The 1975, Lorde and Lewis Capaldi were among the names who kicked off Glastonbury 2025 on Friday (June 27), the first day proper, as Worthy Farm geared up for a weekend of music, theatre, talks, film — and beyond.
Lorde, The 1975 & Lewis Capaldi: The Best Moments From Glastonbury 2025 Day 1
On Saturday (June 28), meanwhile, the news stories continued to roll in: Kneecap stormed West Holts after a month of headline-making controversies, TBA act “Patchwork” turned out to be Britpop icons Pulp, and Neil Young graced the Pyramid Stage with a career-spanning set.
Charli xcx seized her crowning moment over on The Other Stage, while there were also thrilling sets from homegrown talent Beabadoobee, Alessi Rose and Bob Vylan.
These were the best moments Billboard U.K. witnessed at Glastonbury Festival on day 2.
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Olivia Rodrigo welcomed Ed Sheeran to her stage for a surprise duet of “The A Team” in London on Friday night (June 27). Together the two pop hitmakers, guitars in hand, strummed and sang Sheeran’s debut single for the U.K. crowd at Hyde Park’s BST (British Summer Time) concert series, where Rodrigo was performing ahead of a headlining slot at Glastonbury later this weekend.
Post-show, Sheeran shared footage of the moment on Instagram. The performance video shows the two musicians harmonizing on the chorus of “The A Team.”
“Been a fan of Olivia’s since Drivers License blew my mind back at the start of 2021,” he wrote. “Both albums are no skips for me, I’m a proper fan. We first met at the rock and roll hall of fame back in 2022, sat next to each other with her mum and my dad and went on to hang and keep in touch from there.”
Of his Friday night plans, Sheeran said, “Was gonna go watch the show anyway but she hit me and asked to sing The A Team with her, which was such a buzz. That song turns 15 this year, and I remember playing it to rooms with no one in it in 2010, so to still be playing it to new fans with one of the brightest stars of the next generation is an honour and a privilege. Rock Glasto headline Sunday @oliviarodrigo , UK loves you x.”
“you are the best ever ed!!! appreciate you so much. last night was a blast,” Rodrigo commented on the post Saturday morning.
“The A Team,” first released in 2011, was Sheeran’s first song to chart on the Billboard Hot 100, peaking at No. 16 in 2012.
Sheeran previously praised Rodrigo’s 2021 breakthrough hit, “Drivers License,” as a flawless debut single, and noted both her debut and sophomore full-length albums, Sour and Guts, are “unskippable… it’s just, as a record, just a great record.”
Watch the Rodrigo-Sheeran performance clip courtesy of Ed’s Instagram below.
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Belgium rolled out the blue carpet Saturday (June 28) for Rihanna and other stars who turned out for the world premiere of the new Smurfs movie.
Rihanna produced Smurfs and voices Smurfette in the summer family film, a live-action animated reboot that takes the little creatures on a Smurfette-led rescue mission to save Papa Smurf.
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At Saturday’s showing in Brussels, the visibly pregnant Grammy winner chatted with children, linked arms with someone dressed as her cartoon alter-ego, and joined the audience arm-in-arm with A$AP Rocky.
Rihanna poses with Smurfette at the world premiere of the new ‘Smurfs’ film on June 28, 2025 in Brussels, Belgium.
Nicolas Maeterlinck/Belga Mag/AFP via Getty Images
Film director Chris Miller held Smurfs toys, and other cast members at the premiere included James Corden and Dan Levy. Many of the guests wore a shade of Smurf-ish blue.
The movie premieres in the U.S. on July 18.
Belgian comics artist Peyo created the Smurfs — known in Belgium as ″Schtroumpfs″ — and the city of Brussels embraced the premiere with a weekend of events.
It took place in central Brussels, not far from a Smurfs museum. The city’s famed Mannekin Pis statue was dressed for the occasion as No Name Smurf. The city’s Grand-Place held Smurf-themed events all weekend, and tourist buses and train cars were decorated in blue.
Rihanna announced her pregnancy in early May, just ahead of the 2025 Met Gala, where she debuted her baby bump in a menswear-inspired look as part of the night’s “Superfine: Tailoring Black Style” theme. A$AP Rocky, with whom Rihanna is expecting her third child, served as co-chair of this year’s Met Gala, alongside Pharrell Williams, Colman Domingo and Lewis Hamilton, while LeBron James served as honorary chair.
Rihanna and Rocky are parents to 3-year-old RZA Athelston Mayers and 1-year-old Riot Rose Mayers.
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Sabrina Carpenter’s “Manchild” has reclaimed the No. 1 spot on the U.K.’s Official Singles Chart (June 27) for its second non-consecutive week at the summit.
The song debuted in the top spot earlier this month (June 13) before Alex Warren’s “Ordinary” dethroned her a week later for his 13th non-consecutive week at No. 1 (June 20). “Manchild” is Carpenter’s fourth U.K. No. 1 single following “Espresso,” “Please Please Please” and “Taste.”
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Warren has been on a chart-breaking run in the U.K. with his song “Ordinary.” At 13 weeks, he became the longest running No. 1 in the 2020s so far, and the song is one place behind Ed Sheeran’s “Shape of You” and Queen’s “Bohemian Rhapsody” in the all-time rankings (14 weeks). “Ordinary” finishes the week at No. 9.
Michigan DJ MK hits No. 2 with his Chrystal collaboration “Dior,” his highest-ever placing on the chart with original material; he previously hit the No. 1 spot in 2013 with a remix of Storm Queen’s “Look Right Through.”
Ravyn Lenae’s “Love Me Not” places at No. 3, and Fred again.., Skepta and PlaqueBoyMax score the week’s highest new entry, with “Victory Lap” closing at No. 4. Chappell Roan’s “Pink Pony Club” completes the top five.
Following their live performance together at London Stadium, Sam Fender and Olivia Dean’s “Rein Me In” vaults 80 places to close the week at No. 8.
Black Eyed Peas’ 2009 smash “Rock That Body” continues its ascent, up four to No. 31 this week. The track, lifted from the group’s The E.N.D. (THE ENERGY NEVER DIES) album, previously peaked at No. 11 back in 2010, and recently inspired a viral dance trend.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-06-28 20:18:592025-06-28 20:18:59Sabrina Carpenter’s ‘Manchild’ Reclaims U.K. No .1 Single From Alex Warren
Yungblud has scored his third consecutive No. 1 on the U.K.’s Official Albums Chart with his ambitious double LP Idols (June 27).
The British rocker, real name Dominic Harrison, hit the top spot in 2020 with Weird! and again in 2022 with his self-titled third album. His 2019 EP The Underrated Youth peaked at No. 6. The record will be released in two parts, with the street date for the second part of Idols yet to be confirmed.
Following the release of Idols, Harrison headlined his Bludfest festival in Milton Keynes, England, last Saturday (June 21) for a second consecutive year. He was joined by Billy Idol during the headline set, with a supporting bill including Blackbear, Denzel Curry and more.
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Recent Billboard U.K. cover star Loyle Carner’s hopefully ! ends the week at No. 2, his highest-ever spot. His previous peak was with 2022’s hugo which landed at No. 3. On Friday evening, he headlined The Other Stage at Glastonbury Festival alongside Charli XCX and The Prodigy; Olivia Rodrigo, Neil Young and The 1975 will top the main Pyramid Stage.
Haim’s I Quit hits the top five, finishing the week at No. 3. I Quit follows their previous album releases, 2014’s Days Are Gone (No. 1), 2017’s Something To Tell You (No. 2) and 2020’s Women In Music Pt III (No. 1).
Benson Boone hits a new career peak with his second studio album, American Heart, closing at No. 4. His debut LP, Fireworks & Rollerblades (2023) — which features mega-hit “Beautiful Things” — peaked at No. 16.
Elsewhere in the top 40, there’s debuts for Aitch’s 4 (No. 7), and Sheffield heavy metal band Maleovolence’s Where Only the Truth Is Spoken (No. 32).
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Ribbons of cigarette smoke, the rear half of a vintage car, a tattered leather jacket and black biker glove, box tattoos in full view: strewn across the Pyramid Stage were markers of The 1975’s visual iconography from the past decade. Bathed in blistering white light, frontman Matty Healy came out swinging, clutching a pint of Guinness with a cigarette permanently affixed above his ear – a near-caricature of the gloomy, near-grungy rock star he started out as with the band’s 2013 self-titled LP.
The push-pull between vulnerability and an exploration of aesthetics has always been there in The 1975’s music, manifesting in a trove of deep online lore, something which the band themselves tapped into as they hit the Pyramid Stage on Friday (June 27). “We are The 1975 from the internet,” Healy quipped at one point, staring down the camera with a conspiratorial glimmer in his eye.
For an hour and a half, without any instances of controversy-stoking showmanship – their last tour saw Healy devour raw meat on stage, lest we forget – the band turned over highlights from all five of their studio albums, highlighting the malleability and depth of their catalogue. This was a display of the questing musical curiosity which has made the band so beloved by Gen Z, an audience that is omnivorous in its taste, having grown up with infinite streaming possibilities.
Hits of contrasting styles were rattled out one after the other, pairing the band’s vintage teen-angst anthems with newer, more mature material. Healy offered earnest pronouncements about the band’s 23-year-long friendship and what this moment meant to him – walking the line between tormented pop star and a conflicted, deeply human figure.
There is an argument to be made, perhaps, that a set devoid of an element of surprise is a safe – and intriguing – approach to headlining the world’s biggest stage. But from that decision came a genuinely immersive experience; even if, at times, it didn’t raise many eyebrows, it was the kind of uplifting finely crafted Glastonbury set that no one present is likely to forget in a hurry.
Here are the five best moments from their headline show below.
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When Billboard U.K. spoke to Loyle Carner about his impending Glastonbury Festival slot earlier this year, he was rendered speechless. Such is the power of his journey from the festival’s smaller stages to The Other Stage (the second-biggest on site, headlined by himself, Charli XCX and The Prodigy), it puts into perspective his trajectory. Since his 2017 debut Yesterday’s Gone, Carner has established himself as a key player on the U.K. music scene with an earnest voice that resonates far and wide.
On Friday night (June 27), Carner achieved something of a dream to headline to one of the biggest crowds of his career. Speaking to the crowd, he said that “this is the biggest show we’ve ever done,” as a packed-out field arrived to watch this career milestone. The magnitude of the moment wasn’t lost on him, and he pulled out all the stops, with guests, deep cuts and new songs throughout.
The set comes hot off the heels of his new album hopefully ! which was released last Friday and recently hit No. 2 on the U.K’s Official Albums Chart. The LP was influenced by his love of indie bands such as Fontaines D.C., Big Thief, and The Smiths, and a move away from the DIY hip-hop stylings of his early work. During his set, the album was realized with a new production, a greater focus in weaving in his backing band and evolving his capabilities as a singer, not just as an MC.
These were the best moments from Loyle Carner’s headline set at The Other Stage at Glastonbury.
Following weeks of controversy, Kneecap hit Glastonbury Festival on Saturday (June 28) with one of the weekend’s busiest sets.
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The Northern Irish trio have been at the center of controversy since their Coachella performance back in April. At that show, they displayed a message that read: “Israel is committing genocide against the Palestinian people. It is being enabled by the U.S. government who arm and fund Israel despite their war crimes. F— Israel; free Palestine.”
Historic footage of the band from November 2024 allegedly showing support for Hezbollah – a militant group proscribed terror status in the U.K. – triggered an investigation and eventual charge under anti-terror laws for MC Mo Chara. He appeared in court earlier on June 18, with a hearing set for later this summer. He denies the charge, and says that it is a “carnival of distraction.”
The subsequent fallout has reached the top political office, with U.K. prime minister Sir Keir Starmer saying that he felt it was not “appropriate” for the group to perform at Glastonbury. A number of the trio’s contemporaries, including Massive Attack, Johnny Marr and CMAT, have backed the group in recent weeks amidst a campaign to have the band removed from the lineup.
The trio took the stage at the West Holts stage at 4 p.m. (BST) to a packed-out stage. The field was closed 45 minutes prior to the performance to avoid overcrowding, with thousands flocking to see the group.
The set began with clips of recent global news broadcasts about the band, including footage of Sharon Osbourne calling for them to have their U.S. work visas revoked. Mo Chara took to the stage in a Palestinian keffiyeh, while bandmate Móglaí Bap wore a Fontaines D.C. football shirt – with the Dublin band having continually voiced their support for Kneecap.
“Glastonbury, I’m a free man,” Mo Chara shouted shortly after “It’s Been Ages.” The crowd responded by raising a sea of Palestinian flags, while some festivalgoers let off red and green flares in support. “Has anyone been watching the news lately?,” added DJ Provai before starting a “Free Mo Chara” chant.
After rattling through highlights from their 2024 LP Fine Art, as well as a handful of unreleased tracks, the group referenced their ongoing legal case. “Mo Chara was in the Westminster court this month,” began Móglaí Bap. “He is back in court for a trumped-up terrorism charge. It’s not the first time there has been a miscarriage of justice for an Irish person in the British Justice System.” He then rallied the crowd to show up for Mo Chara’s hearing, which is scheduled to take place on Aug. 20.
Later on, Mo Chara acknowledged Glastonbury Festival and its owners, the Eavis family, for standing by them amidst calls for them to be removed from the line-up. “I want to say a big thank you to the Eavis family of Glastonbury. The pressure that the family was under [to drop us], but they stayed strong – fair play to them. The Prime Minister of your country – not mine – said he didn’t want us to play. So, f— Kier Starmer.
“This [legal] situation can be quite stressful for us at times. But the stress that we are feeling is minimal in comparison to what the Palestinian people are going through every single day. We are from West Belfast, a place that has experienced occupation. We understand colonialism and we understand how important it is to have international solidarity.”
The rapper also went on to discuss Ireland’s complex history of occupation by the United Kingdom and the country’s resulting political landscape. “The Irish suffered 800 years of colonialism under the British state,” he said. “But we were never bombed from under the skies with nowhere to go. The Palestinians have nowhere to f—ing go – literally. Not only are they being bombed from the skies, they are being starved to death in this day and age. I don’t have to lecture you people; we are all watching it, we all have a phone.”
He continued: “I can see the amount of Palestinian flags here and it is insane. The BBC editor is going to have some job [editing them out]. Sometimes we feel helpless, sometimes we feel like we aren’t doing enough and that is probably true sometimes – but this is about difference it makes to people in Palestine when they see this many people on the other side of the world screaming ‘Free Palestine’. I am so f—ing proud of all of yous.”
The band later thanked the Glastonbury crowd for their support, alluding to how the ensuing controversy has seen numerous live shows and festival appearances cancelled, as well as the band being dropped by their booking agent.
“Believe me, I know firsthand what happens when you speak out about Palestine in this industry,” said Mo Chara as the set drew to a close. “I spoke at Coachella and everyone in that f—ing tent agreed with me. The US media do not want to believe that young Americans agree with us; young people around the world know what’s going on.”
The band’s set was removed from the BBC’s livestream schedule, but earlier on Saturday it was confirmed their set would later be uploaded to the channel’s iPlayer service.
Glastonbury Festival saw sets from The 1975, Lorde, Lewis Capaldi and more on Friday (June 27) with Neil Young, Charli XCX, Olivia Rodrigo and more set to perform over the rest of the weekend.
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Neil Young makes a rare appearance this weekend at the Glastonbury Music Festival, and if you aren’t able to make it to the Somerset, England event in person, there are a few ways to livestream Glastonbury online.
Glastonbury kicked off Friday with performances from Lorde, The 1975 and a surprise return to the stage from Lewis Capaldi, who was back on the big stage after taking time off to manage symptoms from his Tourette’s syndrome.
Saturday’s lineup includes Young, along with Charli XCX, Raye, Doechii, Deftones and Father John Misty, among others. The UK festival wraps up on Sunday with headlining performances from Olivia Rodrigo, Noah Kahan and Prodigy.
Perhaps the most anticipated artist is Young, who is still performing at the age of 79. The BBC is the official broadcast and streaming partner of Glastonbury, and it confirmed late Friday night that it would indeed be streaming the rocker’s set, after previously leaving his name off the schedule.
Want to livestream Neil Young’s Glastonbury set? Here’s how to watch Glastonbury live online for free.
How to Stream Glastonbury 2025 Online
Glastonbury 2025 will be streaming free this year on BBC iPlayer, which is the BBC’s official streaming site. There will also be festival coverage on BBC One, BBC Two, BBC Three, BBC Four, BBC Radio and BBC Sounds.
If you want to stream Glastonbury outside of the UK, simply use a virtual private network (VPN) to access BBC iPlayer. We like ExpressVPN, which lets you set the location of your phone or computer to the United Kingdom. Once you’ve changed your location settings, you can head to the BBC site to livestream Glastonbury 2025 from anywhere in the world for free.
ExpressVPN plans start from just $4.49/month and the site is backed by a 30-day money-back guarantee. ExpressVPN is our recommended way to stream Glastonbury from the U.S. In addition to letting you watch Neil Young, Olivia Rodrigo and others from the festival, you can use your VPN to stream shows and movies from other countries around the world (I.e. Netflix Korea for K-pop coverage and K-Dramas).
How to Watch Glastonbury 2025 Online In the U.S.
NordVPN, meantime, is one of the fastest virtual private networks and let you sync up to ten accounts at a time. You can also use NordVPN to watch Glastonbury 2025 online from outside the UK.
NordVPN pricing starts at just $4.39/month and a current promotional offer gets you a free $20 Amazon gift card with sign-up. Get a NordVPN package here and use it to stream Glastonbury on the BBB iPlayer from the U.S.
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From career milestones to new music releases to major announcements and those little important moments, Billboard editors highlight uplifting moments in Latin music. Here’s what happened in the Latin music world this week.
Karol G’s Documentary Played at Women’s Prison
Karol G’s Con Cora Foundation hosted screenings of the star’s Tomorrow Was Beautiful documentary for the women of El Pedregal prison in Medellín, Colombia. The initiative, according to a press release, “aimed to create a safe and uplifting space for reflection, inspiration and community among women deprived of liberty.”
The event featured two screenings of the documentary, accompanied by an educational moment centered around self-care. “Through the Con Cora Foundation, we’re proud to carry on our founder’s mission to uplift and empower women,” Valentina Bueno, executive director of Con Cora Foundation said in a statement. “With the support of partner organizations, we are able to share this story — one of resilience and hope — with these women, hoping to inspire them to dream big and to chase their dreams, because we believe they can make them into a reality.”
Eos Fitness in Kendall, Miami got a surprise visit from Prince Royce when the bachata star crashed one of the Zumba classes this week. Those in attendance were working out to “Dancing in the Moonlight,” part of Royce’s Eterno album, when he joined them in class and danced with a few lucky Zumba students. He also snapped a few selfies with those that approached him with phone in hand.
The Hispanic Heritage Foundation announced that NPR’s Felix Contreras (Alt.Latino) will receive the 2025 Hispanic Heritage Award for Journalism at the 38th Annual Hispanic Heritage Awards. The ceremony will take place Sept. 4 at the Warner Theater in Washington, D.C. Contreras has dedicated over 40 years to reporting and producing TV news, radio, online and streaming journalism.
“Through his remarkable journey, he hasn’t just documented our stories but has authentically lived through the rhythms, beats and messages conveyed in the music,” Antonio Tijerino, president and CEO, Hispanic Heritage Awards expressed in a statement. “His passion for music and our community is palpable and musicians, not just his audience, feels it through the interviews, writings and performances. He’s a cultural ambassador who understands his responsibility to share and represent our community through music which fosters a greater understanding and appreciation of who we are as Latinos.”
Boleros de Noche
Boleros De Noche — an annual music event series launched in 2015 by Roberto Carlos as an effort to preserve, uplift, and celebrate Latin American bolero music in Los Angeles — is taking the celebration a bit further. On Friday, the city of L.A. officially declared Aug. 2 as “Día del Bolero.”
Since its launch, Boleros De Noche has presented over 20 concerts at the Ford Theater featuring artists such as Gaby Moreno, Marisoul from La Santa Cecilia and the legendary trio Los Panchos.
The Latin Recording Academy and the Latin Grammy Cultural Foundation announced the launch of the Latin Music Educator Award. According to a press release, the new distinction will honor “one exceptional educator from the global music community who is making a significant impact by incorporating Latin music into their curriculum.”
Applications are now open to educators worldwide currently teaching kindergarten through high school in a public, private or charter school, who speak Spanish, Portuguese, English or any native dialect.
The inaugural recipient will be honored at the Special Awards Presentation during the 26th Annual Latin Grammy Week in Las Vegas in November. “Educators are pivotal in nurturing and shaping the future of Latin music and its creators,” Manuel Abud, CEO of The Latin Recording Academy, said in a statement. “Together with the Latin Grammy Cultural Foundation, we are proud to honor those who ensure the enduring legacy of Latin music.”
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