It’s midyear season at Billboard, with our 50 best albums and 50 best songs of the year so far going live earlier this week. Now that we’re about halfway through the 2025 calendar, it also seemed like a good time to look back on the year so far in pop stardom — who’s excelled, who’s disappointed, who’s been surprisingly invisible and who could still come back in a big way to define 2025 by year’s end.
On this week’s Greatest Pop Stars podcast, host Andrew Unterberger is joined by the three Billboard staffers (Kyle Denis, Meghan Mahar and Jason Lipshutz) who appeared back in January to participate in our first-ever Greatest Pop Stars Fantasy Draft, where the four of us each drafted our own teams of pop stars who we thought would go on to define 2025. In this episode, we each revisit our rosters, and size up how each of our pop stars has done so far — and also talk about who’s leading the 2025 race in general, and predict some artists who might still enter the discussion before year’s end.
Along the way, of course, we ask all the most important questions about the first six months in 2025 pop stardom: Why does 2025 still feel so much like an extension of 2024? Does the success of “Nokia” excuse drafting Drake over Kendrick Lamar? Where is Harry Styles? Did Bruno Mars secretly release his best song in a decade with a one-minute baile funk one-off no one seems to know about? Is Sabrina Carpenter coming back to run s–t? Is Cardi B? And perhaps most importantly — where does Benson Boone fit into all of this?
Check it out above, and subscribe to the Greatest Pop Stars podcast on Apple Music or Spotify (or wherever you get your podcasts) for weekly discussions every Thursday about all things related to pop stardom!
And as we say in every one of these GPS podcast posts — if you have the time and money to spare, please consider donating to any of these causes in the fight for trans rights:
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-06-26 15:22:592025-06-26 15:22:59Which Pop Stars Defined the First Half of 2025?
Did you ever wonder what Tony Stark was like as a kid? The new Disney Jr. series Marvel’s Iron Man and His Awesome Friends has you covered — and blink-182‘s Mark Hoppus crafted the “Totally Awesome” theme song to go with it, premiering exclusively on Billboard Family below.
The theme song — which will be released digitally Friday via Walt Disney Records — introduces the new show’s main characters, as Hoppus sings, “It’s totally awesome when I’m with my best friends/ It’s better than chocolate, it’s better than weekends.”
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The series follows supergenius besties Stark (Iron Man), Riri Williams (Ironheart) and Amadeus Cho (Iron Hulk) “as they work together to solve problems, both big and small, and protect their city,” according to the show announcement. Each of the kid heroes (voiced by Mason Blomberg, Kapri Ladd and Aidyn Ahn) has his or her own Iron Suit that lets them fly and gives them “enhanced super-strength.” Other voice actors in the new series include Veep star Tony Hale as Ultron, Saturday Night Live alum Vanessa Bayer as Swarm, and Talon Warburton (son of Seinfeld star Patrick Warburton) as Absorbing Man.
Marvel’s Iron Man and his Awesome Friends premieres Aug. 11 on Disney Jr. at 8:30 a.m. ET/PT and the first 10 episodes will hit Disney+ and Disney Jr. On Demand the next day.
As part of Grammy-nominated pop-punk band blink-182, Hoppus has scored three No. 1 albums on the all-genre Billboard 200 over his three-decade career: 2001’s Take Off Your Pants and Jacket, 2016’s California and, the group’s most recent project, 2023’s One More Time… They also have five No. 1 hits on Billboard‘s Alternative Airplay chart, starting with 1999’s “All the Small Things” and most recently spending 20 weeks atop the list with 2023’s “One More Time.”
Hoppus’ theme song follows in the footsteps of fellow alternative radio hitmaker Patrick Stump, lead singer of Fall Out Boy, crafting the theme song and additional music for Marvel’s Spidey and His Amazing Friends, which premiered in 2021 on Disney Jr.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-06-26 15:01:472025-06-26 15:01:47blink-182’s Mark Hoppus Made a ‘Totally Awesome’ Theme Song for New Kids’ Show ‘Marvel’s Iron Man and His Awesome Friends’
Scotty McCreery has posted five Billboard Country Airplay chart-toppers during his career, including a streak of signature hits such as “Damn Strait” and “In Between.” But now, he’s gearing up to shine a spotlight on many of the hits, and album cuts, that have inspired him.
On Thursday (June 26), McCreery was announced as the host of a new monthly show on SiriusXM’s Prime Country (Channel 58), which highlights country music of the 1980s and 1990s. Prime Country With Scotty McCreery will premiere Saturday, July 5 at 3 p.m. ET, with new episodes premiering the first Saturday of every month at 3 p.m. ET on Prime Country. Each show will also be rebroadcast on the channel several times throughout the month.
“I love country music from every decade, but the country music of the ’80s and ’90s is probably my favorite era of music. I’m excited to put a spotlight on the songs and performers I grew up listening to that helped shape the artist I am today,” McCreery tells Billboard in a statement.
He notes that the debut episode will feature music from artists including Garth Brooks, George Strait, Randy Travis, Kathy Mattea, Patty Loveless, Keith Whitley, Ronnie Milsap and John Anderson.
“Each song is handpicked by me,” he says. “I’ll be sharing stories of how an artist influenced me or how I met them or something we may have experienced together on the road or backstage at an awards show or the Opry.”
Even when McCreery made his career debut on American Idol (he won the talent competition’s 10th season), his allegiance to ’80s and ’90s country music was clear in his performances of songs such as Travis Tritt’s “Can I Trust You With My Heart” and Strait’s “I Cross My Heart.” His three-week Country Airplay No. 1 hit “Damn Strait” also nods to the Country Music Hall of Famer.
McCreery was inducted as a member of the Grand Ole Opry in April 2024, when he was ushered into Opry membership by fellow country music hitmaker Josh Turner. McCreery is using his new show to highlight his passion for the Grand Ole Opry and its essential contributions to country music’s history and present-day global influence.
“Every month I’ll also be sharing a live Opry performance that was recorded on that legendary stage during the ‘80s or ‘90s. My first episode will feature Joe Diffie performing ‘Pick Up Man’ on the Opry stage from Oct. 18, 1997,” McCreery previews.
Of course, McCreery fans can also hear a few songs from McCreery himself. “You’ll also hear one or two of my songs on the show because – hey! It’s my show! I’m hoping in the future to occasionally have guest artists join me for some conversation as well. I’m really pumped to be able to do this and I appreciate SiriusXM offering me this opportunity. I hope people tune in and enjoy it!”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-06-26 15:01:462025-06-26 15:01:46Scotty McCreery Is ‘Excited to Put a Spotlight’ on Country Songs of the Past with New SiriusXM Show
AI music company Suno recently acquired WavTool, a browser-based digital audio workstation (DAW). Though this deal, Suno has brought WavTool’s advanced editing capabilities and core team into the company where they will now hold product and engineering leadership roles.
The news comes after a busy month for Suno. Just weeks ago, Billboard announced that Suno was releasing a number of new editing tools — including a stem extractor, song editor, extended uploads and “creative sliders” — to allow users more control over the song creation process. Now, with its acquisition of WavTool, Suno is further committing to becoming a product that is not just for novices who want songs at the click of a button but also one that can accommodate the needs of a more skilled musician as well.
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That same week, Bloomberg broke the news that Suno — and its competitor Udio — were in talks with the three major music companies about creating a licensing structure for songs in their training datasets. The news set the music industry ablaze, frustrating some of their licensed AI music competitors and causing many to wonder what such a deal could even look like.
Just yesterday, Udio also announced its expansion into the world of professional music tools. It introduced Sessions, their AI-powered visual workstation which is designed to provide an intuitive interface for users looking to have more control over the AI model’s outputs.
“We’re finding that many of Suno’s early adopters are professional songwriters and producers who are seeing immense value in integrating AI into their creative process,” says Mikey Shulman, CEO and co-founder of Suno. “Our ultimate goal is to empower musicians, build tools that amplify human creativity and open up access to making great music. By bringing in WavTool’s elite DAW technology, and their team of experts, we’re in a position to better deliver on our mission.”
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“Once we came to understand how Sunooperates, and how aligned the Suno team is with our vision for AI in the music creation process, we knew joining forces was the right move,” says Sam Watkinson, co-founder and former CEO of WavTool. “It’s a great privilege to be part of a team with such deep passion for music and a shared commitment to advance the future of music production – I can’t wait to show off what we’ve been building together.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-06-26 15:01:452025-06-26 15:01:45Suno Acquires WavTool to Court Pro Musicians to Its Creative Suite
Singer-songwriter Blake Whiten has signed with Enchntmnt/Warner Records, Billboard can reveal.
The South Carolina native is celebrating the signing by making his major label debut single release with “Made For Goodbyes.”
Whiten launched his career by putting out cover performances on social media, with his version of Morgan Wallen’s “I Guess” earning over 9 million TikTok views. From there, he began releasing his own music, including the independent releases “Rollin’ Stone” and “Breakin’ My Heart.” He’s also a co-writer on Bailey Zimmerman’s 2024 song “Holding On,” which cracked the top 40 on Billboard’s Hot Country Songs chart.
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Earlier this year, Whiten released his EP Six Mile and the single “Carolina,” both a nod to his hometown of Six Mile in South Carolina. He performed during CMA Fest and opened shows for Waylon Wyatt. This September, he’ll rise from opening act to headliner on his first U.S. tour.
“I’m just a small town boy from Six Mile who picked up a guitar and started writing my own story,” Whiten said in a statement. “Now I’m a part of the amazing Warner Records family and one step closer to playing the music I love on the biggest stages. This is just the beginning, let’s make some noise!”
Aaron Bay-Schuck, co-chairman & CEO, Warner Records, said in a statement, “Blake Whiten is a prime example of the type of artist we pride ourselves on signing at Warner Records. He possesses raw talent, distinct vocals, real musicianship and an impeccable knack for storytelling. We couldn’t be happier to welcome him to the Warner family and look forward to working closely with Enchntmnt to set Blake up for a long-lasting career.”
“Blake Whiten is the kind of artist who reminds you why you get into this business in the first place. We’re proud to stand beside him and partner with Warner Records, a team that shares our vision and belief in true artist development. This isn’t just about music, it’s about legacy, and we’re just getting started” added Enchntmnt’s team of Reid Daroff, Benny “Brisk” Negrin and Alix Negrin.
Pictured (L-R): Enchntmnt’s Alix Negrin, Reid Daroff, Benny “Brisk” Negrin; Blake Whiten; Warner Record’s Aaron Bay-Schuck, Tom Corson, Kelly Bolton
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-06-26 15:01:452025-06-26 15:01:45Blake Whiten Signs With Enchntmnt/Warner Records
In the world of music sync, where the complexities of rights management often stifle creativity and delay transactions, the newly announced partnership between Kobalt Music and Chordal offers a glimpse into what the future could look like.
Kobalt, a leading independent music publisher, is integrating Chordal’s music rights technology as the enterprise sync platform for its catalog of over one million songs. The collaboration marks the first time Kobalt has relied on a third-party platform to power its global sync transactions, signaling an important shift in how music rights and licenses are handled in an increasingly digital world.
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“This partnership with Kobalt is a defining moment — not just for Chordal, but for the future of music licensing,” said Grayson Sanders, CEO of Chordal, in a statement. “Kobalt has long been at the forefront of modernizing rights management and we’re honored to help advance their mission to benefit creators worldwide.”
For decades, music licensing — particularly for fractionally owned songs — has been mired in inefficiencies. Rights conflicts, time-consuming paperwork and tedious approval processes have made licensing music a slow and frustrating endeavor. Chordal’s new technology, particularly its licensing system InstantClear, introduced in March, aims to change all that.
A key part of this partnership is InstantClear, a pre-cleared licensing system designed to streamline the process for songs that have multiple rights holders. Traditionally, coordinating approvals for these works has been arduous, often stalling deals before they are finalized. InstantClear facilitates key aspects of licensing and payments, allowing various rights holders to quickly approve their respective shares and supporting automated, custom legal contracts.
Rob Christensen, executive vp and head of global sync at Kobalt, praised the versatility the partnership brings. “Chordal’s platform seamlessly integrates the creative and operational sides of the sync business, and their ability to consolidate rights holders on fractionally owned songs and masters greatly simplifies the process for buyers,” he said in a statement. In addition to streamlining operations, Christensen highlighted Chordal’s creative tools, which he described as “game changers” for music supervisors and creatives seeking music for projects.
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This collaboration also highlights the broader shift in rights management as the music business embraces innovative technologies. Kobalt’s integration with Chordal’s API enables music supervisors, producers and brands to access Kobalt’s catalog in real time, meaning buyers can quickly license music without long waits for clearance. Importantly, Sanders and Christensen emphasize that the partnership doesn’t aim to take control away from creators but rather to empower them. Kobalt writers and artists will have “the final say over where their music is used and at what price point,” Christensen said.
Chordal’s presence has grown steadily in recent years, attracting major publishers and labels such as Reservoir Media, Believe and Primary Wave to its platform. With $4.5 million raised, the company has worked with clients since 2023 after beginning work on the platform in 2019.
Throughout her decade-plus music career, Selena Gomez has worked with quite a few big names. But there’s one very “Popular” singer that the Only Murders in the Building star says she wants to collaborate with next.
In a new video for Complex, Gomez sat down with Latin superstar Karol G to discuss their GOATs (that’s “greatest of all times,” for the uninitiated), from the GOAT parties they’ve been to, the GOAT meals they’ve eaten and more. In one question, the pair were asked to name the “GOAT artist you’ve collaborated with” — but when Gomez insisted she didn’t “want to insult anyone,” Karol flipped the script and asked her to name the artist she most wants to collaborate with.
After taking a moment to deliberate, Gomez came up with her answer: Ariana Grande. “I don’t know, she’s … I love her era.”
It’s far from the first time Gomez has shown love to the Wicked star. Back in May, Gomez shared a post on her Instagram Stories praising the “Yes, And?” singer for her camaraderie throughout their careers. “I’m reminded that women can always be supportive of each other,” she wrote. “I love you, Ari.” Grande, meanwhile, sang Gomez’s praises during their respective awards season campaigns, saying, “I really love watching this moment happen for Selena. I know how hard she’s worked and how long she’s waited.”
Elsewhere in their interview, Gomez and Karol G also had a lively conversation about the “GOAT bad b—h anthem,” with the Emilia Perez actress initially at a loss, because “there’s so many bad b—hes.” Gomez ultimately picked Destiny’s Child’s “Bills Bills Bills,” while Karol selected Ciara’s “Like a Boy.”
Watch Selena Gomez and Karol G’s full discussion above.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-06-26 14:57:272025-06-26 14:57:27Selena Gomez Reveals to Karol G Who She Wants to Collaborate With Next
Cardi B is putting an end to the chatter surrounding having anthems “WAP” and “Up” on her forthcoming sophomore album, Am I the Drama?. The Bronx bombshell addressed the critics once and for all with a stern message to X on Wednesday evening (June 25).
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“This will be the last and only time I’m gonna address this,” she began. “WAP and Up are two of my biggest songs, my fans have been asking me to put them on an album, and people search for them on IOP all the time… they deserve a home.”
Cardi continued: “I let haters make me not submit WAP for the Grammy’s and at this point I’m giving my fans what they want! These two songs don’t even count for first week sales so what are yall even crying about??? Do ya say anything when all these artist pull out all their little tricks and ponies to sell out??? Exactly….Now let them eat cake. Go cry about it!!!”
The inclusion of “WAP” and “Up” does not impact first-week sales, but can help boost RIAA certifications. Both hits reached No. 1 on the Billboard Hot 100 in August 2020 and March 2021, respectively.
Cardi returned with her fiery “Outside” single June 20 to set the tone for what should be a busy summer for the Bardi Gang.
All three of the aforementioned tunes are part of the loaded 23-song tracklist, with Am I the Drama? slated to arrive on Sept. 19.
It’s been an arduous journey of more than seven years from Invasion of Privacy to Cardi B’s sophomore album. She has plenty to get off her chest as well. The Grammy-winning rapper has since moved on from estranged husband Offset, and is currently in a relationship with NFL star Stefon Diggs.
The athlete and Cardi are going strong heading into the summer, as the couple is spending Paris Fashion Week in a massive French castle.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-06-26 14:47:432025-06-26 14:47:43Cardi B Addresses Criticism of ‘WAP’ & ‘Up’ Being on ‘Am I the Drama?’: ‘Go Cry About It!’
After nearly a decade together, Katy Perry and Orlando Bloom have split, People magazine has confirmed. TMZ and Us Weekly also reported on the end of their engagement, citing unnamed sources.
Billboard has reached out to their reps for comment.
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The news comes after weeks of reports that their relationship was struggling. But as recently as mid May, the Grammy-nominated singer gave no indication that there was any trouble in their romance. She even playfully called out a fan at one of her concert dates in Nevada, joking, “If you keep DMing my man, I’m going to have you removed. Seriously, get your own life — I’m his wife,” before launching into her 143 single “I’m His, He’s Mine.”
Perry first confirmed she and the British actor were dating in a May 2016 Instagram post featuring a photo of the two together. Months later in August, their Italian vacation went viral when paparazzi snapped photos of the two paddleboarding together — but Bloom was in the nude.
Their relationship wasn’t without some trouble at the beginning. After a few months together, rumors surfaced that November they had split already. Their reps later confirmed in a March 2017 statement that the two stars were going their separate ways. But after five months apart, Bloom and Perry were spotted snuggling at an Ed Sheeran concert. The singer confirmed to Entertainment Tonight in April 2018 that the two had indeed reignited their romance.
Then on Feb. 15, 2019, the two teased their engagement with an Instagram photo of Perry holding up her ring finger, which sported a stunning ruby and diamond ring. She confirmed later that month on Jimmy Kimmel Live! that the two were indeed engaged.
The following month, the pop star dropped the music video for “Never Worn White,” which offered some big news about the couple’s life together — she showed off a baby bump, revealing that they were expecting their first child together. Daughter Daisy Dove was born in August 2020.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-06-26 14:07:012025-06-26 14:07:01Katy Perry & Orlando Bloom Split After 9 Years Together
There was an immigration raid last night at a small Latina-owned garment factory just off Times Square in mid-Manhattan. The workers hid in the dark listening to la migra (or ICE) take away the people next door — it was terrifying.
I can’t tell you what happened after — but I know there’s another raid planned for tonight. Actually, six nights a week, and twice on Wednesdays and Saturdays.
Those raids are fictional — they are a key plot point in Broadway show Real Women Have Curves. It’s a musical set in Boyle Heights, the Chicano neighborhood in Los Angeles. And although the show says a lot about immigrants in the 1980’s, it says just as much about immigrants today.
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Joy Huerta (of Grammy-winning duo Jesse & Joy) co-wrote the Tony-nominated score with Benjamin Velez. She is the first Mexican woman nominated for a Tony award in a composing category for Broadway (disclosure: she’s also a friend and client). She packed a ton of immigrant reality into her songs: generational solidarity and conflict, workplace drudgery and exploitation, young women’s dreams — some extinguished, some still burning bright. It’s a show about finding your place, chasing the future, flying high. But with the constant fear that it could all come crashing down with someone pounding at the door.
I know that story well. I am the daughter of immigrants from Mexico and Guatemala and I hold all of those struggles and fears deep in my heart. It’s no wonder that I cried at least five times watching this musical—as I watched my story and the story of other immigrants and children of immigrants play out right in front of me.
This isn’t a review or a plug. It’s a call to action. This year, this week, today, real federal agents are brutalizing real people in the real Boyle Heights — and in cities and neighborhoods all over the country. Workers are being dragged from their jobs into prisons. Citizen children are being caught in the middle.
At a time of dehumanizing language and rampant violence against immigrants, Real Women steps up to its moment. It isn’t afraid to shine a pro-immigrant light into Trumpian darkness.
But on this country’s vast stage, that light is comparatively tiny. You can see this literally the minute you leave the show, at the James Earl Jones Theater. Turn right and in 250 feet, you’re at the headquarters of Fox News, which dominates the corner of 48th Street and Sixth Avenue, its digital news zipper blaring all the latest disasters from Trumpworld.
Talk about immigration fiction.
Fox is ground zero for the kinds of vicious lies about immigrants that Trump has been spewing on the presidential stage for a decade. (He launched his first campaign by slandering Mexico as a nation of rapists on June 15, 2015.) And the MAGA megaphone is colossal, while this hit Broadway show can reach only about a thousand people a night.
We need more and louder pro-immigrant voices and defenders. We need more Joy Huertas. More performers like Tatianna Córdoba, Justina Machado, Florencia Cuenca and the other cast members just as wonderful who bring Real Women to life every night. Imagine being these women, in this moment, being able to choke back tears as you perform the realities of our communities night after the night.
We need recording stars like Snow Tha Product and Ángela Aguilar to summon the courage to say and sing out loud: Stop attacking immigrants. ICE out of L.A., out of N.Y., out of everywhere.
The war on immigrants is devastating and lawless and needs to stop.
It’s a simple message that happens to be true. Immigrants are hard-working people just trying to make their way. Like the Irish, Italians, Germans and others who had their stories told on Broadway back in the day. If Joy Huerta had written a show about the Boyle Heights of a few decades earlier, it could have been a Californian “Fiddler on the Roof” — that’s how Jewish Boyle Heights used to be.
A lesson the U.S. keeps learning and forgetting is that immigrants are us. They love, fight, bleed, suffer, weep like everyone else. They deserve justice, as we all do.
Real Women Have Curves didn’t set out to be a musical for the Trump era. But it is. And now it needs backup. It’s closing on June 29. We need more songs, more voices, more artists.
Yes, it’s scary. High profiles make big targets. Artists who stick their necks out can lose revenue. Some can get detained and deported. But millions of regular people, many of them vulnerable immigrants, conquered their fear and took to the streets last weekend.
Who in the entertainment world will join them, to keep this struggle going?
Entertainment attorney Marjorie García is partner at King, Holmes, Paterno & Soriano.