Andrew Barker of Manchester electronic band 808 State died on Saturday (Nov. 6), the group confirmed in a statement on social media this weekend.

“It’s with a heavy heart to inform you of the passing of Andrew Barker,” the band posted Sunday on Twitter. “His family and friends asks that people respect their privacy at this time but remember him for the joy he brought through his personality and music. You’ll be sadly missed.”

Barker’s cause of death has not been revealed, but on Instagram, a post about the “tragic news of the passing of Andy Barker” on 808 State’s account stated that he had “experienced a short period of illness and passed away in his hometown of Manchester yesterday.”

The statements were shared with a black-and-white portrait of Barker.

The acid house act released their debut album, Newbuild, in 1988. Andy Barker (alongside Darren Partington, together known as the Spinmasters) joined when Gerald Simpson departed in 1989, and his first work with 808 State was the 1989 EP Quadrastate, which featured the track “Pacific State” that became a top 10 chart single in the United Kingdom.

808 State’s most recent release was 2019’s Transmission Suite, their first new album in 17 years.

“I started DJing when I was fourteen in a local youth club, playing early hip hop and electro,” Barker was quoted as saying in an interview in 2019. “By the time I was old enough to go out clubbing, house music had arrived. The similarity between electro and house was what seduced me to the new genre. It had a huge influence on what I was playing in my sets and creating in the studio.”

Ed Sheeran wouldn’t be denied the Australian chart crown with = (Equals) (via Atlantic/Warner), which blasts to No. 1 on the national survey.

With his latest feat, Sheeran earns a fifth leader on the ARIA Albums Chart, following + (August 2012), x (June 2014), ÷ ( March 2017) and No. 6 Collaborations Project (July 2019).

The “Ed Sheeran effect” can be felt up and down the chart, as his three previous albums impact the Top 50: ÷ (No. 19), x (No. 47) and No.6 Collaborations Project (No. 48).

Equals, which also leads the U.K. and U.S. charts, features four ARIA Top 10 tracks in “Bad Habits” (No. 1 in July), “Visiting Hours” (No. 3 in August) and “Shivers” (No. 2 in November) and the latest single, “Overpass Graffiti” (No. 8 in November).

Meanwhile, Doja Cat’s Planet Her (RCA/Sony) lifts 5-2 on the ARIA Albums Chart, for a new peak position in its 19th week, while the previous week’s leader, Rüfüs Du Sol’s Surrender (Warner), dips 1-5.

Former X Factor Australia champion and Eurovision runner-up Dami Im scores her fifth ARIA Top 50 entry as My Reality (ABC/Warner) bows at No. 12. Im led the ARIA Chart with her self-titled second album, from 2013.

Also new to the chart this week is Mastodon’s Hushed And Grim (Reprise/Warner), at No. 16, for the American metal outfit’s sixth ARIA Top 50 appearance.

Melbourne indie rock veterans Even start at No. 18 with Reverse Light Years (Independent). It’s their highest chart peak and first Top 50 appearance in 20 years.

Finally, Philadelphia rock outfit The War On Drugs score a third career chart appearance with I Don’t Live Here Anymore (Atlantic/Warner), their fifth album. It’s new at No. 21.

Saturday Night Live viewers may have found themselves doing a double take during the Nov. 6 episode of the long-running NBC comedy series.

For nearly a year, SNL cast member Ego Nwodim has been impersonating iconic singer Dionne Warwick in a hilarious recurring talk show-themed sketch in which she grills celebrities with out-of-the-blue questions reminiscent of her witty tweets.

On Saturday’s episode, the 80-year-old Queen of Twitter herself made a cameo during the laugh-out-loud segment following awkward interviews with the evening’s musical guest Ed Sheeran (playing himself), Miley Cyrus (Chloe Fineman), Jason Mraz (host Kieran Culkin) and Post Malone (Pete Davidson).

“I’m tired of interviewing people who are not icons,” Nwodim’s Warwick said before introducing the real Warwick. “Please welcome, me.”

Wearing similar sparking outfits, the two engage in some playful banter before Nwodim’s Warwick mentions a song she heard by rapper YoungBoy Never Broke Again. She then asks the real Warwick why musicians today aren’t just named Burt Bacharach, a reference to the singer’s former collaborator.

“I don’t know the answer, but I will keep tweeting until I find out,” Warwick answers with a smile.

SNL debuted the “Dionne Warwick Talk Show” skit in late 2020 after the legendary singer went viral on Twitter following some memorable exchanges with artists such as Taylor Swift and Chance the Rapper.

Saturday’s sketch concludes with Nwodim’s Warwick and her doppelgänger guest singing “What the World Needs Now Is Love,” which appeared on Warwick’s 1966 album, Here Where There Is Love.

Watch the “Dionne Warwick Talk Show” skit below, and see the full episode of SNL on Hulu here. The streaming service is currently offering a 30-day free trial, which you can sign up for here.

Travis Scott and other organizers of the Astroworld music festival in Houston are already facing at least one lawsuit over Friday’s deadly crowd surge, filed by an injured concertgoer who called the incident a “predictable and preventable tragedy.”

In a petition filed Saturday in Harris County District Court, Astroworld attendee Manuel Souza sued Scott himself, as well as organizer ScoreMore and concert giant Live Nation, over the Friday night incident, which left eight dead and dozens more injured.

The lawsuit claims the disaster was the direct result of “a motivation for profit at the expense of concertgoers’ health and safety” and the “encouragement of violence.”

“Defendants failed to properly plan and conduct the concert in a safe manner,” wrote Souza’s attorney, Steve Kherkher of the firm Kherkher Garcia LLP. “Instead, they consciously ignored the extreme risks of harm to concertgoers, and, in some cases actively encouraged and fomented dangerous behaviors.”

Representatives for Scott, Scoremore and Live Nation did not immediately return requests for comment on Sunday (Nov. 7).

The case is one of the first of many lawsuits that are expected to be filed over the incident, which appears to be one of the deadliest crowd disasters at a music event in years.

The crush occurred during the first night of a two-day festival attended by more than 50,000 people. The event, named for one of Scott’s albums, was hosted at the NRG Park stadium complex in his hometown of Houston. The exact cause of the disaster and the timeline events are still unclear, but videos and witness accounts appear to indicate a chaotic scene in which the already-rowdy crowd surged toward the stage, making it difficult for some to breathe.

In the new lawsuit, Souza claims that the Astroworld organizers disregarded warning signs earlier in the day, like an incident in which “concertgoers breached a security gate around the park, stampeded into the premises, and trampled over one another.”

Even after ambulances arrived to treat attendees who had “suffered serious obvious injury,” the suit says the organizers “made the conscious decision to let the show go on, despite the extreme risk of harm to concertgoers that was escalating by the moment.”

“Eventually, due to defendants’ active decision to let the show go on, the scene devolved into a complete melee, resulting in the needless, untimely death of at least 8 people and injuries to scores of others,” Souza’s attorneys wrote.

In addition to actions by organizers, the suit tries to pin blame on Scott himself, saying he was known for hosting intense concerts and encouraging his fans to “rage.”

“This kind of behavior has long been encouraged by the festival’s founder and main performer,” Souza wrote. “His express encouragement of violence has previously resulted in serious violence at numerous past concerts.”

In technical terms, the lawsuit accuses the organizers of negligence and gross negligence and is seeking at least $1 million in damages. Souza’s attorneys are also asking for a temporary restraining order preventing any destruction of evidence, which could be heard in court as soon Monday.

In addition to naming Scott, Scoremore and Live Nation as defendants, the lawsuit also named Scott’s Cactus Jack Records, LLC and several other individuals and companies involved in the event.

In a phone interview Sunday, one of the attorneys who filed the case echoed the petition’s claims about insufficient precautions.

“This was unnecessary,” said Kevin C. Haynes of Kherkher Garcia. “This kind of thing is not supposed to happen. There were things that were supposed to be done that were not done.”

Souza is also repped by Kevin C. Haynes, Jesus Garcia, Jr., Ryan MacLeod, Matt L. Martin and Tommy Kherkher.

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Ed Sheeran, who is out of his isolation after testing positive for COVID-19 and will appear as the musical guest on SNL Saturday night (Nov. 6) as planned, spoke about his diagnosis and recent recovery in a new interview with Howard Stern.

The singer-songwriter explained the timeline of his experience with COVID-19 and said that his young daughter, 1-year-old Lyra, also tested positive at the time.

“Everyone was saying they were scrambling to find a replacement,” Sheeran said of rumors about his SNL appearance being affected, but “I was always playing that. I tested for COVID and I announced it a couple days afterwards because I had to cancel [some] stuff.”

Sheeran had shared his diagnosis just days before the release of his latest album, =, and earlier this week clarified that he out of quarantine and “excited to hit the ground running with work again, and SNL is still on.”

“It’s quite an odd thing getting that and then having to announce it to the world, and then suddenly like, I’m now out of it, and I’m still sort of being treated [like he has COVID]. It’s kind of an uncomfortable,” Sheeran admitted to Stern.

The Howard Stern Show radio host asked Sheeran, “Did you have heavy symptoms at all? I assume you were vaccinated,” to which the singer replied, “I was, yeah, but I was super ill and rundown before.”

“As soon as I got a cold, I just started testing every single day. I was just like, I want to make sure I don’t have it,” said Sheeran.

Sheeran talked about the busy schedule he had, waking up early to do promotion for his new album, and said, “I was really, really, really rundown and then just one day I caught it [COVID-19].”

“My wife was away, so, I was there with my daughter. Basically, it was me and my daughter for a week. She had it, too, so it was kind of heavy. Three days of really, really bad symptoms, I think,” Sheeran recalled.

Watch his interview clip with Stern below.