As Iron Maiden ready themselves to climb aboard Ed Force One and launch their Run for Your Lives World Tour, manager Rod Smallwood has asked fans to put their phones away.

The veteran British heavy metal outfit will launch their upcoming tour in Budapest, Hungary on May 27, with the shows also kicking off their 50th anniversary celebrations. With the massive milestone in their back pocket, and the tour also set to see the debut of drummer Simon Dawson, there’s a lot worth documenting.

However, Smallwood has taken to the band’s website to share a post titled “Put away your phones and get ready to Run For Your Lives!” in which he urges fans to experience the shows “in the moment” rather than on smaller screens at a later date.

“We really want fans to enjoy the shows first hand, rather than on their small screens,” Smallwood wrote. “The amount of phone use nowadays diminishes enjoyment, particularly for the band who are on stage looking out at rows of phones, but also for other concertgoers. 

“We feel that the passion and involvement of our fans at shows really makes them special, but the phone obsession has now got so out of hand that it has become unnecessarily distracting especially to the band. I hope fans understand this and will be sensible in severely limiting the use of their phone cameras out of respect for the band and their fellow fans.”

Iron Maiden aren’t the first band to ask fans to put their phones back in their pockets. In 2015, Jack White shared a verbal plea for no phones during his Lazaretto tour, and by the time The Raconteurs toured in 2019, attendees were told to put their devices in locked Yondr pouches.

“We think you’ll enjoy looking up from your gadgets for a little while and experience music and our shared love of it in person,” a note from the band read at the time.

Other acts, such as Tool, have also employed a similar approach, requesting phones stay off their phones until their final performance. Guitarist Adam Jones explained in 2022 that while part of the reason was due to the loss of connection between band and fan, another factor was the limited technological know-how of some concertgoers.

“I think one of the problems is you get a lot of lights because people don’t know how to use their cameras correctly, which makes it very blinding onstage,” Jones explained.

As Smallwood added on Iron Maiden’s website, much of the urging for fans to stow their phones comes out of a plea for respect, for both the larger experience and the band themselves.

“We would very much like you to be ‘in the moment’ instead and be fully actively involved to enjoy each and every one of these classic songs in the spirit and manner they were first played,” he adds. “This show isn’t just a celebration of our music; it is, as you will see, also about our years of art, of Eddie and of the many, many worlds of Maiden we have created for you.”

“So please respect the band, respect the other fans and have the time of your lives as you join your Maiden family by singing your heart out, rather than getting your phone out!! It’s really not a lot to ask is it?”

The upcoming Run for Your Lives World Tour will be Iron Maiden’s first performances since wrapping their The Future Past Tour in São Paulo, Brazil in December. That tour was the last to feature drummer Nicko McBrain, who announced his “decision to take a step back from the grind of the extensive touring lifestyle.”

Lady Gaga took home a Sports Emmy on Tuesday night (May 20) for her pre-Super Bowl performance of “Hold My Hand” in tribute to victims of the New Orleans terror attack on New Year’s Eve, Hurricane Helene in Florida and Georgia in the fall, and the January wildfires that ravaged Los Angeles County.

In a pre-taped segment that aired ahead of the Fox broadcast of Super Bowl LIX on Feb. 9, the pop superstar performed behind a piano on New Orleans’ Bourbon Street, introduced by NFL legends Tom Brady, Michael Strahan and Terry Bradshaw. She sang a stripped-down version of her Oscar-nominated Top Gun: Maverick single “Hold My Hand” as various police officers and firefighters looked on around her.

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Gaga earned the 2025 Sports Emmy for outstanding music direction alongside her fellow producers Seth Dudowsky, Bill Richards, Joel Santos, Jesse Weiss and Brad Zager, as well as music editor Joe Nargi.

In the category, they were up against Prime Video’s Evolution of the Black Quarterback, HBO Max’s The Lionheart, ESPN+’s Noche UFC: For Mexico, For All Time, and Netflix’s The Turnaround.

After winning an Oscar for best original song with “Shallow” from A Star Is Born and 14 Grammys over her career, Gaga is now only a Tony shy of the coveted EGOT honor. While there is debate over whether only the Primetime Emmys should count toward the EGOT, the Emmys social accounts were trumpeting Gaga’s three-letter accomplishment on Tuesday night after her Sports Emmys victory.

“Putting the ‘E’ in @ladygaga’s E-G-O…she’s just short of the T!” read a post on @TheEmmys X account.

A$AP Rocky continues to tease new music ahead of dropping his highly anticipated album Don’t Be Dumb. However, the song that was played as he walked down the red-carpet stairs in the rain with his pregnant partner Rihanna at the Cannes Film Festival on Monday night, when his new movie Highest 2 Lowest premiered, sounds like he’s referencing the “Yung Felon” character he’s playing in the film.

And while it sounds like a standard Rocky record, there’s a point in the song where he’s heard rapping, “Shout-outs to my felons, boy/ We caught another felony.” He also raps something to the effect of “I can’t go to court, my baby mama child support, f— college,” as he’s posing for pictures next to the actual mother of his children.

Highest 2 Lowest, directed by Spike Lee and also starring Denzel Washington, has been receiving rave reviews and got a nearly six-minute standing ovation after its Cannes premiere. Denzel also received the honorary Palme d’Or, which he was presented with by “his brother from another mother,” Spike Lee.

This will be the fifth movie Spike and Denzel have worked on together, and it will likely be their last. “This is the fifth one we’ve done together,” Lee told reporters at the festival. “It has been a blessing, this body of work between us, doing films that people love. And I think this is it. He’s been talking about retirement. But five films together: that’s good, they stand up.”

The film is set to be released in U.S. theaters on Aug. 22 and will hit Apple TV+ on Sept. 5.

Warner Music Latina signed three emerging urban artists who are creating a viral buzz on social media and the Billboard charts: DFZM (Colombia), Jombriel (Ecuador), and Milo Bvgatti (Venezuela). DFZM made his Billboard chart debut last November DFZM with “+57” in collaboration with Karol G, J Balvin, Feid, Ryan Castro, Maluma, and Ovy on the Drums. Jombriel hit No. 1 on the Billboard Argentina Hot 100 chart this March with his “Parte & Choke (Remix)” with Ryan Castro. Meanwhile, Bvgatti has already received stamps of approval from Feid, Jay Wheeler and Dalex. “At Warner Music Latina, we believe in the power of fresh voices from the Andean region to make waves globally,” said Roberto Andrade, MD of Warner Music Latina, in a statement. “We proudly welcome DFZM, Jombriel, and Milo Bvgatti — a new chapter begins, filled with music and momentum.” – Jessica Roiz

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Southern California band Of Mice & Men signed with Century Media Records. The group released the single “Another Miracle” on May 8, marking its first new music since 2023. Of Mice & Men is currently on tour in the U.S., with festival dates including the Summer Daze Festival in Elko, Nev.; Warped Tour in Long Beach, Calif.; and Louder Than Life in Louisville, Ky.

Jutes signed a global record deal with Position Music, which will release his new single, “Left on Dilworth,” on Wednesday (May 21). The singer-songwriter’s singles so far this year include “Red Velvet” with Ari Abdul, “House of Cards” and “SMUT”; previous album releases include Ladybug and Sleepyhead. He’s managed by Mike Maloian at 25/7.

Indonesian dream-pop duo Galdive signed with Mom + Pop Music, which released its new album, Blue, on May 9. The act’s song “Teach Me How to Love” has picked up steam on TikTok, where it has generated more than 16 million views, 1.8 million likes, and over 2,200 UGC posts, according to the label.

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Armada Music struck a joint venture deal with Dutch electronic artist Joris Voorn spanning A&R, distribution, promotion and marketing. The label will work with Voorn on his upcoming album Serotonin, which is set for release in July. It will additionally leverage its publishing arm “to add creative value” to his work via “writing camps and collaboration,” according to a press release. Armada previously released Voorn’s remix of “Transmission” by Eelke Ekleijn.

Scouting for Girls signed a label services deal with Absolute. Next year, the British trio is releasing a new album, which Absolute will support with digital marketing, distribution, project management and a long-term strategic direct-to-consumer campaign.

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Sub Pop signed Brooklyn-based trio Nation of Language and will release the band’s new music globally this year and beyond. The first release under the deal is the new single, “Inept Apollo.” The band will tour North America and Europe this fall.

Virgin Music Latin signed a global agreement with rising Cuban act Wampi for the release of his forthcoming debut studio album, El Rey de la Habana. His first single under the label is “Veni,” an uptempo track that represents the Cuban Reparto music scene. El Rey de la Habana will feature collaborations with Cimafunk, Ibeyi, Los Van Van, Maffio, Michael Brun, and more. – Jessica Roiz

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Mom+Pop Music signed Minneapolis artist Mother Soki, whose single “Rivet Gun” has been growing on TikTok. She is managed by Avalanche in Los Angeles.

Nettwerk signed indie-pop band Joseph, composed of sisters Natalie and Meegan Closner. The first release under the deal is the single “Bye and Bye,” a track from the duo’s forthcoming album (its first without sister Allie). The band is kicking off a round of tour dates on June 13 in Spokane, Wash.

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Singer-songwriter N8NOFACE signed with Stones Throw, which released his new song, “Waiting to Wait for You,” last week. N8NOFACE is touring with Eyedress on the Stoner Tour this summer.

Scout Willis signed with WME for global representation. The singer-songwriter is currently recording her second studio album on the heels of singles “Over and Over” and “Take Me” last year. The album is slated for release this fall.

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Atlanta-based five-piece band Penelope Road signed to Warner Records. The first release under the deal is the single “Out Tonight.” According to a press release, the song has already racked up “millions of views” leading up to its official release. The band, which is set to embark on a summer headlining tour on June 12 in Charleston, S.C., is managed by Lindsay Brandt.

Giant Music, a division of The Azoff Company, signed rock band Riff Wood. The band is independently producing its debut album, Tough Luck, which is set for release this summer. It’s been preceded by singles including “Blur” and “Stay a Little Longer,” the latter serving as its first release on Giant. Riff Wood is embarking on a summer tour starting July 29. The band, which won Utah’s Battle of the Bands last year, is managed by Rob Cavallo‘s Done Deal and Echo Street.

50 Cent is back at it.

The Queens rapper and filmmaker continues to troll Diddy as the Harlem mogul’s sex trafficking trial heads into its second week. This time, he posted an AI-generated picture of himself on Instagram wearing a white “Free Diddy” shirt in front of a courthouse and followed that up with a screenshot of an article referencing testimony from Cassie‘s mother, Regina Ventura, in which she testified that Diddy requested $20,000 that he spent on her daughter after he found out she was dating Kid Cudi, forcing Cassie’s parents to take out a loan.

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“He only made Cassie’s mom take out a home equity loan to pay 20k for him to not put out sex tapes,” 50 wrote in the caption. “Free itty bitty Diddy! LOL wait is that legal.”

Just over the weekend, 50 Cent joked about people being offered $20 an hour to wear “Free Diddy” shirts in front of Manhattan federal court, writing, “Diddy paying people to wear Free Diddy shirts is diabolical, but $20 a hour ain’t bad. I might go throw that on for a hour tomorrow.”

In another picture he posted, this time wearing a black “Free Diddy” shirt, his caption read: “Ok now where do I send my $20 invoice guys, a deals a deal. If you want I can be there tomorrow from 3 to 4 OK!”

In other Diddy trial news, Kid Cudi is expected to testify sometime this week, according to prosecutors. And it’s pretty safe to assume that the subject of Diddy allegedly blowing up Cudi’s car over his relationship with Cassie will be broached.

Fuerza Regida celebrates a dual win this week, as 111XPANTíA, the group’s ninth studio album, moves 2-1 on the Top Latin Albums chart (dated May 24) in its second week. The set also earns a second week at No. 1 on the Top Regional Mexican Albums chart, plus, it becomes the eighth album of the 2020s to simultaneously top both charts.

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111XPANTíA rises to No. 1 on Top Latin Albums despite slipping to 43,000 equivalent album units earned in the U.S. (from 76,000 the week prior), that’s a 43% decline during the May 9-15 tracking week, according to Luminate. Of the set’s second-week sum, album sales contribute 6,000 units, down 85%, which prompts a 2-12 drop on the overall Top Album Sales chart.

Things look brighter in the streaming sector, as the album generated 38,000 units, up 6%, representing 53.4 million official on-demand U.S. audio and video streams of the album’s tracks. That figure yields a 5-4 jump on the overall Top Streaming Albums chart, becoming Fuerza Regida’s highest-charting title there.

Thanks to 111XPANTíA landing at the summit, Fuerza Regida dethrones Bad Bunny’s Debí Tirar Más Fotos’ 18-week run at No. 1. Plus, the group earns a second champ on Top Latin Albums, which began in 1993. It joins Pa’ Las Baby’s y Belikeada (three consecutive weeks at No. 1 in 2024).

111XPANTíA was released May 2 on Street Mob/Rancho Humilde/ Sony Music Latin. A deluxe version of the album followed immediately on May 5. The latter includes three new songs, two of which debut on the multi-metric Hot Latin Songs chart: “Como Tú” at No. 13 and “Lokita,” with Anuel AA, at No. 43. Meanwhile, “Marlboro Rojo,” from the original album, climbs 14-4 with the Greatest Gainer honors in streaming, after a 56% gain, to 7.4 million clicks in the U.S.

With the new dual coronation on Top Latin Albums and Top Regional Mexican Albums, 111XPANTíA becomes the eighth album of the 2020s to simultaneously claim the No. 1 spot on both charts. Alejandro Fernández was the first to achieve the feat, placing Hecho En México, his 16th studio album, at the summit on both rankings for one week in February 2020.

Here’s a recap of all the albums with concurrent reigns on Top Latin Albums and Top Regional Mexican Albums, at least for one week, this decade:

Album, Artist, Peak Date
Hecho En México, Alejandro Fernández, Feb. 29, 2020
Vibras de Noche, Eslabon Armado, Aug. 1, 2020
Desvelado, Eslabon Armado, May 13, 2023
Génesis, Peso Pluma, July 8, 2023
Pa Las Baby’s y Belikeada, Fuerza Regida, April 27, 2024
Éxodo, Peso Pluma, Sept. 6, 2024
Incómodo, Tito Double P, Oct. 5, 2024
111XPANTIA, Fuerza Regida, May 24

Indie-rock veterans Guided By Voices have claimed that rumors of their demise are greatly exaggerated, pointing to a forthcoming record as proof.

The prolific Ohio outfit became the center of rumor on Monday (May 19) when a new episode of Lou Barlow’s RAW Impressions podcast unintentionally broke the news. In the latest episode, Lou spoke to Guided By Voices guitarist Bobby Bare Jr. with his wife Adelle, who admitted to having never seen the group live.

In response, Bare noted, “We’re breaking up, you never will.” After Lou adds “You never will, they’re done,” Bare seemingly confirmed the band’s status by adding “We’re never going to play again.”

However, the apparent revelation may have been a case of miscommunication due to technology, with the episode’s description on YouTube noting that it was “loaded with technical difficulties,” and that “the audio is often breaking up.”

Following the news apparently breaking, the episode’s hosts spoke to Brooklyn Vegan to clarify their own thoughts on the matter. “My understanding is that they didn’t have plans to play more live shows,” Adelle explained. “But I think they are still recording! Not broken up. And yea, I had a lot of technical difficulties during the podcast episode.”

Lou echoed this by adding that the group were in the process of making a new record, though he understood that there were to be “no more live shows.”

In the wake of the rumor mill going into overdrive, a representative for Guided By Voices spoke to Rolling Stone to deny that the band were splitting, and even noted that a new album called Thick Rich and Delicious would be arriving on Halloween. Currently, the band have not shared any further information on the upcoming record.

News of a breakup announcement from Guided By Voices wouldn’t be entirely unexpected, however. Having first formed in 1983, the Robert Pollard-led outfit released a total of 15 albums before splitting in 2004 – including their highest-charting release, 2002’s Universal Truths and Cycles, which hit No. 160 on the Billboard 200 and No. 3 on the Heatseekers charts.

After reforming in 2010, a further six albums followed before another split in 2014. Since reforming again in 2016, the group have been immensely prolific, with 19 albums arriving in the past nine years, including February’s Universe Room. Pollard will also release the debut album from his Rip Van Winkle side-project this year, with Blasphemy set to arrive in July.

Giving credence to Bare’s claims about not playing live again, however, Guided By Voices have not performed since an October 2024 show in Dallas, with reviews of that show reporting Pollard had claimed it was to be their final gig. Indeed, no further live dates are listed on their website at the current time.

Rihanna and A$AP Rocky had to break out their trusty umbrella at Monday night’s (May 19) rainy Highest 2 Lowest world premiere at France’s Cannes Film Festival.

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Rocky wore a black suit, black Ray-Bans and a full set of grillz to the premiere of the Spike Lee-directed film — in which he co-stars opposite Denzel Washington — while Rihanna showed off her growing baby bump in an electric-blue dress with strategic cutouts and a scarf tie at the neck. The expectant couple posed together on the carpet under their umbrella as raindrops fell all around them, and Rocky posed elsewhere on the carpet cradling Rihanna’s belly with his chin resting on her shoulder.

A$AP Rocky, Rihanna at the "Highest 2 Lowest" Premiere during The 78th Cannes Film Festival at Palais des Festivals on May 19, 2025 in Cannes, France. (Photo by Michael Buckner/Variety via Getty Images)
A$AP Rocky, Rihanna at the “Highest 2 Lowest” Premiere during The 78th Cannes Film Festival at Palais des Festivals on May 19, 2025 in Cannes, France. (Photo by Michael Buckner/Variety via Getty Images)

It was the second time this month that fans have gotten to see the couple at a red-carpet event, following Rihanna’s baby-bump reveal at the Met Gala in New York City on May 5 when fans learned the couple is expecting baby No. 3. Rocky talked to reporters on the Met Gala carpet and celebrated letting their big news out into the world. “It feels amazing, you know?” he said in an Associated Press video. “We were tired of holding that, and it was time to show the people what we was cooking up. I’m glad everybody’s happy for us, because we’re definitely happy.”

The crime thriller Highest 2 Lowest reunites Lee and Washington for a fifth time, with A$AP Rocky co-starring as Washington’s son, Yung Felon. The project also serves as Ice Spice’s feature film debut.

The film is set for a U.S. theatrical release on Aug. 22.

Rihanna last walked a Cannes Film Festival red carpet in 2017, for a screening of the film Okja, wearing a white strapless dress with a matching robe and sunglasses.

Whenever Drake supports a team with his rooting interest or backs them with his six-figure bets and that franchise ends up losing, the 6 God hears all the noise from sports fans about the “Drake Curse.”

Drake was finally asked about the mythical curse in a mock interview he posted to his Instagram on Monday (May 19) in promotion of his partnership with Stake.

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“I feel like I don’t play sports, whether I picked the wrong team or not, if I could get out there and win for all your favorite teams, I would,” he said.

Ultimately, Drake feels vindicated that a “curse” doesn’t exist because the Toronto Raptors captured their first NBA championship in 2019.

“The Drake curse is funny to me,” he revealed. “First of all, the Toronto Raptors are NBA champions. If there was a Drake curse, Kawhi [Leonard] would’ve never hit that shot, we would’ve never beat the Warriors. There is no Drake curse, but it’s funny, though.”

However, Drake did concede that he isn’t a sports gambling savant and has taken his fair share of monetary losses with bad bets over the years.

“I am a flawed sports better,” Drizzy admitted. “I will not deny that. That’s not my gift. I’ll let everybody roll with it. I’m sure if you’re a Drake curse believer, there will be plenty more content in the future to confirm your theories because my slips do not cash out. But one day I’m gonna have a parlay that’s insane.”

Drake added to the “Drake Curse” theories on Sunday night when his hometown Toronto Maple Leafs were eliminated from the Stanley Cup Playoffs after a 6-1 thrashing at the hands of the Florida Panthers in Game 7.

Drizzy actually ended up betting $1.25 million on the Maple Leafs to take home the game 7 victory and advance to the Eastern Conference Finals.

However, Drake jokingly flipped the script and blamed the “Bieber Curse” in his IG Story, as Justin Bieber, who’s a massive Leafs fan, was in attendance front and center at Scotiabank Arena with his wife, Hailey, to watch the excruciating loss in person.

“I don’t remember a time in my life when I haven’t been obsessed with the leafsssss,” Bieber wrote following the loss on his Instagram. “This year we made it farther than we have in so long and im happy about that. I can be patient cuz I know this is the team to do it.”

Watch the full interview clip with Drake below.

Carín León places his second No. 1 of the year, and fourth overall, on Billboard’s Latin Airplay chart, as “Ahí Estabas Tú” ascends 3-1 on the May 24-dated list. The new achievement comes only two months after his most recent triumph with “El Amor de Mi Herida.”

“Ahí Estabas Tú” claims the top spot on the overall Latin Airplay chart with 8.2 million audience impressions earned in the U.S. during the May 9-15 tracking week, according to Luminate –that’s a 21% gain from the previous week. The Greatest Gainer-awarded track of the week trades places with Gerardo Coronel ‘El Jerry’’s “No Se Dice,” after the latter drops 1-3 with a 5% dip in impressions (to 8.23 million).

“Ahí Estabas Tú” marks León’s second champ of 2025. Previously the Hermosillo, Sonora-born singer-songwriter took command of Latin Airplay for one week through “El Amor de Mi Herida” (March 22-dated list).

With a second ruler in 2025, León is only the second soloist to have two No. 1s on Latin Airplay this year unaccompanied by another act. Earlier in 2025, Bad Bunny topped the chart twice with his solo tracks “El Clúb” and “Baile Inolvidable,” each reigning for two weeks in February and March, respectively.

In total, four artists have secured two No. 1 hits in 2025 so far. Between Benito’s two chart-toppers, Myke Towers claimed the No. 1 spot with “Otra Noche” featuring Darell, for one week in February. He followed up with another No. 1 hit, “Degenere,” which features benny blanco, leading for one week on the May 3 chart. Meanwhile, Colombian Kapo placed back-to-back champs as “Más Que Tú,” with Ozuna, ceded its place to “Imagínate,” with Danny Ocean, on the April 26 list, both one-week rulers.

Beyond his Latin Airplay coronation, León also takes “Ahí Estabas Tú” to the summit on Regional Mexican Airplay, where it jumps 2-1, his eighth No. 1 overall. He ties Eden Muñoz for the fourth-most rulers among soloists in the 2020s decade. They trail Christian Nodal who leads with 17 No. 1 this decade, Gerardo Ortiz follows with 13, and Alejandro Fernández with 12 leaders.

All charts (dated May 24, 2025) will update on Billboard.com tomorrow, May 20. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.