Pop-rock singer Teddy Swims says he’s tried everything but therapy — and now, he can check fatherhood off of that list, as well.

On Friday (June 27), Swims and his girlfriend Raiche Wright announced that they had welcomed a baby boy into the world on Monday (June 23). Posting a set of black-and-white photos of their hands holding their newborn son, Swims simply wrote, “We love you lil man.” On her Instagram Stories, Wright shared another black-and-white shot of her baby’s foot, adding that “he’s perfect and my heart’s exploding.”

The couple first announced that they were expecting in a post to Wright’s Instagram back in January. The photo shows Swims and Wright cuddled up on a beach chair, as the “Bad Dreams” singer place his hands on her visible baby bump. “We can’t wait to meet you baby,” she wrote.

The news comes just a few months after Swims made Billboard chart history back in May, when his breakout hit “Lose Control” dethroned Glass Animals’ “Heat Waves” as the longest-running song in the Hot 100’s 67-year history. The track has gone on to spend an additional four weeks on the charts since then, extending Swims’ record to 96 weeks.

Sharing the news of his record breaking run to his Instagram Stories back in May, the singer simply wrote “Let’s go!!!!!!” before thanking Warner Records CEO and co-chairman Aaron Bay-Schuck for helping guide him along in his career. “FOREVER GRATEFUL FOR YOUR STEADY GRACE LOVE AND LEADERSHIP,” he wrote at the time.

From the No. 4 debut of Addison Rae‘s first album on the Billboard 200 to recently minted hits for country singer-songwriter Megan Moroney, Columbia Records has been racking up wins for several rising stars as of late.

For starters, Rae’s Addison — preceded by Billboard Hot 100-charting tracks including “Diet Pepsi” and “Fame Is a Gun” — launched with 48,500 equivalent album units the week ending June 12, making good on the former TikToker’s pop-star ambitions. The chart debut coincided with the announcement of Rae’s first-ever headline world tour, which kicks off Aug. 26 in Dublin before taking her across Europe and, in the fall, North America.

Moroney, another star-in-the-making under the Columbia umbrella, has seen her own run of wins lately. The singer-songwriter, who released her latest single “6 Months Later” earlier this month, has scored two top 10s on Billboard‘s Country Airplay chart: her breakthrough hit “Tennessee Orange” and, in April, “Am I Okay?”, the title track off her 2024 album of the same name that debuted at No. 9 on the all-genre Billboard 200 and No. 3 on Top Country Albums. She’s also charted five songs on the Hot 100, including “Tennessee Orange,” which is her highest-charting song on the tally so far at No. 30.

Also bubbling up on the Columbia roster are emerging artists Malcolm Todd and Ty Myers. The former’s “Chest Pain (I Love)” became his first Hot 100-charting song — debuting at No. 68 on the tally — when the track became a viral trend on TikTok after it was continually teased on the platform leading up to release. Todd has also enjoyed chart success with “Bleed” with Omar Apollo, which charted on Billboard‘s Hot Alternative Songs and Hot Rock & Alternative Songs charts ahead of the release of his self-titled debut album on April 4.

Lastly, Myers — a country singer who is jointly signed to RECORDS Nashville — enjoyed an under-the-radar success with his single “Ends of the Earth” (off his debut album The Select), which was certified gold by the RIAA in April. The 17-year-old singer-songwriter was named Billboard‘s Country Rookie of the Month in January.

One commonality among all of these successes is Columbia Records senior vp of A&R Julian Swirsky, earning him the title of Billboard‘s Executive of the Week. Below, Swirsky discusses Rae’s decision to play smaller venues as opposed to arenas despite her burgeoning stardom, Moroney’s gift for connecting with music fans across genres and the common themes that tie all of these recent Columbia successes together.

Last week, Addison Rae’s album debuted at No. 4 on the Billboard 200. What key decision did you make to help make that happen?

The most important decision we made was to fully trust Addison’s vision. From day one, she had a clear sense of what she wanted her world to be visually, sonically and emotionally. When [Columbia Records chairman/CEO] Ron [Perry] and I met with her over two years ago, she walked into the Columbia office with a binder full of photos, references, colors — a complete universe. She didn’t have a single song recorded yet, but it was obvious she was going to make something special. Our role was to support and build on that vision as a team and give her the time and space to build it properly.

How are you planning to keep up the momentum for the Addison album moving forward?

There’s a few incredibly exciting things that I can’t talk about yet, but tour is going to be a massive driver. When Addison announced her headline run, the presale queues were gigantic. There were multiple cities worldwide that had over 100,000+ fans waiting online trying to get tickets. That kind of demand speaks volumes.

It’s impressive how she has chosen to approach that moment. Rather than immediately scaling to arenas (which she easily could’ve), she made the conscious decision to start with more intimate rooms where the focus is on connection. You saw it with her album release that our touring team spearheaded at The Box in New York and London — those weren’t just performances, they were fully curated events that brought her world to life.

Speaking of momentum, Megan Moroney has also been seeing a lot of success recently. “Am I OK?” was her second top 10 hit on the Country Airplay chart and the song also peaked at No. 34 on the all-genre Hot 100. Given that she’s signed to Columbia, is part of the strategy around Megan positioning her as a star that transcends the country genre?

The beauty of Megan is that we don’t need to position her — she’s doing that all on her own. She’s a country artist at her core, but the way she writes and presents herself connects far beyond any individual genre. She writes every song herself — which is increasingly rare — and there’s a depth to her storytelling that cuts across all audiences. Just this week, she had the No. 1 Top Debut Song in the U.S. on Spotify with “6 Months Later.” It happened because the music, the voice, the world she’s building is undeniable. People are drawn to what’s real, and with Megan, nothing is manufactured. The entire Columbia team went to her two sold-out shows at Radio City a few months ago — and we all looked at each other in awe at how far she’s come in the three years since we’ve been working with her. Also…“Am I Okay?” was her second #1 on the Country Airplay charts thanks to our Sony Music Nashville partners.

Malcolm Todd scored his first Hot 100 entry in April with “Chest Pain (I Love),” which went viral on TikTok. That coincided with the release of his debut album. What are you doing to position him for success beyond “Chest Pain”?

The success of “Chest Pain” was a huge moment that couldn’t have happened without the work of the Columbia digital team.

What’s even more impressive to me than any chart position is the foundation he’s built. Before his debut album even dropped, he had already completed two headline tours, supported Omar Apollo, and sold out a third — over 60,000 tickets — entirely off the strength of the music and the genuine connection he’s built with his audience. That included three nights at The Wiltern and two at Terminal 5, which speaks volumes about what he’s created.

Malcolm is focused on building fan relationships one by one and staying true to who he is. The job of everyone around him is to continue to help create the groundwork for a very long career. He is going to go the distance.

Ty Myers is another young Columbia artist who’s been seeing some success lately, specifically with his single “Ends of the Earth,” which was recently certified gold by the RIAA. He’s signed to both Columbia and RECORDS Nashville. How are the two labels working together to push his career forward?

It’s crazy that we signed Ty with Records Nashville just last year and his debut album is already approaching gold. There’s a shared energy around Ty that’s rare — everyone on both sides is aligned, communicating constantly and genuinely invested in his success. [RECORDS founder] Barry [Weiss], Ron and I are texting daily, sharing updates, listening to new demos that Ty sends us, and for what feels like a weekly occurrence now, alerting each other each time he has a new song hit the Apple or Spotify charts.

Ty has this unique ability to bridge genres in a way that feels completely natural, and that’s something we all recognize and want to nurture.

In terms of Columbia’s approach to artist development, what would you say is a common theme in all of these success stories?

Over the past few years, we’ve signed and developed what I believe are some of the most compelling and promising new acts in music today. It all comes down to trust. That’s the principle that guides everything we do. When you fully trust the artist and each other as a team, you create the conditions for real magic to happen.

Jen Mallory and Joe Gallo help lead our incredibly dedicated team with a deep commitment to our artists and help set the tone for everything we do.

This philosophy starts at the top. Ron has built a culture that genuinely champions artistry, hard work, songwriting and musicality, and it shows in the roster we have built and reflected in their numbers. We’re taking bold swings on artists that are the next superstars in the making. They’re bold, genre-defying, and culturally relevant, each with a clear, authentic vision and creative instincts we deeply trust. They’ve chosen to partner with what I believe is the most committed artist development team in the business.

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FKA Twigs believes the body is art. Her summer 2025 partnership with On Running reinforces that notion.

The capsule is the first of its kind between Twigs and the Swiss sportswear brand. The partnership is meant to push boundaries while emphasizing the power of movement and self-expression, notions that Twigs seems to be all about. “I live a busy and varied life, often moving between training, meetings, and studio sessions in a single day. I wanted to create pieces that could move with me through those shifts – pieces that feel sensual and strong, and reflect all the different sides of who I am,” Twigs stated in a press release. “This capsule collection is about feeling confident in your body and free to express yourself – whether you’re dancing, creating, or just moving through your day.” 

The collection was made available June 26 and is comprised of utilitarian pieces, likely inspired by Twigs’ own muted wardrobe. You’ve got everything from low-impact sports bras to buttery soft skorts and a collaborative sneaker, the Cloud x FKA. Each piece is athleisure-inspired and designed to move in harmony with the body. The capsule also includes a slew of accessories, from cropped caps to hooded scarfs that scream Eusexua. In celebration of the capsule’s drop, we’re rounding up a few of our faves for you to shop now on On Running’s website.

FKA Twigs x On Running Cloud X FKA Sneaker in Lily

Buy Now at on running $180.00 $180.00

A collaborative sneaker with FKA Twigs and On Running.

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This sneaker is like stepping on a cloud. It’s springy and flexible, cushioning the wearer’s feet for everyday wear. Retailing for $180.00, this unisex shoe is made of a mixture of recycled polyester and synthetic suede that transitions into breathable mesh paneling and On Running’s CloudTec, a cushioning system that absorbs shock for a soft underfoot and a bouncy feel with every step. Finally, bright contrasting red open mesh tongues give way to rubber tread that gives the sneaker a non-slip finish.

This sneaker, like many pieces in this capsule, is inspired by movement, specifically dance. Thanks to this, the shoe is flexible, reflecting the artistic movement of a ballerina. Speaking of, the extended lacing featured on this model can be laced up the ankles, creating a ballet shoe-esque look. We love the Lily colorway because of the contrasting pops of color. If that isn’t your thing, the Cloud x FKA also comes in a monochrome Black or Desert, a khaki color.

Women’s Track Skort FKA in Desert

Buy Now at on running $120.00 $120.00

A tan skort with a drawstring closure.

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Made for all-day style and comfort, this Track Skort is the perfect example of form meets function. You’ve got a flirty mini skirt exterior in a khaki-colored hue and inner briefs that offer extra support and comfort. The elasticized waist further emphasizes comfort. You can easily style this piece in a multitude of ways. It can transform from sporty to casual in an instant with the right accessorizing. We can picture this skort worn during a stint on the treadmill sweating up a storm, styled alongside a khaki-colored bodysuit or sports bra. For a less sporty moment, the skirt could be styled with ballet flats and a bow-laden blouse to grab a coffee.

Women’s Studio Bra FKA in Lily

$80.00

Buy Now at on running

A low-impact sports bra in white and red with black trim.

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Whether it be for workouts or everyday wear, a good sports bra will get you far. This Studio Bra is made of smooth and flexible fabric that moves how you move. Additionally, this piece is low-cut and form-fitted. The bra is fixed with soft, lightweight padding for comfort along with mesh paneling at the back for breathability. The Lily style is our favorite because it features subtle but impactful details like red contrast stitching. Finally, the piece is rounded out with a branded FKA Twigs under band elastic, offering a subtle nod to the collab. If the Lily isn’t your thing, this sports bra also comes in monochrome Black.

Women’s Club Loose Pants FKA in Black

Buy Now at on running $150.00 $150.00

Baggy black trousers.

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These pants were made for the club and beyond. These loose pants come in Black and Cinder | Desert, two neutral colorways that can easily be styled in a number of ways. The fit is relaxed with wide legs, adjustable drawstring closures and an elasticized waist. You’ve also got statment-making details like contrasting stitching and wide pockets that contrast the casual nature, offering the piece dimension.

These pants are meant to sit low on the hips, imparting a sort of “streetwear” vibe that meshes well with Twigs’ personal style. To style, we’d likely wear these with something more fitted on top to offset the baggy silhouette. We’re thinking something like a bra top or cropped tee. To play on the sportswear look, we’d pair these with sneakers in colorful hues, bringing life to the otherwise neutral trousers.

Women’s Studio Long Sleeve FKA in Lily

$90.00

Buy Now at on running

A long sleeve top with a form fit.

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This piece is exceptionally comfortable. It’s insulated for colder climates and comes in a skin-tight fit that works to accommodate the body’s movements. The stretch fabric is fixed with unique red contrasting stitching that transitions into thumb holes and an open boatneck neckline, two stylistic details that give the top a fashionable flair. For those intense workouts, this top is also moisture-wicking. We love the Lily colorway for its contrasting detailing, but the Cinder | Desert and Black colorways are great too.

Watch “The Body is Art” Below

Pride Month may almost be over, but these new songs from your favorite queer artists are still coming in hot. Billboard Pride is proud to present the latest edition of Queer Jams of the Week, our roundup of some of the best new music releases from LGBTQ+ artists.

From Reneé Rapp’s frustrated new single to Kevin Abstract’s long-awaited new album, check out just a few of our favorite releases from this week below.

Reneé Rapp, “Mad”

Of all the feelings her partner could have, Reneé Rapp just cannot understand why she has to be so “Mad” all the time. Om her latest anthemic single, the singer questions her lover’s dedication to being upset, even when there’s nothing to be upset about. Switching effortlessly between a slinky, R&B-tinged performance on the verses and a bombastic, pop-heavy belt on the chorus, Rapp makes a good point — after all, she right when she says “All of the time, you wasted in your head/ We could’ve been having sex!”

Kevin Abstract, Blush

As the de-facto frontman of former boy band Brockhampton, Kevin Abstract knows what it takes to make collaborative art work. That’s a fact that remains readily apparent on Blush, the singer-rappers new solo LP, where Abstract links up with a murderer’s row of collaborators — from JPEGMAFIA and Love Spells to Dominic Fike and Jim-E Stack — to make his most fascinating project to date. Bringing together the best of his indie-rock stylings off 2023’s Blanket with the fiery hip-hop lyricism of 2019’s Arizona Baby, Blush feels like the culmination of a lifetime’s work on Abstract’s part.

Kim Petras, “Polo”

Everyone please welcome back Experimental Kim Petras! With her latest single “Polo,” the pop singer is taking a step back from the bubblegum-infused Euro-pop stylings she offered up on previous albums Feed the Beast and Problematique, and instead offers something more in the vein of earlier singles like “1, 2, 3 Dayz Up” or “Unlock It” with Charli XCX. Pounding bass and scratchy synths permeate every second of this staccato song, as Petras teases the song’s subject about all the clothes they’d like her to take off.

Dove Cameron, “Romeo”

Glitchy dark-pop? A theatrical vocal? A high-production music video? If the new Dove Cameron song is sounding at all like something Mother Monster Lady Gaga might do, then take that for the compliment that it is. Throughout this chaotic, roiling new track, Cameron sings all about the kind of “love that you’d kill yourself for,” as she turns up the contrast and dims the lights to create a moody new soundscape to perform in.

Frankie Grande, Hotel Rock Bottom

Sometimes the best way to get past the darkest times is by finding the ridiculousness in it all. So, for his debut LP, Frankie Grande took some of his darker thoughts, blended them with a series of bombastic dance-pop beats and created Hotel Rock Bottom, an often earnest, occasionally campy tabelau of personal highs, lows and all the moments that come in between. Add in the singer’s truly wild vocal range, and you’ve got a pretty exciting new LP to blast this weekend.

The Aces, “You Got Me”

With their forthcoming new album Gold Star Baby, The Aces are aiming squarely for “sapphic disco-pop” — and if their latest single is “You Got Me,” then the band is absolutely nailing the assignment. Throughout this shimmering new single, the alt-pop quartet perfectly curate the vibe as they narrate a one-sided love story over smooth set of disco beats, proving yet again just how intoxicating a good disco song can be.

Check out all of our picks on Billboard’s Queer Jams of the Week playlist below: