Another week, another award for Tame Impala, whose 2015 classic “The Less I Know the Better” enters APRA AMCOS’ The 1,000,000,000 List for accumulating more than one billion streams.

Tame Impala leader Kevin Parker collected the honor at the PRO’s head office in Sydney last week. The Western Australian production wizard made the trip east to collect songwriter of the year at the APRA Music Awards, held April 28.

At the award presentation, Parker recounted how the song was meant for Mark Ronson’s album.

“During the recording session,” Parker told APRA AMCOS staff, “I was working myself up to tell him I was going to take it back.”

There were no bad feelings from Ronson. The Brit Award-winning producer bestowed the songwriter of the year award to Parker during the annual APRA Awards, via video link.

“You think of ‘The Less I Know the Better,’” Ronson explained during his speech, “it’s one of the most iconic basslines of the past 20 years.”

Parker wrote, recorded, produced and mixed the song, which appeared on the Grammy-nominated album Currents and went to No. 1 on the triple j station’s Hottest 100 listener’s poll for decade. Currents went to No. 1 in Australia, and Top 5 on both side of the Atlantic.

Today, the song is four-times platinum certified in Australia, double-platinum in the U.S. and platinum in the U.K.

The 1,000,000,000 List acknowledges streaming numbers from all major services including Spotify, Apple Music, YouTube, YouTube Music, Vevo and Amazon, and it’s said to be the first award of its kind to recognize a songwriter’s achievement.

Previous recipients include Dean Lewis and Jon Hume (for “Be Alright”), Flume (for “Never Be Like You”), Starley and P-Money (for “Call On Me”), Vance Joy (for “Riptide”), Gotye (for “Somebody That I Used to Know”), and Vassy (for “Bad”). See the full list here.

More than four years after going head-to-head with the IRS in U.S. Tax Court, Michael Jackson’s estate has emerged largely victorious — with a federal judge finding the artist’s worth at the time of his death to be much closer to its estimate than the government’s and declining to issue any penalties.

The dispute centered on how much Jackson’s image and likeness were worth when he died in 2009, which would determine how much in taxes the estate would owe the IRS. It also includes the worth of Jackson’s interest in New Horizon Trust II, which included his stake in Sony/ATV Music Publishing, and New Horizon Trust III, which included Mijac Music, a publishing catalog that owned the copyrights to compositions Jackson wrote or co-wrote and works by other songwriters. (The estate and IRS generally agreed on the value of the other assets.)

On Monday, after a lengthy deliberation process, U.S. Tax Court Judge Mark Holmes issued a more than 250-page ruling that begins by acknowledging the complexities of the situation.

“From the time he was a child Michael Jackson was famous; and there were times in his life, testified his executor, when he was the most famous person in the world,” writes Holmes. “There were certainly years when he was the most well-known popular-music star, and even after his death there have been years when he was the world’s highest-earning entertainer. But there were also many years when he was more famous for his unusual behavior and not his unusual talent. And there were some years where his fame was turned infamous by serious accusations of the most noisome acts. We make no particular judgment about what Jackson did or is alleged to have done, but we must decide how what he did and is alleged to have done affected the value of what he left behind.”

The IRS valued Jackson’s likeness and image at about $434 million, while the estate said it was only worth about $2,000 at the time he had died. The reason? Jackson struggled to rehabilitate his image amid allegations of child molestation. In fact, one of the estate’s experts estimated that in the final six months of his life Jackson only made $24 in image and likeness-related revenue. (After further expert consultation leading up to the trial the estate would increase its valuation to around $3 million.)

Holmes notes that, in a situation like this, it’s vital to separate what the value was at the time of Jackson’s death from what the value would later become because of the estate’s management of those assets.

Because there’s no seeing the future, the estate’s experts compared Jackson’s posthumous prospects to those of other departed celebrities, specifically Marilyn Monroe, James Dean, Bettie Page, Jackie Robinson, Princess Diana and Elvis Presley. It also factored in public perception, balancing respect for his artistic talents against damage to his reputation. Holmes notes that the “stigma is reflected in his lack of endorsements or merchandise agreements unrelated to a musical tour or album from 1993 until his death.”

The IRS, however, gave greater weight to “foreseeable opportunities,” including themed attractions, branded merchandise, a Cirque du Soleil show, a film and a Broadway musical. Again, Presley was used as a bit of a template, as were other celebrities with brand deals (Tony Hawk, Paris Hilton, Regis Philbin, Jennifer Lopez and Tyra Banks). Meanwhile, the Cirque show became a factor because Jackson’s ex-manager Tohme Tohme said negotiations were underway before Jackson’s death.

Holmes found the hypotheticals to be “unreliable and unpersuasive” — and notes that the government’s expert failed to account for any costs of managing the likeness rights and seems to have ignored the hit Jackson’s reputation had taken. He writes, “Any projection that finds a torrent of revenue, and not just a trickle, from such a man’s image and likeness — especially one who in the last two years of his life was so unpopular he did not even have a Q score — is simply not reasonable.” (Then, there’s the whole perjury thing.)

Ultimately, Holmes found Jackson’s likeness to be worth approximately $4.15 million at the time of his death, his interest in New Horizon Trust II (which included the Sony/ATV stake) to be valueless because at the time he died its liabilities exceeded its assets by about $89 million, and his interest in New Horizon Trust III (which included Mijac) to be just more than $107 million.

Holmes doesn’t fault the estate for its valuations and found no penalties are warranted.”

Jackson had outlived the peak of his popularity, but in the decades before his death he kept spending as if he had not,” writes Holmes. “Popular culture always moves on. There will come a time when Captain EO joins Monte Brewster and Terry Forbes as names that without googling sort of sound familiar, but only to people of a certain age or to students of entertainment history. And just as the grave will swallow Jackson’s fame, time will erode the Estate’s income. It resurrected and then sold what became its most valuable asset to Sony before trial. The value of what it has left, no matter how well managed, will now dwindle as Jackson’s copyrights expire and his image and likeness shuffle first into irrelevance and then into the public domain.”

John Branca and John McClain, co-executors of The Estate of Michael Jackson, on Monday issued this statement in response to the decision: “This thoughtful ruling by the U.S. Tax Court is a huge, unambiguous victory for Michael Jackson’s children. For nearly 12 years Michael’s Estate has maintained that the government’s valuation of Michael’s assets on the day he passed away was outrageous and unfair, one that would have saddled his heirs with an oppressive tax liability of more than $700 million. While we disagree with some portions of the decision, we believe it clearly exposes how unreasonable the IRS valuation was and provides a path forward to finally resolve this case in a fair and just manner.”

The estate was represented by attorneys from Hochman Salkin Toscher Perez; Hoffman Sabban & Watenmaker; Freeman Freeman Smiley; and longtime Jackson estate lawyer the late Howard Weitzman of Kinsella Weitzman Iser Kump.

This article was originally published by The Hollywood Reporter.

Coldplay is set to open the 2021 Brit Awards on May 11 performing on a pontoon on the Thames near The O2 arena, where the show is being held. Their performance will follow the release of their new single “Higher Power,” which is being released on Friday.

This will be Coldplay’s third performance at the Brits in five years. They opened the 2016 show with “Hymn for the Weekend.” And they teamed with The Chainsmokers the following year to perform their collab smash “Something Just Like This.”

This will be Coldplay’s first TV performance in more than a year. Likewise, the Brit Awards will be the first live music show at The O2 in more than a year.

Coldplay has won British group at the Brits four times, more often than any other group. They have won British album of the year three times, which puts them in a tie with Arctic Monkeys for the lead. Coldplay has won two other Brit Awards, for a total of nine. Their 28 Brit nominations is the most by any group.

The Brit Awards 2021 with Mastercard – as the show is officially billed – has previously announced performances by Olivia Rodrigo, Arlo Parks, Dua Lipa, Griff (this year’s Rising Star winner), Headie One, and Rag’n’Bone Man & P!nk with the Lewisham and Greenwich NHS Trust Choir.

This year’s Brit Awards, hosted by comedian and actor Jack Whitehall, will be exclusively broadcast on ITV and ITV Hub.

The Brit Awards last month announced that it will be the first major indoor music event to welcome back a live audience. The indoor ceremony and live show will form part of the U.K. government’s scientific Events Research Programme, using enhanced testing approaches to examine how events can take place without the need for social distancing.

The March 14 Grammys are barely in our rear-view, but with the eligibility period for the 2022 Grammy Awards starting back in September, we already have a lot of new albums to choose from for next year’s ceremony. So who do you think should be nominated for album of the year at the 2022 awards show?

If you’re a Taylor Swift fan, there are a couple of options from your fave that could be up for the night’s top prize: December’s Evermore and April’s Fearless (Taylor’s Version) — a newly re-recorded edition of Swift’s 2009 album of the year winner. Miley Cyrus could land her first nod in the category with Plastic Hearts, or Ariana Grande and Justin Bieber could score their second nods with Positions and Justice, respectively.

It would be a huge look for Korean pop music if BTS, Blackpink or NCT were recognized, and Bad Bunny and Karol G could make history if their Spanish-language albums were nominated.

There are plenty of other huge albums that could be in consideration — but who do you think should be nominated for album of the year? Vote below.

It looks like Hipgnosis has won yet another big music publishing acquisition, pocketing the Red Hot Chili Peppers song catalog in a deal ranging from $140 million to $150 million, according to sources.

It’s unclear if the acquisition has closed yet, but sources say the firm has notched the deal, which likely includes the band’s most popular songs, such as “Under The Bridge,” “Dani California,” “Snow (Hey Oh), “Californication,” “Otherside,” “Can’t Stop” and “Give It Away.”

The band members — Anthony Kiedis, Flea, John Frusciante and Chad Smith — collectively write many of their songs, so it appears that a majority of them would have needed to agree to sell their shares of the rights to make this deal happen. According to BMI, the Red Hot Chili Peppers song catalog is administered by Moebetoblame Music, under the guidance of lawyer Eric Greenspan, managing partner of the law firm Myman, Greenspan, Fox, Rosenberg Mobasser, Younger & Light LLP. Sources say Greenspan shopped the deal for the band.

The Red Hot Chili Peppers song catalog generates $5 million to $6 million in net publishers’ share (usually known as gross profit — although in this case its likely to include all revenue from the catalog), sources say, and it traded at a about a 25 times multiple, which calculates to about $125 million to $150 million total. At deadline, Greenspan and Hipgnosis couldn’t be reached for comment.

In order to help finance that deal, Hipgnosis sold 9 million new ordinary shares at £1.195 ($1.66) per share on April 29, bringing in £10.76 million ($14 million). Those shares are expected to be listed on the London Stock Exchange on May 5.

In January, Hipgnosis sold nearly 62 million shares and raised about £75 million ($104 million). In another move, on April 1, Hipgnosis converted from being a Guernsey-based company to becoming an investment trust.

Katy Perry dressed the part for Disney Night on American Idol.

With just weeks to go until the season 19 winner of Idol is crowned, the contestants and judges headed to Walt Disney World to perform songs from the Disney songbook for Sunday night’s (May 2) episode.

Perry previewed the night ahead on social media with a first look at turning into a Disney icon, Tinker Bell.

“legolas’s gf flyin in hot with a pouch full of pixie dust to throw on anyone who doesn’t believe we have the best top 10 in @americanidol history #disneynight ok,” she tweeted alongside a video of her ear transformation.

While Idol aired, Luke Bryan shared a clip on Twitter of Perry in full pixie dust mode.

“Katy goes all out,” he commented, to which she replied, “Why would I go halfway? That’s for losers.”

See Perry’s getting-ready process, plus the final look, below.

Billie Eilish’s “Your Power” has topped this week’s new music poll.

Music fans voted in a poll published Friday (April 30) on Billboard, choosing Eilish’s single from her upcoming album Happier Than Ever as their favorite new music release of the past week.

“It’s an open letter to people who take advantage — mostly men,” Eilish said about the track in an interview published this weekend by British Vogue (of which she graces the cover). “I would like people to listen to me. And not just try to figure out who I’m talking about, because it’s not about that. It’s really not at all about one person. You might think, ‘It’s because she’s in the music industry’ — no, dude. It’s everywhere.”

“Your Power” brought in nearly 57% of the vote, with DJ Khaled’s Khaled Khaled album, The Kid LAROI’s “Without You” team-up with Miley Cyrus and more trailing behind.

See the final results of this week’s new music release poll below.

Billie Eilish’s striking new look for her British Vogue cover turned heads this weekend, but the full cover story revealed much more about the 19-year-old music star.

“I’ve literally never done anything in this realm at all,” she said of the photo shoot, which featured her embaracing an “old-timey pin-up look.”

While Eilish’s interview addressed that transformation, it also had her discussing the making of her upcoming album, Happier Than Ever, and the darker times that came before.

Eilish talked about abuse and implied that she’d been a victim. “I don’t know one girl or woman who hasn’t had a weird experience, or a really bad experience,” she said.

Here are five things Eilish shed light on in British Vogue.

How She Spent Her Unplanned Year at Home

Eilish and her brother, Finneas, in the company of their dogs, spent the pandemic year swimming, cycling, fighting, eating Taco Bell and working on music in the basement, the article revealed.

She’s very proud of the project: “I’ve grown so much and gotten so much better in my voice,” Eilish noted of her work on Happier Than Ever, due out on July 30. “It’s crazy to think about. I think change is one of the best gifts in the world.”

This Is What ‘Your Power’ Is Really About

The first single from Happier Than Ever is “Your Power,” which debuted last week. Eilish told the story behind the song, explaining, “It’s an open letter to people who take advantage — mostly men.”

“I would like people to listen to me. And not just try to figure out who I’m talking about, because it’s not about that,” said Eilish. “It’s really not at all about one person. You might think, ‘It’s because she’s in the music industry’ — no, dude. It’s everywhere.”

On that subject, Eilish admitted, “I used to not understand why age mattered. And, of course, you feel like that when you’re young, because you’re the oldest you’ve ever been. You feel like you’re so mature and you know everything … People forget that you can grow up and realize shit was f—ed up when you were younger.”

She Was Abused When She Was Younger

The conversation about abuse was personal to Eilish. British Vogue published that “the details are hers,” but “it happened to Eilish when she was younger.” The magazine made a point to say that the perpetrator “wasn’t a music industry figure.”

“You can always be taken advantage of,” Eilish said. “That’s a big problem in the world of domestic abuse or statutory rape — girls that were very confident and strong-willed finding themselves in situations where they’re like, ‘Oh my god, I’m the victim here?’ And it’s so embarrassing and humiliating and demoralizing to be in that position of thinking you know so much and then you realize, I’m being abused right now.”

Eilish predicted that some might question how she’s choosing to present herself right now — “‘You’re going to complain about being taken advantage of as a minor, but then you’re going to show your boobs?’” — and had this to say: “Yes I am, motherf—er! I’m going to because there’s no excuse.”

A ‘Very Satisfying’ Scream Can Be Heard on the New Album

Back to the music, Eilish’s British Vogue feature had a fun fact about her unheard sophomore album: one track culminates with Eilish screaming.

“It was very satisfying to scream,” Eilish described. “Because I was very angry. There’s so much anger in those songs — anger and disappointment and frustration.”

It’s a New Era for Billie Eilish

Eilish touched upon the idea of being “exactly who you feel like you are and want to be in that moment,” so beyond the blonde hair and new wardrobe, here’s an at-home snapshot of 2021 Billie, courtesy of British Vogue: she wakes up early, she loves earth tones and soft colors and she’s planning to make the effort to be way more social — post-pandemic, and once it’s safe to do so, of course.

Arthur Gunn, the runner-up of last year’s season of American Idol, is the winner of the “Comeback” competition, which puts him in 2021’s top 10, giving him another chance to claim victory in the season finale as he goes up against the top nine from the current group of finalists. The announcement broke in the first half-hour of Sunday night’s (May 2) live episode. “I was really shocked to hear the news,” Gunn tells Billboard. “I’m so excited. It’s a very good feeling to be back.”

How is Arthur Gunn 2021 different from the Arthur Gunn viewers voted for in 2020? “There has definitely been a lot of progress and a lot of learning along the way. I feel more professional and more motivated now. I learned so much about myself and the music scene and how to work in this field. I feel fortunate and will be forever grateful for a lifetime.”

The unprecedented twist adds an interesting footnote to Idol history. Every year, Billboard asks the top finalists to name their favorite Idols from previous seasons. This year, Gunn appears as a favorite alum and at the same time is a current contestant. Billboard asked Gunn if he knew that he was named as a past favorite by Cassandra Coleman, who mentioned him before she knew that he would be joining this season. “No, I hadn’t heard that yet. Wow! I just saw her in the hotel while I was coming in. That’s awesome.”

Before Gunn’s win was announced, the top nine contestants spoke to Billboard via Zoom from their Orlando, Fla. hotel, as they spent last week at Disney World for this Sunday night’s show, which was the annual Disney evening, complete with songs from the Disney repertoire.

Chayce Beckham

Born: July 16, 1996 – Victorville, Calif.
Favorite Alums: Ruben Studdard, Chris Daughtry
Musical Influences: Van Halen, Green Day, Bob Marley & the Wailers, The Doors
First Idol Experience: Growing up in Apple Valley, Calif., he watched every episode of every season with his family for “a long time.”

Beckham’s earliest memory of music is looking at the guitar in his grandmother’s house when he was three years old. Later that same year, he was walking with her in South Gate, Calif., when he fell down and scraped his leg. “I was throwing a fit, but I fell right in front of a guitar shop and my grandmother said, ‘Let me make it feel better,’ and took me into the guitar store and bought me my first classical guitar. I still have it and I’ve been infatuated with the guitar ever since.”

Beckham never took guitar lessons and is self-taught. “I learned by listening to the radio and by watching CMT. I’d watch those country music videos from the 2000s and learned how to sing and play songs by matching tones. I was never good at sports. I can’t throw a ball for nothing, but I can play guitar.”

Describing his childhood as “crazy,” Beckham says he would spend separate time with his mom and his dad. “When I was 19 I went to live with some buddies up the hill in the Glendora/San Dimas area. They had a nice property on an acre. When I moved in, I had drums, bass guitars, electric guitars, acoustic guitars, microphones, you name it. One night we were all partying and all that stuff was in the living room. We played a couple songs and we said, ‘That was a lot of fun. Let’s do that again tomorrow.’ And then it turned into three times a week and the next thing you know, I’m writing songs for this group and we threw massive parties and had other bands play there and we were the main event.

“That’s when I fell in love with performing in front of people and writing and delivering a message to an audience and connecting with people, because it was always hard for me to connect with people growing up. Music opened up an avenue for me to connect with a lot of people at once. I’m not very social right off the bat and this gave me an avenue to instantly relate with everybody. I became obsessed with it.”

In his early twenties, Beckham and his band were playing gigs and earning up to $1,000 a night. “Then the pandemic happened and we never got to play again, which is a tragedy because we were having such a good time. But it led me to doing [Idol]. It landed me right where I’m supposed to be. The whole thing taught me to trust the process. Whatever is going to happen is going to happen, and ever since I’ve done that, it’s been cool.”

Casey Bishop

Born: Feb. 9, 2005 – Fort Myers, Fla.
Favorite Alums: Alejandro Aranda, Haley Reinhart, Laine Hardy, Laci Kaye Booth
Musical Influences: Fleetwood Mac, Aerosmith
First Idol Experience: Started watching with Season 10 when she was six years old.

Bishop’s earliest memory of music is listening to some specific songs when she was three years old, including “December, 1963 (Oh, What A Night)” by the Four Seasons, “Kiss Me” by Sixpence None the Richer and “Sugar, Sugar” by the Archies. Thanks to her parents, she became aware of the music of Bruce Springsteen and Elvis Presley.

Bishop started singing karaoke when she was in pre-school. “I loved singing and I did a pretty good job for a five-year-old. In middle school I became super-serious about it and knew this is what I want to do.” Although she wanted to do paying gigs, she never did in those early days. “In elementary school, I was in student plays and talent shows. Later, I auditioned for America’s Got Talent and The Voice and it was ‘No, no, no, no, no.’ And then in high school, I was in two talent shows during my freshman year, but I was just so nervous. I was nowhere near the confidence level I’m at now.”

Bishop attributes her growth to listening to the judges’ advice. “When Katy [Perry] said to make that stage mine and get really gritty, I thought I was. But I guess I did that in my next performance because she told me that was my best performance. So I improved.”

Bishop makes her own mark in American Idol history, as she was born at 3:12pm on Feb. 9, 2005. Less than five hours later, the seventh episode of season four aired, featuring Carrie Underwood, Bo Bice and the rest of the top 10 competing during Hollywood Week. No other finalist has been born as late as 2005, making Bishop the only top 10 contestant in the series’ two-decade history born as late as the middle of the first decade of this millennium.

Cassandra Coleman

Born: May 15, 1996 – Kingsport, Tenn.
Favorite Alums: Phillip Phillips, David Archuleta, Arthur Gunn, Kelly Clarkson, Katharine McPhee
Musical Influences: The Chicks, Avril Lavigne, Enya, James Taylor, John Denver, Stevie Nicks, The Cars, Yes, Rush
First Idol Experience: Watching the Season 6 contestants win Golden Tickets to Hollywood and thinking she wanted a Golden Ticket of her own one day.

“I have a distinct memory of the first time I realized that music was something I felt within me,” Coleman tells Billboard. “My family had a little farm. We lived on a hill and there was this little valley at the base of our hill. I was walking with my mom when I was five and she started singing a hymn, ‘The Lily of the Valley.’ I was harmonizing with her without realizing what I was doing. She turned around and said, ‘You’re harmonizing.’ I didn’t know what she meant so she tried to explain to me what harmonizing was and ever since then, I knew music has always been what I’ve known.”

Coleman’s embrace of music may be genetic. “When my mother was growing up, she was the girl who was in musicals and plays and was usually the one who got the main role. She sings all the time. She wrote poetry a lot. Over the last four years she started doing songwriting as well. So music was always in the house. All my siblings sing and my dad can, too. When we get together for Thanksgiving, we all like to sing ‘Take Me Home, Country Roads’ because some of my family is from West Virginia.”

Coleman remembers how she would respond as a child when people asked her what she wanted to do when she grew up. “I would either say I want to be a mom or I want to be a singer. But growing up, I allowed my insecurities and my fear to tell me that that was something that would never be achievable, so I shifted my dreams to owning a coffee shop. About six months ago I realized this could be something that would pan out for me. I always knew it was what I wanted to do, but I felt like it was a pipe dream or something that wouldn’t lead me to having a comfortable life, and I was okay with that. I shop at Goodwill and love to thrift. I don’t care about money, but I didn’t think that there would be people who would want to buy music from me. And the songwriting process was very daunting to me. I’m still having a hard time grasping that this could be a reality for me.”

Asked if she studied music in school, Coleman responds, “I was home schooled up until seventh grade and then I was in a tiny public school with 30 students. So there were scattered talent shows. The first time I ever performed on a stage, I was nine years old and I sang ‘Breakaway’ by Kelly Clarkson and I forgot the lyrics. I only did half the song, but I didn’t run off the stage. I just said, ‘That’s all I remember,’ and everyone stood up and clapped. Then in seventh grade I sang an Alicia Keys song. I would’ve loved to have been able to be in some theater or musical classes, but my school was so small. We had a choir and I got to be in it one year and I loved every bit of it.”

Deshawn Goncalves

Born: Jan. 10, 2001 – Youngstown, Ohio
Favorite Alums: Jennifer Hudson, Fantasia, Kelly Clarkson, Ruben Studdard
Musical Influences: Bruno Mars, Alicia Keys, John Legend
First Idol Experience: At age three, watching Fantasia on Season 3.

Goncalves’ earliest memory of music is going to church with his grandmother, who died when he was four years old. “She would have me wear the church robe and sing in the choir. I remember running around the church tripping over stuff because the robe was so long and I was so little. They didn’t have child-size robes.”

Goncalves was in the sixth grade when he first realized he had musical talent. “I picked up the trumpet and found I could do certain things that weren’t normal for other people. I would play some music and I could tell people what the notes were, by having perfect pitch. Back then, I thought everyone could do that. As time went on and I progressed musically, I knew I had a gift and that was before I started singing.”

As a seventh grader at the A+ Arts Academy school, Goncalves met a music teacher named LaJoyce Daniel-Cain. “She sat me down – no, actually, she told me to get up and sing. She said, ‘You are going to perform. I see that you have a voice and I’m going to make you use it.’ She saw that in me before I saw it myself. That pushed me to become an artist. I started singing and watching her play the piano and I would try to emulate what she was doing, while developing my own style.”

Seventh grade was a pivotal year for Goncalves. “I started doing it all that year – being in plays and school functions like The Night of the Arts and honor roll assemblies. People started to recognize me throughout the city. I gigged around and when I was 16 I went to the Apollo Theater where I won Amateur Night at the Apollo, singing ‘Feeling Good,’ which I sang on Idol this season.”

The 20-year-old says he has already learned a lot from his Idol journey. “I’ve grown so much from when I first walked into that [audition] room, like simply doing what makes me happy at all costs. That’s what matters. If I do that, people will gravitate toward me. It’s a really hard thing, because throughout my life I have always cared about what people had to say about me, what people thought and what people felt about what I did. I’m really breaking out of that now and I think it’s very necessary going forward to be that person.”

Caleb Kennedy

Born: Oct. 21, 2004 – Spartanburg, S.C.
Favorite Alums: Bucky Covington, Caleb Lee Hutchinson, Gabby Barrett
Musical Influences: Jason Aldean, George Strait, Hank Williams, Hank Williams, Jr.
First Idol Experience: Watching with his family after church on Sundays.

Kennedy’s first memory of music is rocking on his childhood rocking horse (which he acknowledges might have been a rocking donkey) to Trace Adkins’ “Honky Tonk Badonkadonk.”

Beyond the rocking horse (or donkey), Kennedy grew up in a household where music was ubiquitous. “My mom plays piano. My dad picks guitar and sings a little bit. My grandmother’s brother played guitar and just about any instrument.” Kennedy was five when he was given a drum kit. “I didn’t spend too much time on it. I learned to play the drums when I was 10. Three years ago, when I was 13, I started playing guitar. It was my birthday and I got the bright idea to spend my birthday money on a guitar and I fell in love with playing it. I couldn’t put it down for anything. I would play it until my fingers bled.” Kennedy taught himself to play by watching videos on YouTube.

Eventually Kennedy started performing music in a public space. “I started out street busking. My sister would go downtown with her friends and I would sit out there with my guitar. The first time I did that, I sat for eight hours and made a dollar.” But Kennedy wasn’t discouraged. “I loved it so much. And then gigs kind of progressed as people started to know my name. The last show I played before traveling to California was in a restaurant called Wings Etc. and it was packed. There wasn’t an empty seat.”

Kennedy has already performed two of his original songs on Idol. “The first song that I remember writing is called ‘Mine.’ I was 13. It’s about this girl that I was crazy about but she would never let me date her. The hook was, ‘I’ll just keep hoping and wishing that one day you will be mine,’ but I never pulled that off.”

Kennedy says he became a decent songwriter once COVID hit. “All I did was sit alone and write and write and write. Then I co-wrote with other people who were staying home and that helped me so much, expanding my knowledge of writing and learning more about country music.

Grace Kinstler

Born: Aug. 3, 2000 – Woodstock, Ill.
Favorite Alums: Kelly Clarkson, Carrie Underwood, Adam Lambert, Katharine McPhee, Jennifer Hudson, Fantasia, Jessica Sanchez, La’Porsha Renae
Musical Influences: Whitney Houston, Christina Aguilera
First Idol Experience: Watching with her parents when she was a young child. “I would say, ‘I want to do that one day,’ and my dad would tell me, ‘You will, you will.’”

“I was always drawn to music,” says Kinstler. “I started playing piano when I was four. I was just fidgeting. I doubt that it sounded good. I was definitely not a prodigy. I was in kindergarten when I started to dance and in second grade I started piano lessons and took them for two years. When I was in fifth grade I did musical theater and continued through elementary and high school. And I loved to sing with the American Idol Wii game.”

Kinstler’s musical theater experience included roles in Hairspray, Big Fish, Annie, Shrek, Tarzan and Joseph and the Amazing Technicolor Dreamcoat. Her early work in musical theater convinced Kinstler that she was meant to be a singer. “That’s when I realized people enjoy watching me do this. It’s not just something I love to do; people actually get something out of it. I wanted to keep pushing, to keep growing. Even though other people were enthralled with what I was doing, as artists we are perfectionists and we are hyper-critical of everything we do. I’ve always been that way. But I wanted to make sure that critiquing myself was constructive and not toxic.”

Kinstler’s father encouraged her to write her own songs but she was reluctant because she believed she wasn’t very good at it. Then at age 14, she decided to go for it and wrote her first song, “The World Doesn’t Wait.” “I released it because I was getting my feet wet. I wanted to get the experience. Then I released songs every year and when I was 17, I released my first EP. And then in the summer of 2019, I released my second EP, which is the latest thing I’ve released so far.”

And what does she think is the highlight of her Idol journey to this point? “My duet with Joss Stone. That was a really special full circle moment for me because I had a show right after my dad passed and I was supposed to sing one of her songs, ‘Spoiled.’ That show was canceled because of COVID. I remember rehearsing that last year and then a year later to be where I am now – I’m in such a better place mentally and to sing with Joss was absolutely incredible.”

Hunter Metts

Born: Sept. 12, 1998 – Nashville, Tenn.
Favorite Alums: Jason Castro, Gabby Barrett, Scotty McCreery, Jonny West, Francisco Martin, Louis Knight
Musical Influences: Alison Krauss, Rascal Flatts
First Idol Experience: Watching Jason Castro sing “Over the Rainbow” in Season 7.

Before he was born, Metts’ parents moved to Nashville to pursue music. “My dad was in music publishing for a long time, working at companies like Curb, Malaco, Starstruck and Writer’s Den. My mom moved to Nashville when she was older and she ended up singing demos. When she met my dad, she decided she wanted to be a stay-at-home mom. When she had my sister and me, she gave music up to raise us.”

Metts was in eighth grade when he first picked up the guitar. “I wanted to sing and I thought I needed to accompany myself – that it’ll sound better if I can play guitar. YouTube was my best teacher. Even now, for production tutorials or anything, I use YouTube.”

When Metts tried out for Idol the first time, he was getting a good reaction until he mentioned that his sister worked at Disney World, playing various characters, including Belle, Snow White, Mary Poppins and Ariel. Since Idol is broadcast on ABC and ABC is owned by Disney, that was a legal conflict of interest and Metts was told he couldn’t continue. Being a supportive sister, Mett’s sibling quit her job so her brother could try out for Idol again. After she returned home to Nashville to go to nursing school and a full calendar year had passed, Metts was finally eligible to return for an audition.

One of the most indelible moments of this season was Metts’ performance of “Falling Slowly,” the Oscar-winning song from the film Once. Near the end of the song, Metts forgot some lyrics and had a visceral reaction – he broke down in tears. “I thought I had been doing well, specifically the last couple performances and I was so in the moment and I thought I blew it and I thought it was way worse than the reality of it,” Metts tells Billboard. “In that moment, it’s really hard to articulate that feeling, because you look out and there are all these cameras and the judges. It’s your moment and you don’t want to mess that up. I came so close to a personal goal and I totally messed it up right at the end. Watching it back, it wasn’t as serious as I thought but I wouldn’t take it back because I do care that much.”

Willie Spence

Born: June 18, 1999 – West Palm Beach, Fla.
Favorite Alums: Fantasia, Jessica Sanchez, Ruben Studdard, Jennifer Hudson, Katharine McPhee, Phillip Phillips, Candice Glover, Burnell Taylor
Musical Influences: Whitney Houston, Yolanda Adams, John Legend
First Idol Experience: His family loved the show and he started watching Season 2 and then played the American Idol game with his family.

“I never thought I would be on a singing show,” Spence confesses. “I would’ve never imagined this because I always taught myself. I didn’t like competition – I’m not the type of person who competes. But since I’ve done it, it has really been one of the best experiences of my life. It’s been a great journey so far and I’m grateful for the opportunity to be on this type of platform.”

Spence remembers first being aware of music at the age of three, hearing his mom and dad singing around the house and at church. Both parents sang for fun and not professionally and his father played guitar. Young Spence also played an instrument. “I wanted to be a drummer before I wanted to be a singer. They couldn’t get me off the drum set but then I started leaning more toward singing.”

Spence started singing in his grandfather’s church in Florida. “Then I moved to Georgia when I was six and I joined an organization called 4-H. It’s a statewide choir and I had the opportunity to sing in front of thousands of people. We performed at different colleges in Louisiana, Virginia, Kentucky and Arkansas. That was an amazing experience for me.”

Spence says the highlight of his Idol journey so far was the celebrity duets show, when he sang with Season 5 alum Katharine McPhee. “I told her, ‘I’m nervous before every performance.’ She told me she’s the same way and she said it’s okay.” Spence says that McPhee gave him some advice that he will keep with him for the rest of his career. “She said, ‘Don’t worry too much. Just live in the moment.’”

Looking to the future, Spence has some clearly defined goals. “I want to share my voice with the world and do what I love. And like I said in my audition, maybe hopefully win a few Grammys one day and be on the Billboard charts and the Billboard Music Awards. I want my music to be able to reach the world.”

Alyssa Wray

Born: March 30, 2002 – Boyle County, Kentucky
Favorite Alums: Jennifer Hudson, Carrie Underwood, Fantasia, David Archuleta, Jordin Sparks, Lauren Alaina, Katharine McPhee, Crystal Bowersox
Musical Influence: Carrie Underwood, Beyoncé, Jennifer Hudson, Whitney Houston
First Idol Experience: “My mom tells everybody she brought me home from the hospital and we watched the first season with Kelly Clarkson. So technically, I’ve been watching since I was born.”

Like many singers, Wray says one of her earliest memories of being aware of music is from attending church. But she also has a more specific recollection: “I remember having a VHS of Rodgers and Hammerstein’s Cinderella with Whitney Houston and Brandy when I was super little.” And there’s more: “One of my earliest music experiences was watching American Idol when I was young and wanting to be on it. The first year that I can remember watching was the David Archuleta and David Cook year (Season 7). I had the biggest crush on David Archuleta when I was six.”

Wray held on to the idea of auditioning for Idol for years. “I was in eighth grade when the show was canceled [by Fox] and I was devastated. I wanted to audition for shows and I would have loved to try out for The Voice but American Idol was special to me. I always wanted to audition because it was my dream for so long. I was really saddened when it was canceled and the next year, they announced they were bringing it back on ABC. I auditioned the first season it was on ABC.”

Many Idol alums have gone on star in Broadway musicals and it won’t be a surprise if Wray follows suit. Professing that she would like to win a Tony (as well as a Grammy, an Oscar and a Golden Globe), she recalls that she saw her first play when she was six years old. “It was a parody called Snow White and the 47 Dwarfs and the girl playing Snow White was this young Black girl and she looked like me and I remember thinking, ‘I want to be in a play.’ A few weeks later, my grandmother put me in a summer camp at that same community theater. I did my first musical in fifth or sixth grade and then in eighth grade, I did High School Musical Jr.” Since then, Wray has appeared in Legally Blonde, Sister Act, Frozen, Little Shop of Horrors, Mary Poppins and Shrek.

When it comes to her future, Wray isn’t only thinking of herself. “I want to share my art and advocacy with people. I’m very big on activism and I want to be an advocate for representation. I want to work for what’s right and get people the justice they deserve. You have to have a certain type of empathy to be an artist, and I want to use my platform for good.”

Just as this year’s Idol top contestants sat down for individual Billboard interviews, season 18’s Arthur Gunn did the same last year. Here is his profile that was included with the finalists from 2020:

Arthur Gunn

Born: Oct. 24, 1997 – Kathmandu, Nepal
Favorite Alums: Alejandro Aranda, Laine Hardy
Musical Influences: Bob Dylan, Led Zeppelin/Jimmy Page, Joe Cocker, Robert Johnson, Mississippi John Hurt
First Idol Experience: Watched online while growing up in Nepal.

Born Dibesh Pokharel in Kathmandu, Nepal, the American Idol finalist now known as Arthur Gunn moved to America when he was 16 to reunite with members of his family who had been living in Wichita, Kansas, for five years. He had already learned to speak English in Nepal. He became interested in music as a child, singing with his family. “My mom gave me my first guitar. My brother and cousins listened to a lot of records and I saw them playing music and I wanted to do that too.” A year before he arrived in the U.S., he became more serious about his music, playing pubs and bars in Kathmandu.

Once he was in Wichita, Gunn bought a new guitar and played local coffeehouses. “I hung around musicians in Wichita and made a lot of friends. I traveled and played on street corners.” Gunn busked in Los Angeles, San Francisco and New York and spent an entire summer playing music on the boardwalk in Ocean City, Md.

Gunn was aware of American Idol in Nepal, not from watching it on broadcast television but from online viewing. “When I came to America, I had no plans [to be on it]. Then I got a lot of peer pressure from musical friends who said I should try it. I was not so sure. All I want to do is play music and that’s all I know how to do. I’m willing to learn more and I thought this would be a great platform and so I thought I would give it a shot.”

What is it like being in the competition as opposed to watching it online? “It is amazing,” Gunn professes. “I’m still trying to grasp all of it. I’ve learned so many things about performing and being an artist and the music industry.” And how did Dibesh Pokharel become Arthur Gunn? “I was reading poetry by Arthur Rimbaud [a 19th century French poet who influenced modern literature]. His words were so modern and I thought his name Arthur would be a good stage name. A lot of people know me as Dibesh but Arthur is easier to use as a stage name. The Gunn came from me wanting to make fun of ‘gun.’ People use guns in battle but you don’t need guns to do things.” And does he respond when people call him Arthur? “It totally depends on who is calling me. But now I have to respond.”

After notching four earlier top 10 albums on the Billboard 200 chart, rapper Moneybagg Yo earns his first No. 1 as his latest effort, A Gangsta’s Pain, debuts atop the tally.

The 22-track set was released on April 23 via CMG/N-Less/Interscope and earned 110,000 equivalent album units in the U.S. in the week ending April 29, according to MRC Data. Nearly all of that total is powered by streaming activity.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new May 8, 2021-dated chart (where A Gangsta’s Pain debuts at No. 1) will be posted in full on Billboard’s website on May 4. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of A Gangsta’s Pain’s 110,000 equivalent album units earned in the tracking week ending April 29, SEA units comprise 106,000 (equaling 147.4 million on-demand streams of the album’s tracks), album sales comprise 4,000 and TEA units comprise less than 1,000. The set was previewed by the top 20-charting Hot Rap Songs hits “Time Today” and “Hard for the Next,” the latter with Future.

Moneybagg Yo first hit the Billboard 200 in 2017 with Heartless, which peaked at No. 177. He’s been prolific on the chart since, as A Gangsta’s Pain is his 11th charting effort, and ninth album to reach the top 25. Pain is his fifth top 10 album overall, and fourth consecutive top 10, following Code Red (No. 6 in 2020, with Blac Youngsta), Time Served (No. 3, 2020) and 43VA Heartless (No. 4, 2019). He got his first top 10 with 2017’s Federal 3X (No. 5).

The Slime Language 2 compilation from Young Thug and his Young Stoner Life Records family of artists falls from No. 1 to No. 2 in its second week with 62,000 equivalent album units earned (down 46%). Morgan Wallen’s former No. 1 Dangerous: The Double Album is a non-mover at No. 3 with 54,000 units (down 3%).

Eric Church’s Soul debuts at No. 4 with 53,000 equivalent album units earned. Of that sum, album sales comprise 42,000 (making it the top-selling album of the week), SEA units comprise 10,000 (equaling 13.3 million on-demand streams of the album’s tracks) and TEA units comprise 1,000. Soul follows Church’s top 10 debut with Heart a week ago (at No. 5), making Church the first act with back-to-back top 10 debuts in successive weeks since 2017, when Future debuted at No. 1 on the March 11, 2017-dated chart with his self-titled album and followed it a week later with another No. 1 debut, HNDRXX (March 18).

Heart was released on April 16 as the first of three new albums from Church, collectively referred to as Heart & Soul. The & album was released exclusively to members of Church’s Church Choir fan club, while the Soul album was released widely on April 23. (The & album debuts at No. 83 on the new Billboard 200 with 11,000 units — all from album sales. Heart falls 5-68 with 12,000 units — down 76%.)

Three former No. 1s are next on the Billboard 200. Justin Bieber’s Justice falls 4-5 with 47,000 equivalent album units (down 12%), while Rod Wave’s SoulFly is steady at No. 6 with 40,000 units (down 13%).

The Weeknd’s After Hours re-enters at No. 7 with 39,000 units (up 711%). Meanwhile, his best-of compilation The Highlights falls 8-22 with 20,000 units (down 49%). The two albums share a pair of songs, “Blinding Lights” and “Save Your Tears.” On the latest chart, the TEA and SEA units for both songs contribute to After Hours, as a song’s activity is assigned to the artist’s album with the most sales in a week. (After Hours sold 1,500 copies in the latest tracking week, while The Highlights sold 1,000.) A week ago, the TEA and SEA for both songs was directed to The Highlights (which in that frame outsold After Hours). In turn, with the songs’ activity reverting back to After Hours, the album rises re-enters at No. 7.

Rounding out the new top 10 are Dua Lipa’s Future Nostalgia, rising 9-8 with 35,000 equivalent album units earned (down 1%), Taylor Swift’s former No. 1 Fearless (Taylor’s Version), dropping 2-9 with 33,000 units (down 42%), and Pop Smoke’s former leader Shoot for the Stars Aim for the Moon, a non-mover at No. 10 with nearly 33,000 units (down 3%).