As the only person of color in One Direction‘s lineup, Zayn Malik — who was the target of widespread racism and Islamophobia in the 2010s — had a very different experience in the public eye from his bandmates.

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And in a teaser for an upcoming song posted Friday (July 4) on Instagram, the musician appears to address the discrimination he endured during his time with the group. Rapping over a sauntering hip-hop beat, Malik — who later posted the lyrics on his Instagram Story — spits, “Do you remember every conversation?/ ‘Cause I have been conscious of every connotation.”

“I’m a convert to the concert, and I did that for inflation/ ‘Cause I worked hard in a white band, and they still laughed at the Asian,” he continues on the track, seemingly titled “Fuchsia Sea.” “If my granddad could go back, lad, there’s a fat chance of a backhand/ Just a young man with his own kid and a wife now, in a new land/ I know he dreamed hard, cause they’re my dreams/ And I grabbed hard with these two hands.”

Malik didn’t share when the song will arrive, but in text over the video, he wrote that it is “coming soon.”

The “white band” in question is presumably 1D, which Malik joined in 2010 with fellow X Factor auditioners Harry Styles, Niall Horan, Louis Tomlinson and the late Liam Payne. The original lineup released four albums before Malik announced his departure in 2015, after which the remaining four members released one more LP (Made in the A.M.) before going on an indefinite hiatus in 2016.

But as the group shot to fame at the beginning of the decade, the public was quick to project hateful narratives onto Malik, who was raised Muslim by a Pakistani father and English mother. At times, the internet was rife with offensive and baseless rhetoric about the musician supposedly being involved with the Sept. 11, 2001, terrorist attacks or joining ISIS, something he spoke about in a 2015 The Fader cover story.

“I’m just a normal person as well as following my religion, and doing all the normal things that everybody else does,” he told the publication at the time. “I feel proud that people actually look to me and can see themselves in that … I always felt good that I was, like, first of my kind in what I was doing. I enjoyed that I brought the diversity.”

Malik last dropped music in 2024, unveiling album Room Under the Stairs and reaching No. 15 on the Billboard 200 that year. The LP also features a track titled “Fuchsia Sea” with different lyrics from the ones he posted on Friday.

Check out Malik’s “Fuchsia Sea” teaser below.

Megan Thee Stallion and Roc Nation must keep fighting legal claims from a cameraman who says he was forced to watch the rapper have sex in a car during a European tour, a federal judge has ruled.

In an opinion dated Wednesday (July 2), Judge Gregory H. Woods says cameraman Emilio Garcia has pleaded sufficient facts to continue litigating bombshell discrimination and retaliation claims he brought last spring against the star (Megan Pete) and her management company.

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In their bid to dismiss the case, Megan and Roc Nation have called Garcia a “con artist” and deny that the star forced him to watch her have sex with a woman inside a moving car while on tour in Ibiza, Spain, in 2022. But Judge Woods says the cameraman, who is gay, “plausibly pleads that the alleged sexual encounter in the SUV in Ibiza created a hostile work environment based on plaintiff’s sexual orientation.”

“Plaintiff asks the court to draw the inference that ‘Pete would not have engaged in group sex with other women in front of a heterosexual male’; that ‘Pete felt comfortable engaging in group sex with other women in front of plaintiff because of plaintiff’s sexuality and gender,’” writes the judge. “This is not an unreasonable inference to draw from the facts alleged. Therefore, plaintiff has plausibly pleaded that he experienced the alleged inferior conditions of his employment on account of his sexual orientation.”

The order also declines to dismiss Garcia’s retaliation claims against Megan and Roc Nation, which allege he had his hours and pay rates cut back after complaining about the SUV incident. Garcia says he was later fired from Megan’s entourage and “blackballed” from working elsewhere in the entertainment industry.

“These facts raise a reasonable inference that material terms and conditions of plaintiff’s employment were altered in retaliation for speaking up about the Ibiza incident,” writes Judge Woods.

While Megan and Roc Nation must now keep fighting these blockbuster claims, they did succeed in paring back Garcia’s lawsuit. Judge Woods’ order dismisses an additional hostile work environment claim under California law, as well as aiding and abetting allegations and overtime wage claims.

Reached for comment on the ruling on Monday (July 7), Garcia’s attorney, Ron Zambrano, tells Billboard that the order will allow him to re-plead the dismissed claims in an amended complaint.

“We have plenty of facts after fourteen depositions we’ve taken to get the facts in we need,” Zambrano says. “I’m sure.”

A spokesperson for Megan and Roc Nation did not immediately return a request for comment on the decision.

This week, Bad Bunny is set to transform Puerto Rico’s typically quieter season with a 30-show residency at the Coliseo de Puerto Rico José Miguel Agrelot (a.k.a. El Choli).

Choosing not to tour globally this summer, the Puerto Rican superstar will instead showcase his latest album, Debí Tirar Más Fotos, exclusively on his home turf from July 11 to Sept. 14 with the concert series No Me Quiero Ir De Aquí (I Don’t Want To Leave Here). The extraordinary demand for tickets — with 400,000 selling within four hours, half to international tourists — confirms the residency’s global appeal and its potential to substantially enhance the island’s local economy during its sweltering summer months.

This residency concept represents a first for Puerto Rico. Although the Coliseo has hosted multiple back-to-back shows in the past, with artists such as Daddy Yankee and Wisin & Yandel performing on consecutive weekends, the scope and magnitude of Bunny’s residency has never been seen before. This series of 30 shows is unprecedented not only for the number of shows but also for the intensity of the preparation and the international anticipation it’s been generating.

The initial nine shows in the lineup are reserved exclusively for Puerto Rico residents, who had to provide proof of residency at one of nine designated locations to purchase tickets, resulting in 125,000 tickets sold. The other 21 shows will be available to anyone willing to travel to the Caribbean island.

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On Jan. 5, Bunny released Debí Tirar, which reached No. 1 on multiple all-genre charts, including the Billboard 200 and Top Streaming Albums. Reflecting on this success, Benito told Billboard a few weeks after releasing the album, “Man, obviously I’m thankful with the way the world has embraced this album. The thing is, this project… it isn’t mine. It belongs to many people: everyone who worked with me, it belongs to Puerto Rico, my friends, my family. This project belongs to all of us who feel proud of being from Puerto Rico and being Latin.”

Alejandro Pabón, the Move Concerts promoter behind the residency, details the extensive preparations necessary to accommodate such an unprecedented influx of fans. “We’re expecting around 200,000 people from abroad visiting the island,” he says. “All the local businesses are going to be impacted. All the hotels are sold out. Today [Feb. 13], a local newspaper put out an article saying that for the residency dates, there’s a 70% surge on AirBnB.” While the volume of business will be overwhelming, Pabón mentions that the event’s organization relies on local labor, creating more job opportunities for Puerto Rican residents. “All the hotel staffing are going to have to level up because they’re expecting 100% capacity for those three months,” he says.

Preparing for the residency presents a complex challenge, introducing a level of scale and coordination previously unseen in Puerto Rico’s entertainment history. But it also promises to bring a raft of economic benefits to the island not typically seen during the summer season.

“Traditionally, July is the slowest month show-wise for the venue since forever. So we went and found the slowest period and booked it, which definitely is helping the economy,” says Pabón.

Travel and concierge expert Rob Dellibovi, who serves as founder/CEO of RDB Hospitality, elaborates on the strategic timing of the residency and its benefits to the local economy. “A time where it’s probably 30-40% occupancy, it’ll be like 90% because of all these shows,” he says. “The fact that they’re doing this in July and August is going to be a huge win for the island because nobody’s there at those times [due to the heat]. They’re not displacing any other kind of revenue; they’re just bringing people during the slow season to Puerto Rico.” 

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Pabón notes that Puerto Rico is well-equipped for major events, boasting a “state-of-the-art arena,” abundant “natural resources, great restaurants, and a lot of hotels.” Unlike typical residencies in cities like Las Vegas that feature international artists, this local showcase will potentially alter perceptions of the island as a global tourist hotspot.

Building on this framework, Coliseo de Puerto Rico has established itself as a rite of passage to Latin pop superstars and beyond. Situated in the heart of San Juan’s Milla de Oro, the venue has held some of Latin music’s most important events of the 21st century. A sold-out Coliseo performance is an affirmation of star power.

The Coliseo De Puerto Rico,

The Coliseo De Puerto Rico

Al Bello/Getty Images

El Coliseo is no stranger to record-breaking events. In 2021, Karol G made history by becoming the first international female artist to set the record for the fastest ticket sales at the venue with two sold-out dates. More than a decade earlier, on March 14, 2010, Metallica became the fastest-selling concert ever at the Coliseo, drawing a crowd of 17,286. However, Bad Bunny has already surpassed Metallica’s record twice: first in March 2019 and again in July 2022. In 2019, Daddy Yankee broke Wisin & Yandel’s record for the most consecutive sold-out shows at the venue with a total of 10 concerts as part of his Con Calma Pa’l Choli tour — a record Benito is now poised to break.

Jorge L. Pérez, the general manager of Coliseo de Puerto Rico, calls Bad Bunny’s upcoming residency a “historic event.” He tells Billboard that in August 2023, Pabón and Noah Assad, Bad Bunny’s manager, unveiled the concept of the residency to him. “I was blown away,” says Pérez, underscoring the complexity of keeping the plans under wraps. “When they started working the room blocks, I got calls from a lot of skeptical hoteliers. They were like, ‘Why are they asking for so many rooms?! What is happening?!’ I was like, ‘I can’t reveal that information, give them all the available inventory that you have. We have a signed contract at Coliseo. This is legit.’” 

With the months-long advance notice of 30 sold-out shows, Pérez says the planning becomes much more manageable. Helping matters, he says, is the fact that they are sourcing all concessions products locally, with the venue to feature a special menu highlighting local delicacies such as “alcapurrias and bacalaitos,” embracing Puerto Rican culinary traditions. 

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“[This residency] will position Puerto Rico as a premier entertainment destination,” says Pérez. “It will open the eyes of visitors who have never come to Puerto Rico. It will create awareness of Puerto Rico as an entertainment and leisure destination.” 

Pérez says that growth has been evident in the post-COVID era, as the Coliseo has consistently ranked in the top 20 on Pollstar’s year-end list of highest ticket sales among arenas globally. On Billboard’s 2024 year-end list of Top Venues (15,001+ capacity), Coliseo de Puerto Rico was ranked No. 39, with a gross of $52.5 million and 750,000 tickets sold.

With the Bad Bunny residency and other scheduled events, Pérez says he expects to set a sales record at Coliseo, projecting total ticket sales between 1.3 and 1.4 million for the first time in a single year. He adds that the venue is on track to hold more than 100 events in a single year — another milestone. Because of Bunny’s residency, he says there’s potential for the Coliseo to place among the top five on Billboard’s year-end Top Venues chart. At a minimum, projections show 2025 sales increasing by 73% from last year.

While the venue has hosted residencies before, such as Daddy Yankee with 12 shows in 2019 and Wisin & Yandel with 14 in 2022, this is the first time the Coliseo has accommodated a residency of this magnitude, says Pérez. “The uniqueness about this is a call made by the artist, saying, ‘I released a new album that’s at the top of the charts globally, and I am not going on tour. If you want to see these concerts, you have to come to my island.’ I believe that this call is what makes this residency very special — and the impact it will have on the island’s economy,” he says.

“They’re digging into what the whole Vegas set up is,” says Dellibovi, describing the economic strategy behind such events. “The casinos know that if they have a huge act like Adele, Céline Dion or whoever is doing a residency…people are going to fly in for it — and the casino itself is going to make a ton of money.”

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Of the potential ripple effects the Bunny residency might have on the global entertainment scene, Dellibovi hints that it could spawn a new potential trend. “Is Andrea Bocelli going to do an Italian residency? I have no idea,” he says. “I just think it’s super cool that this is going to spark a whole new residency game, in my opinion, where people are going to go to all these places to see the artist in their homeland. Every international artist from any country is going to be like, ‘Oh s—, I’m going to go back to wherever I’m from and have a month of shows and make a lot of money.’ Those cities are going to want it because there are slow seasons. They need it. Everyone’s going to want to support this.” 

Echoing this sentiment, Pabón emphasizes the significance of cultural representation and local benefit: “Who wouldn’t want to showcase their hometown or contribute to it in a positive way? It’s not just going to be the Sphere or the MGM [Grand in Las Vegas] doing residences.”

Traveling to Puerto Rico is particularly convenient for Americans, as only a driver’s license is required for entry. Given this ease of access, Puerto Rico is well-positioned to outpace other popular Caribbean destinations such as Mexico and the Dominican Republic in attracting American tourists, Dellibovi points out. 

“This is a big trip for people. That’s a party weekend,” he says. “Make sure you’re stocked and make sure your vibe is right. Make sure that you’re ready to deal with a crowd that’s there to have fun. This is not your typical beach crowd. This is going to be people who are in town to party.”

With more than 1.1 million Puerto Ricans residing in the New York metropolitan area, accounting for 6.7% of New York City’s population in 2020, according to the New York Academy of Sciences, the city not only serves as a significant cultural epicenter for the Puerto Rican diaspora but also stands as a primary source of attendees for major events in Puerto Rico. He expects that will be the case here as well.

“New York is the number one [demographic] of people that are going to come visit,” Pabón says. “I’m definitely expecting a lot of second and third-generation Puerto Ricans to come back home. I know that for a lot of them it is going to be the first time that they’ll come visit, because not all of them have had the chance to be here. I know it’s going to be a special [destination] that’s going to let them connect with their island. It was the artist’s idea to create this synergy between them and their island.”

According to the Puerto Rico Report, there are about 5.8 million Puerto Ricans living in the United States, compared with 3.2 million on the Island.

“This is like a pilgrimage, a Hajj for Puerto Ricans,” echoes Dellibovi. “If you’re Puerto Rican, and you love Bad Bunny, who’s not going to want to go to the homeland and see him? It’s the coolest experience ever for actual Puerto Ricans [living abroad].’ He continues, “Bad Bunny is the biggest Latin artist in the world. He is the only Latin artist who can sell out a stadium in any city in the world. He can go to Sweden, Tokyo, Sydney, anywhere. It’s very rare for a Latin artist to be able to do that.”

Pabón emphasizes the deeper motivation behind the residency, reflecting a sentiment shared by his team: “We’re doing this not just for business, that’s secondary. This is done for our country, for our identity, because we really love Puerto Rico. The artist really loves it. Noah really loves it, and all the team. It’s personal. We’re all really excited and happy about this.”

This article was originally published on March 7.

Alex Warren’s “Ordinary” continues as the biggest song in the world, as it tallies a landmark 10th week at No. 1 on the Billboard Global 200 and an eighth week atop Billboard Global Excl. U.S.

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In a busy top 10 on the Global 200, two tracks from the soundtrack to Netflix’s KPop Demon Hunters storm the region: “Golden,” by HUNTR/X, EJAE, Audrey Nuna and Rei Ami (vaulting from No. 52 to No. 2), and “Your Idol,” by Saja Boys, Andrew Choi, Neckwav, Danny Chung, Kevin Woo and samUIL Lee (73-10). The former also bounds 51-5 on Global Excl. U.S.

aespa’s “Dirty Work” debuts at No. 5 on the Global 200 and No. 2 on Global Excl. U.S. The South Korean pop group scores its highest ranks and second and third top 10 on the respective charts.

Plus, Ravyn Lenae’s “Love Me Not” rises 11-10 on Global Excl. U.S., where it’s her first top 10.

The Billboard Global 200 and Global Excl. U.S. charts, which began in September 2020 — and two weeks earlier marked their 250th week — rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.

Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.

“Ordinary” leads the Global 200 with 66 million streams (essentially even week-over-week) and 11,000 sold (up 2%) worldwide June 27-July 3. The song becomes the seventh to have topped the Global 200 for double-digit weeks — here’s a rundown of the list’s longest-leading hits:

  • 19 weeks at No. 1, “All I Want for Christmas Is You,” Mariah Carey, 2020-25
  • 18, “Die With a Smile,” Lady Gaga & Bruno Mars, 2024-25
  • 15, “As It Was,” Harry Styles, 2022
  • 13, “Flowers,” Miley Cyrus, 2023
  • 12, “APT.,” ROSÉ & Bruno Mars, 2024-25
  • 11, “Stay,” The Kid LAROI & Justin Bieber, 2021
  • 10, “Ordinary,” Alex Warren, 2025

Two songs from the soundtrack to Netflix’s KPop Demon Hunters blast to the Global 200’s top 10: “Golden,” billed to HUNTR/X, EJAE, Audrey Nuna and Rei Ami (52-2), and “Your Idol,” credited to Saja Boys, Andrew Choi, Neckwav, Danny Chung, Kevin Woo and samUIL Lee (73-10). The former soared by 135% to 48.4 million streams and 48% to 4,000 sold worldwide in the tracking week; the latter leaped by 117% to 37.6 million streams and 25% to 3,000 sold globally.

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The KPop Demon Hunters soundtrack surges 8-3 on the U.S.-based Billboard 200, becoming the highest-charting soundtrack of 2025.

Lady Gaga and Bruno Mars’ “Die With a Smile” holds at No. 3 on the Global 200, after 18 weeks at No. 1 starting last September, and Sabrina Carpenter’s “Manchild” slips to No. 4 from its No. 2 high.

aespa’s “Dirty Work” opens at No. 5 on the Global 200 with 48.4 million streams and 6,000 sold worldwide following its June 27 release. The act adds its second top 10 on the tally — and first top 10 debut and first top five hit — after “Whiplash” hit No. 8 in November.

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“Ordinary” leads Global Excl. U.S. with 47.7 million streams (down 1%) and 4,000 sold (up 1%) outside the U.S.

“Dirty Work” launches at No. 2 on Global Excl. U.S. with 45.2 million streams and 5,000 sold. aespa claims its second top 10 on the chart — and first top 10 debut; “Whiplash” reached No. 5 in November.

“Die With a Smile” dips 2-3 after 17 weeks atop Global Excl. U.S. starting last September and “APT.” steps down 3-4, after reigning for a record 19 weeks beginning in November.

“Golden” shines 51-5 on Global Excl. U.S. with 35 million streams (up 137%) and 2,000 sold (up 46%) beyond the U.S.

Plus, Ravyn Lenae’s “Love Me Not” lifts 11-10 on Global Excl. U.S., powered by a 5% gain to 27.4 million streams outside the U.S. The Chicago-born singer-songwriter earns her first top 10 on the chart with the track, which hit No. 7 a week earlier on the Global 200, where it’s also her first top 10.

The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated July 12, 2025) will update on Billboard.com tomorrow, July 8. For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

Chappell Roan’s “Pink Pony Club” re-enters the Hot 100, but will she rise above Morgan Wallen, Shaboozey “A Bar Song (Tipsy)” or Teddy Swims’ “Lose Control” to take over No. 1 from Alex Warren’s “Ordinary”?

Tetris Kelly: This is the Billboard Hot 100 top 10 for the week dated July 12. Back in the top 10 is Chappell Roan. Down to nine is “Die With a Smile.” “Lose Control” is up to eight, with Sabrina Carpenter falling to seven. “Luther” is locked at six, as is “I’m the Problem” at five. “A Bar Song (Tipsy)” climbs three spots, while “Just in Case” is up to three. Morgan and Tate spend another week at two. And spending a fifth week at No. 1 is Alex Warren with “Ordinary.”

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If you’re a music lover, there’s no better city to explore than Nashville. Blending historic charm, Southern hospitality, a booming urban life and endless amounts of live music, Music City is a perfect weekend getaway for all types of travelers. Brush up on your country-music history with both old and new interactive museums, venture into the heart of Lower Broadway for a fun bar crawl or take things slow at an old-school restaurant and many emerging, chic cocktail bars popping up around the city.

A weekend is hardly enough time to fully take in everything Nashville has to offer, but we’ve created a fun 48-hour itinerary that will give you a great slice of culture that Music City has to offer.

Checking In: Graduate by Hilton Nashville

If you want to immerse yourself in local history, Southern charm and stunning, vibrant interiors, the Graduate by Hilton Nashville is the perfect stay for you. With colorful, creative French flare decor, each room, hallway and lobby is an Instagrammable moment waiting to happen. But this hotel isn’t just a looker. The Graduate is jam-packed with must-see dining options and amenities for a one-of-a-kind stay.

Guests can cool off at the Governor’s rooftop pool, where you can relax under bright pink umbrellas, sip poolside cocktails and enjoy stunning skyline views. Hungry? Check out Dolly Parton’s photo-worthy White Limozeen rooftop restaurant, which features 360 views of Nashville. For music lovers, head to Cross-Eyed Critter bar for a unique karaoke experience with an animatronic backup band.

When you’re ready to step out and explore the city, the Graduate hotel is steps away from the best of Nashville and Vanderbilt University. All the sights and sounds of Lower Broadway’s famous live music strip is nearby, too.

DAY 1: Museums & Downtown/Rolling Mill Exploring

The best way to start your day is to head over to Crema downtown. Grab a cup of its popular house-roasted coffee and sit out on the front deck, which has great views of the Cumberland River. After taking in the scenery, go brush up on your music history at the National Museum of African American Music. The more recent museum opened in 2021 and covers 400 years of African American music and its impact. Inside, you can find more than 2,500 artifacts, including the smashed guitar by Jimi Hendrix during a Memphis concert and many interactive exhibits for legendary artists such as the “mother of the blues” Ma Rainey.

Another must-see option is the Country Music Hall of Fame & Museum. Step inside the world of country music, exploring galleries such as the Night Train to Nashville: Music City Rhythm & Blues, an acclaimed 2004–2005 exhibit exploring the often-overlooked rhythm and blues scene of Nashville from the 1940s through the 1960s. Celebrate country’s best with the Dolly Parton: Journey of Seeker exhibit, exploring the turning points in Parton’s life and career through the decades.

From there, a quick walk will bring you to Pinewood, an industrial-chic restaurant serving up great cocktails with an attached bowling alley and two outdoor pools to escape the Nashville heat. Inside, eat delicious Southern-comfort food including fried chicken, shrimp po’ boys and the chile brisket, or opt for a casual menu of queso, tacos and margaritas served at the outdoor bar in an old Airstream trailer.

Now, it’s time to head on over to Lower Broadway, Nashville’s famous music strip where bars and honky tonk music venues are pushing out drinks and live music all day and night. There’s a vast lineup of bars to hit here including popular spots such as Tootsie’s Orchid Lounge, Robert’s Western World and the Stage. All these venues are located in the same five-block area and are typically packed with people most nights dolled up in their best Southern-style outfits. It can be a lot, but trust me, it’s worth the experience.

DAY 2: 12 South Shopping & Fancy Cocktails in East Nashville

For your last day, shopping in the 12 South Neighborhood is a must. It’s grown to become one of the more popular areas to shop, eat, drink and listen to live music. The neighborhood is extremely walkable and has great outdoor seating, especially Sevier Park, a 20-acre urban green space anchoring the southern end of the neighborhood and offers a relaxing, dog-friendly open field to lay out in, picnic shelters, a playground and a community center.

There are plenty of great shops nearby to grab gifts for loved ones, friends or just for treating yourself. Make sure to head over to White’s Mercantile, a fun, modern version of an old-time general store curated by singer-songwriter Holly Williams. You’ll find tasteful, handcrafted gifts, books, custom dog collars, candlewick trimmers and many more. Also, dive into unique vintage goods over at Savant, and stop by Draper James, a brick-and-mortar store by actress Reese Witherspoon offering chic, American-style clothing with Southern charm.

After a fun-filled Lower Broadway bar crawl from night one, let’s keep things a little more chill for night two. For drinks, head over to Attaboy, a speakeasy-style cocktail bar in trendy East Nashville that surprisingly doesn’t have a drink menu. Instead, tell the bartender the type of liquor and flavors you prefer and they will whip something up for you. Every cocktail here costs $17, no matter the concoction you have made. Then, grab dinner at Jane’s Hideway, serving up re-invented Southern classics with local ingredients, paired with a relaxing listening experience of live music. Standouts included the hot honey BLT, jambalaya and the whiskey and chocolate pairing, which includes liquor from local distilleries and delicious chocolate from Nashville’s Olive and Sinclair.

If you’re in the mood for even more live music, end your night at Dee’s Country Cocktail Lounge, a small dive bar offering affordable drinks, pool tables, darts and a variety of local bands and singers performing blues, country, Americana and bluegrass music. Chill out on the porch with an $8 margarita and enjoy your remaining hours left in Nashville.

Skepta and Joyner Lucas have been going back and forth on social media after the U.K. rapper said that he wanted to “clash an American rapper” to “get this UK/US rap debate sorted” on X July 3.

Over the weekend, the U.K. legend had a message for Lucas that he posted on his Instagram Story as he was getting off a flight. “Hey Jonah, I wasn’t even gonna reply back but I’m a rapper’s rapper,” he said in response to Lucas saying this was the moment he’s been waiting for on his X account. “I’m gonna respect the fact that you stood up and said something. The first man, you get me? But this is just another example of the ignorance. Jonah, if you was from the UK, fam? Quiet, bro, understand?”

However, while being slightly offended that he was the first American rapper to speak up, Skepta said that he may give him some acknowledgement in a diss track that he has planned for A$AP Rocky. “You may cut the numbers out there and I respect it,” he said of Lucas’ listenership. “So, when I make my diss track for Rocky, I’m gonna give you two bars and then make one of the young Gs just rub you out… I didn’t do the work that I did for Jonah Lucas just to be saying my name anyhow. I got diss track on YouTube with 30 million views, no ad-libs. It’s levels, bro.”

Joyner then replied on X with a clip of comedian Aries Spears making fun of British rappers to which Skepta responded by writing, “I was wondering who’s perspective you were gonna diss me from, never would have guessed Aaron Spears.”

In the midst of all this back and forth, fans were confused by the mention of a Rocky diss track, being that he and the Harlem rapper seemingly have a close relationship and frequently collaborate together. Skepta cleared things up, though, by posting that it’s all in fun.

“It’s not beef, Rocky is my family,” he said. “Rap is a sport, same way we have dissing matches on the block we can do it on record.” And when one fan on X said that he and Rocky basically already clashed on their single “Praise the Lord,” Big Smoke said that he thinks a clash with his friend would be great. “I think me vs Rocky would be a [fire] clash,” he wrote on X. “No violence, just bars, punchlines and counteractions.”

During his spree of messages on X last week, Skepta even started suggesting matchups of what a U.S. vs. U.K. rap battle would look like. He matched up Chip with Kendrick Lamar, Dave with Lil Wayne, Central Cee with Jack Harlow, Queenie with Megan Thee Stallion, his brother JME with Tyler, the Creator, Eminem with Ghetts, Lancey with Travis Scott, Youngs Teflon with Meek Mill, and Blade Brown with Pusha T.

Alex Warren’s “Ordinary” rolls on atop the Billboard Hot 100, as his first leader on the chart notches a fifth week at No. 1.

Meanwhile, Morgan Wallen logs his fifth week in 2025 with at least three songs in the Hot 100’s top five simultaneously, as “What I Want,” featuring Tate McRae, holds at No. 2, “Just in Case” rises 4-3 and “I’m the Problem” keeps at No. 5. Wallen ties Kendrick Lamar for the most weeks with three or more concurrent top five hits in a single year among soloists, with Lamar also having posted three such weeks this year. Among all acts, only the Beatles in their historic 1964 breakthrough boasted more such frames (eight).

Browse the full rundown of this week’s top 10 below.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated July 12, 2025) will update on Billboard.com tomorrow, July 8. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

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Billie Eilish, Shakira and more stars are speaking out amid the deadly floods in Texas.

Starting on the Fourth of July, natural disaster swept through much of central Texas as torrential rains caused catastrophic damage across multiple counties. At press time, CNN reports that at least 89 people — including 27 young girls and counselors belonging to the Camp Mystic summer camp along the Guadalupe River — have died as a result, while others are missing.

In response, Eilish shared a video capturing some of the flood damage and wrote Sunday (July 6) on her Instagram Story, “this is so sad.”

“sending love to Texas,” she added, following it up with a reshared video of a meteorologist warning how budget cuts to the National Weather Service under Donald Trump’s administration would inhibit its ability to properly warn people of disastrous weather crises such as the floods.

Shakira encouraged fans to join her in donating to Texans in need, sharing a link to a local crisis response charity and revealing that a portion of the proceeds from her July 5 concert in San Antonio would go toward the cause. “Our hearts and prayers are with those affected by the flood in Central Texas,” she wrote on X. “Your help is important and appreciated.”

Miranda Lambert also sprung into action, sharing posts on Instagram about how her pet charity, Mutt Nation, would be assisting displaced animals in her home state. “I can’t even come up with the words for the loss everyone is suffering,” the country star says of the floods in a video posted on her Instagram, after which she shared resources about fostering pets, dropping off supplies and donating on her Story.

Other Texas natives who posted about the disaster were Maren Morris and Hilary Duff. Sharing old photos of herself performing in the Lone Star State, the former wrote on Instagram that she was “thinking of my home state right now.”

“the floods are devastating and people are still missing,” she added in her post. “there are several places to donate but i’ll be donating to an incredibly impactful fund called the Texas Hill Country Community Foundation.”

The Lizzy McGuire actress shared a statement decorated with bluebonnets — the state flower of Texas — on Instagram. “Heartbroken doesn’t begin to cover it,” she wrote. “Praying for even a shred of a miracle — to find a child alive in the wake of this boundless disaster … I’m just so deeply, absolutely sorry. Your loss is felt across the world.”

Lana Del Rey mourned the loss of lives in both the Texas floods and the ongoing conflict in Gaza, sharing in a statement on Instagram, “We’ve been thinking of you every day since the floods … May all the angels be with you as you search for even more lost loved ones.”

“And yes of course we pray for Palestine every day,” Del Rey added in a comment on the post. “There is never a good way of wording things that will make all people happy but that is my personal truth. Politically I do keep up and have been very much hoping for cease fire.”

The musicians’ posts come as responders are still searching for survivors on rescue missions across the impacted areas in Texas. Even days after the disaster began, active flood warnings are currently still in place across the state.

State representatives are also now grappling with how they could have better protected citizens amid the crisis. Sen. Ted Cruz told reporters Monday (July 7) that “if we could go back and do it again, we would evacuate,” while Mayor Joe Herring Jr. of the heavily affected Kerrville, Texas, revealed in an interview with CNN that he hadn’t even received an alert before the floods hit seemingly out of nowhere.

“It all happened upriver at the worst possible place,” he told the news network. “And I think everyone in Kerrville, everyone in Kerr County, wishes to God we had some way to warn them. To warn those people … Everyone here, if we could’ve warned them we would have done so. And we didn’t even have a warning. We did not know.”

Last week housed both the midpoint of 2025 and Independence Day — so, naturally, the stars were out.

On July 4, Beyoncé graced Maryland’s Northwest Stadium with her blockbuster Cowboy Carter Tour, featuring a flashy new American flag fur coat and the continued absence of “16 Carriages” and its flying car. The same day, Drake kicked off his Iceman album era with his scene-surveying new single, “What Did I Miss?”

The day before the holiday (July 3), however, featured an admirable display of class solidarity from Grammy winners LL Cool J and Jazmine Sullivan. Both artists were scheduled to appear at last Friday’s Wawa Welcome American Festival in Philadelphia, but they pulled out of their performances in support of a strike by nearly 10,000 city workers. “There’s absolutely no way that I can perform, cross a picket line and pick up money when I know that people are out there fighting for a living wage,” LL Cool J said in a video posted to his official Instagram page.

Of course, this weekend took place in the shadow of the verdict in the Diddy trial, which was delivered on July 2. The disgraced mogul was found not guilty on the two most serious charges (sex trafficking and racketeering), but was convicted on two charges of transportation to engage in prostitution. Judge Arun Subramanian has yet to set a firm date for sentencing.

With Fresh Picks, Billboard aims to highlight some of the best and most interesting new sounds across R&B and hip-hop — from Ski Mask the Slump God’s new sequel to Benny the Butcher’s summer anthem. Be sure to check out this week’s Fresh Picks in our Spotify playlist below.