On Thursday, July 10, billboards across cities including New York, Atlanta, Los Angeles and Reykjavík popped up all teasing the same thing: Justin Bieber is back.

The various billboards showed black and white photos of the superstar, with one in particular showing him shirtless standing in front of his wife Hailey Bieber, who is holding their son Jack Blues Bieber (though his face isn’t to the camera). The images were shot by Renell Medrano, the same photographer who shot the album art for Kendrick Lamar’s 2022 Mr. Morale & the Big Steppers; and, as many fans have pointed out on social media, it seemed likely that Bieber’s new album could follow a similar theme of chronicling his journey towards healing.

While other billboards depicted the word “SWAG,” which proved to be an album title, some listed 20 titles, which proved to be the album’s track list (plus one more track not listed on the billboards, culminating in 21 total). Titles included “Therapy Session” and “Forgiveness,” further solidifying similarities between Bieber and Lamar’s confessional projects.

In all, the surprise promo added up to a quick campaign for Bieber’s anticipated seventh album. But the few hours notice was more than enough to generate hype — as fans have been seated and waiting for new music since 2021.

Out Friday, July 11, Swag is the superstar’s first album in four years, since Justice. Sources told Billboard that Swag was in the same lane of R&B only much more experimental, referencing artists such as Dijon and Mk.gee (both of whom are credited on the album).

And while Swag arrived as a surprise, it’s also an expected move from the artist who has been making headlines of late for everything from financial woes with his former manager, Scooter Braun, to concerns over his marital status. With Swag, Bieber is taking control of not only the present narrative but his and his family’s future.

As he famously said recently, in a paparazzi clip that has since gone viral: “It’s not clocking to you that I’m standing on business.” After one listen through Swag, it immediately clocks just how serious Bieber is about protecting what matters most. And really, what’s swaggier than that?

Below, see Billboard’s preliminary ranking of all 21 songs from Bieber’s Swag.

BLACKPINK is back and ready to dominate the charts once again. The global K-pop powerhouse returned on Friday (July 11) with their new digital single “JUMP,” marking their first release as a group in nearly three years.

The high-octane track, which made its live debut during the kickoff of BLACKPINK’s World Tour DEADLINE in Goyang, South Korea, last weekend, is already sending shockwaves through the BLINK fandom and beyond. Earlier this week, the band dropped a teaser for the “JUMP” music video ahead of the release.

Written by an all-star lineup of TEDDY, Diplo, 24, Zikai, Claudia Valentina, Jumpa, Malachiii and Jesse Bluu — and produced by Diplo, 24, Boaz Van De Beatz, Zecca and Ape Drums — “JUMP” sees BLACKPINK boldly venture into hardstyle territory.

Each member — JISOO, JENNIE, ROSÉ and LISA — shines across the track’s unpredictable hooks and pounding beats, showcasing their individual vocal colors while delivering a united, addictive energy.

The new release comes as BLACKPINK kick off their massive World Tour DEADLINE, which will see the quartet perform 31 shows across 16 cities, including two-night stadium stops in Los Angeles, New York, Paris and London. Following their South Korea opener, the group are set to bring the tour stateside this weekend for a two-night stint at SoFi Stadium in Los Angeles.

The tour will then continue overseas throughout the summer and fall, making stops in France, Italy, Spain, United Kingdom, Taiwan, Thailand, Indonesia, Philippines, Singapore,Japan and Hong Kong.

“JUMP” also sets the stage for the next chapter in BLACKPINK’s career after a three-year hiatus that saw each member pursue solo ventures, from JENNIE’s acting debut in The Idol to ROSÉ and LISA’s solo music success.

BLACKPINK hasn’t shared new music since 2023’s “The Girls,” which the foursome released specially for Blackpink The Game. Before that came 2022 album Born Pink, which topped the Billboard 200.

“Jump” is now available on all major streaming platforms.

Travis Scott is ready to run it back. The Houston rapper has officially confirmed Jackboys 2, the long-awaited sequel to his 2019 Cactus Jack compilation album, is set to arrive this Sunday (July 13).

The news came via Instagram late Thursday (July 10), where Scott posted the album artwork and wrote, “JB2 OUT EVERY WHERE 7 13 SPEAKERS AND SCREAMS AT MAX VOLUME.”

Scott kicked off the Jackboys 2 era earlier this week with the release of “2000 Excursion” on Tuesday (July 8). The cinematic single, which dropped alongside a high-octane music video exclusively on YouTube, reunites him with Cactus Jack labelmates Don Toliver and Sheck Wes over a Cardo-produced beat.

The track features a prominent sample of Ye’s “Power” and finds Scott in top form, rapping, “He sleep with a Spanish bi— in the club/ Bro knowin’ Spanglish, that’s good enough/ Wе took an hour out of the after-hours just to f— up all the ones/ I got a bunch, you ain’t doin’ brunch.” The video showcases Scott and his crew tearing up Texas streets in exotic sports cars and supercharged Ford trucks, even making a pit stop at a Formula 1 race.

Jackboys 2 builds on the legacy of Scott’s 2019 Jackboys album, which debuted at No. 1 on the Billboard 200 and spawned hits like “Out West” (featuring Young Thug) and “Gatti” (featuring Pop Smoke). His previous Jackboys release saw 154,000 equivalent album units earned in the U.S. in the week ending Jan. 2, according to Nielsen Music. Of that sum, 79,000 were in album sales, with most of that number owed to sales driven by dozens of merchandise/album bundles sold via Jackboys’ official webstore.

In recent weeks, Scott has sent out customized Lamborghini SUVs branded with the JACKBOYS logo to artists rumored to feature on the album. Among them are GloRilla, Tyla, Vybz Kartel, 21 Savage, Kodak Black, and Waka Flocka Flame, though official features have yet to be confirmed.

The rapper has also launched a limited-edition Jackboys 2 merchandise collection, offering fans a range of CD and vinyl bundles with alternate cover art and exclusive apparel, all available on his Cactus Jack website.

While details about the full tracklist remain under wraps, Scott revealed the album will feature 17 tracks and will be hosted by Houston rap icon Bun B. The sequel arrives as Scott continues his dominant run in 2025, having headlined Coachella in April and fresh off winning the I Am Hip Hop Award at last year’s BET Hip Hop Awards.

The Clipse are back. After delivering one of the more memorable album rollouts in recent rap history, Pusha T and Malice have reunited for their first project in 16 years as Let God Sort Em Out hit streaming services on Friday (July 11).

The album boasts 13 tracks in total with features from a versatile cast of collaborators that includes Kendrick LamarTyler, the Creator, NasJohn LegendThe-DreamPharrell, Stove God Cooks and Ab-Liva.

Fully produced by Pharrell and recorded at the Louis Vuitton HQ in Paris, Pusha and Malice set the tone for the album with “Ace Trumpets” and then dropped the “So Be It” visual on YouTube, which found King Push sniping at Travis Scott.

It was a winding road for Clipse to Let God Sort Em Out. Def Jam attempted to block their collaboration with Kendrick from landing on the album, which led to Pusha paying seven figures to buy himself and Clipse out of their deal with Def Jam, before bringing LGSEO to Roc Nation for a distribution deal.

“I was shocked at first,” Push told Billboard of Def Jam trying to remove Kendrick’s vocals. “We haven’t been doing anything particularly. For the past two years, it was just creating the album and back and forth to Paris. It was no ill intent in creating that song. We weren’t on that type of time, so it was totally a shock from what I feel like the optics were enough to put a halt to something like that.”

The Virginia-bred duo’s hoping that the album run ends up with them on the Grammy Awards’ red carpet, as Push told Billboard that’s “always the goal.” As for Malice, he succinctly summed up the Clipse’s mission statement: “We’re not into existing in rap, it has to be revolutionary.”

Stream Let God Sort Em Out below.

Tyla is preparing the soundtrack for this summer, starting with her new single “Is It,” which dropped Friday (July 11).

“Is it wrong that I wanna get right/ Wanna get right with you?” she bellows in the chorus with background chanting vocals from the sparkly teaser clip she posted on Instagram earlier this week.

The South African star told Billboard that she was “not saying too much” about new music ahead of her hosting gig at the 2025 Kids’ Choice Awards in June, when she also favorite global music star. “You guys are gonna know when you’ll know. And it’s gonna be a vibe. We outside. We’re catching party vibes,” she said at the time, adding that she had “fun” recording “Everything Goes With Blue” from the Smurfs Movie Soundtrack. “I love The Smurfs. And Rihanna being Smurfette, it’s such a fun Smurf movie. So I’m happy that I’m a part of that one.”

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“Is It” is Tyla’s second solo single this year following “Bliss,” which reached No. 11 on Hot R&B Songs and No. 14 on Rhythmic Airplay. She first teased the single at her debut Coachella performance in April, when she also performed the Billboard Global 200 top 10 hit “Show Me Love” alongside fellow South African rapper WizTheMC for the first time. It’s unclear if “Bliss” and “Is It” will be featured on her forthcoming sophomore album that she first teased to Billboard in her Women in Music interview earlier this year.

“I’ve changed a lot in a short amount of time because I was kind of forced to with how fast I had to adapt to everything,” she said at the time. “I don’t think it’s going to be the same energy [as Tyla] at all, especially with what I’ve started making. It’s different, but also still Tyla.”

Listen to “Is It” below.

In commemoration of the fifth anniversary of Juice WRLD’s Legends Never Die album, the late Chicago rapper’s estate has released a pair of tracks on Friday (July 11).

The expanded reissue of Juice’s third album features a poignant posthumous collaboration with XXXTENTACION titled “The Way.” “Time and time, again/ I am lost, my friend/ Getting better, I’m getting better,” X croons on the chorus backed by an acoustic guitar.

Juice takes the baton and continues his journey to hopefully discovering inner-peace. “Lost my mind, trapped in me/ I don’t know what’s happening/ I’ve been space-traveling/ Tryna find some inner peace, inner peace,” he softly raps in his raspy flow.

Juice WRLD’s longtime photographer Steve Cannon helms the animated visual, which finds X and Juice as characters on an outer space mission floating into another galaxy.

“All Life Long” is the second track added to the bolstered 26-song LP. A merchandise collection and various vinyl bundles are available on Interscope’s website for purchase.

Juice WRLD passed away on Dec. 8, 2019, and his death was ruled an accidental overdose due to “oxycodone and codeine toxicity,” according to the Cook County Medical Examiner’s Office.

While XXXTENTACION was tragically murdered in an armed robbery attempt on June 18, 2018, when the genre-bending rapper was shot and killed outside RIVA Motorsports in Deerfield Beach, Florida. Earlier this year, the pair of superstars gone way too soon posthumously teamed up for “whoa (mind in awe).”

As for Legends Never Die, Juice’s first posthumous album and third overall LP debuted at No. 1 on the Billboard 200 in July 2020 with 497,000 total album units earned.

Listen to the new tracks from Juice WRLD and watch his “The Way” video below.

We may as well be chilling by the fire while we eatin’ fondue, because Justin Bieber‘s Swag is here.

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Released at midnight Friday (July 11) — just a few hours after the pop star announced its existence — Bieber’s seventh studio album features 20 new songs. The singer first unveiled the tracklist in a video of a black-and-white billboard shared on his Instagram without explanation, revealing the titles “All I Can Take,” “Daisies,” “Yukon,” “Go Baby,” “Things You Do,” “Butterflies,” “Way It Is,” “First Place,” “Soulful,” “Walking Away,” “Glory Voice Memo,” “Devotion,” “Dadz Love,” “Therapy Session,” “Sweet Spot,” “405,” “Swag,” “Zuma House,” “Too Long” and “Forgiveness.”

The project marks Bieber’s first full-length since 2021’s Justice, which spent two weeks at No. 1 on the Billboard 200 — one of eight No. 1 entries he’s scored on the chart over the course of his career. He’s also become a father since he last dropped an album, welcoming baby boy Jack Blues with wife Hailey Bieber last August.

Both the 11-month-old and the Rhode founder were featured heavily in promotional photos that circulated in the hours leading up to Swag, with the whole family appearing on the billboard shared by Justin on Instagram. In the artwork, Hailey holds little Jack in the background while the two-time Grammy winner stares down the camera in front.

For years, it was unclear whether Bieber would ever release another album as the star took a large step back from performing. In 2022, he announced that he’d been diagnosed with Ramsay Hunt Syndrome, a condition that caused half of his face to be temporarily paralyzed.

In the months leading up to Swag, however, he repeatedly teased that he was back to making music by sharing photos of himself in the studio.

Listen to Bieber’s Swag below.

Lorde is coming home. The New Zealand-born pop visionary has announced the Australasian leg of her Ultrasound World Tour, scheduled to take place across arenas in Australia and New Zealand in February 2026.

The highly anticipated run marks Lorde’s first headline shows in her home region since 2022 and follows the release of her critically acclaimed fourth studio album, Virgin.

The tour begins at Auckland’s Spark Arena on Feb. 11, followed by a stop in Christchurch on Feb. 13. Australian fans will get their chance to see Lorde when she plays Brisbane Entertainment Centre on Feb. 16, Sydney’s Qudos Bank Arena on Feb. 18, Melbourne’s Rod Laver Arena on Feb. 21, and Perth’s RAC Arena on Feb. 25. Presale tickets for Frontier Members go live Thursday, July 17, at 2 p.m. local time, with general public sales starting Friday, July 18, at 2 p.m.

The tour announcement comes as Lorde enjoys a triumphant chart return with Virgin, her first album since 2021’s Solar Power. Released on June 27, the new LP debuted at No. 2 on the Billboard 200 with 71,000 units earned in its first week, according to Luminate — a marked improvement over Solar Power’s first-week performance.

The album also delivered Lorde her second No. 1 on Billboard’s Top Album Sales chart, moving 42,000 copies in the U.S. and earning her biggest sales week since 2017. Vinyl was a driving force, with 31,000 copies sold — her best vinyl week ever — helping Virgin also debut atop the Vinyl Albums chart, her first leader there.

Virgin was preceded by May’s Billboard Hot 100 top 40-debuting lead single “What Was That,” her first entry in the chart’s upper region since 2017, and her high-profile feature on Charli XCX’s culture-shaking “Girl, So Confusing” remix in 2024. The album sees Lorde embracing a bolder, more eclectic sonic palette, with critics praising its sharp lyricism and ambitious production as a rebirth following the more muted reception of Solar Power.

The Ultrasound World Tour has already earned rave reviews in North America, with the singer’s upcoming Australasian dates promising a career-spanning setlist, touching on everything from the minimalist beats of Pure Heroine to the vivid highs of Melodrama, the earthy warmth of Solar Power, and the genre-pushing experimentation of Virgin.

Lorde’s last run of Australasian dates in 2022 sold out within minutes, and with her current chart momentum, demand for the Ultrasound shows is expected to be just as fierce.

Virgin is out now via Republic Records, with multiple deluxe editions and exclusive vinyl variants available.

Following country singer Conner Smith’s involvement in a fatal car accident in Nashville last month, Smith was issued a misdemeanor state citation on Thursday night (July 10) by the Metropolitan Nashville Police Department, according to Smith’s attorney.

Sources tell Billboard that Smith has been charged with a misdemeanor traffic offense of failure to yield resulting in a fatality, which underscores a lack of criminal intent.

Smith’s attorney Worrick G Robinson IV said in a statement, “A misdemeanor state citation was issued tonight by the Metropolitan Nashville Police Department to Conner Smith. Conner is incredibly grateful to the MNPD for their time and efforts to carefully investigate this tragic accident and has continued to cooperate at all times. His thoughts remain with Ms. Dobbins’ family, and he remains committed to honoring her memory with compassion by supporting efforts to improve pedestrian safety and help prevent future tragedies.

Smith was driving the Chevrolet Silverado that struck and killed a pedestrian identified as 77-year-old Dorothy Dobbins as Dobbins was crossing a street in Nashville on June 8. Dobbins was crossing the street in a marked crosswalk when she was struck. Dobbins was transported to Vanderbilt Medical Center, where she died from injuries sustained during the accident.

As previously reported, sources told Billboard shortly after the incident that Smith was not under the influence or distracted by his phone at the time of the incident.

Sources also tell Billboard that since the incident occurred, multiple signs have been installed where the incident occurred, to clearly indicate the crosswalk for drivers and pedestrians. Additionally, a tree that substantially obstructed the view of the crosswalk has been removed.

Sources tell Billboard that Smith is encouraged by the city’s efforts to improve safety at the crosswalk where the accident took place and that he respects the advocacy displayed by the broader community in supporting Dobbins and her family in pushing for the safety improvements, noting their work is a meaningful and admirable response to the tragedy. He also hopes the changes will prevent future accidents, sparing other families from similar heartbreak.

Smith is known for songs including “I Hate Alabama,” “Learn From It” and his all-genre Billboard Hot 100 chart debut “Creek Will Rise.”

The Polaris Music Prize has unveiled the 10 albums on this year’s short list. The list was voted on by a large pool of music critics, journalists and curators, to find the best Canadian album of the year based solely on artistic merit.

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The $30,000 winner will be chosen by an 11-member grand jury and revealed at the Polaris concert and award ceremony at Massey Hall on Sept. 16. That ceremony will also reveal the winner of the brand new SOCAN Polaris Song Prize as well as the Slaight Family Polaris Heritage Prize winners.

Here is this year’s short list:

  • Bibi Club – Feu de garde [Performing]
  • Lou-Adriane Cassidy – Journal d’un Loup-Garou [Performing]
  • Marie Davidson – City Of Clowns [Performing]
  • Saya Gray – SAYA [Performing]
  • Yves Jarvis – All Cylinders [Performing]
  • Mustafa – Dunya
  • Nemahsis – Verbathim [Performing]
  • The OBGMs – SORRY, IT’S OVER [Performing]
  • Population II – Maintenant Jamais [Performing]
  • Ribbon Skirt – Bite Down [Performing]

Three previous shortlisters are nominated again: Marie Davidson (2019), Mustafa (2021) and The OBGMs (2021). Last year saw the first repeat winner, with Jeremy Dutcher winning for his album Motewolonuwok.

All of the shortlisted artists except Mustafa are confirmed to perform, and former winner Haviah Mighty will host.

Tickets are on sale now. Polaris is offering 15% off tickets with the code POLARIS15.

This article was originally published by Billboard Canada.