Did you hear the one about the comedian who landed a Grammy nomination for best new artist?

The ongoing success of Bo Burnham’s Inside (The Songs) raises the distinct possibility that the comedian could receive a Grammy nomination for best new artist later this year. Burnham would be the first comic in 42 years to be nominated in that category. The last was Robin Williams, a 1979 best new artist nominee.

Inside (The Songs) is currently in its fifth week inside the top 10 on the Billboard 200. It has climbed as high as No. 7 (on the chart dated June 26). Inside (The Songs) was released on June 10, less than two weeks after the release of Burnham’s May 30 Netflix special, Inside.

Burnham, 30, has also found success as an actor. The Massachusetts native appeared in the 2020 film Promising Young Woman, which received five Oscar nods, including best picture.

Five comedians have been Grammy-nominated for best new artist over the years. Except for Williams, all were nominated in the early ’60s, when comedy albums were among the hottest entries on the Billboard 200 (along with movie soundtracks and Broadway cast albums).

Here’s a closer look at all the comedians who have received best new artist nominations. As you will see, three of them were also nominated for album of the year.

Bob Newhart (1960): The comedy legend is the only comedian to win as best new artist. He was also the first comedian to win for album of the year, for his The Button-Down Mind of Bob Newhart. That classic topped the Billboard 200 for 14 weeks from July to December 1960, longer than any other comedy album in the chart’s history. Newhart won a third Grammy that year — best comedy performance spoken-word — but, oddly, it was for his follow-up album, The Button-Down Mind Strikes Back! (which topped the Billboard 200 in January 1961), rather than for its predecessor.

Newhart, of course, went on to greater fame in television. His 1961-62 series The Bob Newhart Show won an Emmy for outstanding program achievement in the field of humor (which went to the show’s producer). He was inducted into the Television Academy Hall of Fame in 1993. Twenty years later, he finally won his first competitive Emmy Award for guest actor in a comedy series for The Big Bang Theory. Newhart is 91.

Dick Gregory (1961): The only Black comedian to be nominated for best new artist, Gregory was nominated on the strength of his hit album In Living Black & White (No. 23 on the Billboard 200). Pianist Peter Nero won the award that year. Gregory went on to become equally known as a social activist. He died in 2017 at age 84. Gregory is the subject of a 2021 Showtime doc, The One and Only Dick Gregory, which features appearances by Kevin Hart, Chris Rock and Dave Chappelle.

Vaughn Meader (1962): Meader attained great, if short-lived, fame for his spot-on impression of President John F. Kennedy. The First Family topped the Billboard 200 for 12 weeks from December 1962 to March 1963 and became the second comedy album in three years to win the Grammy for album of the year. (Alas, it beat Ray Charles’ format-defying classic Modern Sounds in Country and Western Music.) The First Family also won as best comedy performance. Meader lost the best new artist prize to Broadway star Robert Goulet. According to lore, on the night of JFK’s assassination, Lenny Bruce opened a nightclub show by saying, “Boy, is Vaughn Meader f—ed.” The joke wasn’t far from the truth: After a First Family sequel peaked at No. 4 in June 1963, Meader never returned to the Billboard 200. He died in 2004 at age 68.

Allan Sherman (1962): This marked the only time in Grammy history that two comedians were nominated for best new artist in the same year, with Meader and Sherman both in the running. (See note below.) Sherman was nominated on the strength of his album My Son, The Folk Singer, which topped the Billboard 200 for two weeks in December 1962. That album was also nominated for album of the year and best comedy performance (losing both to The First Family). Sherman is the only comedian to top the Billboard 200 with three albums — My Son, The Folk Singer; My Son, the Nut; and My Son, the Celebrity, which held the top spot for a combined 11 weeks in 1962-63. Sherman died in 1973, just a decade removed from his peak of popularity, at age 48.

Robin Williams (1979): Williams was nominated on the strength of his album Reality…What a Concept, which reached No. 10 on the Billboard 200 in September 1979, as his sitcom Mork & Mindy began its second season. He lost the award to Rickie Lee Jones. Reality… won for best comedy recording, an award Williams won a total of four times. (He also won once for best recording for children.) Williams, who went on to win two Emmys and an Oscar, died in 2014 at age 63. Williams has been the subject of two docs in the past few years: Robin Williams: Come Inside My Mind (2018) and Robin’s Wish (2020).

Note: The Blues Brothers, consisting of Saturday Night Live stars John Belushi and Dan Aykroyd, were also Grammy-nominated for best new artist in 1979, but the album for which they were nominated, Briefcase Full of Blues (No. 1 on the Billboard 200 in February 1979), was only incidentally comedic. A track from the album, “Rubber Biscuit,” was nominated for best comedy recording, but the album itself was nominated for best rock vocal performance by a duo or group.

While comedians haven’t gotten any recognition in the Big Four categories since 1979, they have fronted the Grammy telecast 18 times since 1987. Billy Crystal was the first comedian to host the live Grammy telecast, in 1987. He repeated in that role in the next two years, and went on to host nine Oscar telecasts.

Garry Shandling hosted the Grammys four times, more than any other comedian. Ellen DeGeneres, Rosie O’Donnell, Jon Stewart and James Corden each hosted twice. Whoopi Goldberg, Paul Reiser and Trevor Noah (host of the March 14 show) each hosted once.

Here are three more comedy/Grammy notes: Bill Cosby won the Grammy for best comedy album seven times, more often than anyone else. George Carlin and Richard Pryor are runners-up, with five wins each in the category.

Pryor is the only comedian to receive a lifetime achievement award from the Recording Academy. He received the honor posthumously in 2006, shortly after his death in December 2005 at age 65.

Six comedy albums have been inducted into the Grammy Hall of Fame (which is open to albums that have been in release for 25 years or more). Those albums, with their year of release, are: The Button-Down Mind of Bob Newhart  (1960), Stan Freberg’s Stan Freberg Presents the United States of America (1961), Cosby’s I Started Out as a Child (1964), Carlin’s Class Clown (1972), Carl Reiner and Mel Brooks’ 2000 and Thirteen  (1973) and Pryor’s That N—er’s Crazy (1974).

We didn’t get Kanye West’s Donda album last week as planned, but we did learn that it includes a new song with Jay-Z, setting up a potential future hit for the frequent collaborators.

At the Donda album listening event in Atlanta on Thursday, West surprised the Mercedes-Benz Stadium crowd when Jay’s voice rang out on the final track played. According to Mark Elibert, who covered the event for Billboard, “The song featured an electric guitar-laden beat with Kanye singing about going to jail with an unexpected guest feature. JAY-Z crept onto the track with a smooth flow that announced the possible return of The Throne.”

The pair already have a prolific history on the charts, with 11 Billboard Hot 100 hits together as artists, including three top 10s. West also produced three top 10s for Jay-Z that West didn’t appear on as an artist, including “Izzo (HOVA)” and “03 Bonnie & Clyde” with Beyoncé. And of course, there’s the Watch the Throne album, which debuted at No. 1 on the Billboard 200 in 2011.

So will the yet-untitled and yet-unreleased new collaboration from ‘Ye and Jay be their next hit? On the new episode of the Billboard Pop Shop Podcast, we talk all about the possibilities for the new song and new album, which now has an Aug. 6 release date.

Also on the show, we’ve got chart news on how Pop Smoke’s second posthumous album Faith debuts at No. 1 on the Billboard 200, while John Mayer’s latest, Sob Rock, starts at No. 2. Plus, how BTS’ “Butter” returns to No. 1 on the Hot 100, displacing the group’s own “Permission to Dance” from the top slot. Plus, we chat about Taylor Swift’s decision to pull Fearless (Taylor’s Version) from contention at the Grammys and CMA Awards as well as Camila Cabello’s colorful new song and video “Don’t Go Yet.”

The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard’s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard’s deputy editor, digital, Katie Atkinson and senior director of Billboard charts Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)  

On Monday, DaBaby defended his controversial onstage comments at Rolling Loud Miami over the weekend, saying they weren’t intended for anyone but the in-person crowd. Late on Tuesday (July 27), however, he did back down on one specific point, apologizing to anyone affected by HIV/AIDS for his “insensitive” words — though he still blames his critics for misinterpreting the rest.

During his set at Rolling Loud’s closing night Sunday, DaBaby told the crowd, “If you didn’t show up today with HIV, AIDS, or any of them deadly sexually transmitted diseases, that’ll make you die in two to three weeks, then put your cellphone lighter up! Ladies, if your p—y smell like water, put your cellphone lighter up! Fellas, if you ain’t sucking di– in the parking lot, put your cellphone lighter up!”

On Tuesday, the “Rockstar” rapper took to Twitter to fire off several messages about the critical response to his homophobic comments.

“I tell fans to put a cellphone light in the air y’all start a million man March,” he wrote in the first of four tweets. “I told you y’all digested that wrong. Man but I ain’t gone lie I’m impressed. Now show this same amount of support when a racist cop kill one of our black ass…YA NOT.” He went on to apologize in the next tweet, writing, “Anybody who done ever been effected by AIDS/HIV y’all got the right to be upset, what I said was insensitive even though I have no intentions on offending anybody. So my apologies. But the LGBT community… I ain’t trippin on y’all, do you. y’all business is y’all business.”

In the final two tweets, DaBaby called out brands, networks and artists who “profit off of black rappers influence on the culture, without understanding it or having the patience to deal with what comes with the position we play in our culture. Keep yo money next time” and encouraged fans to get tickets to his Friday and Saturday concerts in Texas to see his show in person.

Social media lit up over his comments on Sunday night, which were livestreamed on YouTube from Rolling Loud Miami, and other artists had something to say too. T.I. came out in support of DaBaby, saying if Lil Nas X can present his views freely as an openly gay rapper, DaBaby should be able to speak freely too. Dua Lipa, however, condemned her “Levitating” remix collaborator’s remarks, writing on her Instagram Story: “I’m surprised and horrified at DaBaby’s comments. I really don’t recognize this as the person I worked with. I know my fans know where my heart lies and that I stand 100% with the LGTBQ community. We need to come together to fight the stigma and ignorance around HIV/AIDS.”

See DaBaby’s Tuesday tweets below: