Taylor Swift made a surprise appearance — and gave an impromptu performance — during the kickoff of Tight End University in Nashville on Monday night (June 24), delivering an acoustic version of her 2014 smash hit “Shake It Off” to a room full of stunned NFL players and guests.

The pop superstar joined boyfriend Travis Kelce at the annual three-day training summit, which he co-founded with NFL peers George Kittle and Greg Olsen in 2021. The event, held at Vanderbilt University, was originally designed for tight ends across the league to train, network, and share techniques, but this year, it also doubled as a moment of Swiftie history.

In a fan-recorded video that quickly went viral on X (formerly Twitter), Swift is seen onstage at the event’s opening night afterparty, performing her Billboard No. 1 hit “Shake It Off” live with her acoustic guitar. Dressed in a short black dress and heels, she strums and sings to a crowd that erupts in cheers as Kelce watches on from backstage during the performance. Watch it here.

Swift’s appearance wasn’t officially announced, making the moment even more memorable for TEU attendees. According to DJ Mike Fresh, who helmed the night’s music, the energy shifted when Swift entered the building. “There are Monday fun days, and then there are Monday fun days when Taylor Swift is in the building partying to your set,” he wrote on Instagram.

While Swift has wrapped her Eras Tour, the Nashville appearance marked one of her first semi-public performances since finishing the historic run. Tight End University marked another crossover in Swift’s increasingly visible support of Kelce’s career, from celebrating his Super Bowl win to attending multiple Chiefs games during the NFL season.

The couple also made waves at the kickoff event for another reason: it marked their first official “red carpet” moment together. The duo walked into the venue hand in hand, smiling for the cameras — Swift in her green-and-white checkered ensemble, which sold out online in just hours, and Kelce in a coordinating white-and-yellow outfit.

But for many fans, the real highlight was the stripped-back, joyful “Shake It Off” performance — a reminder that Swift can command any room, football-themed or not.

HAIM have confirmed that their long-rumored collaboration with Stevie Nicks is real — but it’s not tied to their next studio album.

Appearing on Watch What Happens Live this week, the trio sat down with host Andy Cohen to chat about their new single “Relationships,” their upcoming album I Quit, and their time in the studio with the legendary Fleetwood Mac frontwoman.

During the fan Q&A portion of the segment, a viewer asked what the band could share about their work with Nicks. The trio kept her cards close to their chest, with Alana replying, “We can’t say much, but what we can say is that Stevie Nicks is the greatest human being on this planet.”

Danielle added, “And the song is really good.”

When pressed further, the sisters revealed the song won’t appear on I Quit.

“It is not [on the album],” Alana confirmed. “It’s for something.”

“Sorry to be so cryptic, y’all,” Este added.

Andy Cohen then joked, “The Smurfs movie?” to which Este deadpanned, “Yeah. Totally,” while Alana added, “Not that,” sparking laughter from the audience.

The group has long been vocal about their admiration for Nicks. They’ve previously joined her onstage — including a standout performance of “Rhiannon” during Fleetwood Mac’s 2018 MusiCares tribute — and often cite her as a guiding force in their careers.

Elsewhere in the interview, the band opened up about the unusual journey behind their new single “Relationships,” which they revealed was written over seven years ago.

Danielle Haim recalled that she started the song while flying between Melbourne and Sydney. “We knew it was special,” she said. “And we came home and showed people. We really wanted to make the song and a lot of people just didn’t get it. Didn’t get the essence of it.”

Alana added, “But we knew it was special, so we held onto it for seven years. We kept it alive.”

The track eventually found its home on I Quit, produced by the band and their longtime collaborator Rostam Batmanglij (Clairo, Vampire Weekend). “We figured it out,” Danielle said. “And now it’s on I Quit, and we’re so excited.”

HAIM’s fourth studio album, I Quit, is due later this year. Though no official release date has been announced, the band has described it as their most personal and emotionally charged record yet — and one that sees them taking even greater creative control.

While the Stevie Nicks collaboration may not appear on the LP, the band’s cryptic hints suggest it could still drop soon — and with Nicks involved, expectations are already sky-high.

Olivia Rodrigo surprised fans in Dublin with a cover of Fontaines D.C.’s “I Love You” during her sold-out show at Marlay Park on June 24.

The performance comes just days before she’s set to headline Glastonbury Festival for the first time, marking a milestone moment in her fast-rising career.

“Lately I’ve been obsessed with this band Fontaines D.C.,” Rodrigo told the audience, referring to the Dublin-based post-punk outfit. “I’ve been playing this song alone in my room for fun, and I was wondering if it’d be cool if I played it for you guys.” Her stripped-back rendition began solo before gradually building with the support of her full backing band, culminating in a powerful and emotional climax.

The original track, “I Love You,” appears on Fontaines D.C.’s 2022 album Skinty Fia, which debuted at No. 1 on the U.K. Albums Chart. Rodrigo’s choice to perform the song served as both a nod to the local music scene and an intimate moment that resonated with the crowd.

The Dublin concert is part of Rodrigo’s ongoing global Guts World Tour, which follows the release of her sophomore album Guts. The show also serves as a warm-up for her largest U.K. show to date: a sold-out headline slot at BST Hyde Park on June 27, followed by her highly anticipated Sunday night headline performance at Glastonbury’s Pyramid Stage.

Rodrigo first performed at Glastonbury in 2022, where she delivered a viral rendition of “F*** You” alongside Lily Allen. This year, she joins The 1975 and Neil Young as one of the festival’s three main headliners. Notably, Neil Young’s performance will not be broadcast by the BBC, reportedly due to disagreements over the network’s coverage approach.

In a summer packed with career-defining moments, Rodrigo continues to elevate her live shows with genre-spanning tributes, star-studded collaborations, and personal flourishes that set her apart. Her cover of Fontaines D.C. not only honored her Irish fans but reaffirmed her reputation as an artist deeply connected to her influences and audiences alike.

UPDATE: Tom Sandoval’s America’s Got Talent audition aired in full on Tuesday night (June 24), and (spoiler alert!), he and his band The Most Extras ended up with four yeses from the judges. Though Simon Cowell had some tough love for the reality star — “For me, the vocals weren’t great, Tom” — the judge ended up giving Sandoval a yes after all for “staying true” to himself. Watch the audition above and the judges’ verdict below.

Tom Sandoval is showing off his vocal skills on TV once again — this time with his band The Most Extras. The former Vanderpump Rules star — who recently boasted about his musical abilities on season three of Peacock‘s The Traitors (see the episode featuring the creepy singing dolls) — is set to appear on the Tuesday (June 24) episode of NBC’s America’s Got Talent, and the network has released an early look at the group’s audition.

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“Couple years ago, I made some really bad choices and was involved in a very bad cheating scandal, and I let down a lot of people. It pretty much destroyed my life. It was absurd how much coverage and how big it became,” the reality TV star shared in his intro, referencing “Scandoval,” which broke in May 2023. Sandoval had been caught by Ariana Madix, his then girlfriend of nearly 10 years, cheating with one of her closest friends and their VPR castmate Raquel (now Rachel) Leviss. “I just hope the audience and the judges see who I am as a musician.”

When judge Simon Cowell — who is a friend of the reality show’s namesake, Lisa Vanderpump — asked why he wanted to make the transition to music, Sandoval pointed out that he had been labeled “the most hated man in America” by The New York Times, and was now seeking to correct the course of his wrecked life. “It was really, really rough, and I was in a very, very dark place. I felt as though I had nothing in my life, and this band was the only thing that kept me going,” he said of the aftermath, as best friend and VPR star Tom Schwartz, along with Sandoval’s girlfriend, Victoria, cheered him on from the audience. “I would love … to be just, like, the ultimate cover band.”

As Tom Sandoval and The Most Extras prepared to begin their performance, the judges chatted amongst themselves, with Howie Mandel explaining to Sofia Vergara who Sandoval was. “He slept with his girlfriend’s best friend,” he told her, with Mel B chiming in, “No wonder nobody likes him, then!” To that, the acerbic Cowell declared, “Do you know how NOT interested I am in any of that stuff?”

And with that, Sandoval — in one of his signature sequined jackets (though not with the matching green pants Madix once advised him not to wear, nor the white manicure or “worm” of a mustache that made him the butt of many jokes) — took the stage with his band to deliver their cover of a-ha’s Billboard Hot 100 No. 1 “Take on Me.” Though the now-broken penis flute did not make an appearance, Sandoval did show off some moves that fans of VPR who’ve seen him perform with The Most Extras on and off the Bravo hit.

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But will Tom Sandoval and The Most Extras win the AGT judges’ approval? Watch the competition show Tuesday at 8 p.m. on NBC, or stream it on Peacock to see.

El Fantasma lands at No. 1 on Billboard’s Regional Mexican Airplay chart with “Ya Me Vale Madre,” as the song surges 7-1 on the chart dated June 28, to earn his eighth career leader.

“Ya Me Vale Madre” crowns Regional Mexican Airplay with 6.3 million audience impressions earned in the United Stated during the June 13-19 tracking week, (up 24%) according to Luminate.

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With the new 7-1 climb, El Fantasma — dubbed “The King of the Underground” by many — makes his biggest jump to No. 1 of his eight leaders.

Here’s a rundown of El Fantasma’s No. 1 hits on Regional Mexican Airplay, and each of their positional jumps to No. 1:

Positions Jumped, Title, Artist, Peak Date, Weeks at No. 1
3-1, “Encantadora,” June 1, 2019, four
2-1, “Soy Buen Amigo,” Aug. 14, 2021, one
3-1, “Tus Desprecios,” with Pepe Aguilar, September 25, 2021, one
3-1, “Soldado Caído,” Oct. 1, 2022, one
4-1, “La Vida Cara,” Sept. 9, 2023, one
5-1, “El Exitoso,” March 16, 2024, one
6-1, “Sabor A Michelada,” June 22, 2024, one
7-1, “Ya Me Vale Madre,” June 28

“Ya Me Vale Madre,” co-written by El Fantasma with songwriters Tláloc Noriega and Iván Gámez, also makes progress on the overall Latin Airplay chart, where it soars 13-2. Climbing 11 ranks, the song matches Eden Muñoz’s “Mi Primer Día Sin Ti” for the largest leap to the top by a regional Mexican solo artist, without a collaborator, in 2025.

Do all roads lead to Las Vegas?

On the new Billboard Pop Shop Podcast, Katie & Keith are talking about the pair of A-list guests who popped up with Beyoncé at two of her Paris concerts on the Cowboy Carter Tour — Miley Cyrus on Thursday night and Jay-Z (Bey’s husband and frequent collaborator) on Saturday — and why we’re hoping the cameos could lead to something very big.

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You see, next month, Lady Gaga’s Mayhem Ball tour kicks off at Las Vegas’ T-Mobile Arena, with three dates July 16-18, while Beyoncé wraps up her Cowboy Carter Tour at Vegas’ Allegiant Stadium, with two dates July 25-26. Is there a world where either Bey pops up for Gaga’s opening weekend or Gaga makes her way back from three Mayhem dates in San Francisco (July 22-26 — no concert on the 25th!) to share the stage with Bey? If the stars align, those lucky fans could potentially see the first-ever performance of the superstar duo’s 2010 top five Billboard Hot 100 hit “Telephone.”

Listen to our full conversation about the possibility on the Pop Shop Podcast:

Also on the show, we’ve got chart news on Alex Warren’s “Ordinary” returning to No. 1 on the Hot 100 and Morgan Wallen’s I’m the Problem continuing its run atop the Billboard 200 albums chart, while ATEEZ, Lil Tecca and Brandon Lake all debut in the top 10. Plus, we’re chatting about the just-announced Brandy and Monica co-headlining tour, kicking off in October, and Katie tells Keith all about her latest Vegas adventure, checking out night 1 of New Kids on the Block’s Park MGM residency and even chatting with the guys ahead of the show.

The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard‘s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard‘s executive digital director, West Coast, Katie Atkinson and Billboard’s managing director, charts and data operations, Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)

On June 19, the 3rd Wave Music Awards – Honor Ceremony concluded splendidly at the Beijing Performing Arts Center. Initiated by the Wave Music Committee and hosted by the Tencent Music Entertainment Group (TME), this year’s Awards upheld the principle of “Jointly Establishing Artistic and Aesthetic Standards for the Music Industry,” with work quality as the sole evaluation criterion, aiming to create a professional, fair, and authoritative annual music event, and ultimately recognizing the finest Chinese music and artists of 2024.

At the ceremony, prominent creators such as Sandee Chan, Gu Jianfen, Zhang Yadong, and Yee Kar Yeung served as award presenters. They were joined by numerous musicians and bands, including Tanya Chua, Hanggai Band, and More Feel, along with nearly a hundred media representatives from home and abroad, including those from People’s Daily and Xinhua Net, all witnessing a landmark moment for the Chinese music scene.

The highly anticipated Big Three Honors — Song of the Year, Production of the Year, and Album of the Year — were awarded to Zhou Shen’s “Little Bliss” (小美满), Shan Yichun’s “Chun Girl” (纯妹妹), and Khalil Fong’s The Dreamer (梦想家). Notably, Zhou Shen’s “Little Bliss” also won Best Composition and Best Film/TV Song. In terms of artist honors, Khalil Fong was awarded Best Male Singer in recognition of his outstanding musical contributions during his lifetime, while Tanya Chua was named Best Female Singer. The Best Duo/Group and Best New Artist went to Hanggai Band and JUD Chen, respectively.

To encourage excellence in music creation and production, the Wave Music Awards introduced dedicated honors to celebrate the contributions of behind-the-scenes professionals. Among them, “Factory” (工厂) by the God of Henan Rap (河南说唱之神) became the biggest winner, taking home awards for Best Single Production, Best Music Video, and Best Rap Song.

In addition, in the language and genre honors that highlight the diverse development of Chinese music, the Wave Music Awards conducted a selection across various styles, including pop, rock, folk, and electronic. Tibetan singer Gongba’s album Flower of Life (生命之花) and Ma Di’s single “Life Park” (人生公园) won Best Minority Language Album and Best Folk Song, respectively.

What’s worth highlighting is that at this year’s Wave Music Awards ceremony, over ten different artists/musician groups delivered exquisite stage performances in various styles. Tanya Chua’s “Finland” (芬兰距离) conveyed the loneliness of being so close yet so far in modern love through its chilly and ethereal melody. Wang Yitai performed “Incompetent Genius” (不称职的天才) from his Best Rap Album Love Me Later, expressing his outlook and reflections on the world through lyrics and composition.

Hanggai Band delivered a live performance of the title track “Turn the Tide” (时来运转) from their Best World Music Album, recreating the majestic vitality of grassland music. These diverse musical performances further showcased the rich and multifaceted creative landscape of Chinese music.

Khalil Fong’s final album, The Dreamer, earned him the honors of Album of the Year and Best Male Singer. Khalil Fong’s family attended the event to accept the honors on his behalf, and the heartfelt stories and spirit of Khalil they shared in their speech touched both industry insiders and many in the audience.

This year’s Wave Music Awards not only provided a shining stage for outstanding artists and exceptional works but also set a high-level aesthetic reference and a professional value benchmark for the entire industry. Looking ahead, the Wave Music Committee will continue to explore the essence of music creation, going upstream in the surging tide of the era, leading Chinese music to continue growing upward.

Doechii and Tyler, the Creator previewed their new Pharrell-produced collaboration “Get Right” during the Louis Vuitton SS26 show in Paris on Tuesday (June 24).

The “Denial Is a River” MC worked with Pharrell, men’s creative director at Louis Vuitton, on her H-to-T LV look at the 2025 Met Gala in May, which she said was “heavily inspired” by Monica L. Miller’s 2009 book Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity; the book inspired this year’s Met Gala theme of “Superfine: Tailoring Black Style.” Doechii also served as one of the members of the costume institute benefit host committee, while Pharrell served as one of the co-chairs alongside A$AP Rocky, Colman Domingo and Lewis Hamilton.

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“Get Right” marks the second collaboration between Doechii and Tyler, who first worked together on “Balloon” from his 2024 Billboard 200-topping album Chromakopia. “Balloon” reached No. 56 on the Billboard Hot 100. The two performed it together at Camp Flog Gnaw last November during Tyler’s headlining set. Tyler sang Doechii’s praises during his interview with Nardwuar in March. “Genius, love her. That girl’s an alien. She’s an alien,” he said.

Clipse‘s “So Be It Pt. II,” which Pharrell also produced, also played during the show, where Beyoncé, Jay-Z, J-Hope, Future and more sat front row. Pharrell gifted Bey, who just came off a three-sold-out-show run in Paris during her Cowboy Carter Tour, one of the bags fresh off the runway at the end of the show.

Listen to a snippet of “Get Right” below during the 14:20-minute mark below.

Even though the Los Angeles Dodgers lost to the lowly Washington Nationals on Saturday (June 21), it was still a good day.

L.A. hosted an Ice Cube bobblehead giveaway for fans walking through the Dodger Stadium turnstiles on Saturday night, which set a single-game attendance record for the Dodgers’ 2025 season so far.

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Per Dodger Blue, 54,154 fans came out to the ballpark on June 21, breaking the previous 2025 record of 54,031, which happened when the Dodgers and New York Yankees matched up on Sunday Night Baseball on June 1.

As shown off by The Bobble Foo on Instagram, Ice Cube’s bobblehead finds the West Coast icon in a matching Dodgers jersey and jacket featuring the team’s decals along with the signature Dodger fitted cap.

Fans seemed to lend their stamp of approval to the Cube bobblehead as well. “Yeah they cooked with this one,” one person wrote in the comments.

The Dodgers also lit up the sky with an Ice Cube-themed drone show at Saturday night’s game to honor the legendary rapper.

While Ice Cube couldn’t be in the building to celebrate his bobblehead day, TMZ caught up with the N.W.A alum in the airport, and Cube gushed about the collectible.

“It felt great. Amazing — something I never expected to have. Sorry I can’t be there,” he said.

It’s a rare feat for a non-player to receive a bobblehead, as L.A. dignitaries such as Kobe Bryant have had their own Dodger collectible.

Cube bleeds blue and has long been a die-hard Dodgers fan. He performed before Game 2 of the 2025 World Series against the Yankees, as the Dodgers went on to win another championship ring.

Nashville’s Deep Tropics festival has announced the lineup for the annual sustainability summit that precedes the event.

Taking place on Aug. 14 at Nashville’s Studio 615, the Deep Culture Summit will feature Tony Cho, the CEO/founder of Future of Cities — a real estate development platform focused on environmental, social and governance principles, with the goal of ​​designing cities that restore ecosystems, uplift culture and empower communities.

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Additionally, artist and activist Madame Gandhi will perform music sampling the sounds of threatened ecosystems, while Prince Haru of Brazil’s Kuntanawa Nation will give a talk on how he advocates for indigenous sovereignty and biocultural regeneration in the Amazon. Justin Jones, a member of the Tennessee House of Representatives, will also present, as will Kristy Drutman, a speaker, consultant, media producer and environmental educator. See the complete lineup below.

Deep Culture precedes the Deep Tropics festival, set to happen Aug. 15-16 in Bicentennial Park with a lineup including Chris Lake, Lane 8, Alison Wonderland, Subtronics and Will Clarke.

After debuting in 2017, the sustainability-focused Deep Tropics festival has established itself as a singularly environmentally-friendly event. The fest has no trash cans on site, with all materials at the festival being either compostable, recyclable or reusable. The event reports that in 2024, it reached an 87% diversion rate, saving 7,387 pounds of waste from entering landfills.

Amid a flurry of other sustainability initiatives, the event has also assisted in the planting of more than 101,000 trees since 2001. This year’s edition of Deep Tropics is set to power the majority of the festival with renewable energy systems and batteries.

Deep Culture Summit 2025

Deep Culture Summit 2025

Courtesy Photo