Kings of Leon’s rock and roll journey has taken them from an NFT to the NFL.

The band visited Cleveland’s Rock & Roll Hall of Fame on Thursday (April 29) to see a new exhibit featuring their venture into cryptocurrency before they opened the NFL draft with their first live show in more than a year.

“I hope we don’t look too excited to be up there,” said lead singer Caleb Followill.

“I hope we don’t play a song a linebacker doesn’t like and he decides to come out and take us out,” joked drummer Nathan Followill.

(You can watch their performance of “Use Somebody” at the NFL draft on Thursday night below and judge for yourself.)

In March, Kings of Leon — brothers Caleb, Nathan and Jared Followill and their cousin, Matthew — made history by releasing their eighth studio album, When You See Yourself, as a non-fungible token or NFT, a digital form of currency that can only be used in its own ecosystem.

Sound confusing? Well, even the band wasn’t sure what it was getting into with its pioneering move.

“We had to study up a little bit, and it’s still a little beyond me,” Caleb said before the band toured the hall. “We didn’t know that much about it, but we were happy to be introduced to it.”

Nathan Followill had some familiarity with cryptocurrency, but wasn’t quite up to date on NFTs or all their possibilities.

“I think it’s the way of the future, not only for music but you’re seeing sport cards in the form of NFTs, artists putting their work through NFT,” he said. “So not just for music, but for art and I think it will definitely have a place.”

The band is giving a “significant” portion of proceeds from the NFTs to Live Nation’s Crew Nation fund, a charity that supports workers in the music industry hurt by the COVID-19 pandemic.

Greg Harris, the Rock Hall’s president and CEO, applauded the band’s willingness to try something new.

“Rock and Roll is always pushing the envelope and doing new things,” Harris said. “So when Les Paul invented the solid body electric guitar, he was pushing it. When Jimi Hendrix was playing, he was pushing the envelope. Now we’re pushing the envelope with technology and distribution.”

The band’s visit also coincided with a new football-themed exhibit at the hall, “The Biggest Show on Turf: 55 Years of Halftime Shows,” showcasing the evolution of Super Bowl halftimes.

Among the items on display is the outfit Prince wore in 2007, when his rain-soaked performance ended with a soul-stirring “Purple Rain,” to the jacket worn by U2′s Bono in 2002 in a show paying tribute to the victims of the 9/11 attacks.

Now that they’ve played the draft, would Kings of Leon ever consider playing a Super Bowl.

“I don’t think they would ever ask us,” Matthew said. “We’re not that kind of entertainer. We would do it, but we would start rehearsing now for 10 years from now.”

And since he was in Cleveland, Nathan Followill made sure to give some love to Browns quarterback Baker Mayfield. The Followills grew up in Oklahoma and have followed Mayfield, who won the Heisman Trophy in 2017 with the Sooners.

“I’ve got my Browns’ Baker jersey at home,” he said. “I follow all the Oklahoma guys on whatever team they go to, but I’m a big Baker fan.”

Selena Gomez launched a new Mental Health 101 educational campaign with her beauty brand Rare Beauty on Thursday (April 29).

The singer wrote in a note to her 222 million Instagram fans about how Mental Health 101 “is so close to my heart because of my own struggles with mental health.” She opened up about her bipolar diagnosis for the first time with Miley Cyrus on her Bright Minded Instagram Live series a year ago, in April 2020. In September 2019, Gomez won the 2019 McClean Award for her mental health advocacy and detailed her struggles with anxiety and depression during her acceptance speech.

“I know first hand how scary and lonely it can feel to face anxiety and depression by yourself at a young age. If I had learned about my mental health earlier on — been taught about my condition in school the way I was taught about other subjects — my journey could have looked very different,” she continues writing.

Mental Health 101 is the education Gomez wished she’d had in school but is now dedicated to providing for others. The initiative, which coincides with May being Mental Health Awareness Month, is “dedicated to supporting mental health education and encouraging financial support for more mental health services in educational services,” according to her follow-up Instagram post. The set of slides — which starts off by listing mental health as its own school subject next to math, science, history and P.E. — contain shocking statistics about mental health, a petition calling on the philanthropy community to support mental health services in schools, and a fundraiser for the Rare Impact Fund that she launched on her 28th birthday last July.

The original plan for the Rare Impact Fund is to raise $100 million over the next 10 years to provide mental health services to underserved communities, with 1% of annual sales on Rare Beauty products in addition to funds raised benefiting the fund. Once Gomez reaches this goal, the Rare Impact Fund will become one of the largest known funds supporting mental health from a corporate entity. Now she’s zeroed in on distributing the money to organizations that have “created evidence-based programs that address social and emotional learning in schools, strengthen youth support networks through mental health trainings, and provide more suicide prevention and crisis response in educational settings ranging from K-college,” according to the GoFundMe page. On her second IG post, Gomez wrote that Rare Beauty will be matching $200,000 of donations.

Last summer, Rare Beauty also created the Rare Beauty Mental Health Council, which brings mental health experts from universities, organizations and companies together to guide the company’s strategy. Members of the Rare Beauty Mental Health Council include Permission to Feel author Dr. Marc Brackett of the Yale Center for Emotional Intelligence; Dr. Scott L. Rauch of McLean Hospital; Dr. Jane Delgado of the National Alliance for Hispanic Health; Sad Girls Club CEO/founder Elyse Fox; NAMI National Director of Strategic Partnerships Katrina Gay; singer-songwriter Justin Tranter; The Cut Editor-in-Chief Lindsay Peoples Wagner; The Happiness Project author Gretchen Rubin; Sephora Vice President of Merchandising, Makeup Jennifer Cohen; and YouTube’s Global Social Impact Marketing Director Kit Hayes.

“For anyone who is hurting right now, I hope you know that you are not alone. I’m a believer in seeking help. Getting support and educating myself on mental health has changed my life, and it can change yours, too,” her note concludes. “I hope that Mental Health 101 will be the stepping stones for others that I wish I had… to get connected to the resources they need, and to empower young people in ways that may not have been possible before.”

Read Gomez’s note about launching Mental Health 101 below, and go to Rare Beauty’s website for more information.

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The Masked Singer is always big on surprises, though Wednesday night’s episode came from out of leftfield.

If you were expecting to see another celebrity unmasked, you were in for a shock.

All the remaining six contestants — Black Swan, Chameleon, Piglet, Robopine, Russian Dolls and Yeti — survive to sing another day, as the popular Fox series went with a change of programming: The Maskys.

For an hour, viewers were treated to some of the best moments of the Series 5, with host Nick Cannon passing out Masky prizes.

It was good, light-hearted, sing-a-long fun and a change of tac after a brutal double-elimination. Barring any more big surprises, the final six will battle it out each Wednesday until the finale on May 26.

Spotify stock fell as much as 12.9% to $256.84 on Wednesday (April 28) after the streaming service decreased its forecasted listener count for the end of 2021. Share prices ended the day down 12.3% at $256.84.

The considerable drop followed Spotify’s first quarter 2021 earnings report, a mix of encouraging trends and subtle misses. The company’s guidance for end-of-year listeners, referred to as monthly average listeners, decreased by a mere 5 million — from a range of 407 million to 427 million down to 402 million to 427 million.

That adjustment followed Spotify’s reported first-quarter monthly active users (MAU) of 356 million, falling on the bottom end of earlier guidance.

There was good news too, though. First-quarter subscriptions were at the high end of guidance, and Spotify did not revise its 2021 guidance for subscribers (172 million to 184 million), suggesting it expects the dip to come from “freemium” listeners. Average revenue per month on those free listeners is 0.35 euros ($0.42), compared to subscribers’ 4.07 euros ($4.94) per month. (Subscribers account for about 90% of the company’s total revenue.)

That MAU adjustment could have a larger financial impact in the future, as Spotify uses its freemium business model to acquire new subscribers. So, fewer free listeners this year means there will be fewer potential subscribers in the future.

Chopping $7.2 billion from Spotify’s market capitalization is an overreaction, according to Brian White at Monness Crespi Hardt. White wrote in a note to investors on Wednesday that he believes Spotify’s fundamentals remain strong and Wednesday’s sell-off is a good buying opportunity. “We have found the market often takes issue with a particular data point during a Spotify earnings call and the stock subsequently plummets,” he said.

How big was investors’ reaction? Compared to the plummet in market capitalization, the financial impact is a drop in the ocean. In simple terms, the revenue loss from a 5 million decrease in free listeners is worth just €20.8 million for all of 2021, or 0.2% of annual revenue, according to Billboard’s estimate.

Of course, many factors could be behind the price drop. MAU growth in Latin America and Southeast Asia has slowed after they were “strong outperformers,” CEO Daniel Ek said in Wednesday’s earnings call. Average revenue per user (ARPU) fell 1% to 4.12 euros ($5.00) per month and has consistently fallen because more subscribers buy family plans, which allow up to six people on one account, and expansion into new markets with lower prices.

ARPU is a messy metric for gauging a subscription service’s performance — Spotify would point out that family plans have lower churn rates, which directly impact a subscriber’s value. Nevertheless, ARPU is a highly visible and closely followed metric.

JP Morgan’s Doug Anmuth is still upbeat about Spotify, especially about opportunities to engage listeners with new services such as Locker Room. Even so, Anmuth dropped his price target from $385 to $330 because of “mixed results” in a note to investors on Wednesday. White, calling MAU concerns “nothing more than noise,” maintained his price target at $380.

Investors have been excited by news of podcast acquisitions and deals for exclusive and original content with the hopes spoken-word audio would improve their margins that stem mostly from music companies’ royalties demands. Spotify’s exclusive licensing with The Joe Rogan Experience, its top podcast in numerous markets, started in December. It rolls out one original podcast series after another, most notably Renegades: Born in the USA with Bruce Springsteen and Barrack Obama, which premiered Feb. 19.

Spotify’s share price began 2021 at $317.42 and rose to $387.44 on Feb. 19 before falling as low as $249.00 on March 30 — a 35.7% tumble in just 39 days.

Lee Brice’s “One of Them Girls” was named song of the year by the Nashville chapter of the Association of Independent Music Publishers (AIMP). Brice co-wrote the song, which topped the Country Airplay chart and reached No. 2 on Hot Country Songs, with Ashley Gorley, Ben Johnson and Dallas Davidson.

In other top awards, Hillary Lindsey won songwriter of the year, Ashley McBryde won artist-writer of the year and Big Machine won publisher of the year. The awards were presented at a socially distanced event at The Listening Room Café in Nashville on Wednesday (April 27). Actor, musician and comedian Charles Esten served as host.

Brice is on a hot streak at award shows. On April 18, he won in two categories at the 56th Academy of Country Music Awards. “I Hope You’re Happy Now,” His duet with Carly Pearce, was voted single of the year and vocal event of the year.

The AIMP event featured live performances by McBryde, Pearce, HARDY, Jon Pardi, Maddie & Tae, and Tennille Arts & Adam Hambrick and video performances by Brice and Ryan Hurd. But the producers deliberately changed things up to make it more interesting. Hurd performed Brice’s “One of Them Girls.” Brice performed HARDY’s “Give Heaven Some Hell.” HARDY performed Jameson Rodgers’ “Some Girls.”

“Last night was a reaffirmation of the Nashville independent music community and the powerful work they have done to get us through this past year,” said Ree Guyer, vice president of the AIMP Nashville chapter and co-chair of the AIMP Nashville awards. “As we approach the end of the COVID-19 pandemic, we are excited about the return of in-person songwriting sessions, writers’ rounds, and live performances, and know our winners and nominees will continue to create amazing music to soundtrack the hopefully joyous year ahead.”

“Congratulations to all the independent publishers and songwriters who won or were nominated for AIMP Nashville Awards this year!” said John Ozier, AIMP national chair and president of the AIMP Nashville Chapter. “In an unprecedented and dark time, their songs provided a light for so many…”

Here’s the full list of winners.

Songwriter of the year:
Hillary Lindsey (Concord Music Publishing)

Artist-writer of the year:
Ashley McBryde (Jody Williams Songs)

Rising songwriter of the year:
Matt Alderman (Curb | Word Music Publishing)

Rising artist-writer of the year:
Ruston Kelly (Concord Music Publishing)

Publisher of the year:
Big Machine Music

Song champion of the year:
Ward Guenther (Whiskey Jam)

Song of the year:
“One of Them Girls” written by Ashley Gorley, Ben Johnson, Dallas Davidson, Lee Brice;
Independently published by 8Minute Publishing, Artist Publishing Group, Big Blue Nation Music, Caleb’s College Fund, Play It Again Music Group, Natalia’s Music Money, Round Hill Music; recorded by Lee Brice

Publisher’s pick:
“Give Heaven Some Hell” written by Ashley Gorley, Ben Johnson, Hunter Phelps, Michael Hardy; Independently published by Big Blue Nation Music, Caleb’s College Fund, Relative Music Group. Round Hill Music, Tape Room Music; recorded by HARDY