Ariana Grande added Doja Cat and Megan Thee Stallion to her “34+35″ remix, and her +2 got all three stars to No. 2 on the Billboard Hot 100 (so far).

The remix marked the highest-charting Hot 100 hit by a three or more women soloists in nearly 20 years, since “Lady Marmalade” by Christina Aguilera, Lil’ Kim, Mya and P!nk topped the chart on 2001.

Check out the lyrics below.

Bop bop bop, bop to the top, slip and slide and ride that… “WAP”?

In the most unlikely mashup of all time, TikTok user @kraziibird seamlessly blended Cardi B and Megan Thee Stallion’s raunchy Billboard Hot 100 chart topper with High School Musical’s “Bop to the Top,” performed by Ashley Tisdale and Lucas Grabeel’s characters Sharpay and Ryan.

And while the two songs could not be more different, the resulting remix is actually really, really catchy. Megan’s iconic “gobble me, swallow me” verse flows perfectly over the bouncy “Bop to the Top” beat.

@kraziibird himself was shocked at his creation. “why does it work thoooo,” he captioned his viral TikTok.

Watch it below.

@kraziibird##stitch with @mickeycvd why does it work thoooo ##wap ##highschoolmusical ##remix♬ Bop to the WAP – kraziibird

Rapper Lil Yachty and Mattel are teaming on a feature adaption of the popular children’s card game Uno.

The movie is described as an action heist comedy, set in the underground hip hop world of Atlanta. Yachty is attached to produce, with an eye to star in the movie.

Marcy Kelly penned the movie, which will be produced by Mattel Films, with Quality Control’s Kevin “Coach K” Lee, Pierre “P” Thomas and Brian Sher. Mattel’s Robbie Brenner will executive produce, with Kevin McKeon overseeing for the company.

Said Brenner: “Uno is a game that transcends generations and cultures and we look forwards to partnering with Lil Yachty, as well as with Coach, P, and Brian Sher, to transform the classic UNO game into a comedic action-adventure.”

Added Yachty: “I played Uno as a kid and still do today, so to spin that into a movie based on the Atlanta hip hop scene I came out of is really special. It hits close to home for me.”

Mattel Television is teaming with Propagate founders Ben Silverman and Howard T. Owens for a reality game show for television, also based on the Uno brand. Mattel’s Hollywood projects include the Barbie movie at Warner Bros. and a Daniel Kaluuya-produced Barney feature, as well as projects based on Hot Wheels, Viewfinder, and other toys.

Yachty, repped by ICM Partners, had a starring role in MTV’s television movie How High 2.

This article was originally published by The Hollywood Reporter.

Anne Feeney, a folk singer who collaborated with Pete Seeger, John Prine and Peter, Paul and Mary and an impassioned activist who fought for workers’ and women’s rights, died Wednesday in Pittsburgh of COVID-19 complications. She was 69.

“It is with a very heavy heart that we must announce the passing of our courageous, brilliant, beautiful mother,” her daughter, Amy Sue Berlin, wrote on Facebook. “We were very lucky that she fought hard enough to open up her eyes and give us a couple days to be with her before she finally decided it was time to let go.”

Starting in 1987, when she was inspired by folk singer and activist Faith Petric to quit her job as an attorney and dedicate her life to touring and making music in support of workers, Feeney played more than 4,000 shows across North America and Europe.

She performed for striking workers on picket lines, in union halls and at protests, including the one that shut down a World Trade Organization conference in Seattle in 1999 — she is seen in the 2000 documentary This Is What Democracy Looks Like — and another at the March for Women’s Lives held in 2004 at the National Mall in Washington, D.C.

Feeney’s 2000 anthem “Have You Been to Jail for Justice?,” sung on picket lines and in jail cells around the world, is considered one of the last true folk songs. She also gave life to classic union hymns like Woody Guthrie’s “Union Maid” and Joe Hill’s “Dump the Bosses Off Your Back.”

“Anne Feeney was a deeply committed songwriter/activist in the grand tradition of Pete Seeger and Woody Guthrie,” Peter Yarrow of Peter, Paul and Mary said in a statement. “She was joyous and fiery in her determination to use her music to elevate those who are most marginalized and to move toward greater justice in the land. For Annie, it was a way of life. Her song ‘Have You Been to Jail for Justice?, which our trio recorded, was an anthem for all of us who joined with Annie in ‘the good fight.’”

Guitarist Tom Morello of Rage Against the Machine called her “a fearless and formidable force for justice and workers’ rights onstage, in the studio and on the picket line.”

Feeney organized dozens of tours supporting various causes, including the Sing Out for Single Payer Healthcare tour in 2009, and raised tens of thousands of dollars for strike funds and progressive causes. She also served as the first female president of a musicians’ union in the U.S.

Born on July 1, 1951, in Charleroi, Pennsylvania, and raised in the Brookline neighborhood of Pittsburgh, Feeney was influenced by her grandfather William Patrick Feeney, who was a first-generation Irish immigrant and violinist who used music to support working-class organizing.

Feeney performed publicly for the first time in 1969 when she sang a Phil Ochs song at a protest against the Vietnam War. In 1972, she was arrested at the Republican National Convention while objecting to Richard Nixon’s second nomination for president.

Feeney received a bachelor of arts degree from the University of Pittsburgh in 1974 and graduated from the University of Pittsburgh School of Law four years later. She practiced as a trial lawyer for 12 years, primarily representing refugees and survivors of domestic violence.

Inspired by the group that founded “Women Organized Against Rape” in Philadelphia, she began a campaign for a rape crisis center that evolved into Pittsburgh Action Against Rape, which still provides services to survivors of sexual assault. She also served on the executive board of the Pennsylvania chapter of the National Organization of Women and as the president of the Pittsburgh Musicians’ Union from 1981-97, the only woman to hold that position.

Feeney released 12 albums during her career and shared stages with Seeger, Prine, Loretta Lynn, Toshi Reagon, The Mammals, Dan Bern, Indigo Girls and Billy Bragg. A lover of Irish music, she led annual singing tours of Ireland and was a regular at Kerrville Folk Festival, Oregon Country Fair and other major festivals.

Survivors include her son, Dan. Donations in her name may be made to the Thomas Merton Center, a social justice activist hub in Pittsburgh.

This article was originally published by The Hollywood Reporter.

Britney Spears’ social media team has had enough of the rumors surrounding the pop star’s Instagram activity amid the #FreeBritney movement.

Digital marketing company Crowd Surf’s cofounder Cassie Petrey denied speculation that Spears’ social media accounts are under strict control in a lengthy Instagram post on Tuesday (Feb. 2).

She started off by saying that she “absolutely adore[s] the Britney Spears fan base,” and knows “everything they do and say is because they truly love her.”

“Which is why it’s been easy for me to overlook some of the nasty comments that have been thrown my way over the years – because I know deep down it’s all out of love for one of the greatest pop stars of all time,” she continued, before touching on the “inaccurate theories out there about how Britney Spears’ social media operates.”

“Britney creates her own posts and writes her own captions for Instagram. She finds the google images, pinterest images, quotes, memes, and everything else herself,” Petrey wrote. “Nobody is suggesting any of that stuff to her.”

Petrey went on to note that Spears edits her own videos, or gives “specific instructions” to her team for how a clip should be edited before deciding “if she wants to post it or not.”

“Britney is not ‘asking for help’ or leaving secret messages in her social media,” the statement continued. “She is literally just living her life and trying to have fun on Instagram.”

Petrey denied that she was hired by Lou Taylor, Spears’ business manager. “This is another example of assumptions being made rather than understanding true facts.”

She also denied involvement with Spears posting about repealing New York law 50-A at the same time Crowd Surf did, and joining the star and her boyfriend Sam Asghari on vacation in Hawaii.

“Britney was told about ‘Repeal 50-A’ and she decided she wanted to post it. Nobody forced her to push any narrative she didn’t want to. Again, more assumptions with zero facts,” Petrey wrote. “I have never been to Hawaii with Britney Spears, and didn’t take any of the photos on her trips. I have my own life, and I’m perfectly capable of having a vacation without a client. Britney has never paid for me to go on any vacation with her.”

To conclude her statement, Petrey encouraged fans to “just be nice.”

“That’s all she really wants,” she wrote. “Don’t bully her. She doesn’t deserve it. She’s having fun creating posts and sharing images that she likes. That’s it. There’s not some secret agenda to it. She’s just having a good time, and I hope this helps people see it for what it actually is.”

See the full statement here.