Like many years of the past, Drake is looking to make the summer his once again. The 6 God returned on July 4 with the cinematic livestream premiere of his introspective “What Did I Miss” single, which essentially served as the kick-off to his highly anticipated Iceman album.
Drake addresses heartbreak and those who have betrayed him in the last year since the explosive battle that took rap by storm with Kendrick Lamar. “It’s love for my brothers and death to a traitor, let’s go,” he raps.
“What Did I Miss” hit streaming services on “July 5” and has topped the Spotify U.S. chart for two consecutive days (July 5-6).
Even nearly two decades in and after all of the accolades, it feels like another pivotal point in Drake’s career once again with his first solo LP on the horizon since clashing with Lamar in 2024. He’ll look to make another statement setting off the summer when he headlines Wireless Fest 2025 in the U.K. for all three nights this weekend.
The Friday night (July 4) livestream that accompanied “What Did I Miss” found Drake also driving through Toronto while tailing the Iceman Toronto-based ice company truck. He scolded a hater and previewed another unreleased track that’s tentatively titled “Supermax.”
When Iceman does inevitably arrive, Drake will more than likely break a tie with Jay-Z and Taylor Swift for the most Billboard 200 No. 1 albums of all time with his 15th chart-topper.
While there isn’t plenty of information out there regarding Iceman (look for more possible streams on the way), here’s everything we know so far about Drake’s ninth solo studio album.
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With the 30-year anniversary of the Grateful Dead‘s final performance with legendary frontman Jerry Garcia before his death in 1995 upon us, the rock band is bigger than ever, with new generations of fans discovering their music.
Whether you’re an old or new Deadhead, we rounded up the best Grateful Dead merch and apparel to show off your love and pride for the band on Amazon. In fact, Grateful Dead has an official store from the retail giant that features tie-dye shirts, logo apparel, bear tees, sports tees (baseball and basketball) and more.
And if you’re an Amazon Prime member, you can order now and any one of these Grateful Dead T-shirts will be delivered to your home in less than two days once it’s released, thanks to Prime Delivery.
Not a member? Sign up for a 30-day free trial to take advantage of all that Amazon Prime has to offer, including access to Amazon Music for online music streaming, Prime Video and Prime Gaming; fast free shipping in less than two days with Prime Delivery; in-store discounts at Whole Foods Market; access to exclusive shopping events — such as Prime Day and Black Friday — and much more. Learn more about Amazon Prime and its benefits here.
Additionally, vintage apparel company Homage has a collaboration with Grateful Dead and the NBA. The collab features all 30 NBA teams, including the Los Angeles Lakers, Golden State Warriors, Boston Celtics, Cleveland Cavaliers, Miami Heat, Houston Rockets and many others. Check out the NBA x Grateful Dead Collection here.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-07-07 20:29:232025-07-07 20:29:23Grateful Dead’s Official Online Store Drops New Sports T-Shirts for Fans: Shop the Best Dead Merch Now
Benson Boone‘s rapid rise reached its apex this weekend at one of the biggest concert stages in North America: the Plains of Abraham mainstage at Festival d’été de Québec (FEQ) in Quebec City.
“If I’m not mistaken, there are 80,000 of you,” Boone said at one point during the July 5 set (one night after Avril Lavigne and Simple Plan), but the number was reportedly even bigger than that — closer to 90,000.
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“Oh my gosh,” he said, stopping partway through the piano ballad “There She Goes.” Seeing the phone lights lit up throughout the audience, he was able to visualize just how far back the crowd went. It stopped him in his tracks.
By now, few milestones should surprise the 23-year-old singer from Utah. His 2024 hit “Beautiful Things” propelled him to No. 1 on the Billboard Hot 100 in both the United States and Canada, and has currently spent 75 weeks and counting on the Canadian Hot 100. He has four songs currently charting there, and his album American Heart debuted at No. 2 on the Billboard Canadian Albums chart dated July 5. Since his showstopping performance at the 2025 Grammys, his star has continued to get brighter (along with some backlash).
But FEQ has a way of making the scale feel even bigger. Though it remains somewhat under the radar outside of Quebec, the festival consistently books some of the hugest shows of the summer — as with Post Malone last year — and artists are often shocked once they step onto the massive stage.
Benson Boone
Door 24
Benson Boone has already oriented his music to those stages. His presence is acrobatic, both with his voluminous vocals and his signature stage moves. It took less than one song before he did his first flip. Boone had a grand piano with him, similar to the one he used at the Grammys. He occasionally sat to play, but as much as it was an instrument, the piano was there as a stage prop. Every time he got on top of it to sing, the countdown was on for what kind of trick he would do off of it: a jump kick, a simple hop, or most impressively, a full backflip.
Moving around so much in tight jeans can cause issues. At one point, he looked down and realized his pants were ripped at the thigh.
Benson Boone
Door 24
Musically, Boone’s live vocals seem to draw inspiration from singers like Harry Styles and Adele, mixing pop with elements of soul and glam rock. For his showmanship, he’s also clearly taking cues from Freddie Mercury. At this show, he used the epic festival setting to pay tribute to one of Queen’s most iconic performances, leading the audience in a wordless “ayyyyy-oh” call and response just like Mercury did at Live Aid.
Though his album has received some biting reviews that say his over-the-top style masks a lack of depth in the songs and lyrics, it was clear the music was connecting with the audience in Quebec City. All around, people in the multigenerational audience cried, screamed and sang along. He joked around a little, admitting even he didn’t know the meaning of “moonbeam ice cream,” a line from his new hit “Mystical Magical” that has gone viral.
For other songs, he explained the personal meaning behind them — like the tribute to his father, Nate Boone, in “Mr. Electric Blue.” He asked everyone to put away their phones to experience an in-the-moment personal reflection for just one song, “In the Stars,” which he wrote about the death of his great-grandmother.
Benson Boone
Door 24
After just over an hour, he said he understood if fans didn’t yet know all the words to the songs from American Heart since it only came out a couple of weeks ago, but did expect everyone to sing along to his last one. Of course, that song was “Beautiful Things,” and he went all out for the bombastic hit. As fireworks erupted with the song’s climax, Boone jumped down into the audience and embraced as many fans as he could while a security guard ran behind him.
He’s still early in his career, but Boone felt right at home as a festival headliner.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-07-07 20:16:172025-07-07 20:16:17Benson Boone Plays One of His Biggest Shows at Quebec’s FEQ Fest, Admits Even He Doesn’t Know What ‘Moonbeam Ice Cream’ Is
Grimes is here to talk about “REALiTi.” The singer shared her thoughts about social media — and specifically X — when she shared her dissatisfaction in a post made on Monday (July 7).
“Ok I’ve basically been entirely off social media and returning here it is overrwhelmingly abundantly and profoundly clear that this place – and all of these places – are a poison – a prison of utterly short form deep sounding nonsense attached to no one that ur brain will discard imaging its learning,” wrote the artist, who has charted three albums on the Billboard 200, on X. “The entire thing is a theatre. A s—ty pale simulacra of a life.”
While the artist hasn’t exactly been absent from social media platforms in the last few months — she’s posted on X about her thoughts on AI, her favorite controversy of her own, Game of Thrones, Sailor Moon and more — this isn’t the first time she’s aired her concerns about the negativity on apps.
“I’ve been way more offline lately, tried all the apps for a bit yesterday and man! It’s rly dark on here!” she wrote on X in April. “I think it’s very unhealthy to be on social media, it feels like a ghost town of depression, bitterness and pictures of beautiful women doing sext things I feel like this is a massive moral failure of all the apps. And it’s causing great harm to society.”
Billboard has reached out to X for comment on Grimes’ post.
X is owned by Elon Musk, with whom Grimes was previously in a relationship. Musk confirmed their split in 2021 after three years together. The former couple shares three children: son X Æ A-Xii, who was born in 2020; daughter Exa Dark Sideræl arrived in 2021; and son Techno Mechanicus joined the family in 2022.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-07-07 20:13:522025-07-07 20:13:52Grimes Says It’s ‘Profoundly Clear’ That X, Social Media Is ‘Poison’
Untitled Group has announced a new partnership with Jessica Ducrou as she launches her latest venture, Black Peach.
As co-founder and former CEO of Secret Sounds Group, Ducrou was instrumental in building some of the country’s most iconic music institutions, including Splendour in the Grass,Falls Festival, Harvest Rock, Homebake, Secret Sounds Touring and Village Sounds.
The collaboration will see Untitled Group and Black Peach work together to deliver international touring artists across Australia, complementing Untitled’s existing roster of global talent through its flagship festivals and tours.
Untitled Group co-founder and managing partner Nicholas Greco said the partnership was a natural fit. “We’re honoured to be working alongside someone as respected and experienced as Jess. Her contribution to the Australian live music landscape is something we’ve long admired. Welcoming her into this new chapter with Untitled feels like a natural collaboration.”
With Black Peach, Ducrou begins a new chapter of her career, bringing her extensive network and decades of experience in delivering culturally impactful music events.
“I’m super excited to partner with Untitled Group, contributing to their already impressive touring roster of artists,” Ducrou said. “An amazing company that I have admired greatly from afar, I am very much looking forward to collaborating with Nick and the team who share a like-minded passion for artist development, bold ideas and innovation. Good times ahead!”
The announcement follows a milestone year for Untitled Group, which was recently ranked No. 12 on Billboard’s Top Promoters Worldwide list. The company’s flagship events, Pitch Music & Arts and Beyond The Valley, were also named in DJ Mag’s Top 100 Festivals globally.
Untitled Group remains Australia’s leading independent music and events collective, behind globally recognised festivals such as Wildlands and Ability Fest, and ventures including artist management agencies Proxy and Underscore, youth media platform The Daily Aus, and UGLY Vodka.
As the only person of color in One Direction‘s lineup, Zayn Malik — who was the target of widespread racism and Islamophobia in the 2010s — had a very different experience in the public eye from his bandmates.
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And in a teaser for an upcoming song posted Friday (July 4) on Instagram, the musician appears to address the discrimination he endured during his time with the group. Rapping over a sauntering hip-hop beat, Malik — who later posted the lyrics on his Instagram Story — spits, “Do you remember every conversation?/ ‘Cause I have been conscious of every connotation.”
“I’m a convert to the concert, and I did that for inflation/ ‘Cause I worked hard in a white band, and they still laughed at the Asian,” he continues on the track, seemingly titled “Fuchsia Sea.” “If my granddad could go back, lad, there’s a fat chance of a backhand/ Just a young man with his own kid and a wife now, in a new land/ I know he dreamed hard, cause they’re my dreams/ And I grabbed hard with these two hands.”
Malik didn’t share when the song will arrive, but in text over the video, he wrote that it is “coming soon.”
The “white band” in question is presumably 1D, which Malik joined in 2010 with fellow X Factor auditioners Harry Styles, Niall Horan, Louis Tomlinson and the late Liam Payne. The original lineup released four albums before Malik announced his departure in 2015, after which the remaining four members released one more LP (Made in the A.M.) before going on an indefinite hiatus in 2016.
But as the group shot to fame at the beginning of the decade, the public was quick to project hateful narratives onto Malik, who was raised Muslim by a Pakistani father and English mother. At times, the internet was rife with offensive and baseless rhetoric about the musician supposedly being involved with the Sept. 11, 2001, terrorist attacks or joining ISIS, something he spoke about in a 2015 The Fadercover story.
“I’m just a normal person as well as following my religion, and doing all the normal things that everybody else does,” he told the publication at the time. “I feel proud that people actually look to me and can see themselves in that … I always felt good that I was, like, first of my kind in what I was doing. I enjoyed that I brought the diversity.”
Malik last dropped music in 2024, unveiling album Room Under the Stairs and reaching No. 15 on the Billboard 200 that year. The LP also features a track titled “Fuchsia Sea” with different lyrics from the ones he posted on Friday.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-07-07 19:45:392025-07-07 19:45:39Zayn Malik Raps About Facing Racism During One Direction Days in New Song Teaser
Megan Thee Stallion and Roc Nation must keep fighting legal claims from a cameraman who says he was forced to watch the rapper have sex in a car during a European tour, a federal judge has ruled.
In an opinion dated Wednesday (July 2), Judge Gregory H. Woods says cameraman Emilio Garcia has pleaded sufficient facts to continue litigating bombshell discrimination and retaliation claims he brought last spring against the star (Megan Pete) and her management company.
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In their bid to dismiss the case, Megan and Roc Nation have called Garcia a “con artist” and deny that the star forced him to watch her have sex with a woman inside a moving car while on tour in Ibiza, Spain, in 2022. But Judge Woods says the cameraman, who is gay, “plausibly pleads that the alleged sexual encounter in the SUV in Ibiza created a hostile work environment based on plaintiff’s sexual orientation.”
“Plaintiff asks the court to draw the inference that ‘Pete would not have engaged in group sex with other women in front of a heterosexual male’; that ‘Pete felt comfortable engaging in group sex with other women in front of plaintiff because of plaintiff’s sexuality and gender,’” writes the judge. “This is not an unreasonable inference to draw from the facts alleged. Therefore, plaintiff has plausibly pleaded that he experienced the alleged inferior conditions of his employment on account of his sexual orientation.”
The order also declines to dismiss Garcia’s retaliation claims against Megan and Roc Nation, which allege he had his hours and pay rates cut back after complaining about the SUV incident. Garcia says he was later fired from Megan’s entourage and “blackballed” from working elsewhere in the entertainment industry.
“These facts raise a reasonable inference that material terms and conditions of plaintiff’s employment were altered in retaliation for speaking up about the Ibiza incident,” writes Judge Woods.
While Megan and Roc Nation must now keep fighting these blockbuster claims, they did succeed in paring back Garcia’s lawsuit. Judge Woods’ order dismisses an additional hostile work environment claim under California law, as well as aiding and abetting allegations and overtime wage claims.
Reached for comment on the ruling on Monday (July 7), Garcia’s attorney, Ron Zambrano, tells Billboard that the order will allow him to re-plead the dismissed claims in an amended complaint.
“We have plenty of facts after fourteen depositions we’ve taken to get the facts in we need,” Zambrano says. “I’m sure.”
A spokesperson for Megan and Roc Nation did not immediately return a request for comment on the decision.
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This week, Bad Bunny is set to transform Puerto Rico’s typically quieter season with a 30-show residency at the Coliseo de Puerto Rico José Miguel Agrelot (a.k.a. El Choli).
Choosing not to tour globally this summer, the Puerto Rican superstar will instead showcase his latest album, Debí Tirar Más Fotos, exclusively on his home turf from July 11 to Sept. 14 with the concert series No Me Quiero Ir De Aquí (I Don’t Want To Leave Here). The extraordinary demand for tickets — with 400,000 selling within four hours, half to international tourists — confirms the residency’s global appeal and its potential to substantially enhance the island’s local economy during its sweltering summer months.
This residency concept represents a first for Puerto Rico. Although the Coliseo has hosted multiple back-to-back shows in the past, with artists such as Daddy Yankee and Wisin & Yandel performing on consecutive weekends, the scope and magnitude of Bunny’s residency has never been seen before. This series of 30 shows is unprecedented not only for the number of shows but also for the intensity of the preparation and the international anticipation it’s been generating.
The initial nine shows in the lineup are reserved exclusively for Puerto Rico residents, who had to provide proof of residency at one of nine designated locations to purchase tickets, resulting in 125,000 tickets sold. The other 21 shows will be available to anyone willing to travel to the Caribbean island.
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On Jan. 5, Bunny released Debí Tirar, which reached No. 1 on multiple all-genre charts, including the Billboard 200 and Top Streaming Albums. Reflecting on this success, Benito told Billboard a few weeks after releasing the album, “Man, obviously I’m thankful with the way the world has embraced this album. The thing is, this project… it isn’t mine. It belongs to many people: everyone who worked with me, it belongs to Puerto Rico, my friends, my family. This project belongs to all of us who feel proud of being from Puerto Rico and being Latin.”
Alejandro Pabón, the Move Concerts promoter behind the residency, details the extensive preparations necessary to accommodate such an unprecedented influx of fans. “We’re expecting around 200,000 people from abroad visiting the island,” he says. “All the local businesses are going to be impacted. All the hotels are sold out. Today [Feb. 13], a local newspaper put out an article saying that for the residency dates, there’s a 70% surge on AirBnB.” While the volume of business will be overwhelming, Pabón mentions that the event’s organization relies on local labor, creating more job opportunities for Puerto Rican residents. “All the hotel staffing are going to have to level up because they’re expecting 100% capacity for those three months,” he says.
Preparing for the residency presents a complex challenge, introducing a level of scale and coordination previously unseen in Puerto Rico’s entertainment history. But it also promises to bring a raft of economic benefits to the island not typically seen during the summer season.
“Traditionally, July is the slowest month show-wise for the venue since forever. So we went and found the slowest period and booked it, which definitely is helping the economy,” says Pabón.
Travel and concierge expert Rob Dellibovi, who serves as founder/CEO of RDB Hospitality, elaborates on the strategic timing of the residency and its benefits to the local economy. “A time where it’s probably 30-40% occupancy, it’ll be like 90% because of all these shows,” he says. “The fact that they’re doing this in July and August is going to be a huge win for the island because nobody’s there at those times [due to the heat]. They’re not displacing any other kind of revenue; they’re just bringing people during the slow season to Puerto Rico.”
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Pabón notes that Puerto Rico is well-equipped for major events, boasting a “state-of-the-art arena,” abundant “natural resources, great restaurants, and a lot of hotels.” Unlike typical residencies in cities like Las Vegas that feature international artists, this local showcase will potentially alter perceptions of the island as a global tourist hotspot.
Building on this framework, Coliseo de Puerto Rico has established itself as a rite of passage to Latin pop superstars and beyond. Situated in the heart of San Juan’s Milla de Oro, the venue has held some of Latin music’s most important events of the 21st century. A sold-out Coliseo performance is an affirmation of star power.
The Coliseo De Puerto Rico
Al Bello/Getty Images
El Coliseo is no stranger to record-breaking events. In 2021, Karol G made history by becoming the first international female artist to set the record for the fastest ticket sales at the venue with two sold-out dates. More than a decade earlier, on March 14, 2010, Metallica became the fastest-selling concert ever at the Coliseo, drawing a crowd of 17,286. However, Bad Bunny has already surpassed Metallica’s record twice: first in March 2019 and again in July 2022. In 2019, Daddy Yankee broke Wisin & Yandel’s record for the most consecutive sold-out shows at the venue with a total of 10 concerts as part of his Con Calma Pa’l Choli tour — a record Benito is now poised to break.
Jorge L. Pérez, the general manager of Coliseo de Puerto Rico, calls Bad Bunny’s upcoming residency a “historic event.” He tells Billboard that in August 2023, Pabón and Noah Assad, Bad Bunny’s manager, unveiled the concept of the residency to him. “I was blown away,” says Pérez, underscoring the complexity of keeping the plans under wraps. “When they started working the room blocks, I got calls from a lot of skeptical hoteliers. They were like, ‘Why are they asking for so many rooms?! What is happening?!’ I was like, ‘I can’t reveal that information, give them all the available inventory that you have. We have a signed contract at Coliseo. This is legit.’”
With the months-long advance notice of 30 sold-out shows, Pérez says the planning becomes much more manageable. Helping matters, he says, is the fact that they are sourcing all concessions products locally, with the venue to feature a special menu highlighting local delicacies such as “alcapurrias and bacalaitos,” embracing Puerto Rican culinary traditions.
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“[This residency] will position Puerto Rico as a premier entertainment destination,” says Pérez. “It will open the eyes of visitors who have never come to Puerto Rico. It will create awareness of Puerto Rico as an entertainment and leisure destination.”
Pérez says that growth has been evident in the post-COVID era, as the Coliseo has consistently ranked in the top 20 on Pollstar’s year-end list of highest ticket sales among arenas globally. On Billboard’s 2024 year-end list of Top Venues (15,001+ capacity), Coliseo de Puerto Rico was ranked No. 39, with a gross of $52.5 million and 750,000 tickets sold.
With the Bad Bunny residency and other scheduled events, Pérez says he expects to set a sales record at Coliseo, projecting total ticket sales between 1.3 and 1.4 million for the first time in a single year. He adds that the venue is on track to hold more than 100 events in a single year — another milestone. Because of Bunny’s residency, he says there’s potential for the Coliseo to place among the top five on Billboard’s year-end Top Venues chart. At a minimum, projections show 2025 sales increasing by 73% from last year.
While the venue has hosted residencies before, such as Daddy Yankee with 12 shows in 2019 and Wisin & Yandel with 14 in 2022, this is the first time the Coliseo has accommodated a residency of this magnitude, says Pérez. “The uniqueness about this is a call made by the artist, saying, ‘I released a new album that’s at the top of the charts globally, and I am not going on tour. If you want to see these concerts, you have to come to my island.’ I believe that this call is what makes this residency very special — and the impact it will have on the island’s economy,” he says.
“They’re digging into what the whole Vegas set up is,” says Dellibovi, describing the economic strategy behind such events. “The casinos know that if they have a huge act like Adele, Céline Dion or whoever is doing a residency…people are going to fly in for it — and the casino itself is going to make a ton of money.”
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Of the potential ripple effects the Bunny residency might have on the global entertainment scene, Dellibovi hints that it could spawn a new potential trend. “Is Andrea Bocelli going to do an Italian residency? I have no idea,” he says. “I just think it’s super cool that this is going to spark a whole new residency game, in my opinion, where people are going to go to all these places to see the artist in their homeland. Every international artist from any country is going to be like, ‘Oh s—, I’m going to go back to wherever I’m from and have a month of shows and make a lot of money.’ Those cities are going to want it because there are slow seasons. They need it. Everyone’s going to want to support this.”
Echoing this sentiment, Pabón emphasizes the significance of cultural representation and local benefit: “Who wouldn’t want to showcase their hometown or contribute to it in a positive way? It’s not just going to be the Sphere or the MGM [Grand in Las Vegas] doing residences.”
Traveling to Puerto Rico is particularly convenient for Americans, as only a driver’s license is required for entry. Given this ease of access, Puerto Rico is well-positioned to outpace other popular Caribbean destinations such as Mexico and the Dominican Republic in attracting American tourists, Dellibovi points out.
“This is a big trip for people. That’s a party weekend,” he says. “Make sure you’re stocked and make sure your vibe is right. Make sure that you’re ready to deal with a crowd that’s there to have fun. This is not your typical beach crowd. This is going to be people who are in town to party.”
With more than 1.1 million Puerto Ricans residing in the New York metropolitan area, accounting for 6.7% of New York City’s population in 2020, according to the New York Academy of Sciences, the city not only serves as a significant cultural epicenter for the Puerto Rican diaspora but also stands as a primary source of attendees for major events in Puerto Rico. He expects that will be the case here as well.
“New York is the number one [demographic] of people that are going to come visit,” Pabón says. “I’m definitely expecting a lot of second and third-generation Puerto Ricans to come back home. I know that for a lot of them it is going to be the first time that they’ll come visit, because not all of them have had the chance to be here. I know it’s going to be a special [destination] that’s going to let them connect with their island. It was the artist’s idea to create this synergy between them and their island.”
According to the Puerto Rico Report, there are about 5.8 million Puerto Ricans living in the United States, compared with 3.2 million on the Island.
“This is like a pilgrimage, a Hajj for Puerto Ricans,” echoes Dellibovi. “If you’re Puerto Rican, and you love Bad Bunny, who’s not going to want to go to the homeland and see him? It’s the coolest experience ever for actual Puerto Ricans [living abroad].’ He continues, “Bad Bunny is the biggest Latin artist in the world. He is the only Latin artist who can sell out a stadium in any city in the world. He can go to Sweden, Tokyo, Sydney, anywhere. It’s very rare for a Latin artist to be able to do that.”
Pabón emphasizes the deeper motivation behind the residency, reflecting a sentiment shared by his team: “We’re doing this not just for business, that’s secondary. This is done for our country, for our identity, because we really love Puerto Rico. The artist really loves it. Noah really loves it, and all the team. It’s personal. We’re all really excited and happy about this.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-07-07 19:20:432025-07-07 19:20:43How Bad Bunny’s Historic Puerto Rico Residency Will Boost the Island’s Economy & Image
Alex Warren’s ‘Ordinary’ Rules Billboard Hot 100 for Fifth Week
In a busy top 10 on the Global 200, two tracks from the soundtrack to Netflix’s KPop Demon Hunters storm the region: “Golden,” by HUNTR/X, EJAE, Audrey Nuna and Rei Ami (vaulting from No. 52 to No. 2), and “Your Idol,” by Saja Boys, Andrew Choi, Neckwav, Danny Chung, Kevin Woo and samUIL Lee (73-10). The former also bounds 51-5 on Global Excl. U.S.
aespa’s “Dirty Work” debuts at No. 5 on the Global 200 and No. 2 on Global Excl. U.S. The South Korean pop group scores its highest ranks and second and third top 10 on the respective charts.
Plus, Ravyn Lenae’s “Love Me Not” rises 11-10 on Global Excl. U.S., where it’s her first top 10.
The Billboard Global 200 and Global Excl. U.S. charts, which began in September 2020 — and two weeks earlier marked their 250th week — rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.
Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.
“Ordinary” leads the Global 200 with 66 million streams (essentially even week-over-week) and 11,000 sold (up 2%) worldwide June 27-July 3. The song becomes the seventh to have topped the Global 200 for double-digit weeks — here’s a rundown of the list’s longest-leading hits:
19 weeks at No. 1, “All I Want for Christmas Is You,” Mariah Carey, 2020-25
18, “Die With a Smile,” Lady Gaga & Bruno Mars, 2024-25
15, “As It Was,” Harry Styles, 2022
13, “Flowers,” Miley Cyrus, 2023
12, “APT.,” ROSÉ & Bruno Mars, 2024-25
11, “Stay,” The Kid LAROI & Justin Bieber, 2021
10, “Ordinary,” Alex Warren, 2025
Two songs from the soundtrack to Netflix’s KPop Demon Hunters blast to the Global 200’s top 10: “Golden,” billed to HUNTR/X, EJAE, Audrey Nuna and Rei Ami (52-2), and “Your Idol,” credited to Saja Boys, Andrew Choi, Neckwav, Danny Chung, Kevin Woo and samUIL Lee (73-10). The former soared by 135% to 48.4 million streams and 48% to 4,000 sold worldwide in the tracking week; the latter leaped by 117% to 37.6 million streams and 25% to 3,000 sold globally.
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The KPop Demon Hunters soundtrack surges 8-3 on the U.S.-based Billboard 200, becoming the highest-charting soundtrack of 2025.
Lady Gaga and Bruno Mars’ “Die With a Smile” holds at No. 3 on the Global 200, after 18 weeks at No. 1 starting last September, and Sabrina Carpenter’s “Manchild” slips to No. 4 from its No. 2 high.
aespa’s “Dirty Work” opens at No. 5 on the Global 200 with 48.4 million streams and 6,000 sold worldwide following its June 27 release. The act adds its second top 10 on the tally — and first top 10 debut and first top five hit — after “Whiplash” hit No. 8 in November.
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“Ordinary” leads Global Excl. U.S. with 47.7 million streams (down 1%) and 4,000 sold (up 1%) outside the U.S.
“Dirty Work” launches at No. 2 on Global Excl. U.S. with 45.2 million streams and 5,000 sold. aespa claims its second top 10 on the chart — and first top 10 debut; “Whiplash” reached No. 5 in November.
“Die With a Smile” dips 2-3 after 17 weeks atop Global Excl. U.S. starting last September and “APT.” steps down 3-4, after reigning for a record 19 weeks beginning in November.
“Golden” shines 51-5 on Global Excl. U.S. with 35 million streams (up 137%) and 2,000 sold (up 46%) beyond the U.S.
Plus, Ravyn Lenae’s “Love Me Not” lifts 11-10 on Global Excl. U.S., powered by a 5% gain to 27.4 million streams outside the U.S. The Chicago-born singer-songwriter earns her first top 10 on the chart with the track, which hit No. 7 a week earlier on the Global 200, where it’s also her first top 10.
The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated July 12, 2025) will update on Billboard.com tomorrow, July 8. For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-07-07 19:05:392025-07-07 19:05:39Alex Warren Tops Billboard Global Charts, ‘KPop Demon Hunters’ Hits & More Enter Top 10
Chappell Roan’s “Pink Pony Club” re-enters the Hot 100, but will she rise above Morgan Wallen, Shaboozey “A Bar Song (Tipsy)” or Teddy Swims’ “Lose Control” to take over No. 1 from Alex Warren’s “Ordinary”?
Tetris Kelly: This is the Billboard Hot 100 top 10 for the week dated July 12. Back in the top 10 is Chappell Roan. Down to nine is “Die With a Smile.” “Lose Control” is up to eight, with Sabrina Carpenter falling to seven. “Luther” is locked at six, as is “I’m the Problem” at five. “A Bar Song (Tipsy)” climbs three spots, while “Just in Case” is up to three. Morgan and Tate spend another week at two. And spending a fifth week at No. 1 is Alex Warren with “Ordinary.”
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https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-07-07 19:00:312025-07-07 19:00:31Billboard Hot 100 Top 10 Countdown for July 12, 2025 | Billboard News