New Music Latin is a compilation of the best new Latin songs and albums recommended by Billboard and Billboard Español editors. Check out this week’s picks below.

TINI & Beéle, “Universidad” (5020 Records)

Argentine star TINI and Colombian hitmaker Beéle join forces on this refreshing merengue-pop track, perfect for kicking off the summer. With catchy lyrics and rhythm, “Universidad” talks about learning about love and heartbreak through the experiences that only life can offer. “Because there is no university where they teach you how to love properly/ There is no book that says how much it hurts,” says part of the chorus. In her first foray into the Dominican musical genre, TINI shines and once again demonstrates her versatility, while Beéle brings his Caribbean urban flavor. Don’t miss the music video, directed by Martín Rietti and written by TINI herself. The clip is full of vibrant scenes and funny moments that will make you smile and dance. — SIGAL RATNER-ARIAS

Edén Muñoz, “Raite Pa’ Con Diosito” (Sony Music México)

Edén Muñoz’s “Raite Pa’ Con Diosito” is a song that transports us to the golden age of Mexican cinema with a contemporary twist. Powered by a ranchera vibe, the single is accompanied by a Sinaloa band and the distinctive touch of his accordion. The lyrics — a story that often happened in the past, when fathers refused to let their daughters marry rebellious men on horseback — use witty phrases accompanied by a contagious rhythm that invites us to dance. The singer, composer, arranger and producer of regional Mexican music makes it clear that he will continue to defend his roots and traditional music, adding only a few fresh touches. – TERE AGUILERA

Yami Safdie & Emilia, “+ Te Vale” (Warner Music Latina)

Yami Safdie and Emilia waste no time in this two-minute poignant ballad where they offer advice to the man who broke their hearts and has already started a new relationship with another woman. “Your relationship better last and you better treat her like a queen,” Safdie sings evocatively at the top of the song, which quickly gets your attention. “You better love her like you never loved me,” she adds. Emilia later joins in with an equally emotional vocal delivery to get their point across. In the song, Safdie and Emilia are both vulnerable and raw, capturing the pain that comes with healing from a heartbreak. — GRISELDA FLORES

Brray, Inframundo (Universal Music Latino)

Puerto Rican rising star Brray showcases his signature deep, raspy vocal style in his latest EP, titled Inframundo. This collection of tracks strikingly captures the vibrant sounds of the Caribbean, putting Brray’s innovative fusion of reggaeton, reggae and hip-hop influences at the forefront. The focus track features reggeatón OG Tito el Bambino in “Dale TO,” setting the tone for the EP with a refreshing return to the classic old-school reggaeton vibe.

Kicking off the EP is “100POL35,” a powerful collaboration with Baby Rasta, which carries a robust sociopolitical message that reflects the current landscape of Puerto Rico. In “Una Gata,” featuring Nio García and Juanka, Brray delves into the complexities of relationships, turned into a parody talking about the desire of freedom. “Kittypon” perfectly blends reggae flavors with reggaetón, combining keyboard notes and a thumping perreo sound to create an atmosphere full of island vibes. — INGRID FAJARDO

Dale Pututi X El Chulo, “Buzón” (Plus Media)

In a new collaborative effort, Dale Pututi and El Chulo drop “Buzón,” co-produced by RoMn Beatz and Pututi. Sonically, the track is a hard-hitting reparto—a rhythmic genre that fuses reggaetón with traditional Cuban music and is notably marked by the claves. Lyrically, and steering away from the explicit and street dialect that represents reparto music, “Buzón” (mailbox) tells the story of a man who doesn’t understand why his relationship came to an end, and most importantly why he’s blocked on all platforms: “I learned that all that glitters is not gold/ You betrayed me even though I gave you everything.” Pututi passionately delivers the song with his crispy and dulcet vocals, while El Chulo brings his rugged and intense verses. Both Cuban acts have previously collaborated on “A Mi Manera” and “Que Rico Sería.” — JESSICA ROIZ

KATSEYE, “Gabriela” (HYBE/Geffen)

Girl group KATSEYE’s “Gabriela” is a bilingual Latin-flavored track that also pays homage to Dolly Parton’s iconic “Jolene.” Comprised of members of various nationalities (Philippines, South Korea, Switzerland, and the United States), the group sings about a woman who begs her rival to leave her love. “He came with me and with me he goes/ His eyes are mine, that won’t change/ He wants me and the others don’t matter,” sings Daniela, of Cuban and Venezuelan-American descent, in Spanish. The fun music video, starring Jessica Alba and set in the style of a Latin soap opera, shows the members fiercely competing and attacking each other to become the next “Gabriela.” “We leaned into the world of telenovelas because they’re iconic and over-the-top in the best possible way – from the acting to hair and wardrobe,” the group says in a press statement. “It’s all love, all homage, and definitely all drama!” — LUISA CALLE

Check out more Latin recommendations this week below:

Latin music stands at a pivotal crossroads, as mounting immigration policies threaten its continued explosive rise in the U.S. While regional Mexican artists break records and capture global audiences, visa delays, revoked work permits, and aggressive immigrant raids cast a shadow over the genre — disrupting touring schedules, dividing fan bases, and stifling industry momentum.

From Fuerza Regida’s historic 111XPANTIA debut at No. 2 on the Billboard 200 — the highest-charting regional Mexican and Spanish-language album ever by a duo or group — to Grupo Firme and Grupo Frontera joining YouTube’s Billion Views Club this week, the demand for regional Mexican music has never been stronger.

But what happens when the people and communities who fuel this cultural movement are under fire?Should artists and the broader industry step up and take a stand? Billboard staffers tackle these pressing questions and more below.

1. Should Latin artists in particular speak out on immigration issues? How does this responsibility intersect with their roles as entertainers?

Leila Cobo: No artist has an obligation to use their platform for anything, or to speak out about anything beyond what they want to. Through the years, some artists have been very vocal on immigration issues while some have stayed quiet. It’s a polarizing issue — plus, artists who are not U.S. citizens or residents are reluctant to give opinions about immigration policies inside a country that is not their own.

However, given that most touring Latin artists today owe a debt of gratitude to a growing immigrant fan base, it feels, at the very least, disingenuous to ignore the issue and not call for basic rights. With that, I mean asking for basic decency in enforcing immigration rules – and by basic decency, I mean asking to put a stop to raids on working people and giving people due process.

Griselda Flores: These aren’t simply “immigration issues.” What we’re seeing happen across the country are aggressive raids that are, in some cases, uprooting community members who — like my parents — have been here for many years and came here to pursue the “American Dream.” Families are being ripped apart under the Trump administration in front of our eyes, hard-working people being taken away while at work or at routine immigration check-ins in an effort to meet an ambitious quota of 3,000 arrests a day.

We need to say it like it is. No artist is obligated to comment on anything, period. But I do think that our Latin community has always been there for these artists, supporting their careers, paying thousands of dollars for their shows, buying really expensive merch — so, in return, expressing some sort of message in solidarity would go a long way. At this point, if you’re a Latin artist with a platform and you’re not saying anything publicly, you’re sticking out like a sore thumb. Some Latin artists who weren’t born in the U.S. have preferred to not opine on politics or immigration policies — but when this is affecting your core fanbase, when you’re not selling tickets because some of your fans are too scared to go out, isn’t it worth speaking up then?

Sigal Ratner-Arias: I agree with Gris. These are not just mere immigrant issues. The level of pain and trauma caused by these aggressive raids is unfathomable, and is affecting thousands and thousands of people. Of course, every person and artist is free to decide whether or not to speak out, but given the magnitude of the problem and how it directly affects their community and their fan bases, their words can certainly offer some encouragement and support to those who have always been there for them.

Isabela Raygoza: No individual — famous or not — is obligated to speak out on social and political issues — however, the influence and reach of Latin artists make their voices uniquely impactful in shaping public opinion. For entertainers, the decision to address immigration issues carries deeper significance, as their art and public personas often serve as bridges that connect their audiences to cultural and social realities. 

The conversation becomes even more nuanced when distinguishing between U.S.-born Latin artists and those born in Latin American countries who require visas to perform or reside in the U.S. For immigrant artists, speaking out against immigration policies can be fraught with personal and professional risks, as their critiques could potentially jeopardize their own legal standing or career opportunities. But when artists choose to engage, they could help humanize the immigration debate, amplify marginalized voices and inspire action.

Jessica Roiz: They are not obligated to — but ideally, when it’s directly impacting their community and fan base, I would think yes they would. We’ve seen artists such as Maná, who are not even from the United States, go on social media to defend immigrants and encourage protesters to be non-violent and protest peacefully amid the ICE raids. This, for me, is a viable and compassionate way of supporting your people — those, like Griselda best said, who are the ones consuming your music and buying your concert ticket. This goes beyond immigration issues, and it truly speaks volumes when an artist uses their platform to raise awareness, advocate, or educate their followers on current social issues.

2. A handful of Latin artists like Becky G, Fuerza Regida, DannyLux, Ivan Cornejo, and Eslabon Armado are using their platforms to stand up against anti-Latino rhetoric. Do their efforts help shape public discourse around immigration and inspire broader advocacy?

Leila Cobo: Sadly, I don’t think they do. As much as we like to think that what artists say swings a voting base or changes laws, history has shown that that’s simply not the case. And that’s particularly true when the message gets emotional and strident. However, I do think that artist voices at least raise awareness among those who perhaps weren’t following the issue.

Griselda Flores: To answer the question directly, yes, it does shape public discourse and inspire broader advocacy. These are public figures who have millions of followers, one single post can start a conversation where you least expect it. That doesn’t mean it will lead to policy change, but it creates awareness, especially among young zealous fans who spend many hours on social media. I think that generation is particularly paying attention to who is saying what.

Sigal Ratner-Arias: It definitely creates awareness among their millions of followers, who today are not only Latinos. We see some of these artists really opening up about their parents or grandparents’ experiences as immigrants in this country — sharing what they left behind, how much they sacrificed and worked so that they can have the lives they do today. Many are also sharing resources and information on how to help or get help. It is, at the very least, touching and inspiring. It helps give dignity and humanity to the affected community.

Isabela Raygoza: It absolutely does. By leveraging their influential platforms to address anti-Latino sentiment and oppressive immigration policies, these artists help amplify the human side of the immigration debate, which can get lost in political rhetoric. Becky G reminding her fans that those being targeted are “human beings with rights,” can compel her millions of followers to empathize and act. Artists like Eslabón Armado, Junior H, and Cuco have taken tangible steps by dedicating concert proceeds to immigrant advocacy organizations such as CHIRLA. Similarly, band members of Las Cafeteras demonstrated resistance by taking to the streets of L.A. to perform and protest against ICE during the protests, to empower communities impacted by these policies. By blending art, activism, and philanthropy, these artists not only elevate awareness but also motivate communities to unite in finding solutions.

Jessica Roiz: 100 percent — como dice el dicho: “juntos somos más” (together we are more). Not only are they showing solidarity with the Latin community, but they are amplifying the voices of undocumented immigrants and other marginalized communities. They might lose followers, they might break brand deals for voicing their opinionn — but they are definitely raising awareness on an important issue, and that to me, is an act of bravery.

3. Meanwhile, revoked visas and canceled shows have disrupted the ability of Mexican stars like Julión Álvarez and Grupo Firme to tour in the U.S. How might these restrictions not only limit live performances but also impact the U.S. recording industry’s relationship with regional Mexican music and its growing popularity?

Leila Cobo: The effects of these restrictions are already being felt. Tours have been cancelled, performances have been cancelled, and I worry that it’s a matter of time before attendance drops because fans are afraid to go to shows and be caught in raids. It’s very alarming. I hope, however, that this doesn’t affect the recording music market, particularly in an age of streaming that allows the music to be consumed everywhere.

Griselda Flores: I wrote a whole story on this so I’m not sure what else to add. Simply put, this could potentially derail the movement of genre that had entered spaces it had never entered before and reach new audiences. Just two years ago, we were having conversations about música mexicana’s significant growth in streaming and touring. Now, the conversation has shifted so significantly that it’s heartbreaking. I think, if anything, regional Mexican will remain strong in streaming because the audience is there, no doubt about it.

Sigal Ratner-Arias: In the last few years, we were really excited to see and report on regional Mexican music achieving new highs, including on the Billboard charts and the touring scene. We’ve also covered extensively its refreshing evolution and new subgenres through a young generation of Mexican and Mexican-American acts. Overnight, we are dealing with a situation that is putting its growth at risk, temporarily. On one hand, we have visa delays or cancellations; on the other, the aggressive immigration raids could lead fans to decide to stay home for fear of being detained or deported. But música mexicana is a legacy genre that has been around for over a century and a half — it will not cease to exist because of this.

Isabela Raygoza: I believe these restrictions can definitely impact the U.S. recording industry’s relationship with regional Mexican music — a genre whose popularity has seen unprecedented growth in recent years. In the last two years, artists like Guadalajara-born Peso Pluma have shattered records on the Billboard charts. Billion-stream Tijuana band Grupo Firme has also been a powerhouse on the charts and, like Peso, has graced the cover of Billboard Magazine. Such milestones demonstrate the genre’s meteoric rise, shining a spotlight on Mexican music and positioning it as a cultural and commercial powerhouse within the U.S. music industry. Restricting these artists from touring diminishes both their ability to expand their audience and the industry’s opportunity to capitalize on the growing demand for regional Mexican music — a dynamic that continues to reshape the U.S. music landscape.

Jessica Roiz: I think what’s truly worrisome here are the live shows being impacted. This not only puts a halt on the artists promotion plan and extra income, but like Sigal said, the ongoing ICE raids are also causing fear among the community, resulting in fans not wanting to buy tickets and attend concerts. On the other hand, I feel that while the revoked visas situation gets handled (hopefully sooner than later), artists can continue using social media to promote their music and new projects, all helping keep the música mexicana genre afloat.

4. Beyond Mexican artists, overall, obtaining visas has — anecdotally — become a more protracted process. How could this affect the Latin music business overall?

Leila Cobo: It affects artists’ abilities to come perform and promote their business. We’re seeing it more and more. But, unless there’s a legal issue delaying a visa, they are being issued, so this is a relatively easy solution. Begin the process sooner. I’m an immigrant and I went through many, many visa processes before becoming a resident and now a citizen. And mind you, the process to come here was perhaps easier than that of going to many other countries. There’s a process and it takes time, and however inconvenient that may be, that’s the way it is. Plan ahead.

Griselda Flores: It’s already affecting it. It’s not business as usual. Shows will get cancelled or postponed while artists figure out their visa situations, and then it becomes a domino effect impacting not only the artist, but the promoter, venue, vendors, staff, etc.

Sigal Ratner-Arias: This is already happening and is very worrisome. In the last couple months, we’ve seen not only shows but full festivals canceled, affecting both the music industry and surrounding businesses like hotels and restaurants. Live music represents a significant source of revenue in the music industry, particularly for artists. And we expect to see more cancelations over the year.

Isabela Raygoza: It could slow everything down — from international tours to collabs between U.S. and Latin artists. If visa delays become the norm, it makes it harder for artists to connect with their fans abroad and build their global reach. For the Latin music industry, which thrives on cultural exchange and live performances, this kind of red tape could stifle growth and momentum at a time when the genre is booming worldwide.

Jessica Roiz: As I mentioned before, I think the live industry could be the most impacted one: Artists will not be coming to the U.S. to do shows, and if they do, fans might not buy tickets out of fear of going out. This will then create a domino effect, affecting artists, venues, hotels, and beyond. Same could apply for those fans who like to travel to see their favorite artists in another country — they might want to stay put during these uncertain times.

Additionally, it’s very common for artists from Colombian, Venezuela, Argentina, and other countries to come to the states on a work visa and spend some time in Miami, Los Angeles, etc, working on new music, negotiating new business deals, networking, doing shows. I can only see this as a setback in their careers and within the industry.

5. Should the broader U.S. Latin music industry play a role in standing up against immigrant raids? How can fans, labels, promoters, festivals, etc. work together to actively align with these social causes?

Leila Cobo: I am very surprised, and frankly disappointed, that the industry hasn’t come together over this in a significant way yet, Beyond the brutality of ICE actions and the demonization of the entire Latin community, the effects in our burgeoning touring industry could be huge. This affects the entire chain of business: Artists, concerts, vendors, concessions, merch, sponsorhips. We should follow the example of the farming and hospitality industry — which lobbied, showed the effects of the raids in numbers and economical impact and garnered a reprieve from raids in farms, hotels and restaurants. Demonstrations that result in vandalism or any show of violence (as happened in Los Angeles) is hugely detrimental to our cause. Of course, it’s an emotional issue. But it was to be approached from a rational standpoint. This is a question of decency, humanity, family and yes, economics.

Griselda Flores: Yes. Again, this is impacting the very community that is buying tickets to your events. Your business will be impacted, if it hasn’t been already, if people are too scared to go to shows — or if all of a sudden you have to cancel an entire festival or a show over artist visa uncertainties. I think if industry execs reached out to political leaders and spoke up about how this is impacting their business, that may move the needle. That’s the most efficient and logical way to create change, and that’s what CMN’s Henry Cárdenas told me he is doing.

Sigal Ratner-Arias: The broader U.S. Latin music industry is directly affected and should get together, like Leila pointed out, as other industries have already done. I’d like to see the industry act and show a united front, reach out to their congressmen to ask for support and stand by its artists and loyal fanbases.

Isabela Raygoza: Absolutely, the Latin music industry has a unique platform to make a real impact. Fans, labels, promoters, and festivals can come together in powerful ways — from raising funds for organizations — like CHIRLA.org, ilrc.org, Nilc.org, UnitedWeDream.org — that support immigrants, to using social media to amplify stories and voices from affected communities. Festivals could dedicate space or moments to highlight these causes, and labels/promoters can support artists who are vocal about these issues. Even small actions, like merch sales benefiting advocacy groups, can go a long way. The industry thrives on the culture and stories of immigrants, so it only makes sense to stand with them when they’re under threat. It’s about turning the power of music into meaningful change.

Jessica Roiz: I think it’s important. We’re already seeing some artists do their part on social media to raise awareness, and we’re already seeing Latin music fans hitting the streets to protest. Grupo Frontera even pledged to donate proceeds from its new album sales to help these efforts. Anything helps the cause, and if more artists, record labels, concert promoters, and industry leaders unite, the impact will be bigger and stronger, and can potentially strike a chord and incite actual change regarding the current immigration policies.

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Axel Arigato just released a collection celebrating all things musicians.

The Swedish brand created new colorways of the Eris sneaker launched on June 11, inspired by a range of musicians from around the world. Retailing for $435, the unisex sneaker campaign was styled on the likes of Parisian musician Camille Jansen, Dutch-British artist Bea and American musician Ana Roxanne. Each sneaker colorway was inspired by the individual artists and their sounds.

New colorways added to the launch palette of blue, yellow and charcoal include brown, oat, light gray and pink, offering prospective buyers the ability to express themselves with a slew of possibilities. The Eris model is a lifestyle sneaker for those who defy convention, choosing to live boldly. 

No matter the colorway, the sneaker’s construction consists of a mix of 86% leather and 14% polyester, leaving a textural finish. Round laces with silicone-dipped aglets give way to plush and bouncy rubber, EVA and TPU soles that cradle the wearer’s feet. Finally, embossed Axel Arigato logo detailing can be spotted throughout the silhouette, offering the shoe an instantly recognizable feel. The monochrome colorways and striking design make these sneakers a statement-maker for sure. You can shop the collection now on Axel Arigato’s website.

The Eris in Light Blue/Light Blue represents Ana Roxanne’s music and her immersive and meditative sound featuring layered vocals, analog synthesizers and field recordings. Roxanne’s music explores both deeply personal and universal themes, aptly reflected in the soft and dreamy blue hue of her sneakers. In the campaign, her Eris silhouette was worn with an orange strappy dress in a boxy style with a speaker fixed to the front. The chunky sneaker silhouette nicely complemented the boxy nature of her dress. In her alternative look, Roxanne also wore black micro shorts and a faux-fur sweater in a coordinating light blue hue.

The pastel buttercup yellow colorway represents Bea’s ethereal, emotionally textured soundscapes. The musician’s work is unconventional in structure with sounds that are atmospheric, introspective and emotionally textured. Her music is punctuated with otherworldly vocals that give each track an ethereal vibe. To match her sneakers, Bea wore a pastel yellow blazer, accompanied by black micro shorts and a pastel yellow top with a tie detail on the bodice. Her second look consisted of a structural knotted garment. Both looks are playful in nature, solely pulling from the color of her shoes.

Finally, Camille Jansen is repped by the gray colorway. The Parisian artist’s music features acoustic narratives of resilience and self-discovery. Her sound is mainly percussive and acoustic, often painting dreamlike scenarios. Jansen modeled the shoes along with a boxy gray bomber jacket and a black bodysuit. Her second look included a gray sculptural top layered over what looked to be a long-sleeved black top or dress. The monochrome gray colorway is more versatile than the rest, meaning your styling options for this one are virtually endless.

Public Enemy has new rhymes designed to fill your mind. The iconic hip-hop group dropped new protest song “March Madness” in honor of Juneteenth on Thursday (June 19).

“PUBLIC ENEMY IS STILL FIGHTING THE POWER,” member Flavor Flav wrote in a statement posted to X that day before noting how President Joe Biden signed the national holiday into law on June 19, 2021, and that 160 years have passed since the Confederates surrendered in the Civil War in 1865. “But it feels like we are on the brink of something similar with ongoing efforts to dismantle diversity equity and inclusion. We don’t want what’s going on in Israel vs Palestine and now Iran. We don’t want what’s going on Ukraine vs Russia,” he continued. “I hate war. I hate what’s going on around the world and in US. We are supposed to be THE UNITED STATES and war ain’t about Unity. We have our rights and can use them while we still have them. I have this platform and will use it will I still have it.”

Flav then went on to share that the song was a collaboration with students from three universities. “It was an honor to work with the students from Harvard, Berklee, and Howard Universities to create a protest anthem about important issues we are facing as human beings right now,” he wrote before ending with, “MARCH ON,!!”

The ominous “March Madness” kicks off with audio from a 911 call, with the operator asking if the caller is still hearing shots, with a newscaster then reporting, “You hear the teacher asking for help
As she also tries to keep her students calm.”

“Now I’m America’s nightmare/ A debonaire black millionaire/ Checking these crooked politicians who ain’t playing fair/ Shut up! Too much talk/ We know you don’t care,” Flav begins in verse one before throwing in one of his famous “Yeaaaah boys.” He goes on to rhyme: “911 is still a jokе/ So no, motherf–ka, you ain’t getting my vote.”

Chuck D comes in on the second verse with a scathing commentary on the numerous school shootings that have taken place in the United States in recent years. “Trigger happy, hi, I wanna ask a question/ Does a gun need to be in a school to teach or nones?/ Kids supposed to have fun, none of this ‘Run for cover for your life, son,’” he raps before blasting lawmakers for “acting scared off the NRA.”

He also addressed the issue in a separate statement. “Gun violence is not normal behavior, but it’s been going on for so long that it’s normalized,” Chuck D said. “We need to treat it like the sickness and the epidemic that it is.”

The Grammy-nominated group is currently on a world tour, which kicked off earlier in June in Florence, Italy. Public Enemy will also be the support act for Guns n’ Roses on several of the rock band’s European tour dates this summer.

Listen to “March Madness” below:

SZA might be extraordinarily busy as she prepares to head overseas with her and Kendrick Lamar‘s Grand National Tour — but that didn’t stop her from swooping in for a quick recording session with her friend Lizzo.

In a series of posts to her Instagram Stories early Friday (June 20), SZA teased fans with a forthcoming collaboration between her and the “Juice” singer. What started as a glimpse of Lizzo’s own new music in the video, the “Luther” singer started sharing clips of her voice playing alongside Lizzo’s in the background. “Working on a guest star for bookie @lizzobeeating’s new mixtape,” SZA wrote in one caption, while calling their link-up a “lil after-dinner session” in another.

Back in March, Lizzo announced that she was officially “done” preparing her new album Love in Real Life, adding that she “got an emergency root canal, announced SNL & finished my album all in one day.” While it’s unclear whether Love in Real Life is the “mixtape” SZA referred to in her post, the album has yet to receive an official release date.

Earlier this week, SZA opened up to Chappell Roan about her friendship with Lizzo during a conversation for Interview Magazine. Speaking about the first time she and the “About Damn Time” singer met, SZA praised the “organic and very random” connection they immediately shared. “One day, we were on the same tour, and I was like, ‘We’re about to drive out to Lake Michigan, do you want to come?’ And she was like, ‘Yeah, let’s go,’” SZA recalled. “And then we just got drunk and hung out, and we kept doing that, and then our lives and careers progressed, and we kept talking and hanging out.”

The new song wouldn’t be the first time the pair have worked together, either. Back in 2023, SZA appeared on a revamped version of Lizzo’s 2022 hit “Special.” In May, Lizzo even crashed the stage during SZA and Lamar’s tour stop in Los Angeles to perform the track with her on stage.

The news comes after SZA and her co-headliner Lamar wrap the first leg of their 2025 Grand National Tour. Starting in July, the pair will begin performances across Europe — including shows in Paris, London, Barcelona and Rome — and close out their headline-making run with a set of shows in Australia this December.