Sabrina Carpenter concerts could look a little different in the future, with the star revealing she’s open to the idea of banning phones at her shows.

Carpenter’s comments appeared in a recent article from Rolling Stone, who shared quotes that didn’t make it into their recent cover story with the singer. One of the previously-unpublished revelations was that Carpenter indeed open to asking fans to pocket their devices at her gigs.

“This will honestly p–s off my fans, but absolutely,” she explained, noting she was inspired by a Las Vegas show from Silk Sonic which required her to lock her phone up.”

“I’ve never had a better experience at a concert,” Carpenter explained. “I genuinely felt like I was back in the Seventies — wasn’t alive. Genuinely felt like I was there. Everyone’s singing, dancing, looking at each other, and laughing. It really, really just felt so beautiful.”

Notably, Silk Sonic’s 2022 Las Vegas residency even featured Bruno Mars and Anderson .Paak crafting a song to underline the lack of devices. “We took your phones away,” they sang. “What happens in Vegas, stays in Vegas.”

“I’ve grown up in the age of people having iPhones at shows,” Carpenter continued. “It unfortunately feels super normal to me. I can’t blame people for wanting to have memories. But depending on how long I want to be touring, and what age I am, girl, take those phones away. You cannot zoom in on my face. Right now, my skin is soft and supple. It’s fine. Do not zoom in on me when I’m 80 years old up there.”

The topic of banning phones at gigs has been a contentious one over the years, with artists wishing for fans to live in the moment, and fans desiring a chance to memorialize their concert experiences.

In 2015, Jack White shared a verbal plea for no phones during his Lazaretto tour, and by the time The Raconteurs toured in 2019, attendees were told to put their devices in locked Yondr pouches.

“We think you’ll enjoy looking up from your gadgets for a little while and experience music and our shared love of it in person,” a note from the band read at the time.

Other acts, such as Tool and A Perfect Circle have been noted for asking fans to observe such a practice, with the latter having made headlines for reportedly ejecting concert attendees who violated the request.

“You ever go to a play or a movie?” A Perfect Circle guitarist Billy Howerdel asked in 2018. “If you’ve ever been to a play or a movie, it’s kind of similar: you don’t take out your phone and start filming, and let the people behind you stare into your screen.”

More recently, Iron Maiden manager Rod Smallwood put out a request to fans to put down their phones during the band’s Run for Your Lives World Tour. “We really want fans to enjoy the shows first hand, rather than on their small screens,” Smallwood explained. 

“The amount of phone use nowadays diminishes enjoyment, particularly for the band who are on stage looking out at rows of phones, but also for other concertgoers,” he added. “We feel that the passion and involvement of our fans at shows really makes them special, but the phone obsession has now got so out of hand that it has become unnecessarily distracting especially to the band.”

As fortunate fans spilled into the intimate and sweaty Maxim’s de Paris on Wednesday night (June 18), no one knew exactly what to expect. Vocals? For sure. Fashion? Absolutely. This is Miley Cyrus, after all.

But when the superstar combined two of her biggest hits – none other than “The Climb” and “We Can’t Stop” – into a special one-off medley, fans were floored. “We put this together just for all of you tonight,” shared Cyrus, in her first of two Mugler looks.

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The special and career-spanning fusion – reminiscent of two distinct times in the pop star’s life – was fitting for an equally special evening. Cyrus hadn’t performed in Paris for over 10 years, and she made sure her grand return was well worth the wait. The evening’s set was for Spotify’s Billions Club Live, making Cyrus only the second artist, after The Weeknd, to ever earn a Billions Club concert. (As Spotify previously confirmed to Billboard, Cyrus’ Billions Club Live show was filmed to be released later this summer.)

Despite such a massive milestone, Cyrus stayed true to form and kept the setting and guest list rather intimate, with only a few hundred fans packed into Maxim’s downstairs venue. But unlike her famed Chateau Marmont sets in Los Angeles or her recent performance at an equally intimate New York space — all in support of her latest album, Something Beautiful — Wednesday night was perhaps the most wide-ranging setlist fans have enjoyed for some time. 

Thanks to the nature of Spotify’s Billions Club Live, Cyrus’ set was a tight hour (including an outfit change) of her biggest hits on the platform — all of which, yes, have reached more than 1 billion streams. (On the pre-show playlist, deep cuts including “Cattitude” off her She Is Coming EP satiated superfans.)

“Being a part of the Billions Club is only a part of me – it’s an honor, but in no means is it holistic,” Cyrus said. “Each of you are a piece of a billion, and without each of you, the billion doesn’t even exist. That’s how important and crucial you are to the success in my life. The confidence and goals that I have achieved [is] because of you and your support. And I’ve never really been too interested in numbers because math is done from the mind, but true authentic beauty is from the heart.”

During her set, Cyrus demonstrated just how much of her heart has always been in her hits – and is likely what has pushed these in particular to become some of her biggest. During opener “Flowers,” she emphasized and riffed on the line “no regrets, baby” while holding up a bouquet of flowers gifted by a fan. And while introducing “The Climb,” she shared that the song is “inspired by the effort and the struggles that it takes to become the person you want to be. … I truly believe the most authentic version of yourself is deep within the struggle. … Everything in my life that I can stand here and be proud of at one point was towering over me like a mountain.” (The mere mention of a mountain elicited emphatic cheering.)

And before performing her Plastic Hearts hit “Angels Like You” accompanied by nothing more than a piano, Cyrus told her fans: “You are the earth angels that make my life heaven.” And in another unexpected twist, she performed the impassioned “Wrecking Ball” next while still backed by only keys.

After an outfit and hairdo change – from teased waves and a Mugler dress dripping with crystals to an updo with a Mugler crystal corset and suit jacket – Cyrus returned to the stage alongside her full backing band, which included a four-person string section and guitarist Maxx Morando. A front-row fan declared that Cyrus looked “super French,” to which Cyrus replied that they’ve actually been discussing what to name her current backing band, before concluding that “Super French” was the best idea they’ve heard yet.

Cyrus then closed the show with a one-two punch of Something Beautiful standouts: “End of the World” and “More to Lose.” Before performing the latter, she said, “A lot of my songs are about resilience, and I’m very proud of that,” noting that the theme of resilience is one not only personal to her and her music, but that is universally felt – and desperately needed right now.

Halfway through “More to Lose,” she turned to Morando and said she’s tired of crying and wanted to do something a bit more fun. The solution? “Easy Lover.” Cyrus performed the song with an extended outro, during which she strutted from one side of the small stage to the other, blowing kisses to fans who were within arm’s length before returning to its center to take a bow.

And after showing off her outfit one last time, Cyrus seamlessly disappeared behind thick red velvet curtains, as if bringing her “End of the World” lyric to life: “Let’s go to Paris, I don’t care if we get lost in the scene.”

As the wide-eyed expressions across the room proved, there’s hardly a better scene to get lost in.

Blake Lively and Taylor Swift’s text messages will have to be handed over in litigation over the movie It Ends With Us, with a judge determining that the friends’ conversations about the working environment on set are relevant to Lively’s sexual harassment and retaliation claims against co-star and director Justin Baldoni.

Baldoni and his production company, Wayfarer Studios, prevailed Wednesday (June 18) on the issue of Swift’s text messages, which have taken center stage in Lively’s It Ends With Us lawsuit over the past month. Baldoni first tried to get the texts directly from Swift herself, but then dropped his subpoena on the pop superstar, opting instead to seek the messages from Lively in the normal discovery process.

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Lively’s lawyers fought that request last week, saying the actress’ texts with Swift have no place in court and Baldoni is just trying to make headlines. But Judge Lewis J. Liman says these messages are indeed relevant, citing Lively’s own discovery disclosures that identified Swift as someone who would know that Baldoni sexually harassed her on set and then orchestrated a retaliatory smear campaign after she complained.

“Given that Lively has represented that Swift had knowledge of complaints or discussions about the working environment on the film, among other issues, the requests for messages with Swift regarding the film and this action are reasonably tailored to discover information that would prove or disprove Lively’s harassment and retaliation claims,” writes the judge.

As for Lively’s claim that Baldoni is only involving Swift in the case to prop up a public relations narrative, Judge Liman says “this concern does not justify denying the Wayfarer parties relevant discovery.”

“A motion or request may be, and in this case often has been, both a legitimate litigation tactic and an attempt to maneuver in the broader court of public opinion,” writes the judge. “The mere fact that the request has been discussed in the press does not render it illegitimate.”

A spokesperson for Lively reacted to the decision on Wednesday by noting that the actress has “produced far more documents in this case” than Baldoni. Lively’s rep also says Baldoni and his publicity team have been trying to “drag Taylor Swift” into the debacle since they launched their alleged retaliatory smear campaign last summer.

“We will continue to call out Baldoni’s relentless efforts to exploit Ms. Swift’s popularity, which from day one has been nothing more than a distraction from the serious sexual harassment and retaliation accusations he and the Wayfarer parties are facing,” adds Lively’s spokesperson.

A rep for Baldoni declined to comment on the decision.

Swift’s reps did not immediately return a request for comment on the matter. In a previous statement from May, the singer’s team said she had no involvement in It Ends With Us and that Baldoni’s subpoena against her was “designed to use Taylor Swift’s name to draw public interest by creating tabloid clickbait instead of focusing on the facts of the case.”

The exchange of documents in Lively’s harassment and retaliation lawsuit, which has also dragged in Swift’s public opponent, Scooter Braun, is geared towards preparing for a trial in 2026. Baldoni has tried to bring a countersuit accusing Lively and her inner circle of defamation, but Judge Liman threw out those claims as legally invalid last week.

T.I. has been hit with an intellectual property theft lawsuit over his upcoming movie Situationships, with a web series producer claiming the title is lifted from her own project of the same name.

The rapper (Clifford Harris Jr.) faces trademark infringement claims in a complaint filed Wednesday (June 18) by Featherstone Entertainment, an Atlanta-based production company run by a creator named Cylla Senii.

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Senii has made two seasons of the scripted web series Situationships, which chronicles the ups and downs of millennial dating. The show launched on YouTube in 2016 and has since been distributed by BET Digital, Amazon Prime and Tubi.

According to the complaint, Senii worked between 2019 and 2024 to develop both TV show and movie versions of Situationships. But in the fall of 2024, she says, she was shocked to learn that T.I. and his company, Grand Hustle Films, were about to start filming their own comedy film called Situationships, written, directed by and starring the rapper.

“Defendants are engaging in a common scheme and effort to take advantage of the public’s association of Featherstone’s ‘Situationships’ brand by marketing their own film and entitling it ‘Situationships,’” writes Senii’s attorney.

The lawsuit claims T.I.’s alleged infringement is intentional. Senii’s lawyer notes that one collaborator she worked with to develop her Situationships show is a close friend of T.I.’s family, and that another producer with whom she discussed the project is now working on the rapper’s movie.

Senii says this behavior is “ironic” after T.I. and his wife Tameka “Tiny” Harris’ recent $71 million trial win in their long-running intellectual property battle against toymaker MGA, which took issue with dolls supposedly modeled after their teen pop group OMG Girlz.

“Unfortunately, T.I. is engaging in the same conduct he fought so vigorously to protect himself from in his own intellectual property lawsuit,” writes Senii’s lawyer.

The lawsuit says Senii sent T.I. a cease-and-desist letter in December 2024, but he never responded. Senii has also challenged T.I.’s numerous attempts to obtain a trademark for “Situationships,” with one of T.I.’s applications getting preliminarily rejected in May after an examiner found there was a likelihood of confusion with the web series mark.

Senii is now levying a slew of claims against T.I. and Grand Hustle Films for trademark infringement, unfair competition and civil conspiracy. She’s seeking an injunction that would bar him from releasing his movie under the moniker “Situationships” as well as unspecified financial damages.

Reps for the rapper and Grand Hustle Films did not immediately return a request for comment on the lawsuit.

President Donald Trump has implemented various actions against immigrants, and Latin artists across all genres have spoken out against these actions. Artists including Peso Pluma, Pepe Aguilar, Becky G, Chiquis and more have gone on social media to share resources to those affected, and their stance on the current political climate. Keep watching for the full story. 

Narrator:

At a critical moment for immigrant communities in the United States, a growing number of Latino artists are raising their voices. The raids carried out in cities like Los Angeles, along with the strict immigration policies of the Trump administration, are not only shaking up the system — they are also profoundly impacting the world of Latin music. From Billboard chart-topping artists like Ivan Cornejo and Fuerza Regida to iconic figures in Latin music like Maná and Pepe Aguilar, voices of solidarity are growing louder.

“The people being attacked today are not ‘illegal aliens’; they are human beings with RIGHTS,” Becky G wrote on Instagram. Singer DannyLux also issued a call on social media: “Protests are a cry from a community tired of being ignored and criminalized simply for seeking a dignified life!” Many artists are not just speaking out. Mexican superstar Junior H launched merchandise whose profits will go entirely to CHIRLA, a nonprofit organization dedicated to providing legal support for immigrants facing ICE detention and deportation. Fher Olvera, lead singer of the Mexican rock band Maná and longtime advocate for immigrant rights, urged his followers to protest peacefully. “That’s how they’re going to win,” he said. Peso Pluma, alongside his manager George Prajin, has shared links to organizations defending immigrant rights like the National Immigration Law Center and United We Dream.

Keep watching for more.

A New York hedge fund manager linked to the SFX bankruptcy has been quietly co-managing Avant Gardner and the temporarily closed Brooklyn Mirage nightclub since late last year and leading unsuccessful efforts trying to get it reopened, Billboard has learned.

Andrew Axelrod’s Axar Capital has been a secured creditor of Avant Gardner — the Brooklyn nightclub company that books and manages the Brooklyn Mirage, Kings Hall and the Great Hall — since late 2023, sources close to the company have confirmed. 

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A year prior, former Avant Gardner CEO Billy Bildstein had negotiated the purchase of the Electric Zoo festival from Axelrod, whose Axar Capital was the senior creditor to media mogul Bob Sillerman’s one-time EDM conglomerate SFX — of which Electric Zoo’s parent company, Made Events, was a part. When SFX went bankrupt in 2015, Axar Capital led a takeover of the company, rebranding it LiveStyle and hiring music executive Randy Phillips to lead a selloff of its assets, which included U.S. promoters like Disco Donnie Presents and Life in Color; Europe’s ID&T, the Dutch promoter behind Tomorrowland; and EDM tech startups like Denver-based electronic music platform Beatport. The last asset to sell, in 2022, was Made Events. Axelrod wanted $15 million for the company and structured the deal so that Avant Gardner could pay Axar Capital using the proceeds from the Electric Zoo festival.

Avant Gardner successfully ran the Electric Zoo festival in 2022 but was sidelined by multiple fiascos the following year including permit denials, gate crashers, the cancellation of the festival’s opening day and accusations of overselling the closing day by 7,000 fans. Due to the disastrous 2023 run, Avant Gardner has faced multiple lawsuits from both fans and unpaid vendors and was condemned by a one-time ally, New York Mayor Eric Adams, who had previously supported the popular Brooklyn Mirage and sided with Bildstein during his high-profile battle with the State Liquor Authority.

Sources tell Billboard that the demise of the festival, and Avant Gardner’s inability to pay Axar the reported $15 million price tag for Electric Zoo, are what led to Axar becoming a senior creditor to Avant Gardner. Terms of the Electric Zoo sale are not public, but a previous agreement between Axar and publicly traded streaming service LiveOne, which purchased Chicago’s Spring Awakening festival — another SFX asset — shows how Axelrod liked to structure some of those deals.   

In that agreement, Axelrod sold Spring Awakening to LiveOne for $2.5 million in convertible loans that Axelrod could turn into equity. The deal allowed LiveOne to take over the festival immediately and pay Axelrod back over two years. There was even an option for Axelrod to accept LiveOne stock instead of cash if shares of the company hit certain price targets, but they never did. A month after the deal closed, COVID-19 hit, and Spring Awakening 2020 was canceled. After LiveOne lost $3.5 million on the 2021 event, Axelrod agreed to accept $2.4 million worth of LiveOne stock. But five months later, the value of LiveOne’s stock had fallen 70%, dropping the value of Axelrod’s LiveOne shares to approximately $700,000. 

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Avant Gardner is a private company, so it’s unclear how the agreement with Axar was structured. Sources tell Billboard that Axelrod made additional investments into the Brooklyn Mirage, which recently underwent extensive renovations and is now attempting to navigate New York’s Department of Buildings to secure a permit to open.   

On May 22, Avant Gardner parted ways with Josh Wyatt, a hospitality executive Axelrod had hired to run the company and guide it through renovations that saw the club close for construction. The Brooklyn Mirage was supposed to open May 1 with a concert by Sara Landry, but building inspectors declined to grant the facility a permit to open. A month and a half later, the club has been forced to cancel and relocate more than a dozen shows as its permit problems persist.  

Gary Richards, a promoter, touring artist and former CEO of Livestyle for Axar Capital, is now running Avant Gardner and managing day-to-day operations. Billboard reached out to Richards and Axar but was told that neither planned to comment for this story. 

Fans of Snoop Dogg‘s Doggyland have a new song to sing along to.

This time, Snoop’s lovable character Bow Wizzle linked with social media sensation VanVan — who also happens to voice Doggyland‘s Vancy the Dalmatian character — for a new video for a remix of the “Clean Up Song,” which interpolates the classic children’s song “Twinkle, Twinkle, Little Star.” The song is part of Doggyland’s first-ever live-action sing-along episode.

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“You know we loved working with VanVan,” said Snoop. “She’s an amazing rapper and has the natural swagger to go with it. She’s a perfect fit for Doggyland and I know Bow Wizzle can’t wait to get in the studio with her again.”

Doggyland co-creator Claude Brooks also enjoyed working with VanVan. “We were delighted when VanVan’s rap version of our ‘Affirmations Song’ went viral across social media,” said the actor and producer. “This inspired us to do a full-length video with her and Bow Wizzle, based around her version of the ‘Clean Up Song,’ and we couldn’t be happier with how it turned out. We have more live-action videos with other talented kids coming. Be on the lookout!” 

And VanVan added: “Working with Doggyland and Uncle Snoop Dogg on the ‘Clean Up Remix’ was such a fun and inspiring experience. I feel truly blessed to be seen and to create music on this level.”

Brooks, Snoop and R&B artist October London launched Doggyland back in 2022 as an educational show for kids that can be seen on YouTube and YouTube Kids.

Kids and parents can catch their favorite Doggyland characters as they head out on tour with Kidz Bop for the Live Certified Bop Tour. You can check out upcoming dates below.

  • June 19 — Hershey, PA — Giant Center
  • June 20 — Raleigh, NC — Coastal Credit Union
  • June 21 — Charlotte, NC — PNC Music Pavilion
  • June 22 — Greensboro, NC — White Oak Amphitheater
  • June 26 — West Palm Beach, FL — iTHINK Financial Amphitheatre
  • June 27 — Jacksonville, FL — Daily’s Place
  • June 28 — Alpharetta, GA — Ameris Bank Amphitheatre
  • June 29 — Franklin, TN — FirstBank Amphitheater
  • July 3 — Gilford, NH — Bank of NH Pavilion
  • July 5 — Bangor, ME — Maine Savings Bank
  • July 6 — Bethel, NY — Bethel Woods
  • July 10 — Richmond, VA — Allianz Amphitheater
  • July 11 — Wantagh, NY — Northwell Health at Jones Beach
  • July 12 — Holmdel, NJ — PNC Bank Arts Center
  • July 17 — Wilmington, NC — Live Oak Bank Pavilion
  • July 18 — Baltimore, MD — Pier Six Pavilion
  • July 19 — Boston, MA (2 Shows) — Leader Bank Pavilion
  • July 20 — Wallingford, CT — Toyota Oakdale Theater
  • July 23 — Columbus, OH — Ohio State Fair
  • July 24 — Clarkston, MI — Pine Knob Music Center
  • July 25 — Noblesville, IN — Ruoff Music Center
  • July 27 — Cincinnati, OH — PNC Pavilion at Riverbend
  • Aug. 1 — Saratoga Springs, NY — Broadview Stage at SPAC
  • Aug. 2 — Camden, NJ — Freedom Mortgage Pavilion
  • Aug. 5 — West Allis, WI — Wisconsin State Fair
  • Aug. 8 — Macon, GA — Macon Amphitheater
  • Aug. 9 — Tampa, FL —MIDFLORDIA Credit Union Amphitheatre

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

The WNBA is carving out the Saturday afternoon space for nationally-televised games to showcase the best the league has to offer. And now here’s an opportunity for fans to watch star players Kahleah Copper and Angel Reese in action.

On Saturday (June 21), Phoenix Mercury vs. Chicago Sky takes place at Wintrust Arena in Chicago, Illinois.

When Does Phoenix Mercury vs. Chicago Sky Start?

Phoenix Mercury vs. Chicago Sky airs live, with a start time of 1 p.m. ET/10 a.m. PT.

Where to Watch Phoenix Mercury vs. Chicago Sky Online

The Mercury vs. Sky game broadcasts on ABC. It will be available to livestream on Hulu + Live TV.

How to Watch Phoenix Mercury vs. Chicago Sky with Hulu + Live TV

Phoenix vs. Chicago on ABC is available to watch with Hulu + Live TV. Prices for the cable alternative start at $82.99 per month, while each plan comes with Hulu, Disney+ and ESPN+ at no additional cost. Sign up for a 3-day free trial to watch the WNBA game for free.

Hulu + Live TV is best for those who want a top-tier streaming bundle that combines live TV and on-demand titles. The streaming service also has many other networks, including NBC, CBS, ESPN, ESPN2, FS1, FS2, Fox, CBS Sports Network, Hallmark Channel, BET, CMT, Disney Channel, Discovery Channel and more.

With tipoff at 1 p.m. ET/10 a.m. PT, the Phoenix Mercury vs. Chicago Sky broadcasts on ABC on Saturday (June 21). The game is available to livestream with Hulu + Live TV.

Which Celebrities Are Making Appearances During WNBA Game?

It’s likely there may be a number of celebrities and famous recording artists in attendance during the WNBA game, such as Sky fans Barack Obama, Chance the Rapper, Dwyane Wade, Gabrielle Union and others.

Want more? For more product recommendations, check out our roundups of the best Xbox dealsstudio headphones and Nintendo Switch accessories.

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

With the success of the live-action How to Train Your Dragon remake (2025), new fans are discovering the magic and excitement of the Isle of Berk that’s captured in the new movie’s source materials.

How to Train Your Dragon was based on an animated movie trilogy, which started in 2010, as well as a 12-book young adult series that began in 2003.

And right now, you can pick up the book series set in paperback for $108 on Amazon — $9 per book.

In addition, How to Train Your Dragon books are available as an Audible audiobook, which is only 99 cents for three months for subscribers only.

If you’re not a subscriber, you can sign up for a 30-day free trial. But right now, Audible has a new promotion, which gives new subscribers three months of service for just 99 cents per month for three months. You’ll receive one credit for any audiobook on Audible. But act fast and sign up now, this deal ends on July 31.

Here's How to Buy 'How to Train Your Dragon' Books & Blu-rays Online

‘How to Train Your Dragon: The Complete Series’


You can also get the three-movie collection on Blu-ray on sale for $12.91 (regularly $29.98), a nearly 60% savings.

If you’re an Amazon Prime member, you can order now and the How To Train Your Dragon book or Blu-ray set will be delivered to your home in less than two days once it’s released, thanks to Prime Delivery.

Here's How to Buy 'How to Train Your Dragon' Books & Blu-rays Online

‘How to Train Your Dragon: 3-Movie Collection’

$12.91 $29.98 57% off

Buy Now On Amazon


Not a member? Sign up for a 30-day free trial to take advantage of all that Amazon Prime has to offer, including access to Prime Video, Prime Gaming and Amazon Photos; fast free shipping in less than two days with Prime Delivery; in-store discounts at Whole Foods Market; access to exclusive shopping events — such as Prime Day and Black Friday — and much more. Learn more about Amazon Prime and its benefits here.

How to Train Your Dragon (2025) — which music by film composer John Powell, who also created the music for the original movie — is in theater right now, while the entire book series is ready to buy for $108 on Amazon, while the three-movie Blu-ray set of the animated films is on sale for $12.91 (reg. $29.98) from the retail giant.

Want more? For more product recommendations, check out our roundups of the best Xbox dealsstudio headphones and Nintendo Switch accessories.

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

EXO‘s Kai is going on tour.

That’s right, Aeris: Get excited. The musician’s KAION tour is coming to a city near you, and very soon. Tickets are currently available to the general public on a slew of ticketing sites including Ticketmaster, StubHub, Vivid Seats and so many more, and we’re going to show you how to get them.

The K-pop idol’s touring debut kicked off with a two-night stint at the Olympic Handball Gymnasium in Seoul, South Korea, from May 17-18. The tour name, KAION, is a fusion of KAI + ON, with “AION” meaning eternity in Greek.

The tour name symbolizes the beginning of eternity for this worldwide tour. Kai will make numerous stops from August to September in the United States in Los Angeles, Texas, Atlanta and New York. EXO’s Baekhyun is also going on tour at the same time as his bandmate, meaning Aeries will be spoiled for options this summer. You can see the full list of dates and stops below.

Where to Buy Tickets to Kai’s 2025 KAION Tour

Ticketmaster has some of the best prices we’ve seen so far for Kai’s tour. Standard tickets at some venues start at around $113. Ticketmaster also offers a Fan Guarantee that allows for cancellations, refunds or exchanges within 24 hours of booking, subject to certain exclusions. Current available venues include the Rosemont Theatre in Rosemont, Ill., and The Theater at MSG in New York, NY.

EXO's Kai's 'KAION' Solo Tour: How to Get Last-Minute Tickets

BEST VENUE OPTIONS


StubHub has a slew of venue options still available for the K-Pop star’s tour. Available venues as of writing include Rosemont Theatre in Rosemont, Ill., Fox Theater Atlanta in Atlanta Ga., Texas Trust CU Theatre in Grand Prairie, Texas and Shrine Auditorium and Expo Hall in Los Angeles, Calif. Tickets for venues overseas on Kai’s tour docket are also currently available on StubHub’s site.

StubHub’s FanProtect Guarantee allows you to shop for all dates and arenas with ease. It ensures valid tickets every time or your money back. If your event is canceled and not rescheduled, you’ll be able to receive a credit worth 120% of the amount you paid for the impacted event or the option of a cash refund. Safe to say, you’re in good hands.

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EARN REWARDS


Snag your seats with Vivid Seats now with help from us. Right now, you can use promo code BB30 to snag $30 off of your purchase. This ticketing service offers a 100% Buyer Guarantee that vows your transaction is secure, that your tickets will be delivered before your event and that your tickets are valid. Pricing for Kai’s tickets is a bit pricey, but by using our code, you’ll get them for a steal so good that you’ll wanna brag about it.

We can also help you get the best deals for Kai’s tour tickets on Seat Geek. Right now, you can use promo code BILLBOARD10 at checkout to receive $10 off at checkout. Like most of the ticketing services on this list, Seat Geek features a Buyer Guarantee that ensures a breezy ticket purchase experience no matter what. Some venues have tickets right now for as low as $117.

There’s nothing better than saving your coin. You can grab Kai’s tour tickets through TicketNetwork with the code BILLBOARD300 to save $300 off orders of $1,000, and BILLBOARD150 to save $150 off orders of $500. Don’t have the money to shell out yet? You can also purchase your tickets on the website now and pay later with help from Affirm. TicketNetwork’s website also includes all-in pricing that lets you see exactly what you’ll be paying upfront (fees included). Right now, a slew of US venues have available tickets on the site so you can choose the spot that’s closest to you without going through scalpers.

EXO's Kai's 'KAION' Solo Tour: How to Get Last-Minute Tickets

SEATING OPTIONS


Gametime has a multitude of great seating options still available at many venues for a range of great prices, the most versatile options we’ve seen so far. Some venues have tickets starting at $130. Gametime’s guarantee includes low prices, event cancellation protection, job loss assurance and on-time ticket delivery so you can purchase your concert tickets without breaking a sweat.

Kai’s KAION Touring Schedule in the United States

  • August 28 Los Angeles, CA  Shrine Auditorium
  • August 31 Grand Prairie, TX  Texas Trust CU Theatre
  • September 2 Atlanta, GA Fox Theatre
  • September 4  Rosemont, IL Rosemont Theatre
  • September 6  New York, NY The Theater at MSG

More About Kai

Kai is a member of the South Korean boy band EXO. He serves as the band’s main dancer, lead rapper and center. The group debuted back in 2012 and experienced major success in both Korea and the United States. Kai first went solo back in 2020 with his mini album titled Kai. Since then, the musician dropped his EP Peaches in 2021 and EP Rover in 2023. Beyond being an excellent dancer and musician, Kai has also used his gorgeous looks to his advantage as a brand ambassador for Gucci.

Kai’s latest album Wait On Me features seven tracks including singles released ahead of the album “Wait On Me” and “Adult Swim.” Every track on the album is dance-worthy with heavy R&B influence. It stands as one of his more experimental albums to date. The album was dropped in April of this year and serves as Kai’s fourth mini-album.