Everybody, even huge pop stars, has that one person they would absolutely lose it over if they met them in person. For a long time, Billie Eilish had Justin Bieber at the top of her list. But now they’ve become friendly and, in case you missed it, over the weekend, Bieber, 32, made Eilish’s tween dreams come true when he invited his self-proclaimed superfan onto the stage to serenade her with his 2009 song “One Less Lonely Girl.”
It was clear from the hugs and laughter that Eilish, 24, was having the time of her life, and her mom, Maggie Baird, confirmed it in a sweet Instagram note honoring the special relationship between her daughter and Justin.
“One of the most touching moments ever. It sounds crazy, but we watch our children develop these deep deep connections to artists who move them and usually there’s nothing in our power to do,” wrote Baird in the post, which featured a picture of Billie hugging Justin with a giant smile on her face, as well as the footage of Eilish losing it as she stumbled and fell to her knees while making her way to the stage for the once-in-a-lifetime moment.
“But we buy them records and maybe buy them a ticket to a concert (or a movie of a concert in our case because we couldn’t afford to see an actual concert),” she continued of her daughter, who has been a Belieber for half her life. “Watching this crazy unimaginable dream come true over many years is so incredible. I’m so grateful to Justin Bieber for the kindness he has shown Billie and to our whole family and to Hailey who makes so many things wonderful and possible♥️♥️.”
Justin’s wife, Hailey Bieber, responded with a “❤️ you guys!” in the comments, followed by a “so special.” In other pics, Baird hugs Eilish after the special on-stage moment and mom and daughter fangirl together over Justin’s show from the audience. Later, Eilish — who has spoken in the past about how Bieber offered her advice and friendship early in her career — provided an update on her emotional state following the life highlight moment: “can’t stop crying,” she wrote in an Instagram Story on Sunday accompanied by a pic of her laying in bed with red-rimmed eyes.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-04-20 11:45:442026-04-20 11:45:44Billie Eilish’s Mom Thanks Justin Bieber For ‘One of the Most Touching Moments Ever’ After ‘One Less Lonely Girl’ Coachella Serenade of Daughter
Katy Perry shared a playful moment from her recent trip to Rome, joking about tossing her credit card into the Trevi Fountain for “good luck.”
In a video posted to Instagram over the weekend, the singer is seen standing at the landmark before briefly throwing her card into the water — a tongue-in-cheek spin on the centuries-old tradition of visitors tossing coins to ensure a return to the city.
“Y’all, I told you in ‘Save as Draft’ that I don’t f**k with change,” Perry says in the clip, referencing a lyric from her 2017 track, before adding, “But I feel like I need to put something in the Trevi Fountain for good luck.”
She quickly retrieves the card as it begins to float away, turning the moment into a light bit of travel humor rather than a serious offering.
Perry’s post was part of a wider set of images from Rome, captioned “Just Rome’ing around,” showing the artist moving through the city in a more low-key, offstage setting.
The visit also included a private performance at the La Nuvola convention center, though further details about the event have not been publicly shared.
The social media moment arrives amid a more serious development earlier in the week, after Australian actor Ruby Rose publicly alleged that Perry sexually assaulted her during an encounter in Melbourne years ago. Victoria Police confirmed an investigation is underway following a report.
A representative for Perry has denied the allegation, calling the claims “categorically false” and “dangerous reckless lies.”
The post also follows Perry’s recent appearance at the Coachella Valley Music and Arts Festival, where she was spotted during weekend one alongside Canadian Prime Minister Justin Trudeau. The pair were seen in the crowd during Justin Bieber’s set, adding to recent public sightings of the two together.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-04-20 07:55:562026-04-20 07:55:56Katy Perry Tosses Credit Card Into Trevi Fountain for ‘Good Luck’
Jesy Nelson has appealed for public assistance after her car — containing essential medical equipment for her infant daughters — was stolen from her driveway.
The former Little Mix member shared the news via Instagram Stories, revealing that her black Land Rover Defender was taken in the early hours of the morning from her home in Brentwood, Essex.
She asked anyone with information to come forward, writing, “Please if any of you have seen or know of any information, can you DM me or contact the police. I have so much of my girls’ hospital equipment in that car that’s really needed.”
The incident carries added urgency due to the health needs of Nelson’s twin daughters, Ocean Jade and Story Monroe, who were diagnosed earlier this year with spinal muscular atrophy (SMA), a rare genetic condition that affects muscle strength and movement.
Nelson has spoken publicly about the challenges of caring for her daughters following the diagnosis, describing the experience as an intense period involving frequent hospital visits and ongoing medical support. SMA, particularly Type 1, can impact essential functions including breathing, swallowing and mobility, often requiring specialized equipment for daily care.
In January, Nelson shared that her daughters’ condition would likely have long-term implications. She said doctors had informed her that the children may not be able to walk or regain full neck strength, underscoring the importance of consistent medical treatment and equipment access.
Since opening up about her daughters’ diagnosis, Nelson has also become an advocate for increased awareness around SMA. She recently voiced support for updated government plans to introduce newborn screening for the condition, emphasizing the importance of early detection and treatment.
The theft of the vehicle — and the loss of critical medical supplies — has prompted concern among fans, with Nelson using her platform to amplify the search and encourage anyone with information to contact authorities.
Nelson rose to prominence as a member of Little Mix, one of the U.K.’s most successful girl groups, before departing the group in 2020. She later launched a solo career with the single “Boyz,” followed by subsequent releases including “Bad Thing.”
At the time of publication, there have been no updates on the vehicle’s recovery.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-04-20 06:21:142026-04-20 06:21:14Jesy Nelson Appeals for Help After Car With Daughters’ Medical Equipment Is Stolen
mike. has announced his final Australian tour, confirming a run of headline shows across Sydney, Melbourne and Brisbane this September as part of his Upside Down Tour Pt.3.
The New York rapper is set to perform at Oxford Art Factory in Sydney on Sept. 5, Max Watts in Melbourne on Sept. 12 and The Triffid in Brisbane on Sept. 18. The dates mark what has been billed as his last tour of Australia before his planned retirement from music.
Tickets for the shows will go on sale to the general public on April 24 at 10 a.m. local time, following a Live Nation presale beginning April 22.
The announcement arrives as mike. continues a prolific run that has positioned him as one of the defining voices in independent hip-hop. Emerging from New York’s underground rap scene in the late 2010s, he built momentum through a steady stream of self-released projects, often blending lo-fi production with introspective, diaristic writing.
Albums including Weight of the World, Disco! and Burning Desire have drawn critical attention for their minimal, sample-driven sound and emotionally direct lyricism, frequently addressing themes of grief, memory and personal change. That approach has helped cultivate a dedicated fanbase while placing MIKE. within a broader wave of independent artists reshaping the boundaries of contemporary rap.
The Upside Down Tour has seen the artist perform across North America and Europe, with the Australian leg forming part of its third installment. The choice of mid-sized venues for the upcoming shows reflects the scale of his touring approach, which has largely centered on intimate live settings.
While details around his retirement timeline remain limited, the framing of the tour suggests these dates could mark his final performances in Australia. MIKE. has not extensively toured the region in recent years, making the September run a rare opportunity for local audiences to see him live.
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“I Feel So Free,” the new single from Madonna, tops this week’s fan-voted new music poll.
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Listeners voted in a poll published Friday (April 18) on Billboard, choosing the iconic pop star’s latest single as their favorite new release this week.
“I Feel So Free” rose to the top of the poll during a week full of fresh pop arrivals, with new tunes from Olivia Rodrigo, Tyla feat. Zara Larsson, Lana Del Rey, sombr and more. At the poll’s closing time on Sunday, Madonna led the pack with 40% of the vote.
“I Feel So Free” debuted on iHeartRadio’s Pride station on Friday, and it arrived on streaming services — and with an official visualizer, seen above — following Madonna’s surprise appearance during Sabrina Carpenter’s Coachella set later that night. (Madonna and Sabrina sang two classics, “Vogue” and “Like a Prayer,” together at the festival in Indio, Calif.)
The track celebrates the comfort found in going out dancing: “It’s really hard for me to trust people/ Can you blame me?/ I never know what people like me/ That’s why I like to go dancing/ Safety in numbers/ That’s why I like to go dancing/ Safety in numbers,” Madonna sings in the chorus.
It’s the first single off of Madonna’s upcoming Confessions II album, the sequel to 2005’s Confessions on a Dance Floor. Confessions II is slated for a July 3 release via Warner Records.
Among the new releases trailing behind “I Feel So Free” are Olivia Rodrigo’s “Drop Dead,” with 31% of the vote, and Tyla feat. Zara Larsson’s “She Did It Again,” with nearly 16% of the vote. Lana Del Rey’s “First Light” and sombr’s “Potential” rounded out the top 5 picks.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-04-20 01:41:192026-04-20 01:41:19Fans Choose Madonna’s ‘I Feel So Free’ as This Week’s Favorite New Music
Emily Saliers, one-half of the Indigo Girls (alongside Amy Ray), says she’s facing two incurable medical conditions that will affect her vocal performance on the duo’s upcoming tour.
Saliers shared she’s “had this diagnosis for a while” in a post published on the band’s Instagram account on Saturday (April 18). She said “the conditions get incrementally worse over time.”
In a video recorded during tour rehearsals in Atlanta, the artist explained she “wanted to be completely forthcoming” about her experience with cervical dystonia (a neurological movement disorder) and essential tremor (a nervous system disorder).
“Many of you have noticed that my voice — maybe all of you have noticed, it’s pretty noticeable — that my voice is not what it once was,” she said in the clip. “So I wanted to share with you that I’ve been diagnosed with two movement disorders. One is called cervical dystonia with torticollis, which basically is in the part of my brain that controls movement. And in other people with this condition, the brain sends signals to tighten muscles. So because of the cervical dystonia, my head twists to the right and is misaligned. It can cause shaking of the head. It’s impossible for me to hold my head centrally without shaking, things like that. So structurally, obviously, that is problematic for this whole throat area.”
Saliers continued, “But the other diagnosis, which is harder in fact for me, is an essential tremor. And the essential tremor causes involuntary shakes or movement, and it affects all the parts of my singing apparatus, the larynx, the pharyngeal muscles, my jaw and my diaphragm from which I get all the air for singing. So I’m unable to make the connections muscularly and structurally because of the essential tremor. What else the essential tremor does is give me this — I am gonna call it horrible, because it’s horrible to me — vibrato that I never used to have. I am completely physically unable to hold a straight tone the way I used to.”
“What you, our community, have come to, I think, appreciate and love about some of our harmonies is the way we can hold long straight tones together. So I want to give you a heads up about that, in full transparency,” she said.
The Indigo Girls — whose Swamp Ophelia and Shaming of the Sun albums were top 10 hits on the Billboard 200 in the mid-’90s, and who’ve had five albums reach the top 5 on the Americana/Folk Albums chart; they’re also Grammy winners, having received the best contemporary folk recording award in 1990 for their self-titled Indigo Girls set — are launching a U.S. tour this week. They kick things off in Athens, Ohio, on Friday (April 24). Dates are scheduled through mid-December.
Saliers detailed her treatment plan, which consists of therapeutic massage, physical therapy, chiropractic care, acupuncture, and Botox shots in her neck and shoulders — all of which can mitigate symptoms. She says she’s also working with a vocal coach with expertise in helping singers who have movement disorders.
“Unfortunately there’s no cure for these, so the honest fact is that my voice will not be what it was,” she said of her diagnoses. “That’s really hard for me. Amy’s been super supportive, and we want you to know that as we get ready for these shows, we are doing everything we can to make the songs sound as good as they can possibly sound or ever sound, which includes all the modern digital tools that front-of-house engineers use to help singers sound better.”
Later in the video, Saliers shared,” I hate that I’m only 62 and it’s happened to me, but we are both aging. People age. We are trying to look at this organically as a process of our own aging.”
Saliers received support from bandmate Ray in the video, as well as many industry peers and fans in the comments section of her post.
“You are the definition of authenticity, courage and grace,” Chely Wright said in a comment.
Brandi Carlile wrote, “This is why these two have been my heroes and the only reason I ever picked up a guitar. Being an @indigogirls fan is a life-long privilege. Indigo Girls fans already have an evolved perspective on aging and a deeper understanding of how badass vulnerability really is. This is because of the music they have given us. Wisdom breeds wisdom. To say we have Emily’s back is the understatement of the century. If you love to sing, Emily, sing. We will be there singing with you. We are the luckiest fans in the world – we know our verses, and we know the words to every song. Let’s sing them back at the Indigo Girls louder than ever.”
Jennifer Nettles wrote, “Forever in both of your corners! Forever a fan! Forever your friend. Your whole community of fans and friends are with you and I will be in the front row clapping the loudest and singing to the top of my lungs!! Your music sings and grows and evolves right along with life. Ever transforming. Thank you for your hearts and support of each other. You are inspiration to us all. See you on the road!!!”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-04-19 23:15:272026-04-19 23:15:27Indigo Girls’ Emily Saliers Reveals Cervical Dystonia and Essential Tremor Diagnoses: ‘My Voice Will Not Be What It Was’
Billboard Women in Music 2026 Hitmaker Award recipient Tate McRae opens up about her artistic journey, songwriting process and the raw vulnerability that drives her music. From her roots in Calgary, Alberta, Canada, to the global stage, Tate shares what it means to create songs that resonate deeply with listeners. She shares the inspiration behind her hit songs “Greedy,” “Tit For Tat” and “Sports Car, ” the power of manifestation and how her lyrics shape her reality, collaborating with Julia Michaels, Ryan Tedder and Amy Allen and more!
Tate McRae: I want people to listen to my music and feel like the best, most elevated version of themselves. That’s what I approach in songwriting. I’m either honing in on my deepest vulnerabilities and insecurities or I’m dreaming as big as I can.
This award means a lot to me. Obviously, my true initial passion for all of this was writing, writing short stories or poetry, and starting it in my bedroom. Creating a career like this from back in my bedroom in Calgary, Alberta, is pretty crazy to me. Thinking about how much I’ve done means the world to me because I’m such a performer and dancer, it’s always nice to be recognized for the creation part of it, ’cause that’s all of it to me.
For me, a hit song is when all the puzzle pieces come together when the song feels like the full story has been told, there’s nothing left to say, and no fine-tuning is needed. You can feel that in your chest, and the listener can feel that in their chest. The exact message comes across perfectly. That, to me, feels like a hit song.
You just have to think with the most extreme and open mind when you’re writing. I say put it all out on the table when you’re in the room. You don’t have to release it or put it out there, but I think it’s all about exhausting your emotions. That’s the most beautiful thing about songwriting is going to the farthest depth of what one person can think.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-04-19 21:00:452026-04-19 21:00:45Tate McRae on Manifestation, Collaboration & Finding Her Artistic Vision | Billboard Women in Music 2026
Eddie Murphy took a moment to look out at the star-studded room at the American Film Institute ceremony — at his family, his peers, the people who have shared his journey — and let it all sink in.
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“Seeing all of my family, all my kids, my beautiful wife, and seeing all the different people I worked with, I’m just really filled up,” said Murphy, who received the Lifetime Achievement Award at the Dolby Theatre in Los Angeles on Saturday night (April 18). “This is a special moment. I wish y’all could feel what I’m feeling, see what I’m seeing. I almost teared up. I’m going to get backstage and cry.”
Just before accepting the award, Murphy was met with a standing ovation, stepping onstage and moving through the ballroom as the applause followed. Along the way, he passed Spike Lee, Martin Lawrence, Dave Chappelle, Chris Rock, Arsenio Hall and Judge Reinhold.
The tribute, which also featured appearances from Bill Burr, Kevin Hart, Eva Longoria, Da’Vine Joy Randolph and Kenan Thompson, will premiere as a special on Netflix on May 31.
Murphy, 65, has moved from a teenage stand-up sensation to a breakout force on Saturday Night Live to a box office mainstay with films like Beverly Hills Cop, Coming to America, The Nutty Professor and the Shrek franchise.
Large images from those defining moments filled the venue stage, tracing a career that has crossed stand-up, television and film.
“Eddie made us laugh and made our nation feel better,” said Lee, who presented the award to Murphy. “I took a camera and told stories on how our nation could be better. … We both pushed culture forward. … Every step of this journey, Eddie has been true to himself.”
Comedians pointed to Murphy’s influence across generations.
“There is no us without you,” Rock said.
Lawrence, who starred in the film Life with Murphy, shared a personal moment from early in his career, recalling how Murphy once declined his request for a photo. But now, that shouldn’t be a problem since their children married each other in 2025.
“Now I can get all the pictures I want,” Lawrence said with a smile. “Because we’re in-laws.”
Arsenio Hall, Murphy’s longtime collaborator on Coming to America, spoke about Murphy advocating for him in the film and highlighted the depth of his talent.
“When Eddie does a family film, he plays a whole damn family,” Hall said.
Chappelle reflected on studying Murphy’s stand-up as a teenager watching Raw. He described Murphy as one of the defining figures in the industry and shared a recent visit to his home, where seeing Murphy’s grandchildren playing offered a deeper perspective on his life.
“I would watch him every day after school like I was taking a class,” said Chappelle, who also spoke on an interview where he considered revisiting Chappelle’s Show, a project he once stepped away from, calling it one of the most meaningful experiences of his career.
Chappelle said Murphy encouraged him to revisit the idea, and even joked about joining the project if it comes to fruition.
“You are still the hero I want to be,” he said.
Stevie Wonder described Murphy’s impact as something that extends beyond comedy. He showed his deep admiration for the comedian-actor.
“Laughter can make life livable,” Wonder said. “Eddie is more than a comedian … he is a universal reminder.”
Mike Myers, who co-starred in the Shrek films with Murphy, credited him with helping define one of animation’s most beloved characters, calling his character portrayal of Donkey a “masterpiece.”
Jennifer Hudson delivered a musical tribute with performances from Dreamgirls, backed by a house band led by Rickey Minor.
The gala, which raised more than $2.5 million to support AFI’s nonprofit education programs, also included the presentation of the Franklin J. Schaffner Alumni Medal to cinematographer Autumn Durald Arkapaw, who spoke about finding her voice through the institute.
Murphy’s career has spanned nearly 50 years, from stand-up stages to blockbuster films, with a versatility that has kept him relevant across generations. In 2023, he received the Cecil B. DeMille Award at the Golden Globes and has spoken about embracing a deeper appreciation for his journey.
“Thank you for giving me this night that I will remember forever and ever and ever,” Murphy said. “I love you.”
Tina Knowles shared an unreleased excerpt from the upcoming re-release of her memoir Matriarch: A Memoir during a recent Kurt Geiger London event.
On Friday (April 17), Beyoncé and Solange’s mother, 72, attended an intimate luncheon at Avra in Beverly Hills to celebrate the British fashion and accessories brand’s 2026 Mother’s Day campaign.
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During the event — which centered on themes of motherhood, self-expression and family — Knowles previewed a new excerpt from the upcoming paperback edition of Matriarch, scheduled for release on April 28.
“I’m so grateful for the team at Kurt Geiger for such a special pre-Mother’s Day celebration not just for myself but for all of my friends some who are also great mothers,” Knowles said. “This was an incredible way to bring our special campaign to life, sharing space with some of the most beautiful people.”
Originally published in April 2025, Matriarch shares Knowles’ reflections on raising Beyoncé and Solange from childhood into adulthood as two of music’s biggest stars. She also details her recent breast cancer journey, from receiving a diagnosis last year to undergoing surgery, during which doctors successfully removed the entire tumor.
In early April, Knowles partnered with Kurt Geiger London to star in the brand’s Mother’s Day collection, which features five exclusive pink handbag styles. The design is intended to capture Knowles as she prepares for Mother’s Day tea with her grandchildren.
Notable attendees at Friday’s luncheon included Terry Ellis of En Vogue; actress Lela Rochon (Waiting to Exhale); stylist Ty Hunter; actress/director/producer LaTanya Richardson Jackson; and actress/director/ and producer Vivica A. Fox. Yvette Noel-Schure, head of publicity at Parkwood Entertainment, was also in attendance.
“What an incredible afternoon celebrating our beautiful campaign with Ms Tina,” said Rebecca Farrar-Hockley, chief creative officer of Kurt Geiger London. “Being in a room filled with such inspiring people, all recognizing the power of family and the relationships that shape us — whether mother, grandmother, auntie, daughter, or son — was nothing short of magical.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-04-19 19:45:362026-04-19 19:45:36Tina Knowles Previews Unreleased ‘Matriarch’ Excerpt at Kurt Geiger London Mother’s Day Campaign Event
Ella Langley achieves her first No. 1 on the Billboard 200 albums chart as her sophomore studio set Dandelion debuts atop the list dated April 25. The effort launches with 169,000 equivalent album units earned in the United States in the week ending April 16, according to Luminate. That marks the largest week for a country album by a woman in two years, and the biggest week of 2026 for any woman.
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Dandelion was preceded by the smash crossover hit “Choosin’ Texas,” which has spent 20 weeks at No. 1 on Hot Country Songs, six weeks atop the all-genre Billboard Hot 100 and three weeks at No. 1 on Country Airplay.
With Dandelion’s No. 1 Billboard 200 debut following the No. 1 bow of Megan Moroney’s Cloud 9 on the March 7-dated chart, there have been two No. 1 country albums by two different solo women in a calendar year for the first time in more than a decade. It last happened in 2012, when Taylor Swift’s Red and Carrie Underwood’s Blown Away both reigned. (Honorable mention to 2021, which saw two country No. 1s, but by the same artist, with Swift’s Fearless [Taylor’s Version] and Red [Taylor’s Version].)
Also notable, Dandelion and Cloud 9 are both the first No. 1s for Langley and Moroney. The chart last saw a pair of first No. 1s that were country albums by solo women in the same year nearly 20 years ago. In 2007, Reba McEntire and Carrie Underwood both got their first No. 1s, with Reba Duets and Carnival Ride, respectively.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 2,500 ad-supported or 1,000 paid/subscription on-demand official audio and video streams generated by songs from an album. The new April 25, 2026-dated chart will be posted in full on Billboard‘s website on April 21. For all chart news, follow @billboard and @billboardcharts on both X and Instagram.
Of Dandelion’s 169,000 equivalent album units earned in the latest tracking week, SEA units comprise 128,000 (equaling 130.46 million on-demand official streams of the set’s tracks, Langley’s best streaming week; it debuts at No. 1 on Top Streaming Albums), album sales comprise 39,000 (her best sales week; it debuts at No. 1 on Top Album Sales) and TEA units comprise the remaining sum.
Dandelion claims the largest week for a country album by a woman in two years, and the biggest week of 2026 for any woman. The set also scores the largest streaming week for an album by a woman in 2026, and the biggest streaming week for a country album by a woman in two years. Among country albums by women, Beyoncé’s Cowboy Carter tallied the last larger week by units (407,000 in its debut week; April 13, 2024, chart) and streams (136.08 million in its second week; April 20, 2024, chart).
Country albums are defined as those that are eligible for, or have charted on, Billboard’s Top Country Albums chart.
Dandelion is Langley’s first top 10 on the Billboard 200, and her second chart entry, following her Hungover debut. That set arrived on the chart in August 2024 but didn’t hit the top 40 until this January and peaked at No. 20 a week ago (April 18 chart), in its 80th week on the list.
Dandelion was issued as a standard album at streaming services and at retail as a digital download, CD and vinyl (in two variants, one signed).
Morgan Wallen’s former No. 1 I’m the Problem holds at No. 2 on the latest Billboard 200, with 83,000 equivalent album units earned (up 4%). In turn, country albums are Nos. 1 and 2 for the second time in 2026, following the Jan. 24-dated list, when Zach Bryan’s With Heaven on Top debuted at No. 1 and I’m the Problem fell 1-2. Before that, it last happened on the Feb. 17, 2024-dated chart, when Toby Keith’s 35 Biggest Hits re-entered the chart at No. 1 following his death and Wallen’s One Thing at a Time fell to No. 2.
Back on the latest Billboard 200, BTS’ ARIRANG slips 1-3 in its fourth week on the list, earning 78,000 equivalent album units (down 37%). The set spent it first three weeks atop the chart. Don Toliver’s chart-topping OCTANE is a non-mover at No. 4 (48,000, down 15%), Olivia Dean’s The Art of Loving is steady at No. 5 (nearly 48,000, down 5%), and Bad Bunny’s former leader DeBÍ TiRAR MáS FOToS rises 7-6 (44,000, down 3%).
Justin Bieber’s SWAG zooms 55-7 following his headlining performance during the first weekend of the Coachella Valley Music and Arts Festival. The set surges with 43,000 equivalent album units earned, a gain of 160% compared to the previous week. The increase was largely owed to streaming activity, as SWAG’s songs generated 42,000 SEA units (up 158%), equaling 41.48 million on-demand official streams of the set’s songs — across both its SWAG and deluxe SWAG II reissue that contained additional songs. (All versions of the album are combined for tracking and charting.)
Bieber headlined the second night of both weekends of the festival, taking the stage on April 11 and 18, which was also livestreamed on Coachella’s YouTube channel.
Luke Combs’ The Way I Am falls 6-8 on the Billboard 200 with 42,000 equivalent album units earned (down 9%) and Wallen’s One Thing at a Time rises 9-8 with 40,000 units (up 5%).
Sabrina Carpenter’s former No. 1 Man’s Best Friend jumps back into the top 10, climbing 18-10, following her headlining turn at Coachella. She reigned over the first night of both weekends, on April 10 and 17. Man’s Best Friend flies up the list with 40,000 equivalent album units earned, up 44%. Like SWAG, Man’s Best Friend mostly gained from streaming increases — it earned 34,000 SEA units (up 60%), equaling 34.39 million on-demand official streams of the album’s songs. Carpenter’s set was also streamed live on Coachella’s YouTube channel.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-04-19 19:01:262026-04-19 19:01:26Ella Langley Achieves First No. 1 Album on Billboard 200 With ‘Dandelion’