Travis Barker brought a whole new level of emotion to Adele‘s already powerful single “Easy on Me” on Tuesday (Jan. 4), when he uploaded a high-powered cover of the No. 1 hit to Instagram.
The Blink-182 drummer, however, is no stranger to taking popular songs and turning them into unexpected rock hits. He’s put his own twist on songs by Lil Nas X, Mac Miller and Gayle, just to name a few.
Check out Travis Barker’s “Easy on Me” cover here, and see below for five more of our favorite rocked out drum covers.
Lil Nas X feat. Jack Harlow – “Industry Baby”
Barker added a solid drum line to an instrumental that already sounded like rocked out school band. The star’s drum rolls fit so perfectly with Lil Nas X’s chanting chorus, it’s only a matter of time until we get an “Industry Baby (Barker Remix).
Mac Miller – “What’s the Use”
At the start of quarantine, Barker spent his time at home sharing a variety of covers. He remembered the late Mac Miller with a jazzy drum interpretation of his Swimming hit, “What’s the Use?”
“Don’t let them keep you down,” he captioned the video with the hashtag #macmillerforever.
Pop Smoke – “Get Back”
Just two months after 20-year-old Pop Smoke tragically died during a home invasion, Barker paid tribute to the rising hip-hop great with a powerful cover of “Get Back,” complete with impressive drumstick mastery and tricks.
Gayle – “abcdefu”
Even Travis Barker’s can’t get Gayle’s infectious “abcdefu” out of his head. He added to the angsty nature of the viral track with dynamic cymbal crashes and rolling drum lines.
Powfu – “Death Bed (Coffee for Your Head)”
“5 AM can’t sleep this is what happens,” Barker captioned the bubbly cover of Powfu’s 2020 hit. Not bad for the early hour!
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Twenty One Pilots performed an inventive cover of Elton John‘s “Bennie and the Jets” on Sunday as part of their set for AT&T Playoff Playlist.
Calling it his dad’s “favorite song,” singer Tyler Joseph first kicked off the number with a verse and chorus of “Mulberry Street,” from the band’s latest album Scaled and Icy, before transitioning into the 1973 classic.
“Hey kids, shake it loose together/ The spotlight’s hitting something/ That’s been known to change the weather/ We’ll kill the fatted calf tonight, so stick around/ You’re gonna hear electric music/ Solid walls of sound/ Say, Candy and Ronnie, have you seen her yet?/ Oh, but they’re so spaced out/ B-B-B-Bennie and the Jets,” he sang, vamping on the piano while bandmate Josh Dun commanded the drums.
Eventually, the duo finished off the mash-up by returning to the strains of “Mulberry Street” with some help from a trumpeter, with Joseph reminding the audience to “keep your bliss, there’s nothing wrong with this.”
This summer, the alt-pop act will head out on their North American Icy Tour in support of their latest LP, a 22-date follow-up to their Takeøver Tour from last year. Scaled and Icy peaked at No. 3 on the Billboard 200 after its May release and has spawned four singles thus far: “Shy Away,” “Choker,” “Saturday” and “The Outside.”
Before their own tour starts, Twenty One Pilots will headline Napa’s BottleRock over Memorial Day weekend alongside Metallica, P!nk and Luke Combs with additional sets by Greta Van Fleet, Kygo, The Black Crowes, Pitbull and Mount Westmore, a brand-new hip-hop supergroup that includes Snoop Dogg, Ice Cube, E-40 and Too $hort.
Watch Twenty One Pilots take “Bennie and the Jets” to “Mulberry Street” below.
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Marilyn Bergman, who died Saturday at age 93, and her husband Alan, 96, stand among the best lyricists who ever put pen to paper. They carried the traditional songwriting values of the Great American Songbook into the modern era.
“How do you not run out of new things to say?” the Bergmans asked in “How Do You Keep the Music Playing?,” one of their finest songs. They meant how do you keep a relationship fresh, but they could have been talking about the art of lyric writing: How do you come up with yet another way to say “I love you”? They did it again and again. They came up with a line in “What Are You Doing the Rest of Your Life?” that said it about as well as it has ever been said. It’s our choice for their No. 1 best lyric on this list.
The Bergmans’ most famous song is probably “The Way We Were,” which became an instant standard when the Barbra Streisand/Robert Redford romantic drama of the same name was released in 1973. But even their lesser-known songs contain lyrical gems. Take “If We Were in Love,” which they wrote for Luciano Pavarotti’s 1982 film Yes, Giorgio. The film flopped, but the song received an Oscar nomination and contains a great line — “If we were in love, you’d think we’d know it/ When people are in love, they tend to show it.”
While the Bergmans’ forte was ballads, they also played against type with zesty TV theme songs for Maude, Good Times and Alice. The Bergmans probably had little in common with the Evans family in Good Times, who lived in the projects in Chicago, but they were able to capture the family’s joys and frustrations: “Not getting hassled, not getting hustled/ Keepin’ your head above water/ Making a wave when you can.”
The Bergmans won four Emmy Awards, three Oscars and two Grammys. They won the Oscar for best original song twice: for “The Windmills of Your Mind from The Thomas Crown Affair (1968) and “The Way We Were.” The Bergmans amassed 15 nominations in that category, more than any other songwriting team in Oscar history. They shared a third Oscar with Michel Legrand for their song score to Yentl (1983).
The Bergmans were inducted into the Songwriters Hall of Fame in 1980. They received that organization’s top honor, the Johnny Mercer Award, in 1997. They received a trustees award from the Recording Academy in 2013.
Here are the 10 most unforgettable lyrics by the Bergmans.
10. “It Might Be You”
Details: From the 1982 film Tootsie. Music by Dave Grusin. Academy Award nomination for best original song. Recorded and performed on the Academy Awards telecast by Stephen Bishop.
Key lyric: “Looking back as lovers go walking past/ All of my life/ Wondering how they met and what makes it last/ If I found the place/ Would I recognize the face?”
9.“There’s a New Girl in Town”
Details: Theme song from the CBS series Alice, which debuted in 1976. Music by David Shire. Performed by series star Linda Lavin.
Key lyric: “I used to be sad, I used to be shy/ Funniest thing, the saddest part is I never knew why/ Kicking myself for nothing was my favorite sport/ I had to take off and start enjoying because life’s too short.”
8. “The Windmills of Your Mind”
Details: From the 1968 film The Thomas Crown Affair. Music by Michel Legrand. Academy Award winner for best original song. Performed on the film soundtrack by Noel Harrison. Sung on the Academy Awards telecast by José Feliciano. Covered by Dusty Springfield on her classic album Dusty in Memphis. Sung by Sting on the soundtrack to the 1999 reboot of the film. Also recorded by Petula Clark, Johnny Mathis, Billy Paul and Neil Diamond.
Key lyrics: “Keys that jingle in your pocket, words that jangle in your head/ Why did summer go so quickly, was it something that you said?”
7. “Nice ‘N’ Easy”
Details: Music by Lew Spence. Grammy nominations for record and song of the year. Recorded by Frank Sinatra, Count Basie, Jack Jones, Barbra Streisand, Michael Bublé and more.
Key lyrics: “We’re on the road to romance – that’s safe to say/ But let’s make all the stops along the way/ The problem now of course is/ To simply hold your horses/ To rush would be a crime.”
6.“Good Times”
Details: Theme from the CBS series which debuted in 1974. Music by Dave Grusin. Performed by Jim Gilstrap and Blinky Williams.
Key lyric: “Temporary lay-offs (good times)/ Easy credit rip-offs (good times)/ Scratchin’ and survivin’ (good times)/ Hangin’ in and jivin’ (good times)/ Ain’t we lucky we got ’em (good times).”
5. “You Don’t Bring Me Flowers”
Details: Music by Neil Diamond. Grammy nominations for record and song of the year. Recorded and performed on the Grammy Awards telecast by Barbra Streisand & Neil Diamond.
Key lyric: “It used to be so natural (used to be)/ To talk about forever/ But used-to-bes don’t count anymore/ They just lay on the floor ’til we sweep them away.”
4. “And Then There’s Maude”
Details: Theme song from the CBS series Maude, which debuted in 1972. Music by Dave Grusin. Performed by Donny Hathaway.
Key lyric: “Isadora was the first bra-burner/ Ain’t ya glad she showed up (Oh yeah)/ And when the country was fallin’ apart/ Betsy Ross got it all sewed up.”
3. “How Do You Keep the Music Playing?”
Details: From the 1982 film Best Friends. Music by Michel Legrand. Academy Award nomination for best original song. Recorded and performed on the Academy Awards telecast by James Ingram & Patti Austin. Also recorded by Frank Sinatra, Tony Bennett (solo and with Aretha Franklin), Barbra Streisand, Celine Dion, Quincy Jones and more.
Key lyric: “How do you lose yourself to someone/ And never lose your way?/ How do you not run out of new things to say?”
2. “The Way We Were”
Details: From the 1973 film The Way We Were. Music by Marvin Hamlisch. Academy Award winner for best original song. Grammy winner for song of the year. Recorded by Barbra Streisand, Gladys Knight & the Pips, Perry Como, Shirley Bassey, Johnny Mathis, Donna Summer and more. Performed on the Academy Awards telecast by Peggy Lee.
Key lyric: “Memories/ May be beautiful and yet/ What’s too painful to remember/ We simply choose to forget.”
1. “What Are You Doing the Rest of Your Life?”
Details: From the 1969 film The Happy Ending. Oscar nomination for best original song. Music by Michel Legrand. Recorded by Peggy Lee, Andy Williams, Johnny Mathis, Sarah Vaughan/Michel Legrand, Frank Sinatra, Barbra Streisand, Michael Crawford, Tony Bennett, Dusty Springfield, Chris Botti featuring Sting, Rosemary Clooney, Jack Jones, Shirley Bassey and more. Performed on the Academy Awards telecast by Michael Legrand.
Key lyric: “I want to see your face in every kind of light/ In fields of gold and forests of the night/ And when you stand before the candles on a cake/ Oh, let me be the one to hear the silent wish you make.”
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A handful of Latin acts are readying projects that are scheduled to arrive in 2022. Artists such as Sebastián Yatra, Los Auténticos Decadentes‘ and Omy de Oro, among others, will bless fans with a new LP this year. While we don’t have exact dates for some of the releases yet, we’ve created a calendar with monthly album releases that we’ll keep updating with new information.
Below, check out Billboard‘s running calendar of upcoming Latin album releases that you can look forward to this year.
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Editor’s note: A previous version of this story said the hospitalizations fell by 417. New COVID-19 case and death numbers don’t drop on Sundays, but there was a literal drop … Click to Continue »
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A Sunday predawn shooting killed a Coral Springs man, police said. Coral Springs police said they found Marc Examon, 29, when answering a 4:37 a.m. call about a shooting in … Click to Continue »
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The rip current risk for beaches up and down South Florida’s coastlines, including the sands of Miami Beach and Fort Lauderdale, will be at “high” throughout Sunday. That’s according to … Click to Continue »
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If Coral Gables, the town of Palm Beach and even the City of Miami all do it as a matter of course — that is, zealously protect architecturally or historically … Click to Continue »
The New York Yankees are promoting Rachel Balkovec to manager of the Low A Tampa Tarpons, making her the first woman to skipper a team affiliated with Major League Baseball, … Click to Continue »
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Bob Saget, whose comedic, affable portrayal of widowed dad Danny Tanner on the sitcom Full House made him one of TV’s most popular dads, was found dead Sunday (Jan. 9) in his hotel room in Orlando, Florida, the Sheriff’s Department confirmed to The Hollywood Reporter. He was 65.
Saget, who was also the longtime host for America’s Funniest Videos and was on a comedy tour, was found unresponsive in his room at the Ritz-Carlton Orlando, Grande Lakes, authorities said. The actor was pronounced dead on scene, authorities said.
No information was released on the cause of death, but the sheriff’s department said detectives found no signs of foul play or drug use.
“We are devastated to confirm that our beloved Bob passed away today. He was everything to us and we want you to know how much he loved his fans, performing live and bringing people from all walks of life together with laughter,” the Saget family said in a statement to THR. “Though we ask for privacy at this time, we invite you to join us in remembering the love and laughter that Bob brought to the world.”
The Philadelphia native got his start with a stint on CBS’ The Morning Program in 1987, just before landing his breakout role as Danny Tanner on ABC’s popular family sitcom Full House.
Saget shot to fame with his potrayal of Tanner, a father of three daughters who recently lost his wife and moves in with his brother-in-law (John Stamos) and his best friend (Dave Coulier). Though the ABC show was hardly a critical success, it struck a chord with audiences and ran from 1987 to 1995. The sitcom was later revived with much of the cast on the Netflix sequel series Fuller House in 2016.
Full House launched the careers of then-child stars Mary-Kate and Ashley Olsen and Candace Cameron Bure, while propelling the paths of Stamos, Coulier and Lori Loughlin.
“I am broken,” Stamos tweeted Sunday. “I am gutted. I am in complete and utter shock. I will never ever have another friend like him. I love you so much Bobby.”
In 1989, Saget debuted as the original host on America’s Funniest Home Videos, a role he held until 1997.
He was also known for his film work, making his feature directorial debut with the raunchy 1998 Norm MacDonald movie Dirty Work. He later directed 2007’s Farce of the Penguins, a parody of the hit documentary March of the Penguins.
Other notable television work included the voice of the adult Ted Mosby on CBS’ long-running How I Met Your Mother.
Saget was also an accomplished stand-up comic, and his on-stage work, as was the case with projects like Dirty Work, reflected his less family-friendly perspective. During a 2015 Esquire profile, Saget explained that he saw humor as an outlet for life’s difficult moments, including the loss of two sisters who died at young ages.
“When you’ve seen a lot of bad stuff and just want to enjoy your life and be happy and have your kids happy and have your friends happy, you just have a value system where it raises the bar on what’s important,” he said about valuing comedy.
Saget was on tour in Florida, where he performed Saturday night at the Ponte Vedra Concert Hall, near Jacksonville. In his final tweet, sent early in the morning on Sunday, he gushed about the “appreciative audience” at his show that night. “I had no idea I did a 2 hr set tonight,” he wrote, in part. “I’m happily addicted again to this s—.”
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