GloRilla is facing a copyright lawsuit from a social media personality who says the rapper stole her viral catchphrase — “all natural, no BBL” — and used it in her 2024 song “Never Find” without permission.

Natalie Henderson — aka @slimdabodylast on Instagram — says she went viral last year with the phrase, seemingly a reference to not needing a “Brazilian butt lift” cosmetic surgery. She says she then turned it into a song with lyrics including “All natural, no BBL/ Mad hoes go to hell.”

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In a case filed Wednesday (June 20) in Louisiana federal court, Henderson claims that GloRilla (Gloria Woods) violated federal copyright law by copying those lyrics into her 2024 track “Never Find,” which features the line: “Natural, no BBL/ but I’m still gon’ give him hell.”

“There are unmistakable similarities between the two works,” Henderson’s attorney writes. “Based upon a side-by-side comparison of the two songs, a layperson could hear similarities in the lyrics, arrangement, melody, core expression, content, and other compositional elements in both songs and conclude that songs are essentially identical.”

“Never Find,” featuring K Carbon, was featured on GloRilla’s debut studio album Glorious, which peaked at No. 5 on the Billboard 200 and ended up as the top-selling female rap album last year. The song itself, a bonus track, did not chart.

It’s unclear whether the copying of such a small snippet of words amounts to infringement. Copyright law does not cover short phrases, including slogans and taglines, nor does it cover commonplace material that’s been widely used by others. Whether the allegations against GloRilla clear those thresholds will be decided by a federal judge.

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A rep for GloRilla did not immediately return a request for comment.

This isn’t the star’s first tangle with copyright law. Back in 2023, GloRilla was hit with a lawsuit claiming she used unlicensed samples from a decades-old New Orleans hip-hop song in her hit songs “Tomorrow” and “Tomorrow 2.” The case was dismissed last year.

In November, the rapper Plies sued her, along with Megan Thee Stallion, Cardi B and others, over claims that the 2024 song “Wanna Be” featured an uncleared sample from his 2008 track “Me & My Goons.” But the case was voluntarily dropped in March.

Lizzo is feeling “Good as Hell” these days, and she’s not shy about sharing how she’s lost weight. In a wide-ranging interview with podcaster Trisha Paytas on the Just Trish podcast episode that dropped Thursday (June 19), the star opened up about the various ways she’s tried to get in shape — including weight-loss drugs.

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“Wooooooohoooooo! I feel like I worked really really hard, and was intentional with what I did with my body,” the singer said when Paytas asked her how she felt about her weight loss. “So when I get compliments … I really receive it. … I don’t take it any weird way because I tried to do this.”

When the podcaster noted that she thinks Ozempic would be the only way she herself could lose weight, Lizzo confirmed that she has tried the drug. “I’ve tried everything,” the four-time Grammy winner shared. “It’s just the science for me. Calories in vs. calories out. Ozempic works because you eat less food — it makes you feel full. So if you can just do that on your own and get mind over matter, it’s the same!”

But ultimately, it wasn’t Ozempic — which is a diabetes medication used off-label to help with weight loss — that helped Lizzo lose weight. It was changing her diet. “What did it for me was … well, actually, was not being vegan, ’cause when I was vegan, I was consuming a lot of fake meats,” she shared. “I was eating a lot of bread. I was eating a lot of rice, and I had to eat a lot of it to stay full, but really I was consuming, like, 3,000 to 5,000 calories a day.”

The star — who has been open about her weight-loss journey and has shared videos of herself working out and eating healthy — explained that she was vegetarian for about 10 years, and moved on to a vegan diet in 2020, before giving it up in 2023. “So for me, when I started actually eating whole foods and eating, like, beef and chicken and fish, like, I was actually full and not expanding my stomach by putting a lot of fake things in there that wasn’t actually filling me up,” she shared.

Lizzo continued by noting that it was a trip to Japan that had her start to eat meat again. “I heard the Japanese diet is the healthiest diet in the world, so I was there and I was like, ‘I’m going to try the food here,’ and my body was so happy. My body was like, ‘More, more please!’”

While adding meat back to her diet helped Lizzo on her weight-loss journey, she emphasized that just because it worked for her, doesn’t mean it’ll work for everyone. “I don’t like to tell people too much about releasing weight, like what I did. I don’t want people to do what I did and it doesn’t work for them. Everybody’s body’s different!” she said. “I don’t know what your bloodwork is like. I don’t know how your body breaks down food, sugar. I don’t know. But I know for me, I just had to start eating meat again.”

Watch Lizzo’s interview on the Just Trish podcast above. The discussion about weight loss begins a little after six minutes in.

When Morgan Wallen’s I’m the Problem tour kicks off Friday (June 20) at Houston’s NRG Stadium, all eyes will be looking to see if he continues his trend of walking out to the stage with local pro athletes. It’s become a highlight of the shows and the walk outs — broadcast on the venue’s jumbotrons — pump up the audience as much as they do Wallen.

NRG Stadium is home to the NFL’s Houston Texans and the team doesn’t report to training camp until Sunday, June 22, so our bet is on All-Pro cornerback Derek Stingley Jr. making the walk with him.

Wallen told Apple Music Country last week that he’s been in training himself, getting ready for the 20-date football stadium outing which will hit 10 cities through Sept. 13. Among his opening acts are Koe Wetzel, Miranda Lambert, Brooks & Dunn, Ella Langley, Gavin Adcock and Thomas Rhett.

 “I spend months at this point getting ready to get on tour, just getting in shape,” he said. “I don’t have to be in any kind of crazy shape to record in the studio. With how big my stage is, how much I run around, and how much effort that me and the guys put into it, I don’t think you would know that by just listening to the record.”

Wallen remains on top of the charts, as I’m The Problem stays at No. 1 on the Billboard 200 for its fourth consecutive week since its May 16 release.

Below are six Wallen walkouts from the 2023-2024 One Night at a Time tour with NFL greats. We’ll also be looking to see if the walkout music has changed from “Broadway Girls,” his 2022 collaboration with Lil Durk.  

Kacey Musgraves is recuperating after sustaining an injury from a fall while in Mexico.

In a post to Instagram Stories on Friday (June 20), Musgraves shared an image of an x-ray shot of her ribs. She wrote over the image, “Sooo I’m in Mexico with a f—in’ broken rib. Wednesday night it was raining and I was running to grab some towels and had an extremely hard fall on some very slick tile I didn’t see. Thankful I didn’t smack my head but I landed very very hard on my back left ribcage and I broke rib number 6.”

She added, “This s— is no joke. I’m in a lot of pain and doing anything is extremely difficult but I’m managing and being well taken care of.”

Musgraves noted that due to the injury, she would be rescheduling her performance at a Sing For Science event, which had been set for Sunday (June 22) at the Ryman Auditorium in Nashville. “There is no physical way I can get on a plane and fly back to Nashville … I am extremely bummed to have to reschedule as I have been looking forward to this for months but there is literally no other option,” she wrote. “I’m so sorry for the inconvenience.”

The event is now set to take place on Sept. 18 at the Ryman. In addition to Musgraves’ performance, the event will also feature fungi expert Paul Stamets. The tickets purchased for the original June 22 show are valid for the new Sept. 18 date. The event, sponsored in part by The Simons Foundation, is a live taping of the Sing For Science podcast.

Musgraves’ other upcoming shows, according to her website, include a July 5 appearance at the Zootown Festival in Montana and an Aug. 2 appearance at Hinterland Music Festival in Iowa.

Since blasting onto the scene with his breakthrough hit “Beautiful Things,” Benson Boone has become the internet’s favorite punching bag. But instead of trying to prove them wrong, the singer decided to lean in with his latest music video.

On Friday (June 20), Boone dropped the tongue-in-cheek music video for his new song “Mr. Electric Blue,” off his just-released LP American Heart. From the start of the clip, Boone goes out of his way to play with all the worst things the internet has to say about him when he walks into “Industry Plant Records” wearing a t-shirt that simply says “one hit wonder” for a frank conversation with his sleazy agent (played by his frequent songwriting collaborator Jack LaFrantz).

“Have you not been on the internet? Everything is terrible, Benson! We put all of our money into ‘moonbeam ice cream’ and the backflip, and it’s done absolutely horrible,” LaFrantz’s character tells an exasperated Boone. He informs the singer that he owes his faux label $10 million, and suggests that he find “a new gimmick” like “good songwriting.” At the suggestion, Boone deflates: “You know I can’t do that.”

What ensues is a madcap montage, where Boone takes as many odd jobs as he can to raise the money. He walks dogs (while wearing another T-shirt that says “”), mows lawns (for a company called “Auto-Tune Trimmers”), washes cars (with bumper stickers declaring “mustaches are lame”) sells his sparkly jumpsuits and even opens a moonbeam ice cream truck. Of course, that still doesn’t stop the criticism from coming — when he’s recognized by a little girl as “the guy who sings ‘Beautiful Things,’” she quickly humbles him: “Your music is terrible.”

For his hustling and hard work, Boone makes a grand total of $168, but begs LaFrantz’s agent to give him another chance. But his agent assures him that he found a better solution, saying he “sold your entire catalog to retail chains, fast food chains and movie theaters,” promising that “you’ll be the most overplayed artist in the world, and I’ll be rich.” A dejected Boone sighs and smiles, saying “that’s all I’ve ever wanted,” before celebrating his ubiquity.

It’s far from the first time Boone has commented on the way people perceive him. The singer posted a TikTok back in April, explaining that he could understand people not liking him or his music if there were more people offering concrete reasons for their distaste. “I just read a comment that said ‘idek why I hate Benson Boone but it feels right,’” he wrote on the video. “Like WHAT!!? how am I supposed to improve after reading that? At least say something valid like ‘he low key just flips everywhere can he [do] anything else?’”

Watch the full video for Boone’s “Mr. Electric Blue” above.

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The WWE’s reality competition series WWE LFG (Legends & Future Greats) premieres its second season on Sunday (June 22).

It features 16 contenders battling for a chance to make it to the big leagues of pro wrestling in the WWE. Season two also features five legendary coaches: Undertaker, Booker T, Michelle McCool, Bubba Ray Dudley and Shawn Michaels.

When Does ‘WWE LFG’ Start?

Season two of WWE LFG has a start time of 10 p.m. ET/PT.

Where to Watch ‘WWE LFG’ Online

WWE LFG airs on A&E. The series is available to stream on Philo, DirecTV, Fubo and Hulu + Live TV. Keep reading for more details on how cord-cutters can watch the WWE reality series online.

How to Watch ‘WWE LFG’ with Philo

A subscription to Philo — which comes with A&E — gets you access to live TV from cable channels for just $28 per month.

In fact, you can watch more than 70 cable networks, such as AMC, BBC America, BET, Cartoon Network, CMT, Discovery Channel, Food Network, Hallmark Channel, HGTV, History Channel, IFC, Lifetime, Logo, MotorTrends, Nickelodeon, OWN, Paramount Network, Smithsonian Channel, Sundance TV, TLC, VH1, Vice and many others.

In addition, AMC+ is available on Philo. The premium streaming service comes with Philo Core for free, so you can get even more movies and TV shows to watch with signup.

How to Watch ‘WWE LFG’ with DirecTV

A subscription to DirecTV — which comes with A&E for WWE LFG — gets you access to live TV, local and cable channels, starting at $59.99 for the first month of service ($89.99 per month afterwards) for the streamer’s signature packages.

You can watch local networks such as NBC, ABC, Fox, and PBS, while you can watch many cable networks, including ESPN, FS1, Lifetime, FX, AMC, Bravo, BET, MTV, Paramount Network, Cartoon Network, VH1, Fuse, CNN, Food Network, CNBC and others.

How to Watch ‘WWE LFG’ with Hulu + Live TV

WWE LFG on A&E is available to watch with Hulu + Live TV. Prices for the cable alternative start at $82.99 per month, while each plan comes with Hulu, Disney+ and ESPN+ at no additional cost.

Hulu + Live TV might be best for those who want all of these streaming services together in one bundle. It features many other networks, including ESPN, ABC, Hallmark Channel, BET, CMT, Disney Channel, NBC, Fox Sports and more.

How to Watch ‘WWE LFG’ with Fubo

To watch season two of WWE LFG on A&E, Fubo starts at $64.99 for the first month, $84.99 per month afterwards (the streamer’s current deal) with more than 225 channels — including local and cable — that are streamable on smart TVs, smartphones, tablets and on web browsers.

The service even gets you live access to local broadcast networks including NBC, Fox and ABC, while it has dozens of cable networks, such as ESPN, Bravo, CMT, ID, TV Land, VH1, TLC, E!, FS1, MTV, FX, Ion, OWN, Paramount Network and much more.

Starting at 10 p.m. ET/PT, WWE LFG (Legends & Future Greats) airs on A&E on Sunday (June 22). The series features the opening theme song “Take A Lesson” by def rebel (music producer Doug Davis), while it’s available to stream on Philo.

Want more? For more product recommendations, check out our roundups of the best Xbox dealsstudio headphones and Nintendo Switch accessories.

Pop-rock artist Role Model has signed with Good World Management’s Brandon Creed and Dani Russin, Billboard can confirm. 

Role Model joins a stacked roster of superstars at the firm, including Charli xcx, Troye Sivan, Ariana Grande and Demi Lovato.

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In April, Role Model parted ways with his manager, Best Friends’ Danny Rukasin, who helped the artist become a breakout star. The singer-songwriter recently scored his first Hot 100 hit with “Sally, When the Wine Runs Out.” The song is off the deluxe edition of Role Model’s 2024 album, Kansas Anymore, which arrived in February.

Role Model signed to Interscope in 2018 and released his debut album, the more alternative-sounding Rx, in 2022. But last year’s Kansas Anymore — which featured a softer, more Americana-inspired sound — changed the course of his career and helped solidify him as one to watch. 

Since the release of Kansas Anymore, Role Model has opened on tour for Gracie Abrams and, more recently, celebrated two sold-out shows in Los Angeles; at one of those shows, he welcomed Reneé Rapp on stage as a surprise guest during “Sally.” Attendees at the L.A. concerts included Laufey, The Kid Laroi, Shaboozey, Shaboozey and Jason Sudeikis.

In May, it was announced that Role Model will make his acting debut in the upcoming Lena Dunham-directed Netflix film, Good Sex, starring Mark Ruffalo and Natalie Portman. He will be credited under his born name of Tucker Pillsbury.

Creed founded Good World in August 2023. At the top of 2025, he was named Billboard‘s Manager of the Year along with his tight-knit team. In the interview, he said of signing new talent: “We are extremely discerning,” before adding, “We have room, don’t get me wrong, for the right thing.”

A federal judge has rejected R. Kelly’s emergency request to be let out of prison due to an alleged jailhouse murder plot against the disgraced R&B star, who’s serving more than 30 years for multiple sex crime convictions.

Kelly’s attorney, Beau Brindley, has been petitioning a Chicago court for Kelly’s release since last week, saying prison guards are trying to have the singer (Robert Sylvester Kelly) killed to stop him from uncovering prosecutorial misconduct in his case. Brindley claims jail officials attempted to solicit a fellow inmate to carry out the hit, and that when that didn’t work, they fed Kelly an overdose quantity of sleeping pills and denied him medically-necessary surgery for blood clots.

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Prosecutors have dismissed the allegations as a “fanciful conspiracy” and “deeply unserious.” Judge Martha M. Pacold denied the bid for release on Thursday (June 19) without addressing its merits, saying such a request must be brought as a civil rights lawsuit or habeas corpus petition in North Carolina, where Kelly is imprisoned.

“Jurisdictional limitations must be respected even where, as here, a litigant claims that the circumstances are extraordinary,” wrote the judge.

Judge Pacold issued her decision ahead of a hearing that had been set for Friday (June 20), canceling the court date after seemingly learning all she needed to know from voluminous court papers that have been filed on the issue.  

In a statement shared with Billboard on Thursday, Brindley said his team is “not surprised by this ruling as we knew that technical jurisdiction would be a challenge under these circumstances.”

“However, we had no choice but to act immediately given explicit evidence of a threat to Robert Kelly’s life,” Brindley added.

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On Friday (June 20), Brindley tried another avenue to convince the Chicago judge to release Kelly: filing a motion for a new trial and asking for emergency bail in the meantime.

The Friday motion reiterates Brindley’s previous allegations that prosecutors unlawfully pressured a witness to testify against Kelly and intercepted Kelly’s communications with his lawyers ahead of his federal trial in Chicago.

“If someone dies in prison, it seems commonplace,” writes Brindley. “With that in mind, it becomes easy to understand how the people who committed this corruption and those that helped cover it up would rather kill a disgraced inmate convicted of sex crimes than face consequences that could ruin their lives and careers.”

The motion repeatedly notes that President Donald Trump is prioritizing rooting out corruption in the justice system. Brindley has publicly asked Trump to pardon Kelly in conjunction with the jailhouse murder plot claims.

A spokesperson for prosecutors did not immediately return a request for comment on Friday.

Kelly was convicted in Chicago of child pornography and enticing minors for sex in 2022, one year after a separate federal jury in New York also found the singer guilty of racketeering and sex trafficking

The former R&B star was sentenced to 30 years in prison for the New York conviction and 20 years in the Chicago case, though all but one year of the second sentence will overlap with the first. Both convictions have been upheld on appeal.

There’s no question that Broadway’s Hamilton was (and still is) one of the most engrossing musicals on the Great White Way, but according to an original cast member, Madonna herself had other things to focus on.

During his Thursday (June 19) appearance on Watch What Happens Live alonside singer Ciara, Anthony Ramos — who originated the roles of John Laurens and Philip Hamilton in the original Broadway run of the show — was asked about the “most terrifying celebrity to spot in the audience during your Hamilton days” during a game of Clubhouse of Horrors, and the actor immediately had an answer.

“Oh, the most terrifying was Madonna with her iPad in her face. She was like this the whole time,” Ramos said, while pretending to look at a screen in his lap. “I was like, ‘Damn, shorty! If you not enjoying it that much, you know the door’s right there. You ain’t gotta stay here!’”

Billboard has reached out to Madonna’s representatives for comment.

This isn’t the first time the Queen of Pop has been called out for using her devices during the acclaimed Broadway show. After rumors circulated in 2015 of Madonna’s behavior after star and Hamilton creator Lin-Manuel Miranda tweeted about not allowing a celebrity backstage after they used their phone during the performance, actor Jonathan Groff confirmed in an interview it was Madge. “That b—h was on her phone. You couldn’t miss it from the stage,” he said at the time. “It was a black void of the audience in front of us and her face there perfectly lit by the light of her iPhone through three-quarters of the show.”

The news comes as Madonna prepares to release her long-rumored EDM remix album Veronica Electronica, set to feature exclusive reimaginings of tracks off her acclaimed 1988 album Ray of Light. Due out July 25, the album will feature remixes of eight songs off Ray of Light, including “Nothing Really Matters,” “Frozen” and “The Power of Goodbye.”

Watch Ramos play Clubhouse of Horrors on Watch What Happens Live below:

Jim Kerr and Charlie Burchill have been playing music together for some 48 years, most of them in Simple Minds. Kerr assures us that familiarity has bred fondness; he even says the “parallel story” in the band’s 2023 documentary Everything Is Possible is “the friendship of Charlie and I, which is quite remarkable because usually in long-working relationships in music people hate each other after 20 years. But Charlie and I still go on. There’s a great friendship there.”

Despite that, Kerr tells Billboard that it’s not always a lovefest between frontman and guitarist, either, as Simple Minds is in the midst of its first full-scale North American tour in seven years. “We’re still able to have our rows and our fights. We’re not always on the same page,” Kerr acknowledges, adding with a laugh that, “We had a screaming match last week and everyone around us…. First of all they said, ‘I’ve never heard such a f–kin’ intense screaming match,’ so afterwards Charlie and I felt embarrassed. Y’know, usually it’s not even (about) a thing. You’re not on the same page, and it’s frustrating. Someone will just say the wrong word, and it triggers.

“But here’s the good news; at the end of the day there’s no scars, no wounds. We get up the next day and everything is fine. How amazing that we’re still so passionate about it. How amazing that we still care. How amazing we’re in the rehearsal room, trying to make it as great as it can be for our audience, and how amazing the next day we go to breakfast with each other.”

During its current trek, whose U.S. leg wraps up Saturday (June 22 in Noblesville, Ind.), Kerr, Churchill and the latest incarnation of Simple Minds have been supporting their new concert album — Live in the City of Diamonds, which came out in April — and the 40th anniversary of an eventful 1985 that included: the Billboard Hot 100-topping single “Don’t You (Forget About Me)” from the hit film The Breakfast Club; a performance at Live Aid that summer; and the band’s best-selling studio album, Once Upon a Time, which came out that fall.

“It was beautiful,” Kerr recalls. “It was so unexpected in a sense. You had the movie, you had the song, Live Aid, MTV, ‘Alive & Kicking’ [a No. 3 Hot 100 hit], the Once Upon a Time album itself…and lo and behold, 40 years later we’re still here talking about it. That’s what 1985 felt like to us.”

Simple Minds was famously ambivalent about recording “Don’t You (Forget About Me),” which was written by producer Keith Forsey and Steve Schiff for the John Hughes-directed film. The group had already planned to make an aggressive assault on the U.S. market in the wake of its 1984 album Sparkle in the Rain and was confident “we had songs up our sleeve” for what would become Once Upon a Time.

“Then out of nowhere these phone calls start to come in about this movie, and the record company thinks it would be a good thing to bridge to the next album,” Kerr recalls. “We were like, ‘Yeah, we want to do it,’ then ‘Oh, hang on a minute. They want us to record someone else’s song? That’s not what we do; we’re credible artists. We write our own songs, and we’ve got some good ones in the pipeline, so we’re not sure about that.’ But after meeting the people involved we decided to do it.”

The key, Kerr adds, was that his band found a way to make the song its own. “I’m not taking anything away from the song and Keith and the guys who came up with the music. You can find the demo of the song online; it’s a good little song. But Simple Minds, what we brought to it was 10 years of playing live, and we put our heart and soul into it and we put our lifeblood into the record. It would’ve been a different song if OMD did it, or the Psychedelic Furs — it would’ve been a different record, rather. So it’s not our song, but it is our record.”

Simple Minds will follow the North American tour with a jaunt through Europe, starting June 27 at home in Glasgow, where the band plans to play Once Upon a Time in its entirety. That trek wraps up July 27 in Italy, after which Simple Minds plans to return to working on a new studio album — the follow-up to 2022’s Direction of the Heart — which Kerr, Burchill and company began working on before hitting the road.

“We’ve got a whole bunch of songs up our sleeves,” Kerr says. “They’re not finished yet, but the backing tracks are down, the rough mixes. So we’re excited. People might say, ‘What’s the impetus?’ because obviously records don’t sell like they used to and there’s a limited appeal for new stuff no matter whether you’re Bruce Springsteen or whoever you are. But this is who we are. This is what we do. It just goes on. It’s all about creativity and you have it in you and you’ve got to get it out. That’s the same now as it’s ever been, and for us every time you do something new you’re still using those muscles. It’s like a chapter to a book; it seems to refresh the rest of the story and stops you from calcifying.”