Matt Cameron might no longer be sitting behind the kit for Pearl Jam, but the decorated drummer has refuted the notion that he’s officially retired.

Cameron announced last week (July 7) that after more than a quarter century spent keeping the beat for the Seattle grunge icons, he had left the group. “After 27 fantastic years, I have taken my final steps down the drum riser for the mighty Pearl Jam,” he announced in a statement. 

“Much love and respect to Jeff [Ament], Ed [Vedder], Mike [McCready] and Stone [Gossard] for inviting me into the band in 1998 and for giving me the opportunity of a lifetime, filled with friendships, artistry, challenges and laughter,” he added. “I am forever grateful to the crew, staff and fans the world over. It’s been an incredible journey. More to follow. I thank you all from the bottom of my heart.”

However, while Cameron hasn’t publicly detailed the reasons leading to his decision, he has however taken to social media to reveal he’s far from done with the music game.

As Rolling Stone reports, Cameron took to his Instagram account to share a since-expired Story that gave an update as to his current status. “Thank you for the kind words of support,” he wrote, “and for the record, I’m still an active musician.”

Cameron joined Pearl Jam in 1998, serving as the drummer for every one of their albums from 2000’s Binaural until 2024’s Dark Matter. His joining the band occurred just one year after the initial dissolution of Soundgarden, with whom he had sat behind the kit since 1986. 

Having been inducted into the Rock and Roll Hall of Fame in 2017 as a member of Pearl Jam, Cameron will become the latest two-time inductee upon Soundgarden’s inclusion in November 2025.

Though Soundgarden officially split for good following the passing of frontman Chris Cornell in 2017, Cameron has performed with his bandmates at various reunion performances since, including a December benefit gig under the moniker Nudedragons with vocalist Shaina Shepherd in December.

Members of Soundgarden had also previously been announced as performers for the recent Back To The Beginning farewell concert for Ozzy Osbourne at Villa Park in Birmingham, England on July 5, though ultimately did not attend.

“We are very grateful to Tony, Ozzy, Geezer and Bill, as well as Sharon Osbourne and music director, Tom Morello for the honor and invitation to Soundgarden to perform at the Back to the Beginning festival!” a post on Soundgarden’s official Instagram account read this week. 

“We are super bummed and regret that we were unable to coordinate the schedules of our individual and collective projects to attend and contribute to the festival.”

Kesha’s new studio album . (Period) makes its mark on Billboard’s charts, as the set debuts at No. 1 on Top Album Sales, Vinyl Albums and Top Dance Albums (chart dated July 19). . (Period) is her first independently released album after a career with Kemosabe/RCA Records. The set was issued through the singer’s own Kesha Records label and distributed by Warner Music Group’s indie distribution arm Alternative Distribution Alliance.

All charts dated July 19 will be posted in full to Billboard’s website on July 15.

With . (Period)’s debut at No. 1 on Top Album Sales, it marks the singer-songwriter’s first No. 1 on the ranking since 2017’s Rainbow, and third leader overall. She also topped the chart with her debut effort, 2010’s Animal. Overall, . (Period) marks her fifth top 10 on the ranking.

. (Period) also debuts at No. 3 on Indie Store Album Sales, No. 3 on Independent Albums and No. 17 on the overall Billboard 200. On the latter, it’s her seventh top 40-charted album.

In its first week of release . (Period) earned 23,000 equivalent album units in the United States, in the tracking week ending July 10, according to Luminate. Of that sum, traditional album sales comprise 15,500, with vinyl purchases totaling nearly 11,000 (her best sales week ever on vinyl). The album was issued across seven vinyl variants, including two signed editions.

Equivalent album units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album.

On the Top Album Sales chart, Kesha is one of just two debuts in the top 10. KATSEYE’s BEAUTIFUL CHAOS holds at No. 2 (12,000 sold; down 59% in its second week), while the rest of the top six titles are former No. 1s. Sabrina Carpenter’s Short n’ Sweet jumps 19-3 (9,000; up 71% after the release of a new vinyl variant), ENHYPEN’s DESIRE : UNLEASH rises 8-4 (8,000; down 19%), Morgan Wallen’s I’m the Problem climbs 11-5 (7,000; down 12%) and Lorde’s Virgin falls 1-6 (6,500; down 84% in its second week). Vulfpeck notches its best sales week ever and first top 10 as Clarity of Cal debuts at No. 7 with 6,500 – nearly all from vinyl purchases. Pressed in just one edition, the set also starts at No. 3 on the Vinyl Albums chart.

Rounding out the rest of the top 10 on the Top Album Sales chart: Barbra Streisand’s The Secret of Life: Partners, Volume Two falls 4-8 (just over 4,000; down 77% in its second week), the KPop Demon Hunters soundtrack jumps 21-9 (a little more than 4,000; down 6%) and Charli xcx’s Brat bounds 45-10 (4,000; up 72% after a new CD variant was released).

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The Vinyl Albums and Indie Store Album Sales charts rank the week’s top-sellers on vinyl, and at indie and small chain record stores, respectively. The Top Dance Albums, Independent Albums and the Billboard 200 rank the week’s most popular dance, independent and overall albums, by equivalent album units earned, respectively.

As the evidence collection process gets underway in Drake’s defamation lawsuit against Universal Music Group (UMG) over the Kendrick Lamar diss track “Not Like Us,” Drake’s legal team has included some high-profile names on a surprisingly long list of potential witnesses.

Drake’s so-called “initial disclosure” filing lists 63 people and entities whom he believes have evidence that could help his bombshell case against UMG. The document is dated June 2 but wasn’t made public until Monday (July 14) as an attachment to Drake’s motion to subpoena a man named Kojo Asamoah, whom the rapper claims was involved in paying bots to artificially inflate streaming numbers for “Not Like Us.”

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While inclusion on this list doesn’t necessarily mean someone will be deposed or called to testify at trial, the individuals and companies named here could be asked to hand over documents to Drake’s legal team as part of the evidence discovery process.  

The central allegation of the lawsuit is that UMG plotted to boost the popularity of Lamar’s chart-topping Interscope Records track, in which he called Drake a “certified pedophile.” UMG, which also owns Drake’s label Republic Records, vehemently denies the claims as “meritless.”

To that end, Drake’s initial disclosure names lots of UMG employees as potential witnesses in the case. But beyond seeking information from the people who handle music marketing on a day-to-day basis, the Canadian rapper seems to believe the conspiracy went all the way to the top of UMG, since he names CEO Sir Lucian Grainge as a source of information about “all causes of action” in the case.

And Grainge isn’t the only UMG bigwig on the list. Also named are Universal Music Publishing Group chief Jody Gerson, Interscope CEO John Janick and Republic co-founders Avery Lipman and Monte Lipman.

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Drake has not accused Lamar himself of defamation, and the Los Angeles rapper is notably absent from Drake’s potential witness list. But he does name multiple high-profile people and businesses associated with Lamar, including former Top Dawg Entertainment president Dave Free and manager Anthony Saleh.

As Drake’s lawyers look for evidence of an alleged conspiracy to inflate the popularity of “Not Like Us,” the list states that streaming platforms like Amazon Music, Apple, Deezer, Soundcloud, Spotify and TIDAL should share details about UMG’s “promotion and licensing of the defamatory material” and “use of covert tactics to promote the defamatory material.”

Social media sites like TikTok, Twitch, YouTube and Instagram are also named as sources of this same information, as is Billboard.

Drake’s list targets live events as well. A number of the possible witnesses are entities involved in the production of Lamar’s 2025 Super Bowl halftime show performance, which, according to an updated version of the lawsuit, included a rendition of ”Not Like Us” out of an alleged desire to “assassinate the character of another artist.”

Lawyers for the Canadian superstar say the NFL, Fox and Roc Nation could all have information about the “decision to play the defamatory material at the 2025 Super Bowl.” Drake is seeking similar details from the Recording Academy, asking what actions UMG took “to have the defamatory material featured at the 2025 Grammy Awards,” where “Not Like Us” swept up five trophies.

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UMG’s initial disclosure is also attached as an exhibit to the Monday motion. The music giant’s witness list, dated March 24, is significantly shorter than Drake’s by a factor of seven. It names just nine potential witnesses, including Drake and various record executives.

Unlike Drake, though, UMG’s potential witness list also names Lamar himself.

“Lamar is likely to have discoverable information concerning the creation of the recording, image and video, and the distribution and promotion of the recording and video,” write UMG’s lawyers.  

Reps for UMG and Drake’s legal team both declined to comment on the witness lists on Monday.

These revelations come amid a wait for a decision on UMG’s motion to dismiss the case outright. Judge Jeannette A. Vargas in New York federal court held a hearing at the end of June on the question, and her upcoming ruling will determine whether or not Drake’s claims are legally viable enough to move forward.

Rauw Alejandro scores big this week as “Carita Linda” climbs 6-1 on Billboard’s Latin Airplay chart (dated July 19), marking his 12th champ overall and third as a soloist.

“Carita Linda” rallies 6-1 on Latin Airplay with the Greatest Gainer honors, given weekly to the song with the largest gain in audience impressions among the ranking’s 50 songs. The single takes the lead after a 28% gain in audience impressions, to 8.7 million, earned in the United States during the July 4-10 tracking week, according to Luminate. The audience growth ejects J Balvin’s “Rio” from the top, which drops to No. 3 after one week in charge, through a 4% decline (to 7.7 million impressions).

Released April 10 on Duars/Sony Music Latin, “Carita Linda” arrived as a standalone single following the release of Rauw Alejandro’s fifth studio album, Cosa Nuestra, which gave the Puerto Rican a second No. 1 on the Top Latin Albums chart in November 2024. The song premiered during the opening night of his Cosa Nuestra Tour in Seattle, on April 5.

Rauw clinches his 12th career No. 1 on the Latin Airplay chart in just five years since his first chart-topping hit, “TBT,” with Sebastián Yatra and Manuel Turizo (July 2020). With the latest achievement, Rauw surpasses Daddy Yankee as the male artist with the fifth-most No. 1 hits in the 2020s. Plus, Rauw joins an elite group of male artists with the highest sum of No. 1s this decade. Here is the group of winners:

21, Bad Bunny
20, J Balvin
18, Ozuna
14, Myke Towers
12, Rauw Alejandro
11, Daddy Yankee

“Carita Linda” also rebounds to its No. 1 peak on the Latin Pop Airplay chart, for its fifth week atop.

Fuerza Regida Claims First Solo No. 1: Elsewhere on the Latin charts, Fuerza Regida secures its first No. 1 without a collaborator —among six career champs, all within a two-year span— on the Regional Mexican Airplay chart with “Por Esos Ojos.” The song breaks new ground with 7.3 million audience impressions, up 14%, earned during the tracking week ending July 10.

“Por Esos Ojos” joins two other Fuerza Regida songs which have ruled for one week in 2025: “Tu Boda,” with Oscar Maydon (February) and “Me Jalo,” with Grupo Frontera (April).

The new single was released on Feb. 11 as the lead single of Regida’s ninth studio album, 111XPANTIA, the group’s second champ on Top Latin Albums which holds strong atop the Regional Mexican Albums chart for a 10th consecutive week.

All charts (dated July 19, 2025) will update on Billboard.com tomorrow, July 15. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

For the final day of Lollapalooza Berlin 2025, j-hope took the festival by storm, delivering a headlining set that blended Hope World mixtape favorites, Jack in the Box standouts, BTS anthems and his latest hit singles into an unforgettable 90-minute affair.

With the weekend nicknamed #HOBIPALOOZA by ARMY fans, j-hope took full advantage of the weekend by checking out other superstar sets, like Day 1 performers Justin Timberlake and Gracie Abrams, before closing the festival on Day 2.

After rehearsals, dressed down in an oversized jean jacket, bright red basketball shorts and his signature bucket hat, j-hope put together a meticulous look for the day, topped off by his custom “HOPE” chain made by renowned jeweler Alex Moss with designs by Japanese graphic designer VERDY.

Once j-hope hit the stage, the star delivered a career‐spanning setlist somewhat reminiscent of his Hope on the Stage World Tour. However, it included crowd favorites like BTS’ “Dynamite” and the “Hotter” remix of “Butter” as well as his latest Billboard Hot 100 entry and first Top 40 hit, “Killin’ It Girl.”

Back in Seoul, two of his BTS members shared that they were tuning in from afar: Jimin posted on his Instagram Story during the live stream, quipping that he was inspired to show some skin when j-hope began unbuttoning his flowy, festival-ready shirt during the show.

Meanwhile, V took to Weverse to share a video of him watching the live stream on his phone, streaming right alongside the thousands who wished they could also be in Germany. The shout‑outs remind fans that, even thousands of miles away, BTS’ brotherly support remains united.

Get an exclusive look at j-hope’s rehearsals, backstage and onstage moments made for the history books with this photo diary from Lollapalooza Berlin 2025.

Pusha T isn’t a fan of Drake latest single “What Did I Miss?“

While he and his brother Malice sat down with Complex News recently, the Virginia rapper was asked directly if he liked the Toronto rapper’s new song and simply replied, “No.” When asked what he didn’t like about the track, he responded by saying, “Just not for me.”

The two have been subbing and dissing each other dating back to around 2011, with things coming to a head with Drake dropping “Duppy Freestyle” and Push answering with the scathing “Story of Adidon.” However, don’t expect Push to throw any more shots.

In an interview with GQ last month, he told the outlet that there’s really nothing more to be said. “I think after everything that had been done, I don’t think there was ever anything subliminal to be said ever again in life,” he said. “Not only just musically, like bro, I actually was in Canada. I actually had a show and made it home. So, I can’t pay attention to none of that. I did the dance for real, not to come back and tiptoe around anything.”

He also spoke on Drake’s lawsuit, which may or may not have affected the new Clipse album directly in regards to Kendrick Lamar‘s verse on “Chains & Whips.”

“They wanted me to ask Kendrick to censor his verse, which of course I was never doing,” he said of Def Jam’s parent company UMG. Adding that Drake’s ongoing lawsuit against his label “kind of cheapens the art of it once we gotta have real questions about suing and litigation.”

Travis Scott and the Cactus Jack boys released their JACKBOYS 2 compilation on Sunday (July 13), and La Flame didn’t waste any time releasing another visual from the project with the woozy “DUMBO” arriving on Monday (July 14).

Directed by Gabriel Moses, Scott raps his wispy flow from the comfort of his penthouse living room while surrounded by plenty of beautiful women. He then heads outside for a spin in his exotic Lamborghini with a cameo from Sheck Wes.

At one point, one of the girls is seen touching up the Houston rapper’s fresh tiger ink on his stomach. “Confetti, let it fall to your waistline/ You get wasted, just don’t waste mine,” he sings over dreamy production.

“DUMBO” has been tabbed an early fan-favorite on JACKBOYS 2 and came in at No. 5 on Billboard‘s entire ranking of the 17-track compilation.

JB2 arrived in celebration of 713 Day, an homage to Scott’s hometown of Houston. The project features the entire Cactus Jack roster in addition to appearances from NBA YoungBoy, Future, Playboi Carti, GloRilla, Tyla, Vybz Kartel, 21 Savage, Kodak Black, SahBabii and Waka Flocka Flame.

Bun B also plays host while guiding the project’s transitions. The project was preceded by singles such as Sheck and Trav’s “ILMB” and “2000 Excursion,” which features the duo alongside Don Toliver.

“I FUCKING LOVE YALLL CANT EXPRESSS ENOUGH. AN REMEMBER ANY YOUNG WILD YOUTE OUT THERE WITH SOME WILD IDEAS THAT U SHARE WITH YOUR HOMIES U CONSIDER FAMILY GET TOGETHER AND GO AFTER IT,” Scott wrote to X following JB2‘s release. “COULD INSPIRE THE WORLD ONE DAY.

The first installment of JACKBOYS arrived in December 2019 and the compilation album debuted at No. 1 atop the Billboard 200.

Watch the “DUMBO” video below.

Drake had some choice words for Alex Warren after the latter artist’s six-week Billboard Hot 100 No. 1 “Ordinary” blocked the former’s “What Did I Miss?” from the top spot.

“Suppressor on the 1 spot,” Drizzy wrote on his Instagram Story Monday (July 14) while sharing a graphic of the all-genre songs chart dated July 19. “I’m taking that soon don’t worry one song or another. Rule changes and all.”

The No. 2 debut of “What Did I Miss?” still gives the 6 God a record-extending 81 Hot 100 top 10 hits, the most in the chart’s nearly 67-year history. It landed at No. 1 on Streaming Songs (Drake’s record-extending 21st chart-topper), Digital Song Sales (his 15th chart-topper, the most among male artists), Hot R&B/Hip-Hop Songs and Hot Rap Songs, Drake’s record-padding 31st leader on both tallies.

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Drake released “What Did I Miss?” just days before his three-day headlining stint at 2025 Wireless Festival, where he hosted an R&B-themed night featuring special guest performances from his OVO labelmate PartyNextDoor, Ms. Lauyrn Hill, Giveon, Bryson Tiller and more; a UK rap-themed night with Skepta, Headie One, Central Cee, Dave and more; and an Afrobeats-and-dancehall-themed night starring Vybz Kartel, Burna Boy, Spice, Rema and more. The Toronto MC teased a new single with his On the Radar freestyle collaborator Cench on the third and final night of the festival that’s set to drop this Friday, July 18.

Billboard reached out to Drake’s reps for clarification on what “rule changes” he was referring to in his post but did not get an immediate response.

Bad Bunny has always known how to throw a party, and his historic residency “No Me Quiero Ir de Aquí” in his beloved Puerto Rico is undoubtedly a very special one for him.

The Latin superstar kicked off his 30-date run at the Coliseo de Puerto José Miguel Agrelot, also known as El Choli, on July 11, offering “a three-hour masterclass in culture, history and music,” as Billboard journalist Isabela Raygoza wrote in her review.

From the stage design —featuring a typical Puerto Rican house as one of the most prominent elements— to the costume design and native rhythms, including bomba and plena, Bad Bunny pays homage to his roots while performing songs from his latest Billboard 200 No. 1 album, Debí Tirar Más Fotos, at the iconic venue with a capacity for 18,000.

With a setlist that also includes the new single “Alambre Púa” and classics from Benito’s repertoire like “La Santa,” “El Apagón,” and “Si Estuviésemos Juntos,” the show has already featured a growing list of surprise guests in its first few days, ranging from NBA star LeBron James to musicians such as Jowell y Randy, Pedro Capó, Los Pleneros de la Cresta, and RaiNao.

Produced by Noah Assad Presents and Move Concerts, the residency will conclude on September 14th, with the first nine shows reserved exclusively for Puerto Rican residents before opening to international audiences. (If you’re planning to travel, check out our ultimate guide.)

Enjoy the best photos from the first three days of the show below.

BLACKPINK stopped by LA at SoFi Stadium for their DEADLINE World Tour, and the girls brought out surprise guest Bruno Mars, and some BTS members even showed up. Keep watching for a full breakdown of everything you missed at the show!

Did you go to the BLACKPINK tour? Let us know in the comments!

Tetris Kelly: BLACKPINK just slayed two nights at SoFi stadium, and not only did they have solo sets, Bruno Mars surprises and BTS members in attendance, we talked to fans and hung out with Bootsy Bellows. We take you there in Billboard All Access. It was an iconic night as fans packed into SoFi stadium, grabbed their merch and got ready to jump at the VIP suite provided by H Woods, Bootsy Bellows, fans grabbed drinks and snacks in a bar lounge that had the most epic view.

Fan 1: The vibes are amazing, first of all, and there’s like, free like, food and drinks and like, I just love it.

Fan 2: I have loved Bootsy Bellows. It’s so great. The drinks are great. The food’s great. 

Fan 3: Also, they have one of the best foods within the SoFi stadium, and we love it.

Tetris Kelly: And so many came to see the superstars, including other K-Pop legends like RM and Suga of BTS. Everybody is a BLINK.

Fan 1: I love BLACKPINK because, I mean, they’re just so fun, and I love their music, and it’s just girls up there being hot, being strong and being fun. 

Fan 2: They look so sexy. They’re women empowering. I’m like, go ahead.

Tetris Kelly: And finally, BLACKPINK was in our area. They kicked the show off with “Kill This Love” and asked us, “How You Like That?” And we got solo sets from each member.

Keep watching for more!