Billie Eilish’s Happier Than Ever holds atop the Billboard 200 albums chart for a second week, as the set earned 85,000 equivalent album units in the U.S. in the week ending Aug. 12 (down 64%), according to MRC Data. The album debuted at No. 1 a week ago with 238,000 units – the fifth-largest week of 2021 for an album. Happier Than Ever is the second album released in 2021 to spend its first two weeks at No. 1, following Morgan Wallen’s Dangerous: The Double Album (which spent 10 weeks at No. 1, all consecutive, from its debut on the Jan. 23-dated chart).

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Aug. 21, 2021-dated chart (where Happier Than Ever holds at No. 1) will be posted in full on Billboard’s website on Aug. 17. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of Happier Than Ever’s 85,000 equivalent album units earned in the tracking week ending Aug. 12, SEA units comprise 49,000 (down 42%, equaling 66.1 million on-demand streams of the album’s songs), album sales comprise 36,000 (the top-selling album of the week; down 76%) and TEA units comprise less than 1,000 (down 55%).

Olivia Rodrigo’s former No. 1 Sour is up one spot to No. 2 with 61,000 equivalent album units earned (down 6%).

Nas scores his 15th top 10 album on the Billboard 200, and highest charting effort since 2012, as King’s Disease II debuts at No. 3. The set, released on Aug. 6, earned 56,000 equivalent album units in its first week. Of that sum, SEA units comprise 35,000 (equaling 47.44 million on-demand streams of the set’s songs), album sales comprise 19,000 and TEA units comprise a little over 1,000.

King’s Disease II was announced only a week before its release, on July 29, and is the sequel to King’s Disease, which was released in 2020 and debuted and peaked at No. 5 on the Billboard 200 (dated Sept. 5, 2020). The new album is Nas’ highest-charting set since 2012’s Life Is Good debuted at No. 1 on the Aug. 4, 2012-dated list.

Nas landed his first top 10 album 25 years ago, when his second studio album, It Was Written, bowed at No. 1 on the July 20, 1996, chart.

The Kid LAROI’s former chart-topper F*ck Love falls 2-4 with nearly 56,000 equivalent album units (down 15%), Doja Cat’s Planet Her is steady at No. 5 with 55,000 units (up 2%) and Wallen’s Dangerous: The Double Album is a non-mover at No. 6 with 44,000 units (down 2%).

George Harrison’s former No. 1 album All Things Must Pass returns to the top 10 for the first time since 1971, as the set re-enters at No. 7 following its 50th anniversary reissue on Aug. 6. The album was newly mixed and reissued in a variety of formats for its re-release. All versions of the album, including the original 1970 release, are combined for tracking and charting purposes.

All together, the set earned 32,000 equivalent album units in the U.S. in the tracking week ending Aug. 12 — up 1,401% (from about 2,000 in the week previous). Of its 32,000 units earned, album sales comprise 28,000, SEA units comprise 3,000 (equaling 3.96 million on-demand streams of the album’s tracks) and TEA units comprise less than 1,000. The album, Harrison’s third solo studio effort and first No. 1 album, topped the Billboard 200 chart for seven consecutive weeks in 1971 (Jan. 2-Feb. 13, 1971-dated charts). It launched a pair of top 10 hits on the Billboard Hot 100 songs chart: his first No. 1, the double-sided hit “My Sweet Lord” / “Isn’t It a Pity,” and the No. 10 hit “What Is Life.”

With All Things Must Pass’ return to the top 10, it marks Harrison’s first time in the region since 1988, when Cloud Nine peaked at No. 8. It’s also Harrison’s highest rank since Dark Horse galloped to No. 4 on Jan. 25, 1975. (Harrison died in 2001.)

Rounding out the new Billboard 200 top 10 are Lil Baby and Lil Durk’s former No. 1 The Voice of the Heroes (holding at No. 8 with 28,000 equivalent album units earned; down 6%), Dua Lipa’s Future Nostalgia (stationary at No. 9 with 27,000 units; down 6%) and Polo G’s former No. 1 Hall of Fame (a non-mover at No. 10 with 24,000 units; down 4%).

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Warner Bros. and Legendary’s adaptation of Frank Herbert’s science-fiction epic Dune will get two scores from Hans Zimmer thanks to the film’s behind-the-scenes companion book.

The soundtrack marks the first time the celebrated composer — who has worked on more than a hundred film scores — has written original music for a book.

Zimmer’s second album for the Denis Villeneuve-directed film will accompany Insight Editions’ The Art and Soul of Dune, a making-of book written by the movie’s executive producer Tanya Lapointe. Zimmer produced the second album of exclusive music — available to stream and download for free on the same day as the film’s Oct. 22 release — after viewing the upcoming companion material, which will be released in both a trade and limited edition version.

The album pairs with the companion books’ extensive chapter-by-chapter look at the filmmaking process, including Dune’s environmental and creature designs, costume concepts and digital effects. The companion books will also feature exclusive interviews with cast and crew, including Denis Villeneuve, Timothée Chalamet, Rebecca Ferguson and Oscar Isaac, among others, offering readers an unparalleled and candid dive into the ambitious cinematic effort.

The special limited edition of The Art and Soul of Dune will include all of this in addition to a selection of other exclusive material. Beyond design upgrades like a cloth cover with ornate, foil-stamped House of Atreides and Harkonnen symbols, the companion book will be accompanied by a cloth-bound reproduction of the Fremkit instruction booklet prop created for the movie with 80 pages of exclusive, previously unseen art from the film as well as an exclusive companion volume titled Dune.

This additional volume of material, which is designed, custom-printed and hand-bound with a variety of fine Japanese papers, will feature candid on-set photographs from the film’s Oscar-nominated director of photography Greig Fraser alongside Josh Brolin’s personal perspective and recollections of the production.

Those who purchase one of the first 700 copies of the limited edition version will also get a signed and numbered signature card, individually inscribed by filmmaker Denis Villeneuve, author and executive producer Tanya Lapointe, stars Timothée Chalamet and Josh Brolin, and director of photography Greig Fraser.

The books that inspired the acclaimed composer to complete a whole new, separate Dune score are currently available for pre-order ahead of their Oct. 22 release date. The standard edition comes at the modest cost of $50 and is available for reserve at online retailers, with a more epic price tag of $600 for the limited edition, which can only be purchased from Insight Editions’ website.

With the addition of Zimmer’s The Art and Soul of Dune score, Dune’s soundtrack total jumps to three. On Sept. 3, WaterTower Music will also debut The Dune Sketchbook (Music from the Soundtrack), a digital album comprised of extended and immersive “explorations” of the film score.

The digital album release of Dune’s original motion picture soundtrack featuring Zimmer’s first score will drop on Sept. 17, followed by The Art and Soul of Dune in October. Speaking to the original score, Zimmer revealed in a statement that the sound is based primarily on female voices.

“Denis and I agreed that the female characters in the film drive the story,” he said. “So the score is based on mainly female voices. We developed our own language. The musicianship is extraordinary, and this is not your normal orchestral score.”

“We agreed that the music would need to have a spirituality to it… a sanctified quality. Something that would elevate the soul and have the effect that only sacred music can,” Villeneuve said. “Hans spent months and months creating new instruments, defining, creating, and seeking new sounds, pushing the envelope.”

This article originally appeared on The Hollywood Reporter.