“No Time to Die,” the title song to the latest James Bond film, moved one step closer to possible Oscar glory on Wednesday (Nov. 17) when it won song – feature film at the Hollywood Music in Media Awards. The song, co-written by Billie Eilish and Finneas O’Connell, won a Grammy for best song written for visual media on March 14.

Nicholas Britell won score – feature film for Don’t Look Up. This increases the likelihood that this could bring Britell his third Oscar nomination for best original score. He was previously nominated for Moonlight (2016) and If Beale Street Could Talk (2018).

Exact comparisons between the Oscars and the HHMAs are tricky, because the Oscars present just two music awards — best original song and best original score — while the HHMAs present five awards for film songs and seven for film scores.

HHMA winners in other score categories who are thought to be serious contenders for Oscar nominations for best original score are Bryce Dessner and Aaron Dessner for C’mon C’mon (independent film); Alberto Iglesias for Parallel Mothers (independent film, foreign language); and Hans Zimmer for Dune (sci-fi/fantasy).

CODA (an acronym for Children of Deaf Adults) won two awards: outstanding song for independent film (“Beyond the Shore”) and outstanding musical performance of a song (original or pre-existing). The latter award went to Amelia Jones in her role as Ruby singing and signing the Joni Mitchell 1960s classic “Both Sides Now” at an audition to get into the Berklee School of Music. The latter is a new category this year to honor the year’s best onscreen musical performance of a song. The award goes to the onscreen performer.

The Hollywood Music in Media Awards honor composers, songwriters, music supervisors and filmmakers for their work in music for film, television and video games.

For a list of winners and nominees in all categories and to watch the recorded show, visit HMMAwards.com.

Here are the nominees and winners in the 12 film categories.

Song – feature film
“Be Alive” from King Richard (Warner Bros.) – written by Dixson and Beyoncé Knowles-Carter; performed By Beyoncé
“Every Letter” from Cyrano (United Artists) – written by Aaron Dessner, Bryce Dessner, Matt Berninger and Carin Besser; performed By Peter Dinklage, Haley Bennett & Kelvin Harrison Jr.
“Guns Go Bang” from The Harder They Fall (Netflix) – written by Jeymes Samuel, Scott Mescudi (Kid Cudi), Shawn Carter (Jay-Z); performed by Kid Cudi and Jay-Z
“Here I Am (Singing My Way Home)” from Respect (MGM) – written by Carole King, Jennifer Hudson & Jamie Hartman; performed By Jennifer Hudson
“Just Look Up” from Don’t Look Up (Netflix) – written by Nicholas Britell, Ariana Grande, Scott Mescudi and Taura Stinson; performed by Ariana Grande and Kid Cudi
“My Father’s Daughter” from Flag Day (MGM) – written by Glen Hansard & Eddie Vedder; performed By Olivia Vedder
WINNER: “No Time to Die” from No Time to Die (MGM) – written by Billie Eilish and Finneas O’Connell; performed by Billie Eilish

Song – animated film
WINNER: “Good Mood” from Paw Patrol (Paramount Pictures) – written by Karl Johan Schuster, Savan Kotecha, Oscar Gorres and Adam Levine; performed by Adam Levine
“Fearless (Valiente)” from Spirit Untamed (Universal Pictures) – written by Amie Doherty; performed by Isabela Merced & Eiza González
“Follow Me Home” from Arlo the Alligator Boy (Netflix) – written by Ryan Crego & Alex Geringas; performed By Mary Lambert & Michael J. Woodard
“On My Way” from The Mitchells Vs. the Machines (Iconic Events) – written by Alex Lahey, Sophie Payten and Gab Strum; produced by Gab Strum with Alex Lahey; performed by Alex Lahey.
“Together We Stand” from The Boss Baby: Family Business (Dreamworks) – written by Gary Barlow; performed by Ariana Greenblatt
“Your Song Saved My Life” from Sing 2 (Universal Pictures) – written by Bono and U2; performed by U2

Song – documentary film
“Breathe” from The First Wave (Neon) – written and performed by Jon Batiste
“Looking Up” from World Woman Hour (Internet) – written by Ryan Shore & Elizabeth Russo; performed by Angelica Hale
“(Never Gonna) Tame You” from The Mustangs: America’s Wild Horses (Virgil Films) – written by Diane Warren; performed By Blanco Brown.
“Right Where I Belong” from Brian Wilson: Long Promised Road (Screen Media Films) – written by Brian Wilson & Jim James; performed by Brian Wilson
WINNER: “Secret Sister” from Rebel Hearts (Discovery+) – written and performed by Rufus Wainwright
“The Other Side Of The Rainbow” from Cured (Singer & Deschamps Productions) – written by Ian Honeyman and Tucker Murray Caploe; performed by Tucker And Ian Honeyman

Song – independent film
“After Our Dawn” from After We Fell (Vertical Entertainment) – written by George Kallis, Castille Landon, Nicolas Farmakalidis, Ryan Steffes, George Solonos, Taylor Conrod; performed By Taylor Conrod
“Because Love” from Love Is Love Is Love (Blue Fox Entertainment) – written by Rita Wilson and Laura Karpman; performed By Rita Wilson
WINNER: “Beyond the Shore” from CODA (Apple TV+) – written by Nick Baxter, Siân Heder, Marius De Vries, Matt Dahan; performed By Emilia Jones
“Down to Joy” from Belfast (Focus Features) – written and performed by Van Morrison
“Somehow You Do” from Four Good Days (Vertical Entertainment) – written by Diane Warren; performed by Reba McEntire

Song – onscreen performance (award to onscreen performer)
Amandla Stenberg – “The Anonymous Ones” from Dear Evan Hansen (Universal Pictures) written by Benj Pasek, Justin Paul & Amandla Stenberg
Anthony Ramos and Leslie Grace featuring Marc Anthony – “Home All Summer” from In The Heights (Warner Bros.) written by Lin-Manuel Miranda
Anya Taylor-Joy – “Downtown” from Last Night in Soho (Focus Features) written by Tony Hatch
Ariana Grande & Kid Cudi – “Just Look Up” from Don’t Look Up (Netflix) written by Nicholas Britell, Ariana Grande, Scott Mescudi and Taura Stinson
WINNER: Emilia Jones – “Both Sides Now” from CODA (Apple TV+) written by Joni Mitchell.
Glen Hansard, Sam Amidon, Scott Folan & Chorus – “Whenever I Fall” from Cyrano (United Artists) written by Aaron Dessner, Bryce Dessner, Matt Berninger and Carin Besser
Jennifer Hudson, Hailey Kilgore & Saycon Sengbloh – “Respect” from Respect (MGM) written by Otis Redding

Score – feature film
WINNER: Don’t Look Up (Netflix) – Nicholas Britell
King Richard (Warner Bros.) – Kris Bowers
Nightmare Alley (Searchlight Pictures) – Nathan Johnson
No Time to Die (MGM) – Hans Zimmer
Stillwater (Focus Features) – Mychael Danna
The French Dispatch (Searchlight Pictures) – Alexandre Desplat
The Last Duel (Walt Disney Studios) – Harry Gregson-Williams
The Power of the Dog (Netflix) – Jonny Greenwood

Score – independent film
WINNER: C’mon C’mon (The Searchers) – Bryce Dessner & Aaron Dessner
CODA (Apple Tv+) – Marius De Vries
Nine Days (Spe) – Antonio Pinto
The Card Counter (Focus Features) – Robert Levon Been & Giancarlo Vulcano
The Green Knight (A24) – Daniel Hart
The Tragedy of Macbeth (A24) – Carter Burwell

Score – independent film (foreign language)
A Cross in the Desert (Aleksandrija Film) – Ana Krstajic
Beneath the Banyan Tree (Lerfilm) – Wei-San Hsu
Blast Beat (Vertical Entertainment) – David Murillo R.
El Hoyo en la Cerca (Cine Canibal) – Kyle Dixon & Michael Stein
WINNER: Parallel Mothers (Sony Pictures Classics) – Alberto Iglesias

Score – sci-fi/fantasy
Black Widow (Walt Disney Studios) – Lorne Balfe
WINNER: Dune (Warner Bros.) – Hans Zimmer
Cinderella (Amazon) – Mychael Danna & Jessica Rose Weiss
Shang-Chi and the Legend of the Ten Rings (Walt Disney Studios) – Joel P West
The Suicide Squad (Warner Bros.) – John Murphy

Score – animated film
Spirit Untamed (Universal) – Amie Doherty
WINNER: The Addams Family 2 (MGM) – Mychael Danna and Jeff Danna
The Loud House Movie (Netflix) – Philip White
Vivo (Sony Pictures) – Alex Lacamoire
Luca (Walt Disney Studios) – Dan Romer
The Mitchells Vs. the Machines (Iconic Events) – Mark Mothersbaugh

Score – horror film
WINNER: A Quiet Place II (Paramount Pictures) – Marco Beltrami
Army of the Dead (Netflix) – Tom Holkenborg
In the Earth (Neon) – Clint Mansell
Last Night in Soho (Focus Features) – Steven Price
Old (Universal Pictures) – Trevor Gureckis

Score – documentary film
14 Peaks: Nothing Is Impossible (Netflix) – Nainita Desai
Becoming Cousteau (Picturehouse) – Daniel Bensi and Saunder Jurriaans
WINNER: Julia (CNN Films) – Rachel Portman
Operation Varsity Blues (Netflix) – Leopold Ross, Nick Chuba, Atticus Ross
Oslo (HBO) – Jeff Russo and Zoë Keating
Strip Down, Rise Up (Netflix) – Lili Haydn
The Rescue (Natgeo) – Daniel Pemberton

Warner Music Group has launched WMX, a “next generation” services division designed to connect artists with fans and amplify brands, the company announced Wednesday (Nov. 17). The division includes a rebranded WEA commercial services and marketing network as well as the company’s media and creative content arm.

According to a press release, the rebrand includes a centralized in-house creative agency that will bring “continuity and unity of vision across all aspects of an artist’s career,” including a “special emphasis” on merchandise and D2C alongside existing expertise in streaming, vinyl, ticketing, fashion collaborations, gaming, social, experiential and other fan experiences. The expansion of services is intended to help artists grow their fanbases via cross-channel campaigns in what’s described as “an ‘always on’ marketing approach.”

Leading WMX will be president Maria Weaver, who was hired to take the helm at WEA last November. Rounding out the WMX leadership team is WMG/WEA veteran Elsa Vivero, who will serve as GM and executive vp global commercial services; Benjamin Blank — formerly CEO and chief creative officer at the WMG-owned youth culture and music website UPROXX — as WMX president media and creative content; Danielle Lee as president Warner Music artist and fan experiences; Ernst Trapp as president global e-commerce and retail; and Scott Cherkin as senior vp audience engagement.

The newly-formed WMX claims more than 249 million monthly unique visitors across its owned media, including UPROXX, live music app Songkick and the hip-hop-focused website HipHopDX. It additionally generates over 46 billion monthly views via music-centric content on premium YouTube channels, including The Pit and Indie Mixtape, as well as through streaming and social platforms, according to the release.

“The role of a record label is growing, artists are pushing creative boundaries, and consumer behavior is ever-changing,” said Weaver in a statement announcing the launch. She added that WMX “is creating immersive, innovative, and impactful experiences, while empowering artists to grow their careers and deepen their vital connections with their fans. We’re excited to bring artists, audiences, and advertisers together in powerful ways.”

In his own statement, WMG’s CEO recorded music Max Lousada said, “The music business is no longer linear, transactional, and based around one format. It’s complex, multi-faceted, and interactive. There’s an ever-expanding universe of opportunities for talent to build devoted fanbases and extend their brands. In this rapidly evolving attention economy, WMX is designed to provide our artists and labels with a deep, dynamic range of services — covering everything from streaming to merch to branded content and beyond.”

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Niko Moon earned his first SESAC songwriter of the year award at this year’s SESAC Nashville Music Awards, in celebration of his breakthrough hit “Good Time,” which topped Billboard’s Country Airplay chart earlier this year. The song marks his first No. 1 hit as an artist. Moon also penned the Dierks Bentley-recorded “Gone,” which reached the top five on Country Airplay.

Lee Brice’s hit “One of Them Girls,” published by Warner Chappell Music, was named song of the year. Warner Chappell Music also earned the publisher of the year honor.

This year’s SESAC Nashville Music Awards introduced a new accolade: the sync song of the year. The inaugural winner was Walker Hayes’ “Fancy Like,” which has spent 18 weeks atop Billboard’s Hot Country Songs chart. “Fancy Like” was co-written by SESAC affiliate Josh Jenkins and published by SMACK Songs and Kobalt.

Each of this year’s winners were announced via a digital format, featured on SESAC’s website and social media platforms.

“Songwriting and music publishing are at the very core of the music business, and we at SESAC love that we get to honor those contributions,” said Scott Jungmichel, president and chief operating officer, SESAC PRO. “We are happy to celebrate our top performed songs over the past year.”

“We are very proud of the songs we awarded this year,” said Shannan Hatch, vice president of Creative Services. “Our Nashville creative team worked hard to come up with creative, cozy, and safe gatherings to celebrate the successes of our SESAC songwriter and publisher family who won awards. We all look forward to the future when we can safely celebrate with everyone in person.”

A full list of this year’s SESAC Nashville Music Awards winners is available at SESAC.com.

On Monday, Miles Teller set the record straight about whether he’s vaccinated after starring in a music video for Taylor Swift’s new Red (Taylor’s Version) “From the Vault” track “I Bet You Think About Me,” featuring Chris Stapleton.

The Swifties were definitely thinking about the Whiplash actor after tabloids reported in September that Teller was unvaccinated and had shut down production on The Godfather Paramount+ spinoff series The Other after testing positive for COVID-19. His publicist Lauren Hozempa denied the anti-vaxx rumor, but Swift’s fans still bashed his casting in the Blake Lively-directed video on social media.

“Yeah, Taylor Swift, I love you, but having noted Covid-denier Miles Teller in your video….” one Twitter user commented, while another added, “Lemme get this straight… Out of every employable actor in the business, Taylor Swift and Blake Lively decided that during the pandemic they’d hire literal anti vaxxer Miles Teller to star in their new video? Miss girls this ain’t it….”

Teller addressed the situation directly by tweeting late Monday night: “Hey guys, I don’t usually feel the need to address rumors on here but I am vaccinated and have been for a while. The only thing I’m anti is hate.”

Teller appears in the new music video, which has racked up more than 10 million views in one day, alongside his real-life wife Keleigh Sperry. The War Dogs actor plays a groom haunted by vivid memories of his scarlet-wearing ex (Swift) during his wedding to someone else (Sperry) in the six-minute visual.

Swift is also a fan of the couple in real life, sending them a bouquet of flowers and a card quoting her “Lover” lyrics after Teller and Sperry tied the knot in September 2019. Sperry and the superstar have been friends for years, dating back to the time in 2015 when she attended Swift’s 1989 World Tour and posted a super close-up photo with the caption, “A night I will never forget, sitting in this super humans dressing room and picking out her finale outfit while she calmly sips coffee and thousands of people are screaming in excitement above her.”

See some of the reaction to Teller’s casting below:

For all the suspicious minds wondering how Austin Butler will fare as Elvis Presley in the new biopic, by the looks of a new teaser, he’s nailed the performance.

Filmmaker Baz Luhrmann (The Great Gatsby), who’s helming the biopic, gave fans a first look at Butler’s portrayal of The King of Rock & Roll on what he called “Elvis Monday” (Nov. 15). “Made a little something to let you good people know we are taking care of business on June 24, 2022,” he captioned the 21-second snippet on Instagram while highlighting the King’s “taking care of business” mantra.

In the clip, the 30-year-old actor is seen, only from behind, with his perfectly slicked-back black hair walking backstage in his classic black leather jacket in one shot and white suit in another while his 1969 Billboard Hot 100 No. 1 hit “Suspicious Minds” plays in the background.

Some musicians are ready for the film based on Luhrmann’s comments section, where Yola wrote “YEEESSSSSS!!!” followed by fire emojis and Ben Wells chimed in with, “Cannot. Wait!!”

The yet-untitled Elvis biopic is set to be released in theaters on June 24, 2022. The release date has been pushed back many times throughout the last year due to COVID, including after Tom Hanks — who will play Elvis’ manager Colonel Tom Parker in the film — contracted the virus in Australia, where he was filming the biopic, along with his wife Rita Wilson.

Watch Luhrmann’s biopic snippet below.