By now you’ve either toppled into a heap trying to do the viral Nicki Minaj Stiletto Challenge, or you won’t stop forwarding your successful attempt to all your annoyed friends. Congrats on that, because it’s not easy, not even for Minaj herself.

The trend started taking off earlier this summer when fans keyed in on a particularly athletic post from Minaj’s 2013 video for her Lil Wayne collab “High School” — in which she wears stilettos and crosses one leg over the other while balancing both feet on the ground near the edge of a pool — and began posting videos of themselves hitting the pose while balanced on all kinds of precarious props.

Naturally, the rapper decided to get in on the action as well in a post on Tuesday (Aug. 5) in which struck a series of poses on the ground near a pool while wearing a very short black dress. Here’s the thing: even Nicki realized that it’s not as easy as she made it look that first time.

In the post, Minaj apologized to her Barbz for not quite hitting the pose, explaining that she had a classic wardrobe malfunction while filming the video. “about that pose…. Ummm 😩 this Chanel dress was just a tad shorter than I thought & the thongs definitely didn’t help,” Minaj wrote. “Didn’t want to make it explicit.😃 Both feet on the ground tho. Ten toes. Ima put on a diff outfit that won’t show so much skin & do it again for you guys later.”

To date, a number of celebs have tried their hand at the challenge, including Ciara, Dancing with the Stars‘ Witney Carson and Jenna Bush Hager. They succeeded, but things did not go so well for Russian influencer Mariana Barutkina, 32, who became a cautionary tale after she tried to balance on a container of baby formula on top of a saucepan, but slipped off and fractured her spine.

Even in death, Ozzy Osbourne will never be far from his fans. After mourners left thousands of tributes to the late heavy metal legend on Black Sabbath Bridge in Ozzy’s native Birmingham, England following his death from a heart attack on July 22 at age 76, those flowers and keepsakes have been preserved and cataloged for posterity.

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According to a video post from the Central Birmingham Business Improvement District, the items have all been methodically laid out on the floor of a giant warehouse to be sorted and tagged before they are shared with the Osbourne family. “After we carefully moved all items from the Black Sabbath Bridge and Navigation St Mural to a secret location, they have been sorted by our team ready to be sent to the Osbourne family. Thank you again to everyone who took the time to pay their respects,” read the caption to the video.

The accompanying clip shows row upon row of flower arrangements arrayed on the floor after BID workers carefully removed them from the bridge and packed them in plastic bins. “Every piece is being laid out individually, cataloged and treated with care,” reads an on-screen caption over footage of a workers in yellow vests carefully placing the bouquets on the floor in neat rows.

The video also features images of dozens of framed photos and drawings of Ozzy, handwritten notes, along with Black Sabbath T-shirts and rows of Aston Villa scarves and banners honoring Osbourne’s favorite football team, as well as dozens of stuffed bat plushies. “Our team has been working to respectfully sort the items, ensuring they’re preserved in the best possible condition,” a caption explains.

The team is creating a digital record of every tribute over the next few weeks that will eventually be sent to Osbourne’s family. In addition, all the flowers are being mulched and bagged, with the compost headed to Ozzy’s final resting place.

Osbourne’s funeral cortege paraded past the Black Sabbath Bridge during his July 30 funeral in Birmingham, just weeks after Ozzy’s final performance at the all-star Back to the Beginning charity concert.

Check out a video of the process here.

Selena Gomez has appeared as the latest guest on the Therapuss podcast, speaking to host Jake Shane about myriad topics, ranging from her acting career, to mental health and her relationship with Benny Blanco.

Launching her discussion with Shane by focusing on a recap of the recent happenings in her life, Gomez turned her focus towards Rare Beauty, the cosmetics company she founded in 2020 which supports mental health organizations with a portion of its sales.

As Gomez explained, the mental health aspect was one that was important to her given the experiences she has had with the topic over the years

“I tried to share my story in hopes that it would be something to help others, and I think I did that when I admitted that I had struggled through my bipolar diagnosis,” she explained. “So that was more of a release for me. 

“And then I realized anything that I touch or anything I’m a part of, it has to give back and some sort of element. And that just always has been my key demographic – it’s people who don’t feel seen or heard or, even know what’s going on and in their own mind.”

“I just believe in therapy,” she added on the topic of mental health. “I’m on medication and I feel really lucky that I’m in the position that I’m in now and I believe in all of that.”

Another large focus of Gomez’s appearance on Therapuss was the topic of her engagement to producer Benny Blanco. The pair confirmed their relationship in 2023 before becoming engaged in late 2024, and later collaborating together on March’s I Said I Love You First album.

“I couldn’t be more excited,” Gomez said of her forthcoming wedding. “There’s so much happening at the moment with [Blanco] working on some projects that he has to wrap up and we just have things we want to finish and our own personal endeavors before we get into all the nitty gritty. 

“I just have really never felt so sure about something and I also don’t want to jinx it by saying that.” 

Shane also used the opportunity to ask Gomez about how she and Blanco first met, with the musician explaining that they had both met early on in their respective musical careers, though their initial relationship was little more than a casual friendship. 

“I feel like he was an acquaintance, if that makes sense,” she explains. “To be honest [we weren’t] besties, I just thought he was nice and then we did a few songs together.”

After reuniting to work on 2023’s “Single Soon,” their casual friendship eventually took a deeper turn. “We spoke for two hours and I asked him to hook me up with anybody that he knew that was cute and he was like, ‘Oh we do these things, these dinner nights. You should come,’” she recalls. “And next thing you know we’re dating.

“But he was terrified in the beginning cause he was like, ‘It’s work and it’s complicated and people are going to get mad,’ and I’m like, ‘I don’t give a s–t; kiss me.’”

Watch Selena Gomez’s appearance on Therapuss below.

Gains from streaming services in both recorded music and publishing pushed Sony Music’s consolidated revenue up 5.3% in the first fiscal quarter ended June 30, the company announced Wednesday (Aug. 6). 

Total revenue reached 465.3 billion yen ($3.22 billion at the average exchange rate in the quarter) while operating income improved 8.0% to 92.8 billion yen ($641.8 million). 

The yen-denominated results included a negative impact from foreign exchange of nearly 28 billion yen ($194 million) due to the yen gaining over 5% against the U.S. dollar since the previous quarter.  

Recorded music revenue rose 0.7% to 301.5 billion yen ($2.09 billion) but improved 8.4% on a dollar basis (not in constant currency). Streaming revenue fell 0.3% to 196.0 billion yen ($1.36 billion), although dollar-denominated streaming revenue grew 7.3%. 

Other recorded music revenue improved 2.8% to 105.5 billion ($729.4 million). In the other category, physical sales rose 10.6% to 26 billion yen ($180.4 million) and download sales jumped 52% to 9.8 billion yen ($68 million). The remainder of other revenue — public performance, broadcast and sync — fell 4.2% to 69.5 billion yen ($481 million).  

Sony Music Entertainment’s top album in the quarter was Bad Bunny’s DeBÍ TiRAR MáS FOToS. Other top titles include SZA’s SOS, Sleep Token’s Even in Arcadia, Tate McRae’s So Close to What and Bad Bunny’s previous album, Un Verano Sin Ti. Sony Music Japan’s top release was Hollow by K-pop group Stray Kids, followed by two titles by Sakurazaka46, Addiction and Make or Break, and Plazma / BOW AND ARROW by Kenshi Yonezu. 

In the music publishing division, revenue rose 2.1% to 98.7 billion yen ($682.5 million). The segment’s streaming revenue rose 0.4% to 56.7 billion yen ($392.4 million). On a dollar-denominated basis, publishing revenue rose 9.8% and streaming revenue grew 8.1%. 

Excluding the visual media and platform division, which includes mobile games, Sony Music’s quarterly revenue from recorded music and publishing increased 1.1%. However, on a dollar basis, recorded music and publishing increased 8.8% from the prior-year quarter. Visual media and platform revenue jumped 47.8% due to higher gaming revenue and the consolidation of eplus, a ticketing platform. 

The current fiscal year is looking better than it did three months ago. Gains in the recorded music division, mainly from growth in revenue from streaming services, led Sony Music to lift its prior forecast for fiscal 2025 by 20 billion yen ($135.6 million at the current exchange rate) to 1.87 trillion yen ($12.68 billion). That would represent 2.7% annual revenue growth unadjusted for foreign exchange.

As Metallica announce one of their most intimate gigs to date, the group have addressed rumors their celebrated live show will be heading to the Las Vegas Sphere.

While metal icons Metallica are currently gearing up to embark upon the home stretch of their 2025 touring plans with shows in Australia, New Zealand, Bahrain and the United Arab Emirates, the group have announced a special one-off show in New York later this month.

Taking place on Aug. 28 at Stephen Talkhouse in Amagansett on Long Island, the 250-capacity venue makes the show one of the Rock and Roll Hall of Famers’ most intimate to date. 

Presented by SiriusXM to celebrate the launch of the Maximum Metallica channel the following day, tickets are being distributed via contests by both the band and Sirius XM.

Per Brooklyn Vegan, Metallica drummer Lars Ulrich spoke to Howard Stern on Wednesday (Aug. 6) to discuss the upcoming gig, where the co-founding percussionist also addressed current rumors that the band may be bringing their show to Las Vegas venue Sphere as one of its famed residencies.

According to a recent report by Vital Vegas, unnamed sources have pointed towards a potential residency from Metallica at the Sphere in fall 2026. However, Ulrich stated he was unable to confirm these rumors due to there being “nothing to confirm.”

“But I’m not going to deny it, because we’re all such fans of this venue,” he explained. “All of our managers and our production people have been there and looked at it. It’s something that we’re considering, [but] nothing is etched in stone or green-lit. It’s something that we’re looking at at some point when the 2026 tour is done.”

Officially known as Sphere at the Venetian Resort, the immersive venue officially opened its doors in September 2023, with U2 launching a 40-date run of shows at the venue. Since then, the likes of Phish, Dead & Company, the Eagles, and Kenny Chesney have all performed residencies, with the Zac Brown Band set to appear following the completion of the Backstreet Boys’ current run of shows.

“I was there seeing U2 the first night, when they took that stage, I wanted to see it for myself before I saw it on YouTube or read about it,” Ulrich told Stern. “I was there, like everybody else that was there that night, I was completely blown away, and felt that was the beginning of another chapter in live performances.”

“I’m not going to bulls–t you, I would f–king love to do it, let there be no question about it. It’s not signed, sealed and delivered, but speaking to me and asking my opinion I would f–king love to do it.”

Metallica will wrap their 2025 touring plans with tours of Australia and New Zealand in November, followed by dates in Bahrain and the United Arab Emirates. Their current M72 World Tour will wrap in July 2026 following dates in Europe and the U.K..

Kelly Clarkson’s Las Vegas residency is taking an unplanned break, with the star postponing the remainder of the planned August dates for her Studio Sessions concert series.

Clarkson announced the news on the evening of Wednesday (Aug. 6), citing familial health issues as the reason behind the decision.

“While I normally keep my personal life private, this past year, my children’s father has been ill and at this moment, I need to be fully present for them,” Clarkson wrote in a statement shared to Instagram.

“I am sincerely sorry to everyone who bought tickets to the shows and I so appreciate your grace, kindness and understanding.”

The affected dates include planned shows for Aug. 8-9 and 15-16.

Kelly Clarkson: Studio Sessions was announced in early February. Clarkson expressed excitement about returning to Vegas following 2023 and 2024 residencies at PH Live at Planet Hollywood Resort & Casino.

However, the recent cancellation is not the first issue this current residency has experienced, with Clarkson abruptly cancelling the July 4-5 opening weekend just 90 minutes before the scheduled start.

“We have been working 24/7 to make Studio Sessions the most intimate and extraordinary experience with and for my incredible fans,” Clarkson explained at the time. “The prep and rehearsals have taken a toll on my voice.

“I want the shows to be perfect for y’all and I need to protect myself from doing serious damage so I am taking this weekend and next week to rest up so that we can deliver what you all deserve.”

Clarkson ultimately took to the stage the following week, on July 11, to formally launch the series, with both the singer and audience clearly enjoying themselves.

“I hope you enjoy tonight,” she told the opening night crowd, hinting at a possible live album release for the shows. “We’re having a good time, as if we were literally in the studio creating a live record, which I’m going [to] sell this [as] one day.”

Clarkson is currently scheduled to resume her Studio Sessions residency in November, with dates planned for Nov 7-8 and 14-15. No replacement dates for the postponed August shows have been announced as yet.

Eddie Palmieri, the Grammy Award-winning pianist, bandleader, musician, and composer of Puerto Rican ancestry who revolutionized Latin jazz and salsa over a more than seven decades career, has died at 88. He passed away Wednesday (August 6) in his New Jersey home, according to a statement posted on his official Instagram account.

One of the most influential figures in Latin music history, Palmieri was born in Spanish Harlem to Puerto Rican parents and was greatly influenced by his older brother, the pioneering Latin pianist Charlie Palmieri. “Together, the Palmieri brothers helped define the sound of Latin music in New York City and beyond, each leaving a distinct legacy,” reads the post.

Known for pioneering progressive salsa and Latin jazz, blending American jazz with Afro-Caribbean rhythms, Palmieri founded in 1961 La Perfecta, a band that redefined salsa with its use of trombones in place of trumpets, introducing a new sound that became Palmieri’s musical signature. His 1965 classic “Azúcar Pa’ Ti” has been recognized for its cultural significance – in 2009, it was inducted into the Library of Congress of the United States. He also blended Latin music with funk, soul, and socially conscious messaging in his innovative 1971 album Harlem River Drive.

On the Billboard charts, Palmieri had seven entries on the Jazz Albums ranking – from Palmas (1994) to Listen Here! (2005) -– and eight entries on Top Tropical Albums, including three top 10s: Obra Maestra: Mastepiece (2000) with Tito Puente, Ritmo Caliente (2003), both of which reached No. 5, and Eddie Palmieri Is Doin’ It In The Park: The EP (Soundtrack), which peaked at No. 7. He also had presence on Traditional Jazz Albums (nine entries, two of them in the top 10), Top Latin Albums (one entry at No. 7) and Tropical Airplay (one entry).

Winner of the NEA Jazz Masters Award as well as multiple Grammy and Latin Grammy Awards, Palmieri received in 2013 a Lifetime Achievement Award from the Latin Recording Academy.

“It is with deep sorrow that we mourn the passing of maestro Eddie Palmieri, a pioneer of salsa, a visionary of Latin jazz, and an eternal revolutionary of rhythm,” the Latin Recording Academy said on a statement. “His talent broke barriers, merging tradition with innovation and leaving an indelible mark on generations of musicians and music lovers. […] He always had a deep commitment to culture, and his invaluable contributions cemented him as one of the great pillars of the Latin sound worldwide.”

Eddie Palmieri’s wife for almost six decades, Iraida Palmieri, whom he lovingly called “Mi Luz Mayor,” passed away in 2014. He is survived by their five children – daughters Gabriela, Renee, Eydie and Ileana, and son Edward Palmieri II – and four grandchildren.

Nogizaka46’s “Same numbers” soars to No. 1 on the Billboard Japan Hot 100, on the chart released Aug. 6.

The J-pop girl group’s 39th single dropped on July 30 and sold 775,982 copies in its first week (No. 1 for the metric), powering the track to the top spot from No. 41. This is the second-biggest first-week sales for any act this year, and is also significantly more than the group’s previous single, “Navel Orange,” which launched with 611,511 copies.

The top 3 songs with highest first-week sales this year so far are:

1. Snow Man “SERIOUS” (909,496 copies)
2. Nogizaka46 “Same numbers” (775,982 copies)
3. &TEAM “Go in Blind” (620,541 copies)

“Same numbers” also comes in at No. 10 for downloads, No. 27 for streaming, and No. 6 for radio airplay. It’s the popular group’s 29th No. 1 hit on the Japan Hot 100.

ENHYPEN follows at No. 2 with “Shine On Me.” The track is off the group’s fourth Japan single called “YOI” and is being featured as the ending theme song for the drama series Ebi datte Tai ga tsuritai. The track launched with 575,330 copies to come in at No. 2 for sales, while also hitting No. 18 for downloads, topping radio. The K-pop group scores its fifth top 10 hit on the Japan Hot 100.

HANA’s “Blue Jeans” is at No. 3. The track tops streaming for the third week in a row, while radio is at 115% compared to last week.

LiSA’s “Shine in the Cruel Night” rises a notch to No. 4. The theme song for the latest Demon Slayer: Kimetsu no Yaiba blockbuster movie is up to 114% for streaming and 109% for video views.

Mrs. GREEN APPLE’s “KUSUSHIKI” rises 10-5 this week, coming in at No. 2 for streaming, No. 6 for video, No. 29 for downloads, and No. 21 for karaoke.

Other notable chart moves include 7m!n (Seven Minute) debuting at No. 8 with “JOY!,” veteran trio THE ALFEE’s “HEART OF RAINBOW” at No. 17, and King & Prince’s “I Know” at No. 31. Also, ORANGE RANGE’s “Hana” from 2004 makes its first-ever appearance on the Japan Hot 100 at No. 47.

The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, video views and karaoke data.

See the full Billboard Japan Hot 100 chart, tallying the week from July 28 to Aug. 3, here. For more on Japanese music and charts, visit Billboard Japan’s English X account.

Before Chappell Roan took the main stage at Øyafestivalen on Wednesday (Aug. 6) night in Norway, thousands of fans in fuzzy pink cowboy hats, chalky white face paint and a variety of looks from her music videos waited patiently on the tree-dotted lawn of Oslo’s gorgeous Tøyen Park.

From a nearby stage, Australian punk band the Chats could be heard raging about everything from identify theft to the rising cost of smokes. For those unfamiliar with Roan’s live sets, the pre-show sonic bleed might have seemed like an incongruous juxtaposition, given that Roan is ostensibly a pop artist. But when she hit the stage for her Øyafestivalen debut, it quickly became clear that Roan and her all-female backing band can land a rock n’ roll punch just as well as a punk outfit (or any band that falls more obviously under the rock umbrella). The drums are hefty yet lean, thumping and energetic; the guitars crackle like fireworks and cut like buzzsaws; and Roan’s voice can give falsetto highs, growly lows and from-the-gut shrieks at a level above most pop stars.

Two years out from The Rise and Fall of a Midwest Princess and the runaway success of that LP and follow-up singles “Good Luck, Babe!” and “The Giver” (both Billboard Hot 100 top 10s), Roan is now on the Visions of Damsels and Other Dangerous Things Tour. The new stage design offers up an alternately whimsical and foreboding fairytale atmosphere, with red eyes peeping out from a stony gazebo, images of gargoyles flapping above church spires and an intricate art nouveau gate that looks like a castle one moment and a cemetery the next. It’s all fantastical camp, exactly the kind of heartfelt cosplay that has attracted LGBTQ people, allies and outside-the-box oddballs to Roan’s world, which is both refreshingly candid and playfully unserious, sometimes within the same song.

Here are nine highlights from Chappell Roan at Øyafestivalen, from the first post-release performance of new single “The Subway” to a shout-out to her mom, who was in the crowd.

Billboard’s travel and accommodations for Øyafestivalen were provided by Music Norway, which was founded by the Royal Norwegian Ministry of Culture and Equality.

With his stadium-packing shows and massive hits including “Beautiful Crazy,” “When It Rains It Pours” and his rendition of Tracy Chapman’s “Fast Car,” it may seem obvious that music has been Luke Combs‘ passion his whole life.

But even as a sophomore at Appalachian University in Boone, North Carolina, Combs was already having to make tough choices when it came to following that passion.

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During a recent episode of The Dog Walk With Eddie, Combs recalled that he had rushed at Kappa Alpha Order, but was quickly forced to make a decision between the fraternity and music, due to a scheduling conflict in which the frat’s “Big Brother” reveal happening the same night as his a cappella group’s concert.

“On Big Brother reveal night we had a concert for the a cappella group, the same night that was gonna be at the same time,” he said, adding that he was “already kind of over” the process of pledging for a fraternity.

“Why does anyone really join a fraternity? To go to parties and meet chicks is kind of the deal, right?” Combs said. “So I tell the guys, ‘Hey, I really gotta do this concert tonight.’ Because there’s only like 12 people in the group; it’s not like there’s a thousand guys in the a cappella group. I’m like, ‘Your boy’s got solos. I can’t just not go,’ [but] they were like, ‘You’re either doing this or that.’”

When he was forced by his potential fraternity brothers to choose, it seems his decision was quickly made.

“I was like, ‘Well, I’m doing that, dude. I’m out,’” Combs said. Reflecting on it, he said, “It was tough, but I made the right choice. … I ended up here … but I would have loved to do both. … There was no wiggle room.”

Though he added in the interview that he held “no hard feelings” after having made the decision, he noted, “I was just like, ‘I kind of already sing and I’m already kinda good at that. All I’m doing with you guys is paying to be your friend, which I already have a lot of friends anyways.’ It just didn’t line up.”

Of course, pursuing music has paid off for Combs. He just released his new song “Back in the Saddle,” and has had three top 10 hits on the all-genre Billboard Hot 100 (so far). Four of his albums have reached the pinnacle of the Top Country Albums chart, while he’s garnered 18 No. 1 Country Airplay hits. After spearheading his Growin’ Up and Gettin’ Old Tour, Combs is playing shows in 2025 including Austin City Limits Music Festival in Austin, and his own Bootleggers Bonfire event, slated for October.