Roger Daltrey was among the notable figures recognized in King Charles III’s Birthday Honours list.
The Who frontman, 81, was celebrated for his outstanding contributions to music and his long-standing charitable work — particularly with the Teenage Cancer Trust, where he has served as a patron since 2000.
“It is a wonderful honour for me and especially for Teenage Cancer Trust,” Daltrey said in a statement shared in Instagram. “I accept this award not only for myself but on behalf of all the unsung heroes who have given their energy towards making the Teenage Cancer Trust the success it has become.”
Over the past two decades, the iconic rocker has played a key role in organizing the charity’s annual concert series at London’s Royal Albert Hall, which has raised more than £36 million (approximately $48 million).
He went on to acknowledge individuals who have supported the Teenage Cancer Trust over the years. “The likes of The Who and their fans, Angie Jenkison, Lindsay Hughes, Des Murphy, Rob Ballantine and the late Chris York are some of many who have done so much to elevate the charity, to the point where it now has 28 specialist units in NHS hospitals across the U.K.,” he said.
In recognition of his work, Daltrey was appointed Commander of the Order of the British Empire (CBE). “It’s kind of weird… It’s a dream come true for me, but it’s especially a dream because the charity means so much,” the musician told the Press Association.
The Who shared their own tribute to Daltrey. “Sir Roger is a true inspiration and we salute him and all the other honourees from the worlds of music and the creative arts for enriching our lives with their brilliant human artistry and achievements,” the band wrote.
Other prominent recipients of knighthood in this year’s list include actor Gary Oldman and retired soccer star David Beckham. Additional honorees included Steve Winwood, 10cc’s Graham Gouldman, actress Elaine Paige and Love Island star Georgia Harrison, according to the BBC.
Winwood — known for his work with the Spencer Davis Group, Traffic and Blind Faith, as well as a successful solo career — was named a Member of the Order of the British Empire (MBE).
“I am immensely grateful that I am considered for recognition of my services to music,” Winwood said in a statement on Instagram. “I am a proud upholder of British culture and values, and am extremely honoured to be rewarded in this way, and wish to thank all those who made the recommendation, and those who’ve supported my music over the years.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-06-14 16:51:322025-06-14 16:51:32The Who’s Roger Daltrey Knighted in King Charles III’s Birthday Honours
Thirty years on from Britpop’s commercial zenith, the U.K. still can’t get enough of the scene’s so-called big three. In 2023, Blur scored a hard-won victory lap with their plaintive eighth album, The Ballad of Darren, and followed that up with two shows at London’s Wembley Stadium, their biggest ever performances. Oasis, meanwhile, will swagger back on stage in early July for the summer’s most-anticipated live shows.
And then there’s Pulp, whose moment of reappraisal has been waiting in the wings. In 2023 they returned for a slate of reunion gigs, but the moment morphed into More, their first album for 24 years. Frontman Jarvis Cocker said that the album — recorded with Nick Banks (drums), Candida Doyle (keyboards) and Mark Webber (guitars) — came together quickly in sessions with producer James Ford (Blur, Depeche Mode, Arctic Monkeys). They knew that nostalgia for the classics — namely 1994’s His N Hers and 1995’s Different Class — will only last so long and reunion tours can fizzle out.
More is suitably tasteful for a group of sexagenarians, but there’s vim and vigor in the record’s highlights “Spike Island” and “Got to Have Love” alongside the sanguine, wryness of “The Hymn of North” and “A Partial Eclipse.” Upon announcement, Cocker said, “this is the best we can do,” but beneath the playful veneer, there’s great reason for them to be chuffed with how this LP turned out.
Now the surviving members of its classic lineup — minus late bassist Steve Mackey, who passed away in 2023, and guitarist Russell Senior — have embarked on a U.K. and Ireland arena tour, including two sold-out nights at the 20,000-capacity O2 Arena in London. A long-awaited return to Glastonbury Festival at the end of June is also rumoured.
Here are the best moments from Pulp’s show at London’s The O2 Arena on Friday (June 13).
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From career milestones to new music releases to major announcements and those little important moments, Billboard editors highlight uplifting moments in Latin music. Here’s what happened in the Latin music world this week.
Becky G’s Premieres Rebbeca
Becky G premiered her deeply personal and beautifully crafted documentary, Rebbeca, at the Tribeca Festival on Thursday (June 12) at United Palace in Washington Heights, New York. Directed by Gabriella Cavanagh and Jennifer Tiexiera, the film peels back the glitz of stardom to reveal an intimate portrait of Becky as Rebbeca, the Mexican-American woman behind the music phenomenon. Shot during a pivotal moment in her life — as she prepared for her first headlining tour, the Mi Casa, Tu Casa Tour, and worked on her música mexicana debut Esquinas (2023) — the film “symbolizes resilience, the kind that shows up quietly in our families, our culture, our growth,” Becky G told Billboard Español. Through moving and at times tear-jerking storytelling, the documentary celebrates her cultural roots as a Latina from Southern California and her evolving artistry.
After the screening, the evening segued into a Q&A with Becky and directors Cavanagh and Tiexiera, and moderator Tefi Pessoa. They discussed the creative process behind the doc, and the importance of shedding light on pressing issues like immigration and family separation. “My grandfather’s immigration story is a big part of that, and sharing this now, at a time when so many in our community are being targeted, feels even more urgent,” Becky G added. “This isn’t about having it all figured out. It’s about holding space for who we’ve been, who we are, and who we’re still becoming.” The night closed with a heartfelt acoustic performance alongside guitarist Ethan Riding, where she performed her breakout 2013 rap hit, “Becky from the Block,” a nostalgic callback to where it all began. She then segued into “Querido Abuelo,” a touching bolero dedicated to her late grandfather.
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Johann Vera & Christian Chávez’s “Closet”
Less than a year after releasing “Closet,” an ultra personal ballad with which Vera came out as queer, the Ecuadorian pop artist has teamed up with Mexican star Christian Chávez for a new version of the poignant track — just in time for Pride Month. “It took me two years, but it pushed me to be honest and open with myself,” Vera previously toldBillboard. “‘Closet’ is about acceptance. I want to be as honest as I can be.”
“In these moments where minorities are being so attacked, Christian Chávez and I join with #Closet to remind them that love should always be above all else,” Vera captioned a post on Instagram.
Arcángel’s Special Moment With His Son
Arcángel is celebrating Father’s Day in a special way. The Latin trap and reggaetón star released “Gohan y Goku,” marking the official musical debut of his son, Austin. “I had already dreamed of this—this is a déjà vu,” Arcángel sings in a part of the lyrics. “It’s a symbolic gesture that honors the bond with his son and celebrates a legacy that lives on through music,” according to a press release. “Arcángel is introducing Austin to the world from the most authentic place possible—as a father, mentor and guide.”
Artists Denounce ICE Raids
A number of Latin artists have shared words of solidarity with the immigrant community in the U.S. amid ICE raids and mass deportation efforts under the Trump administration. “It no longer feels like the country of hope they told us so much about,” DannyLux wrote in a heartfelt post. Check out the complete list of artist reactions — from Fuerza Regida to Ivan Cornejo and Chiquis — here.
Billboard Latin Editors Win Award
The 2025 Ritmo Latino Entertainment Awards were announced on social media on June 10 with Bad Bunny announced as the biggest winner of the night with seven wins, including artist of the year.
After being sidelined for two decades, the awards made a comeback this year. Originally slated to take place live at the Coca-Cola Music Hall in San Juan, the ceremony transitioned to a digital formate “due to unavoidable schedule conflicts,” according to a press release. See the complete list of winners here.
Billboard‘s Jessica Roiz and Griselda Flores and Billboard Español‘s Isabela Raygoza won the favorite music reporter category.
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BTS officially kicked off its offline event 2025 BTS FESTA on Friday (June 13) at Halls 9 and 10 of KINTEX Exhibition Center 2 in Goyang, Gyeonggi Province, in celebration of the group’s 12th debut anniversary. Running for two days from June 13 to 14, this year’s FESTA features a variety of hands-on experiences designed especially for their fandom, ARMY.
The theme for this year’s FESTA is Twelve O’Clock, symbolizing the beginning of a new chapter and hinting at the group’s imminent full-group return. BTS members Jin and j-hope introduced the concept in the YouTube segment BTS News released in early June, marking their first official appearance in a while.
The event is open from 10 a.m. to 7 p.m KST, with last entry allowed until 6 p.m. Admission is available for fans age 9 and above; children under 9 are not permitted to enter, regardless of parental accompaniment.
From early in the morning, countless fans holding ARMY Bomb light sticks gathered at the venue, filling the KINTEX exhibition halls. Long lines quickly formed in front of the most popular interactive zones.
The venue includes more than 20 interactive zones. Below, we have a closer look at a few of the zones.
1. ARMY BOMB PHOTO SPOT & WHALE PHOTO SPOT
Two large-scale installations greet fans as they enter: the ARMY BOMB PHOTO SPOT and the WHALE PHOTO SPOT, both inspired by BTS’ signature motifs.
2. LIGHT SHOW
Beginning at noon, a five-minute light show takes place every hour on the hour, utilizing the synchronized ARMY Bomb light sticks to create a breathtaking visual spectacle. Widely praised by fans and media alike, the light show transformed the venue into an emotionally charged atmosphere and was hailed as one of the major highlights of the event.
3. VOICE ZONE
The Voice Zone offers an emotional connection as fans listen to voice messages recorded by BTS members specifically for the 2025 FESTA. These messages carry deeper meaning as the members participated directly in scripting them.
4. BTS LOCKER
BTS Locker presents personalized displays curated by each member, offering a look into their tastes, personalities, and memories.
5. TROPHY ZONE
The Trophy Zone commemorates BTS’s historic milestones. The display includes 50 trophies, from their first rookie award at the 5th Melon Music Awards in 2013 to their first music show win on KBS2’s Music Bank in 2015, and their first international honor at the Billboard Music Awards in 2017. Awards received by ARMY, such as the iHeartRadio Music Awards’ “Best Fan Army,” are also on display, reflecting the shared journey of the group and its fans.
6. COLORING WALL
The Coloring Wall, where fans filled in a large white artwork outline, was a participatory art zone at the 2025 BTS FESTA. Fans added their own colors and personal touches to the mural, contributing to its creation while covering the wall with heartfelt messages of support for BTS.
With an array of immersive experiences and engaging attractions tailored for fans, the 2025 BTS FESTA proved to be more than just a celebration — it was a heartfelt tribute to BTS’s legacy and their long-awaited return as a full group.
BIGHIT MUSIC stated, “We are sincerely grateful to ARMY for the unwavering love and support for BTS,” adding, “To better accommodate visitors, we have significantly expanded the event in terms of venue, content, and operations compared to previous years. We are doing our utmost to ensure that all attendees can enjoy a safe and meaningful experience.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-06-14 03:24:512025-06-14 03:24:51BTS Kicks Off 12th Anniversary With 2025 BTS FESTA: Exclusive Photos From Inside
All seven members of BTS reunited in person at j-hope’s solo concert, marking the group’s long-awaited return as a complete unit.
The emotional highlight of the evening came when Jin and Jung Kook surprised fans by joining j-hope onstage, creating unforgettable moments for those in attendance.
Held Friday (June 13) at the Goyang Sports Complex Main Stadium in Gyeonggi Province, South Korea, the final show of j-hope’s “HOPE ON THE STAGE” world tour encore coincided with the 12th anniversary of BTS’ debut — making the night even more meaningful for both the group and its global fandom, ARMY.
Jung Kook made a surprise appearance during j-hope’s solo track “i wonder…,” instantly sending the crowd into a frenzy. His unexpected entrance electrified the atmosphere, and fans responded with roaring cheers. “I really missed you,” he told the audience with a bright smile, before launching into a powerful performance of his solo hit “Seven,” drawing an explosive response.
Later in the show, Jin took the stage during the encore segment. After performing BTS’ beloved hit “Spring Day” alongside j-hope, Jin continued with a moving performance of his second solo EP’s title track, “Don’t Say You Love Me.” The emotional momentum continued as Jung Kook returned to the stage, joining Jin and j-hope for a special unit performance of “Jamais Vu,” closing the evening on a high note.
While Jin and Jung Kook took the stage, RM, Jimin, V and SUGA were spotted in the audience, watching the show and cheering their bandmate on. “I was singing while looking at my members,” j-hope told the crowd, expressing his deep affection for the group.
Jung Kook later added, “I was so nervous backstage. I’m here today because of my members. It felt overwhelming to stand in front of our fans again.”
This show also marked the first live performance of j-hope’s new post-military track “Killin’ It Girl” featuring GloRilla, signaling the start of a new chapter in his solo journey.
The stadium was filled with fans from both Korea and around the world, who came together to witness the long-awaited full group reunion. As all seven members reunited at j-hope’s concert, the moment served as a powerful reminder of BTS’ enduring unity and connection with their fans.
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Billboard Canada Power Players is back for a second year, and it comes at a pivotal time for Canadian music. Canadian Content regulations — a principle that built the domestic industry — are up for review for the first time in a generation, with ongoing hearings taking place with the CRTC. The Online Streaming Act, meanwhile, is attempting to regulate major foreign streaming services to contribute to CanCon as the CRTC once did for radio — but companies like Spotify, Amazon and Apple Music aren’t taking it without a fight.
Those issues shadow the industry, which has recently seen both struggles and successes. The country was recently named the 8th largest music market in the world by the IFPI, and Toronto has emerged as a marquee live music market. That’s been reflected in the successes of and investments in new venues by companies like Live Nation Canada, MLSE and Oak View Group, who all appear on the list.
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As top execs at Live Nation Canada, Erik Hoffman, Riley O’Connor and Melissa Bubb-Clarke are orchestrating one of the most ambitious stretches in the company’s history. Together, the trio claims the No. 1 spot on Billboard Canada Power Players 2025. Already the biggest players in the Canadian music business, Live Nation is just getting bigger — and it’s on track for a record-breaking summer.
In the new Billboard Canada cover story, the three talk about their ambitious plans — including the about-to-open Rogers Stadium in Toronto, which will bring Oasis, Coldplay and BLACKPINK to the city this summer and triple the number of stadium shows.
Derek “Drex” Jancar of OVO Wins the Impact Award
As part of Billboard Canada Power Players, Derek “Drex” Jancar took the No. 1 spot in the Foundations category and accepted the Impact Award at the celebration in Toronto on Wednesday (June 11).
In the mid-2000s, Drex, Gavin Sheppard and Kehinde Bah co-founded The Remix Project, a community initiative that continues to influence global culture. Now, he’s doing it again as CEO of October’s Very Own (OVO).
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On Wednesday night (June 11), Derrick Ross of Slaight Music presented Drex with the Impact Award as part of Billboard Canada Power Players 2025, with a donation to the Remix Project — a testament to the immense influence Drex has had within Canadian music and culture.
In an interview, Drex tells Billboard Canada about the impact of the Toronto community on all the work he does.
“It’s the nucleus of everything. It’s the thing you constantly come back to and think about: ‘Does this represent us, honestly and authentically?’” he says. “It’s where everyone worked on their skills and put blood, sweat and tears into their career paths. We obviously are global thinkers, but we’re always coming from that place. That’s our identity. It’s shaped us and it’s what makes us unique.”
Drex recalls meeting the key figures at OVO at Remix, including Oliver El-Khatib, Future The Prince, Niko Carino and Drake. The dedication that they poured into Drake’s burgeoning career in the late 2000s created a special energy in Toronto. He was already the hottest artist in the city, Drex recalls, but you could feel he was on the verge of becoming a global phenom — all while wearing his local connections on his sleeve.
“You could see what was happening behind the scenes, and it was really special to see everyone rally around and build such an amazing brand around him,” Drex says. “It was a time where you really started to believe in the city and the talent and the potential in the city and you were like, ‘Anyone can do anything from here. This is possible, it’s happening right in front of us.’”
The First Canadian Edition of Managers to Watch
Also this week, Billboard Canada unveiled its first Music Managers to Watch list.
Managers are the unsung heroes of the music industry. They are the hard-working decision makers behind some of the country’s most beloved artists. They make deals, orchestrate partnerships and make key strategic decisions. And though fans rarely know their names, they are key to the success of Canadian musicians. They don’t do it for personal glory, but to fulfill artistic visions that can break barriers and move millions.
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These talented managers on the rise have helped some of the biggest artists tour stadiums, stun at the Met Gala or go gold without any label support. That’s an extra feat in Canada, where managers often have to navigate a tight-knit industry and geographic barriers to breakout success. In the feature, they share their tips for people new to the business and those who want to help introduce their artists to a global audience.
The list includes managers for Kaytranada, Jessie Reyez, Charlotte Cardin, Connor Price and more.
The Beaches’ manager, Laurie Lee Boutet, was named Manager of the Year. In an interview, she talks about how she helped navigate the Toronto band’s 2023 viral moment into sustained momentum on its way to its first hometown arena tour this fall.
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After issuing an evacuation notice to attendees earlier Friday (June 13), the remainder of the 2025 Bonnaroo Music and Arts Festival has now been canceled due to severe weather.
The Manchester, Tennessee, festival shared the news on social media around 7:30 p.m. local time Friday, saying that the updated forecast was showing unsustainable conditions for on-site campers as heavy thunderstorms ripped through the area.
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“Today, the National Weather Service provided us with an updated forecast with significant and steady precipitation that will produce deteriorating camping and egress conditions in the coming days,” the statement reads. “We are beyond gutted, but we must make the safest decision and cancel the remainder of Bonnaroo. We are going to make things right with you, and you will find refund information at the end of this message, but let’s start with the next steps.”
The message goes on to suggest that any campers whose sites are in decent shape or who are safely inside an RV consider camping overnight to prioritize evacuating those festivalgoers in the roughest situations.
“The number one thing we need from the Bonnaroo community is patience,” the message reads. “Some of your fellow campers’ sites are in rough shape. The rain has settled in areas and made certain parts of Outeroo difficult to manage. We’d like to prioritize getting those folks as well as those with accessibility needs off The Farm as soon as possible this evening. To do this, we ask that if your campsite is in good shape or if you’re in an RV or pre-pitched accommodation, please consider spending the night with us and we’ll start working to get you out of here safely tomorrow.”
The festival wrapped its message by reiterating how “crushed” organizers are to make this decision. “We have put our hearts and souls into making this weekend the most special one of the year, and cannot express how crushed we are to have to make this decision. Thank you in advance for your patience, your positivity and your unfailing Bonnaroovian spirit.”
As promised, the post ends with refund details, spelling out what tickets and parking passes will be refunded in full and what will be returned in part since Thursday’s day 1 went off without a hitch. Find the full refund details in the second slide below:
Bonnaroo kicked off Thursday with performances from Luke Combs, Dom Dolla, Insane Clown Posse and Rebecca Black. Friday night’s headliners were scheduled to be Tyler, The Creator, John Summit and Glass Animals; Saturday’s lineup was led by Olivia Rodrigo, Avril Lavigne and Justice; and Sunday would have wrapped up with Hozier, Vampire Weekend and Queens of the Stone Age.
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Sony Music CEO/chairman Rob Stringer spoke to investors on Friday (June 13) about his vision for how generative AI can be integrated into his business, stating that the company is “going to do deals for new music AI products this year with those that want to construct the future with us the right way.”
To date, Stringer says the major music company has “actively engaged with more than 800 companies on ethical product creation, content protection and detection, enhancing metadata and audio tuning and translation amongst many other shared strategies.” He went on to say that he believes “AI will be a powerful tool in creating exciting new music that will be innovative and futuristic. There is no doubt about this,” but later added: “So far, there is too little collaboration, with the exception of a handful of more ethically minded players.”
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Stringer’s statements about the emerging tech, which he made at Sony Group’s 2025 Business Segment Presentation, arrived just a week after news broke that Sony — and its competitors Universal Music Group and Warner Music Group — were engaged in talks with generative AI music companies Suno and Udio about creating a music license for their models. Suno and Udio are currently using copyrighted material, including music from the three majors, to train their models without a license. This spurred the trio to file blockbuster lawsuits against Suno and Udio in June 2024, in which they alleged copyright infringement on an “almost unimaginable scale.”
In his remarks on Friday, Stringer likened the current AI revolution to “the shift from ownership to streaming” just over a decade ago. “We will share all revenues with our artists and songwriters, whether from training or related to outputs, so they are appropriately compensated from day one of this new frontier,” he said.
“I do think that what AI is based on, which is learning models and training models based on existing content, means that those people who have paved the way for this technology do have to be fairly treated in terms of how they get recompense for that usage in the training model,” Stringer continued. “We have been pretty clear on this since day one that there is absolutely no backwards view as to what this technology will do. There will be artists, probably there will be young people sitting in bedrooms today, who will end up making the music of tomorrow through AI. But if they use existing content to blend something into something magical, then those original creators have to be fairly compensated. And I think that’s where we are at the moment.”
There are challenges ahead to figure out proper remuneration for musical artists from generative AI, as Billboard recently described in an analysis of the Suno and Udio licensing talks. While the AI license could borrow the streaming licensing model by having AI firms obtain blanket licenses for a company’s full musical catalog in exchange for payment, it remains to be seen how the payments would be divided up from there. On streaming services, it’s simple to determine how often any given song is consumed and to route money to songs based on their popularity. But for generative AI, the calculation would be far more complicated. To date, Suno and Udio do not offer guidance as to which tracks were used in the making of an output, and experts are divided on whether or not the technology needed to figure that out is ready yet.
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Also on Friday, Stringer expressed a desire to come to agreements with AI companies in a free market, stating: “With deals being carried out, it will be clear to governments that a functioning marketplace does exist, so there is no need for them to listen to the lobbying from the tech companies so heavily.”
Today, many AI companies don’t believe they need to license music or other copyrights at all, citing a “fair use” defense. But in his statements, Stringer was optimistic that this would change, citing the recent position of the U.S. Copyright Office, which said that “making commercial use of vast troves of copyrighted works, especially where this is accomplished through illegal access, goes beyond established fair use boundaries.” One day after publishing this position about the value of copyrights in the AI age, however, the Register of Copyrights, Shira Perlmutter, was fired by President Donald Trump. (Perlmutter sued soon after, calling Trump’s move “unlawful and ineffective.”)
“We are between us and the AI tech platforms trying to find common ground,” Stringer continued. “And that common ground is not going to take a minute. It’s going to take a moment, and then it’s going to take the trial and error process, and we are in that era right now.”
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Kim Gordon unveiled a new version of her 2024 single”Bye Bye” on Friday (June 13) aimed squarely at the right-wing culture wars created by President Donald Trump.
Rechristened “Bye Bye 25!,” the protest song now features the Sonic Youth alum listing off a litany of cultural terms the Trump administration has not only gotten worked up over, but attempted to erase from official government records altogether since returning to office in January.
“Mental health, electric vehicle, Gulf of Mexico/ Energy conversion, gay, bird flu, advocate, pregnant person,” Gordon intones over skittering, apocalyptic production, before later adding words like “immigrants,” “diversity,” “victims,” “transgender,” “Hispanic,” “fluoride” and “female” to the stanzas.
“When I was thinking of lyric ideas, it occurred to me to use words taken from a site that had all the words that Trump has essentially banned, meaning any grant or piece of a project or proposal for research that includes any of those words would be immediately disregarded or ‘cancelled,’” the singer explained of the song’s reinvention in a statement. “I guess Trump does believe in cancel culture, because he is literally trying to cancel culture.”
To coincide with the release, Gordon has also designed a limited-edition T-shirt, with proceeds from both the tee and the song going to benefit Noise for Now, a New Mexico-based nonprofit organization dedicated to abortion access and reproductive rights justice.
The alt-rocker released the original iteration of “Bye Bye” as the lead single from her sophomore solo album, The Collective, which bowed at No. No 40 on Billboard‘s Top Album Sales chart and peaked in the top 20 of the Indie Store Album Sales tally back when it was released in March 2024.
Watch the stark music video for Gordon’s “Bye Bye 25!” below.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-06-14 00:25:162025-06-14 00:25:16Kim Gordon Updates ‘Bye Bye’ With Terms ‘Canceled’ by President Trump: ‘Mental Health, Electric Vehicle, Gulf of Mexico…’
Peacock revealed the cast for the fourth season of The Traitors on Friday (June 13), including Donna Kelce, Monet X Change, Eric Nam and more.
In a video posted to social media, host Alan Cumming unveiled the cast by deliciously teasing, “Ah, dear me … what treachery awaits us this season? The fates whisper of betrayal. Backstabbing. And the occasional dagger in the dark. Let us see whose murderous destinies are forever entwined in my castle walls: the cards never lie. People on the other hand? Constantly.”
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Bob the Drag Queen Is Not Sorry for His Antics on ‘The Traitors’ Season 3: ‘Move On…
The hit reality show will be Mama Kelce’s first TV appearance after she starred in a pair of Hallmark Channel holiday movies in 2024. Meanwhile, Monet X Change will be following in the well-heeled footsteps of fellow RuPaul’s Drag Race winner Bob the Drag Queen, who also happens to be his co-host on their popular Sibling Rivalry podcast, and Nam becomes the first K-pop idol to compete on the series.
After (spoiler alert!) being the very first contestant in the castle murdered by Bob and the rest of the Traitors last season, Dorinda Medley will also get a much-deserved second shot to play the game, joining fellow Bravolebrities Lisa Rinna, Candiace Dillard Bassett, Porsha Williams and Caroline Stanbury of the Real Housewives franchise and Top Chef winner-turned-host Kristen Kish.
Of course, there are plenty of other competition show alumni as well, which is sure to set up the now-signature “Gamers vs. Housewives” rivalry in the castle. Gamers to watch out for amid the lochs and highlands this season include Survivor stars Rob Cesternino, Yam Yam Arocho and Natalie Anderson, as well as Big Brother‘s Tiffany Mitchell and Ian Terry.
Meanwhile, Bachelor Nation alum Colton Underwood and Stephen Colletti of Laguna Beach: The Real Orange County and One Tree Hill fame are both obvious contenders to fill the hunky role in the castle established by Peter Weber and Dylan Efron in past seasons. And Olympic figure skaters Tara Lipinski and Johnny Weir will add a dose of athleticism to the show’s endurance-testing physical challenges along with Mark Ballas of Dancing With the Stars.
Other famous faces rounding out the season 4 cast include actor Michael Rapaport, comedian Ron Funches and Rob Rausch and Maura Higgins of Love Island.
While a release date for the upcoming season of The Traitors has yet to be announced, expect the murders, banishments and parade of tartan to begin imminently as the 23 contestants descend on Ardross Castle in the Scottish Highlands.
Watch Cumming’s full season 4 cast reveal along with a first look at The Traitors‘ famous wall of portraits for the new season below.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-06-14 00:10:452025-06-14 00:10:45Donna Kelce, Monet X Change, Eric Nam & More Join ‘The Traitors’ Season 4 Cast