An ex-girlfriend of Sean “Diddy” Combs — and one of the alleged victims cited by prosecutors in his indictment — is now urging a federal judge to release him from jail.

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Virginia Huynh, who was listed as “Victim-3” but never showed up at Diddy’s blockbuster racketeering and sex trafficking trial, filed court documents Sunday in support of the star’s recent efforts to secure release on bail until he’s sentenced in October.

Prosecutors have argued that Diddy must remain in jail because he’s dangerous and has an “extensive history of violence,” but Huynh said she does not “view Mr. Combs as a danger to me or to the community.”

“I want to assure the court that if released, I believe Mr. Combs will adhere to all conditions imposed and will not jeopardize his freedom or the well-being of his family,” Huynh wrote. “Allowing him to be at home will also support the healing process for all involved.”

Combs was acquitted last month on the most serious charges he faced over drug-fueled sex marathons called “freak-offs,” but was convicted on two lesser prostitution counts. His lawyers are currently pushing to throw out those convictions — or at the very least get him out of jail ahead of sentencing.

Huynh (who goes by “Gina”) was supposed to be a key part of the government’s case against Diddy. But days before the trial was set to start, prosecutors told the judge that they could not locate Victim-3, and she never ended up testifying before the jury.

Now, Huynh is frustrating prosecutors once again. In her letter to the judge, she identified herself as Victim-3 and directly asked the judge to release the star on bond ahead of sentencing — arguing that Combs is not the dangerous criminal portrayed by the feds.

“To my knowledge, he has not been violent for many years, and he has been committed to being a father first,” she wrote.

Huynh, who publicly alleged in a 2019 podcast interview that Diddy had stomped on her stomach and punched her in the head during their relationship, painted a different picture in her new letter to the judge.

“Our relationship, like many, was not always perfect, we experienced ups and downs, and mistakes were made but he was willing to acknowledge his mistakes and make better decisions in the future,” Huynh wrote. “Over the years that followed he made visible efforts to become a better person and to address the harm he had caused. By the time our relationship ended, he embodied an energy of love, patience and gentleness that was markedly different from his past behavior.”

Allowing Diddy to be released on bail ahead of sentencing will “allow him to continue caring for his family and fulfilling his responsibilities while still subject to the Court’s supervision,” Huynh said.

A spokesman for prosecutors did not immediately return a request for comment on Huynh’s letter.

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Combs was arrested and charged last year with racketeering (RICO) and sex trafficking violations over accusations that he ran a sprawling criminal operation aimed at facilitating the freak-offs — elaborate events which he allegedly forced his ex-girlfriend Cassie Ventura and other women to have sex with male escorts while he watched and masturbated.

But following a blockbuster trial in May and June, a jury cleared Combs on the RICO and sex trafficking charges. The mogul was found guilty on two other counts for transporting Ventura, another woman and various sex workers across state lines for the purposes of prostitution.

Combs will face sentencing on those convictions in October; sentencing guidelines suggest he’ll likely receive between two and five years in prison.

Sabrina Carpenter had a surprise trick up her sleeve during her headlining set at Lollapalooza in Chicago on Sunday night (Aug. 3). The “Manchild” singer wowed the massive crowd gathered around the T-Mobile main stage — while A$AP Rocky did the same on the opposite end of the park on the Bud Light stage — by treating them to a special mini-set from R&B legends Earth, Wind & Fire.

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“And we can just let loose, right? We can just groove,” Carpenter, wearing a sparkly pink jumpsuit with her name across the chest said as the strains of EW&F’s 1981 Billboard Hot 100 No. 3 disco pop classic, “Let’s Groove,” bubbled up behind her. “So I thought, ‘why not bring out my friends from Chicago?’ Give it up for Earth, Wind & Fire!” she screamed as three members of the iconic group joined her on stage to sing the song’s familiar refrain.

“Let this groove, get you to move, alright/ Let this groove set in your shoes, stand up, alright,” singer Philip Bailey crooned in his signature falsetto. Carpenter spun in circles and shook it out to the song’s familiar funk pop groove, mouthing along and then joining in on the “move yourself and glide like a 747” verse with a gigantic smile on her face as she doubled up Bailey’s vocals on the chorus.

The mini-set also featured a run through EW&F’s perennial fall classic and 1979 Hot 100 No 8 smash “September.” Carpenter’s upcoming seventh studio album, Man’s Best Friend, is due out on Aug. 29, with the singer revealing the full track list last week with some help from an adorable golden retriever puppy.

Check out footage of Carpenter and EW&F at Lollapalooza below.

Jessie J found herself unexpectedly back in the hospital recently after surgery to treat breast cancer. According to E! News, in an Instagram Story on Saturday (Aug. 2), the 37-year-old singer born Jessie Ellen Cornish revealed that six weeks after surgery she was back in the hospital due to an unexplained health issue.

“How I spent the last 24 hours,” Jessie wrote on her Story along with photo in which she had an IV in her arm. “6 weeks post surgery and I was back in the same ward I was after my surgery. Not expected or planned. I had and still have symptoms that pointed towards a blood clot on the lung. IT IS NOT A BLOOD CLOT THANK GOD.”

Noting that her doctors were able to identify the infection, Jessie said she decided to finish her recovery at home. “They ran a lot of tests which ended up showing I have an infection (still trying to figure out what) and a little fluid on my lungs,” she said. “Finding it hard to breathe in, but I discharged myself last night (I hate being in hospital) and will continue the investigation as an outpatient.”

In a Story on Sunday (Aug. 3), the “Bang Bang” singer provided an update, writing, “I finally got a diagnosis of what’s been going on. Lots of people have been asking, apparently it’s called… Dramatic? I think that’s the spelling. My symptoms are the same and no idea what’s wrong yet. But my sarcasm and sense of humour are holding on.”

The singer also shared a selfie video from bed, noting that it was the first “real time” clip she’d posted since surgery, as she’s not been thinking about making content, but rather taking it easy. “I think people think that I’m like hanging on by a thread… which in some moments has felt that way,” she said. “Like two or three days ago when I woke up and I couldn’t breathe. I still have pain in my chest when I breathe, but it’s not as bad.”

She added that she has “very few other symptoms” now, which makes her hopeful that it was just a “viral p–s take.” The good news was that she was feeling a lot stronger and, as counseled by so many, she is resting. She also thanked her mom for being her rock, as well as friends and family who’ve come over to play with her two-year-old son, Sky, or who’ve popped in to do a load of laundry for her.

“I’m very grateful for my little gang,” she said.

In early July, Jessie was also sharing some gratitude after test results revealed no evidence of cancer spread a month after her breast cancer diagnosis in June. “AND. I AM OK. Results = I have NO cancer spread. Happy tears are real. Thank YOU for the prayers, the love, the well wishes, the joy and all the positive energy,” she said in the caption to an Instagram video.

Jessie initially underwent surgery on June 23, initially telling fans her cancer was “all gone” post-operation, then later clarifying that she was awaiting test results to confirm. “Lots of healing to go and one more surgery to make these cousins look more like sisters, but for now it’s gratitude time,” she added in a latest post about her mastectomy and breast reconstruction surgery. “I am changing my name to The LopJess monster.”

On Monday (Aug. 4), a small but mighty new physical music format arrived: Tiny Vinyl. Measuring at just four inches in size, Tiny Vinyl is a playable record that can hold four minutes of audio per side.

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The disc, according to a press release, aims to “[bridge] the gap between modern and traditional to offer a new collectible for artists to share with fans that easily fits in your pocket.”

Initial releases include singles from Chappell Roan (“Pink Pony Club” / “Naked In Manhattan”), Gracie Abrams (“That’s So True” / “I Love You, I’m Sorry”), Doechii (“DENIAL IS A RIVER” / “Anxiety”), Frank Sinatra (“Jingle Bells” / “Silent Night”), Lainey Wilson (“Somewhere Over Laredo” / “4X4XU”), Britney Spears (“Baby One More Time” / “Oops!…I Did It Again”), Rolling Stones (“(I Can’t Get No) Satisfaction” / “The Under Assistant West Coast Promotion Man”) — plus many more artists across decades and genres. 

In early 2024, Billboard reported that vinyl was on track to generate over $1 billion. Yet, a guest column questioned how the format could better harness the influence of superfans. Tiny Vinyl is hoping to be the answer.

Tiny Vinyl co-founders Neil Kohler and Jesse Mann had taken note of the vinyl resurgence — which had been steadily ticking upward, then ignited in the pandemic and has sustained. Over the same timespan, they noticed a trend toward miniature collectibles as well. And so they combined the two concepts into a modern day take on HitClips.

“We created Tiny Vinyl to reward fans with an adorable, collectible, and playable miniature vinyl record,” Kohler and Mann said in a statement to Billboard. And in addition to trends in vinyl and mini collectibles, the pair say a third trend especially worked in their favor: “hit songs are getting shorter,” they said. “We knew we needed our vinyl format to play an overwhelming majority of popular music, which happened to be trending to less than four minutes per song.”

Kohler and Mann partnered with Nashville Record Pressing (a subsidiary of vinyl manufacturing giant GZ Media) to develop the format. All Tiny Vinyl records are made from ​100% bio-attributed vinyl, and given their size, use approximately one tenth of the materials required to make a standard 12” vinyl record. 

“It was always important to us to make Tiny Vinyl play at 33rpm on a standard turntable,” Kohler and Mann said. “That’s the most common format, so we made that our standard. Lastly, to engage fans at this scale, we knew the jacket and art had to feel authentic, just like 12” vinyl — only at the 4” diameter.”

Starting today, Tiny Vinyl is available for purchase at national retailers including Target as well as directly through exclusive artist partnerships. With the goal of artists using the format for album launches, tour exclusives and more, each record is numbered and released as a limited edition.

Katy Perry’s Lifetimes Tour stop in Detroit turned a bit more dramatic than planned on Sunday night.

A young girl collapsed mid-show during Perry’s nightly ritual of bringing a few fans on stage to help her perform her 2011 single “The One That Got Away.” 

The fan, named McKenna, was spotted by Perry sitting in the very top corner of Little Caesars Arena, via a bright blue sequined skirt she was wearing. Perry even waited for her and a friend who came with her to make the long trip down to the floor level and embraced both as they came on stage, McKenna clearly overcome with emotion for being chosen.

She fainted as Perry prepared to start the song and was immediately attended to by members of the singer’s crew and venue medical staff; a visibly concerned Perry knelt alongside her as the crowd of about 13,000 chanted McKenna’s name in support. 

She was taken from the stage, after which Katy pulled the other three young fans into a group hug and led a prayer, saying, “Dear God, we pray for McKenna, that she will come back fully and brighter and better than ever. Amen.” 

Perry also remarked that, “It’s so much. Sometimes you’re so brave and you can get on stage, and it’s overwhelming. I understand that feeling.”

Perry then performed “The One That Got Away” and ushered the other three fans back off the stage. A short time later, while riding a giant butterfly prop above the crowd, she reported that, “McKenna’s doing great, by the way,” which was also confirmed to Billboard by backstage sources. Perry also shouted the fan’s name at the end of the song.

Sunday’s show was the 13th in the latest North American Leg of the Lifetimes Tour, which Perry kicked off during late April in Mexico City. The tour next stops Tuesday and Wednesday, Aug. 5-6, in Toronto and will run through Dec. 7 in Abu Dhabi.

Four months on from the shows that sparked Zak Starkey’s departure from The Who, Roger Daltrey has attempted to set the record straight.

Starkey and The Who have been in and out of the spotlight since April following the back-and-forth that Starkey had been fired from the group, only to be welcomed back ahead of his eventual departure – which Starkey clarified was not him being “fired” but rather “retired.”

Initially, a spokesman for The Who had claimed that “the band made a collective decision to part ways with Zak after this round of shows at the Royal Albert Hall,” referring to a pair of gigs the month prior.

Addressing the gigs in an interview in June, Starkey detailed his version of what had happened at the shows in question. “What happened was I got it right and Roger got it wrong,” he told The Telegraph.

According to a report from The Who’s Royal Albert Hall shows, the recently-knighted Daltrey had stopped several songs mid-performance, citing difficulty hearing the band over the drums. Per Starkey’s recollection, the group played the rarely-performed “The Song is Over,” and a lack of rehearsal meant that Daltrey “came in a bar early.”

The result was a call from band manager Bill Curbishley who shared the bad news with Starkey. “He says, ‘It’s my unfortunate duty to inform you,’” Starkey remembered. “‘That you won’t be needed from now on. Roger says you dropped some beats.’”

Though Starkey would admit to having dropped the beats, Daltrey himself has attempted to set the record straight in a new interview with The Times. 

“An audience can see what’s happening on stage and have a complete misunderstanding of what’s actually going on,” he said in relation to the Royal Albert Hall gigs, before turning his attention to Starkey’s comments. “It was kind of a character assassination and it was incredibly upsetting.”

According to Daltrey, the moment that inspired the troubles is related to the technical setup of The Who’s live show, which features electronic drums piped in through in-ear monitors.

“It is controlled by a guy on the side, and we had so much sub-bass on the sound of the drums that I couldn’t pitch,” Daltrey explains. “I was pointing to the bass drum and screaming at him because it was like flying a plane without seeing the horizon. So when Zak thought I was having a go at him, I wasn’t. That’s all that happened.”

As Daltrey concluded his focus on the topic, he also gave a brief insight into how it was that Starkey’s membership in the band was left under a cloud of confusion for a number of weeks.

“Pete [Townshend] and I retain the right to be the Who,” he explained. “Everyone else is a session player. You can’t replace Keith Moon. We wanted to branch out and that’s all I want to say about it. But [Starkey’s reaction] was crippling to me.”

In late July, The Who hit the stage in Italy as part of their The Song Is Over Tour, which touches down in North America later this month. “This is certainly the last time you will see us on tour,” Daltrey confirmed to The Times.

Indie-rock veteran Conor Oberst has become the latest musician to be the focus of a lookalike contest, with the Bright Eyes frontman going so far as to show up at the event.

Taking place on Friday (Aug. 1) at Omaha, NE community space Floors, Floors, Floors, the event was first announced in early July as a fundraiser for youth music organization Omaha Girls Rock.

Having initially “started as a joke,” attendees were invited to attend dressed as Oberst as part of the lookalike competition, with the indie-rock motif being underlined by the promise of the first 40 people to show up being given a single American Spirit cigarette.

Playing into the humor of the event on social media, one commenter had previously asked what the contingency plan would be if the real Oberst attended the festivities, with organizers noting that “he can play but he can’t win.”

However, in a recap of the evening, the winner of the competition revealed that despite a limited number of entrants, both Oberst and his Bright Eyes bandmate Mike Nogis attended the event, with Oberst bestowing the victor with a “giant trash bag” full of his old clothes.

“I was cleaning out my closet so you get a big bag of my clothing,” Oberst can be heard saying in a video from the night.

The competition took place just weeks after Bright Eyes wrapped up the European leg of their ongoing tour in support of 2024 album Five Dice, All Threes, and days after the release of their new song “1st World Blues.” The band will be hitting the road later this month for a run of North American dates, with further shows in Asia scheduled for November and December.

The concept of lookalike competitions being recognized by their subjects is far from a new one. In October, a Manhattan Timothée Chalamet lookalike contest featured the actor making a guest appearance, while December saw Drake donating $10,000 to the prize pot of a competition focused on him.

Famously, Dolly Parton also attended her own lookalike contest, though rather than simply show up, the country icon decided to compete – ultimately failing to take home the grand prize.

“All of these other beautiful drag queens had worked for months and weeks getting their clothes and all that, and they were dressed like me,” Parton recalled to ABC’s Nightline in 2012. 

“So, I just got in the line and I just walked across [the stage] and they just thought I was some little, short gay guy. And I got the least applause but I was just dying laughing inside. I say it’s a good thing I was a girl or I’d be a drag queen.”

David Roach, the vocalist of veteran East Hollywood rock band Junkyard, has passed away at the age of 59 following a battle with cancer.

News of Roach’s passing was confirmed by Junkyard’s official social media account in a post made on Saturday (Aug. 2).

“It is with great sadness that we announce the passing of David Roach,” the post read. “After a courageous battle with cancer, David passed away peacefully last night at home, in the loving arms of his wife.

“He was a gifted artist, performer, songwriter, and singer—but above all, a devoted father, husband, and brother.

“Our thoughts are with the entire Roach family and everyone who loved him.”

Originally hailing from Austin, Texas, Roach rose to fame as the frontman for Junkyard, which formed in Los Angeles in 1987 out of the ashes of the short-lived Texas outfit Strappados.

Initially boasting the likes of influential skateboarder Tony Alva in the lineup, the group released its self-titled debut on the Geffen label in 1989, with its membership also including the likes of former Minor Threat guitarist Brian Baker, just years prior to his joining Bad Religion.

The group’s debut was a modest success, peaking at No. 105 on the Billboard 200, and spawning singles such as “Blooze,” “Hollywood,” and “Simple Man,” with the latter reaching No. 47 on the Mainstream Rock Airplay charts.

Though 1991’s Sixes, Sevens & Nines wouldn’t chart, the group’s final record as part of the Geffen stable did result in the single “All the Time in the World,” which outperformed its predecessor when it reached No. 24 on the Mainstream Rock Airplay charts.

The group would be dropped by Geffen soon after and they split in 1992, with their unreleased third album later being issued independently in 1998.

Junkyard would reform in 1999, performing regularly and issuing a handful of releases ahead of a new studio album in 2017 called High Water. Their final record, it reached the top 25 of Billboard’s Hard Rock Album Sales Chart and put an end to years of requests from fans for new music.

“There’s a diehard fan base that never stopped digging us,” guitarist Tim Mosher told Billboard in 2017. “During our sporadic touring we would always come across fans asking us when we would release a proper full-length.”

In March 2025, Junkyard announced that Roach had been battling “aggressive squamous cell carcinoma affecting his head, neck, and throat,” and launched a GoFundMe campaign to aid in his treatment.

“Is It a Crime,” the new duet from Mariah The Scientist and Kali Uchis, tops this week’s fan-voted music poll.

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Music fans voted in a poll published Friday (Aug. 1) on Billboard, choosing the pair’s fresh collaboration as their favorite new release of the past week.

“Is It a Crime” rose above a plethora of new releases — among them, songs from hitmakers like Demi Lovato, Chappell Roan, Reneé Rapp and more. Mariah and Kali’s collab track topped the poll by a landslide, bringing in more than 57% of the vote.

“Is It a Crime,” a slow jam that has the two artists singing about the return of a past love — and defending the relationship if anyone’s got anything to say about it — dropped on July 31, with spicy, jail-themed single art. (“very intentional, very grown woman,” Uchis commented of their shoot on Instagram.)

The chorus of the song says it all: “And so what? I fell, you fell in love a couple times/ Tell me, what’s it to ya? Tell me, is it a crime/ To fall, to fall in love, in love a couple times?/ Tell me, what’s it to ya? Tell me, is it a crime to fall?”

Among the new releases trailing behind “Is It a Crime” on this week’s poll are Demi Lovato’s “Fast,” with 17% of the vote; Chappell Roan’s “The Subway,” with 16% of the vote, and Reneé Rapp’s “Bite Me,” with 2% of the vote.

See the final results of this week’s poll below.

Oasis said Sunday (Aug. 3) that its members are “shocked and saddened” after a man fell to his death during a concert held by the band at London’s Wembley Stadium.

The Metropolitan Police force said officers and paramedics responded to reports of an injured person just before 10:30 (21:30 GMT) on Saturday night.

It said a man in his 40s was found “with injuries consistent with a fall.” He was pronounced dead at the scene.

The force urged anyone who saw what happened or caught it on phone video to contact police.

“We are shocked and saddened to hear of the tragic death of a fan at the show last night,” Oasis said in a statement obtained by The Associated Press, offering ”sincere condolences to the family and friends of the person involved.”

Stadium management said Sunday’s gig would go ahead as planned.

In a statement published by The Hollywood Reporter, a Wembley spokesperson confirmed, “Last night, Wembley Stadium medics, the London Ambulance Service and the police attended to a concertgoer who was found with injuries consistent with a fall. Despite their efforts, the fan very sadly died. Our thoughts go out to his family, who have been informed and are being supported by specially trained police officers. The Police have asked anyone who witnessed the incident to contact them.”

Oasis’ first tour in 16 years kicked off July 4 in Cardiff, Wales. Saturday’s concert was the fourth of seven planned shows at Wembley. The tour continues in North America, Asia, Australia and South America after its European run.