How to bring Charli xcx’s one-woman show – a triumph of emotive pop hedonism and discomfiting intimacy – to a sprawling, city-sized Worthy Farm? It was never going to be an easy task.

Yet there have been few sets at this year’s Glastonbury Festival more anticipated than Charli’s Saturday night Other Stage headline slot. The slime-green tinge of Brat Summer has remained bright and potent in all corners of pop culture since the 32-year-old released her sixth studio album last summer, elevating her from cult starlet to five BRIT wins and sold-out arenas on both sides of the Atlantic – an impossibly huge feat, given how idiosyncratic and debauched her vision of pop is.

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Saturday’s billing is even more impressive when you remember that, only three years ago, the Essex-raised singer seemed disillusioned with her career; ill-at-ease with the major label system machine and stung by mixed opinions on 2022’s slick (and safe) Crasha record she has since admitted that she is unable to listen to in full. She continued to climb to her feet after being knocked down, however; she now possesses the powerful air of a victorious underdog.

More than 60,000 fans showed up in their sequined droves to this milestone-making moment for Charli, with Glastonbury organizers having upped capacity at the Other Stage this year to avoid overcrowding. Wearing a black leather two-piece and an Alexander McQueen scarf, the set immediately plunged into the club-focused physicality of Brat, with an overdubbing of bass resulting in a genuinely thrilling racket – as visceral and propulsive as a warehouse rave.

With no special guest appearances (Lorde, where art thou?), Charli performed this confidently minimalist show entirely solo, with a set consisting merely of a series of alternating white stage lights. But the power of this blank production canvas is that it lets audience members project their own lives and stories onto the music. 

Here are the five best moments from Charli’s Other Stage headline slot.

Glastonbury Festival has issued a statement saying that one of the performing acts “crossed a line” during their set by leading anti-IDF chants.

Punk duo Bob Vylan appeared on Saturday (June 28) before Kneecap on the West Holts stage. During their set, they instigated chants of “Free Palestine” and “Death to the IDF,” in reference to the Israel Defense Forces, and displayed messages criticising the BBC, the festival’s official media partner.

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In the week leading up to the festival, campaigners had called for Kneecap’s set to be canceled, owing to the terror offense MC Mo Chara was recently charged with. A number of acts threw their weight behind the group leading up the festival, including Fontaines D.C. and Massive Attack.

Kneecap’s set was not televised on the iPlayer stream, but Bob Vylan’s performance was broadcast live. The BBC reports that Somerset and Avon Police are assessing the chants by Vylan. A BBC spokesperson told The Independent that “some of the comments made during Bob Vylan’s set were deeply offensive. During this live stream on iPlayer, which reflected what was happening on stage, a warning was issued on screen about the very strong and discriminatory language. We have no plans to make the performance available on demand.”

The festival has also shared an official response to the chants led by Vylan, saying it is “appalled” by his comments.

“Glastonbury Festival was created in 1970 as a place for people to come together and rejoice in music, the arts and the best of human endeavour. As a festival, we stand against all forms of war and terrorism. We will always believe in – and actively campaign for – hope, unity, peace and love,” the statement read.

“With almost 4,000 performances at Glastonbury 2025, there will inevitably be artists and speakers appearing on our stages whose views we do not share, and a performer’s presence here should never be seen as a tacit endorsement of their opinions and beliefs.

“However, we are appalled by the statements made from the West Holts stage by Bob Vylan yesterday. Their chants very much crossed a line and we are urgently reminding everyone involved in the production of the Festival that there is no place at Glastonbury for antisemitism, hate speech or incitement to violence.”

Wes Streeting, the government’s health secretary, said that the “BBC and Glastonbury have got questions to answer about how we saw such a spectacle on our screens,” he told Sunday Morning with Trevor Phillips on Sky News. “But I also think it’s a pretty shameless publicity stunt, which I don’t really want to give too much indulgence to for that reason.”

During Kneecap’s set, the trio led a “F— Keir Starmer chant,” after the U.K. prime minister said it was “not appropriate” to be playing the festival amidst Mo Chara’s ongoing terror case. Read the full report from the show here. The festival concludes Sunday evening (June 29) with a headline set from Olivia Rodrigo.

Paul Simon has canceled two concerts this weekend, according to a statement released just hours before a performance scheduled for Saturday night (June 28) at the Academy of Music in Philadelphia. Simon was set to play the venue both Saturday and Sunday night.

“Regretfully, Paul Simon must cancel two shows tonight June 28 and tomorrow night June 29 — at Philadelphia’s Academy of Music,” read the statement, which can be found on Simon’s Instagram account. “Paul has been struggling with chronic and intense back pain. Today it became unmanageable and demands immediate attention. Unfortunately we have to cancel these shows at this time, as we don’t have the ability to reschedule them.”

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“We are hopeful after this minor surgical procedure which has been scheduled in the next few days, Paul will be able to complete the tour as well as look into returning to make up these dates,” the memo said.

The message instructed ticketholders for Simon’s June 28-29 concerts, which were a part of his A Quiet Celebration Tour, to “please go to your point of purchase or local ticket provider for a full refund.”

Though Simon, 83, had indicated his tour back in 2018 was a farewell tour — at the time, he’d said he was suffering from significant hearing loss — in February 2025, he announced a spring/summer tour after making an appearance on the televised SNL50 celebration (singing “Homeward Bound” with Sabrina Carpenter).

Simon’s 2025 tour, which made it to New York City just before Philadelphia, began in April and has dates scheduled through early August. At press time, his next tour date is in Long Beach, California, on July 7, followed by stops in Los Angeles, San Francisco, Vancouver and Seattle.

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If you’re hosting pool parties this summer, you’ll want to prep with products that’ll keep the vibe strong.

Of course, you’ll need floaties, meat for the grill, drinks, the whole nine yards. A key element to throwing a successful shindig is music, of course. If you’re looking for the perfect speaker system for your next poolside get-together, look no further.

Target, Amazon and Walmart all feature unique Bluetooth waterproof pool speakers to get your next pool party bumping with tunes, whether you’re in or out of the water. We’ve compiled a list of the best options available for an affordable price. It’s safe to say that with these speakers, your next pool party will be a hit.

Best Floating Pool Speakers 2025: Shop $5 Waterproof Speaker Deal

KingSom Pool Bluetooth Speakers with LED Lights

$16.95 $22.58 25% off

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A floating speaker with rainbow LED lights.


KingSom Pool Bluetooth Speaker is currently on sale on Amazon for $16.95, which is 25% off the original price. This nifty gadget is Bluetooth compatible and delivers clear and crisp sound both indoors and outdoors. The speaker also includes a built-in mic with anti-noise and anti-interference cancellation technology so you can also take calls from the pool or hot tub without getting your phone wet.

This tech is waterproof, allowing it to glide across the water’s surface without fear of damage. Perfect for any celebration, the speaker also features 7 color-changing modes including single color, color gradient, color flash, color slow flash and color off. Our favorite is slow flash mode, a setting that flashes in time with the beat of the music.

Best Floating Pool Speakers 2025: Shop $5 Waterproof Speaker Deal

GEMS Novelty Floating Speaker

A rubber duckie-shaped speaker that floats on water.


Pool floaties are a must-have for pool parties. Speakers are too. GEMS’ Novelty Floating Speaker offers the best of both worlds, given it’s an inflatable pool floatie with a speaker in the center. This sweet little speaker features a battery life of up to 4 hours and an IPX7 waterproof speaker inserted into the center. The duckie floatie surrounding the speaker can easily be inflated and deflated thanks to a nozzle fixed to the side. A USB-C charging cable is included with your purchase so you can charge up your tunes with ease.

Best Floating Pool Speakers 2025: Shop $5 Waterproof Speaker Deal

Speaqua Barnacle Pro 2.0 Portable Waterproof Bluetooth Speaker

A bluetooth speaker that can stick to the wall.


Retailing for $69.99 at Target, the Speaqua Barnacle Pro 2.0 Portable Waterproof Bluetooth Speaker can securely stick to any surface, true to its aquatic name. The speaker boasts and 8-hour battery life. It’s 100% waterproof and features a suction cup on the bottom that allows you to stick it to the walls of pools, bathtubs and more so you can take your tunes wherever you go. The suction detailing can be removed so that the speaker can float on water. Keeping this tech clean is easy, given the Barnacle is shockproof, dustproof and sandproof. Additional features include 4-in-1 universal mounting and a whopping 8GB of internal storage.

Best Floating Pool Speakers 2025: Shop $5 Waterproof Speaker Deal

Mainstays 1.1 lb Portable Bluetooth Pool Speaker with RGB Lights

A floating pool speaker with colorful lights.


This circular speaker doesn’t look like much at first glance, it’s a knock-out in our book. Retailing for $19.97 at Walmart, the Mainstays 1.1 lb Portable Bluetooth Pool Speaker is a compact piece of tech that can easily float in the pool. This speaker can be controlled with a remote control included with the tech. Diving into the details on this piece, it includes rope holes for portable carrying, vibrant RGB lights and Bluetooth compatibility with a distance of 20 meters. This is on the more affordable side, perfect for those looking to bring the party without breaking the bank.

The 1975, Lorde and Lewis Capaldi were among the names who kicked off Glastonbury 2025 on Friday (June 27), the first day proper, as Worthy Farm geared up for a weekend of music, theatre, talks, film — and beyond.

The 1975 headlined the Pyramid Stage for the first time, bringing a dazzling light show and highlights from their five studio albums to Worthy Farm. Lorde, meanwhile, aired new LP Virgin in full over at Woodsies, before Capaldi made an emotional return to these shores with his first live show after an extended hiatus.

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On Saturday (June 28), meanwhile, the news stories continued to roll in: Kneecap stormed West Holts after a month of headline-making controversies, TBA act “Patchwork” turned out to be Britpop icons Pulp, and Neil Young graced the Pyramid Stage with a career-spanning set.

Charli xcx seized her crowning moment over on The Other Stage, while there were also thrilling sets from homegrown talent Beabadoobee, Alessi Rose and Bob Vylan.

These were the best moments Billboard U.K. witnessed at Glastonbury Festival on day 2.

Olivia Rodrigo welcomed Ed Sheeran to her stage for a surprise duet of “The A Team” in London on Friday night (June 27). Together the two pop hitmakers, guitars in hand, strummed and sang Sheeran’s debut single for the U.K. crowd at Hyde Park’s BST (British Summer Time) concert series, where Rodrigo was performing ahead of a headlining slot at Glastonbury later this weekend.

Post-show, Sheeran shared footage of the moment on Instagram. The performance video shows the two musicians harmonizing on the chorus of “The A Team.”

“Been a fan of Olivia’s since Drivers License blew my mind back at the start of 2021,” he wrote. “Both albums are no skips for me, I’m a proper fan. We first met at the rock and roll hall of fame back in 2022, sat next to each other with her mum and my dad and went on to hang and keep in touch from there.”

Of his Friday night plans, Sheeran said, “Was gonna go watch the show anyway but she hit me and asked to sing The A Team with her, which was such a buzz. That song turns 15 this year, and I remember playing it to rooms with no one in it in 2010, so to still be playing it to new fans with one of the brightest stars of the next generation is an honour and a privilege. Rock Glasto headline Sunday @oliviarodrigo , UK loves you x.”

“you are the best ever ed!!! appreciate you so much. last night was a blast,” Rodrigo commented on the post Saturday morning.

“The A Team,” first released in 2011, was Sheeran’s first song to chart on the Billboard Hot 100, peaking at No. 16 in 2012.

Sheeran previously praised Rodrigo’s 2021 breakthrough hit, “Drivers License,” as a flawless debut single, and noted both her debut and sophomore full-length albums, Sour and Guts, are “unskippable… it’s just, as a record, just a great record.”

Watch the Rodrigo-Sheeran performance clip courtesy of Ed’s Instagram below.

Belgium rolled out the blue carpet Saturday (June 28) for Rihanna and other stars who turned out for the world premiere of the new Smurfs movie.

Rihanna produced Smurfs and voices Smurfette in the summer family film, a live-action animated reboot that takes the little creatures on a Smurfette-led rescue mission to save Papa Smurf.

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At Saturday’s showing in Brussels, the visibly pregnant Grammy winner chatted with children, linked arms with someone dressed as her cartoon alter-ego, and joined the audience arm-in-arm with A$AP Rocky.

Rihanna Smurfette Smurfs premire Brussels Belgium

Rihanna poses with Smurfette at the world premiere of the new ‘Smurfs’ film on June 28, 2025 in Brussels, Belgium.

Nicolas Maeterlinck/Belga Mag/AFP via Getty Images

Film director Chris Miller held Smurfs toys, and other cast members at the premiere included James Corden and Dan Levy. Many of the guests wore a shade of Smurf-ish blue.

The movie premieres in the U.S. on July 18.

Belgian comics artist Peyo created the Smurfs — known in Belgium as ″Schtroumpfs″ — and the city of Brussels embraced the premiere with a weekend of events.

It took place in central Brussels, not far from a Smurfs museum. The city’s famed Mannekin Pis statue was dressed for the occasion as No Name Smurf. The city’s Grand-Place held Smurf-themed events all weekend, and tourist buses and train cars were decorated in blue.

Rihanna announced her pregnancy in early May, just ahead of the 2025 Met Gala, where she debuted her baby bump in a menswear-inspired look as part of the night’s “Superfine: Tailoring Black Style” theme. A$AP Rocky, with whom Rihanna is expecting her third child, served as co-chair of this year’s Met Gala, alongside Pharrell Williams, Colman Domingo and Lewis Hamilton, while LeBron James served as honorary chair. 

Rihanna and Rocky are parents to 3-year-old RZA Athelston Mayers and 1-year-old Riot Rose Mayers.

Sabrina Carpenter’s “Manchild” has reclaimed the No. 1 spot on the U.K.’s Official Singles Chart (June 27) for its second non-consecutive week at the summit.

The song debuted in the top spot earlier this month (June 13) before Alex Warren’s “Ordinary” dethroned her a week later for his 13th non-consecutive week at No. 1 (June 20). “Manchild” is Carpenter’s fourth U.K. No. 1 single following “Espresso,” “Please Please Please” and “Taste.”

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Warren has been on a chart-breaking run in the U.K. with his song “Ordinary.” At 13 weeks, he became the longest running No. 1 in the 2020s so far, and the song is one place behind Ed Sheeran’s “Shape of You” and Queen’s “Bohemian Rhapsody” in the all-time rankings (14 weeks). “Ordinary” finishes the week at No. 9.

Michigan DJ MK hits No. 2 with his Chrystal collaboration “Dior,” his highest-ever placing on the chart with original material; he previously hit the No. 1 spot in 2013 with a remix of Storm Queen’s “Look Right Through.” 

Ravyn Lenae’s “Love Me Not” places at No. 3, and Fred again.., Skepta and PlaqueBoyMax score the week’s highest new entry, with “Victory Lap” closing at No. 4. Chappell Roan’s “Pink Pony Club” completes the top five.

Following their live performance together at London Stadium, Sam Fender and Olivia Dean’s “Rein Me In” vaults 80 places to close the week at No. 8.

Black Eyed Peas’ 2009 smash “Rock That Body” continues its ascent, up four to No. 31 this week. The track, lifted from the group’s The E.N.D. (THE ENERGY NEVER DIES) album, previously peaked at No. 11 back in 2010, and recently inspired a viral dance trend.

Yungblud has scored his third consecutive No. 1 on the U.K.’s Official Albums Chart with his ambitious double LP Idols (June 27).

The British rocker, real name Dominic Harrison, hit the top spot in 2020 with Weird! and again in 2022 with his self-titled third album. His 2019 EP The Underrated Youth peaked at No. 6. The record will be released in two parts, with the street date for the second part of Idols yet to be confirmed.

Following the release of Idols, Harrison headlined his Bludfest festival in Milton Keynes, England, last Saturday (June 21) for a second consecutive year. He was joined by Billy Idol during the headline set, with a supporting bill including Blackbear, Denzel Curry and more.

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Recent Billboard U.K. cover star Loyle Carner’s hopefully ! ends the week at No. 2, his highest-ever spot. His previous peak was with 2022’s hugo which landed at No. 3. On Friday evening, he headlined The Other Stage at Glastonbury Festival alongside Charli XCX and The Prodigy; Olivia Rodrigo, Neil Young and The 1975 will top the main Pyramid Stage.

Haim’s I Quit hits the top five, finishing the week at No. 3. I Quit follows their previous album releases, 2014’s Days Are Gone (No. 1), 2017’s Something To Tell You (No. 2) and 2020’s Women In Music Pt III (No. 1).

Benson Boone hits a new career peak with his second studio album, American Heart, closing at No. 4. His debut LP, Fireworks & Rollerblades (2023) — which features mega-hit “Beautiful Things” — peaked at No. 16.

Elsewhere in the top 40, there’s debuts for Aitch’s 4 (No. 7), and Sheffield heavy metal band Maleovolence’s Where Only the Truth Is Spoken (No. 32).

Ribbons of cigarette smoke, the rear half of a vintage car, a tattered leather jacket and black biker glove, box tattoos in full view: strewn across the Pyramid Stage were markers of The 1975’s visual iconography from the past decade. Bathed in blistering white light, frontman Matty Healy came out swinging, clutching a pint of Guinness with a cigarette permanently affixed above his ear – a near-caricature of the gloomy, near-grungy rock star he started out as with the band’s 2013 self-titled LP.

The push-pull between vulnerability and an exploration of aesthetics has always been there in The 1975’s music, manifesting in a trove of deep online lore, something which the band themselves tapped into as they hit the Pyramid Stage on Friday (June 27). “We are The 1975 from the internet,” Healy quipped at one point, staring down the camera with a conspiratorial glimmer in his eye.

For an hour and a half, without any instances of controversy-stoking showmanship – their last tour saw Healy devour raw meat on stage, lest we forget – the band turned over highlights from all five of their studio albums, highlighting the malleability and depth of their catalogue. This was a display of the questing musical curiosity which has made the band so beloved by Gen Z, an audience that is omnivorous in its taste, having grown up with infinite streaming possibilities.

Hits of contrasting styles were rattled out one after the other, pairing the band’s vintage teen-angst anthems with newer, more mature material. Healy offered earnest pronouncements about the band’s 23-year-long friendship and what this moment meant to him – walking the line between tormented pop star and a conflicted, deeply human figure.

There is an argument to be made, perhaps, that a set devoid of an element of surprise is a safe – and intriguing – approach to headlining the world’s biggest stage. But from that decision came a genuinely immersive experience; even if, at times, it didn’t raise many eyebrows, it was the kind of uplifting finely crafted Glastonbury set that no one present is likely to forget in a hurry.

Here are the five best moments from their headline show below.