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Selena producer Moctesuma Esparza has established a prima facie case that the father and sister of the late Tejano superstar Selena Quintanilla violated a contract by licensing the singer’s life rights to Netflix. That’s according to a ruling out on Thursday (Aug. 19) in Los Angeles Superior Court.

In 1997, two years after Selena died of a gunshot at the age of 23, Warner Bros. released Selena in theaters. In the nearly quarter-century since, she has remained popular. In fact, she’s one of the best-selling artists in Latin music history. In 2020, Netflix released Selena: The Series, which looked at the singer’s early life. That series starring Christian Serratos has prompted litigation.

According to Esparza, he and Selena’s father Abraham established a joint venture in 1995 that would be assigned movie and television rights to Selena’s stories. The following year, that venture made deals with Warner Bros., which produced a film starring Jennifer Lopez as the title character.

Esparza alleges that the joint venture was to hold onto rights until the expiration of the copyright of the movie while Selena’s family has insisted that a contract amendment had rights reverting back to the family. There appears to be a dispute over whether Warner Bros. had to consent to the reversion. Interestingly, there’s some indication from the court filings that when Warner Bros. learned of the Netflix series, it objected and soon achieved a settlement.

In any event, L.A. Superior Court judge Maurice Leiter has now ruled that Esparza’s contract claim against the Quintanilla family has sufficient merit to overcome a motion aimed at quickly defeating plaintiff’s claim. The judge also accepts claims of breach of fiduciary duty, breach of fair dealing, unjust enrichment, negligent misrepresentation and fraudulent concealment.

The family is at least successful in getting the judge to nix claims of tortious interference and misappropriation of publicity rights.

The judge’s ruling on those unsuccessful claims (read in full here) is likely a positive development for Netflix, which for now remains a co-defendant but is also challenging the basis of claims since it was hardly a party to dealmaking in the 1990s and insists every right to make a “highly transformative, biographical television series that involves a matter of public interest.”

This article was originally published by The Hollywood Reporter.

A key witness in the federal racketeering and sex trafficking trial against R. Kelly, Jerhonda Pace, continued her testimony against the R&B singer at the Eastern District of New York courthouse in Brooklyn on Thursday (Aug. 19), detailing allegations of aggressive physical and sexual abuse when she was a minor.

Pace wore a maroon T-shirt and black bottoms, nestling her pregnant belly while remaining composed for the duration of Assistant U.S. Attorney Maria Cruz Melendez’s questioning and defense attorney Deveraux Cannick’s cross-examination. After two days of testimony,  however, Pace finally reached her breaking point.

Melendez asked Pace to read a journal entry dated January 23, 2010, the last day Pace says she had a sexual encounter with Kelly. As she held the paper in hand, Pace began to softly cry. She quickly composed herself, wiping her face with Kleenex, and read the entry aloud to the court.

“I went to Rob’s house and Rob called me ‘a silly bitch.’ Rob slapped me three times and said if I lied to him again it’s not going to be an open hand next time,” she read. “He spit in my face and in my mouth. He choked me during an argument. I had sex with him — oral sex with him. I became fed up with him and I went home and confessed.”

Immediately after reading the the entry, Pace tearfully asked for a “bathroom break.”

As the trial against Kelly entered its second day, at the prosecution’s request Pace detailed Kelly’s demands during their sexual encounters, at which time Pace was 16. “He wanted me to put my hair up in pigtails and dress like a Girl Scout,” she said. According to Pace, now 28, Kelly would record their encounters with his iPhone or a Canon camera set up on a tripod. In her testimony the day before, Pace explained that on one occasion Kelly told her to come to his tour bus parked outside of his Olympia Fields mansion to be “trained” to “please” him by another woman.

During Pace’s cross-examination, Cannick attempted to uncover inconsistencies in her story and paint her as a “superfan.” He accused Pace of “stalking” Kelly and lying about her age at first sexual encounter after she claimed to have met Kelly when she was 14 on April 1, 2008, during his child pornography trial that was going on at the time. Pace said their first sexual encounter was 13 months later, when she was 16.

“So you advanced two years in one year and one month?” Cannick confidently asserted in an attempted “gotcha” moment. Pace’s birthday, it turns out, is April 19, and she turned 15 only two weeks after her first meeting with Kelly.

Cannick continued to press Pace for answers regarding her reasoning for waiting outside of Kelly’s home, previous meetings with the prosecution lasting over five hours and talk show interviews she has given about her relationship with Kelly. Many of these questions were met with “I don’t recall,” from Pace.

Two other witnesses took the stand on Thursday: police officer Garrick Amschl, who answered a missing juvenile call regarding Gardner that led him to Kelly’s home; and Kelly’s primary physician of 25 years, Dr. Kris McGrath. McGrath detailed Kelly’s history of sexually transmitted infections and testified that he was “100%” certain that the “Step In the Name of Love” singer had genital herpes and prescribed treatment in 2007, supporting the prosecution’s charge Kelly knowingly transmitted the infection to women without their consent — including Pace.

Kelly is facing charges including racketeering, sexual exploitation of a child, bribery, kidnapping and forced labor. If convicted on all counts, he will face 10 years to life in prison.