arabic. And the television broadcast never mentions him by name or features him in close-up.
Yet, in its simplicity, his performance is one of the most touching.
Accompanied by a white-clad dance troupe, Ghali recites in three languages (Italian, French and English) the poem “Promemoria” by Italian children’s writer Gianni Rodari, with its simple yet powerful message against conflicts: “There are things you should never do/ Neither by day nor by night/ Neither by sea nor by land/ For example, war.”
After the athletes’ official oaths, the Olympic Braziers get lit simultaneously in Milan and Cortina. The 2026 Winter Olympics officially begin.
This article originally appeared on Billboard Italy.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-07 17:06:152026-02-07 17:06:15Here’s What Happened at the Opening Ceremony of the Winter Olympics 2026
From career milestones to new music releases to major announcements and those little important moments, Billboard editors highlight uplifting moments in Latin music. Here’s what happened in the Latin music world this week.
Laura Pausini Sings at Opening Ceremony of the Winter Olympics
Grammy-winning artist Laura Pausini delivered a soul-stirring rendition of Italy’s national anthem, “Il Canto degli Italiani,” at the Opening Ceremony of the Milano Cortina 2026 Winter Olympics on Friday (Feb. 6). Backed by a choir dressed in Italy’s flag colors, Pausini — wearing an elegant black open-shoulder gown — delivered an emotional performance that set the tone for the global event, celebrating Italy’s rich history. The anthem was written by Goffredo Mameli in the 1800s, serving as a powerful reminder of Italy’s fight for unity and independence. Watch the moment below.
https://www.instagram.com/p/DUbaSSPjADv/
Fania Legends to Celebrate Johnny Pacheco in New York City
Lehman Center for the Performing Arts in The Bronx, New York, will host Tribute to Johnny Pacheco on Feb. 21, celebrating of the legendary flutist, composer, and co-founder of Fania Records, whose music brought salsa to worldwide recognition. Featuring a lineup of Fania legends and stars — including Bobby Valentín, Nicky Marrero, Alfredo de la Fe, Jimmy Bosch and Eddie Montalvo — the evening promises to bring “the spirit and lasting influence of Johnny Pacheco,” says the press release.
The late Dominican-born, New York-raised musician helped defined salsa with classics like “Acuyuyé,” “La Dicha Mía,” and “Mi Gente,” while also producing recordings such as Celia Cruz’s “Quimbara.” Directed by Oscar Hernandez, this one-night-only event will be held at Lehman College’s campus in Bronx, NY. Tickets can be purchased online or through the box office.
Recently ranked No. 9 on Billboard‘s Top Latin Artists of the 21st Century chart, Juanes has announced the release date and title of his next album. Titled JuanesTeban and set for release on March 6, the Colombian rock star shared the news in a press release, stating, “I wanted to make the kind of album that would take me back to the land of dancing and cumbia — the feeling of Latin America, the root of folklore.”
He continued, “This record is also different from the others, because I finally got to explore the many facets of my personality. It’s like a kaleidoscope of my many moods: joyful, enthusiastic, melancholy.” Check out the album trailer below.
Cazzu Adds More Dates For her North American Latinaje Tour
Following the announcement of Cazzu’s first U.S. tour, the Argentinian star has added seven additional dates due to fan demand. The tour— promoted by Live Nation and in support of her album Latinaje — will begin on April 23 at the Chicago Theatre and run through May, with stops in major cities such as El Paso, Houston, Phoenix, New York, and will wrap up in Hollywood, Fla. at the Hard Rock Live venue on May 21. Tickets are now available via livenation.com. See the full dates below.
Dreams came true for Venezuelan singer Carmen DeLeon when she shared an emotional moment with her idol, Jessie J, during a recent concert. Posted to her socials on Monday (Feb. 2), DeLeon is seen in the front row of the audience with mic in hand, with Jessie allowing her to sing “Nobody’s Perfect” from the British artist’s 2011 album, Who You Are. The heartfelt exchange included a touching moment where the two held hands, marking a milestone for DeLeon. The former star of The Voice SpaintoldWonderland Magazine in 2020, “I grew up listening to Jessie J. All my vocal technique is basically from watching her sing and telling my vocal coach I wanted to sing like her. Jessie J was always an inspiration for me growing up.” Watch the moment below.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-07 15:01:222026-02-07 15:01:22Laura Pausini Sings at Opening Ceremony of 2026 Winter Olympics & More Uplifting Moments in Latin Music