Bhaskar Menon, the founding chairman and CEO at EMI Music Worldwide who is widely credited for breaking Pink Floyd in the U.S. and presiding over one of Capitol Records’ most successful eras, died on Mar. 4, 2021, at his home in Beverly Hills. He was 86.

“Determined to achieve excellence, Bhaskar Menon built EMI into a music powerhouse and one of our most iconic, global institutions,” said Universal Music Group chairman and CEO Lucian Grainge in a statement. “Music and the world have lost a special one. Our hearts go out to his loved ones.”

Over the course of a 34-year tenure at EMI, Menon would work with a slew of boldfaced artists — the Beatles, The Rolling Stones, Queen, David Bowie and Tina Turner among them — but it would be his time as president and CEO of Capitol Records that would bring him his greatest renown. Asked in 1971 to lead the Los Angeles-based label, in which EMI held a majority interest, Menon would go on to orchestrate a massive, company-wide campaign around the release of Pink Floyd’s 1973 album The Dark Side of the Moon despite the band’s failure to break through to U.S. audiences over the preceding years. The gambit paid off: The Dark Side of the Moon soon rocketed to No. 1 on the Billboard 200, minted the band as major stars in America and has since been certified 15-times platinum by the RIAA. In the process, he reversed the fortunes of the label — which had experienced a major hit to its bottom line after the breakup of its top act the Beatles in 1970 — virtually overnight.

In the 2003 documentary The Making of the Dark Side of the Moon, Pink Floyd drummer Nick Mason acknowledged Menon’s outsized influence on the album’s success. “The story in America was a disaster, in that we really hadn’t sold records,” he said at the time. “And so they brought in a man called Bhaskar Menon who was absolutely terrific. He decided he was going to make this work, and make the American company sell [Dark Side of the Moon]. And he did.”

Born Vijaya Bhaskar Menon in Thiruvanthapuram, India, on May 29, 1934, to father KRK — a notable civil servant who would go on to serve as India’s first Finance Minister — and mother Saraswathi, Menon would form a love of music via the Indian ragas his mother played in their home growing up.

After earning his master’s degree from Christ Church, Oxford, Menon kicked off what would become a 34-year run at EMI in 1956 after being recruited to the company directly from the university. In 1957, he moved to EMI’s Indian subsidiary, Gramophone Company of India, where he rose through the ranks before eventually being elevated to chairman in 1969. One notable example of Menon’s zeal for his work came in 1968, when he hand-delivered a recording device to the Bombay studio where George Harrison was recording his debut solo album Wonderwall. “Mr. Bhaskar Menon brought a two-track machine all the way from Calcutta on the train for me,” Harrison recalled later, “because all they had in Bombay at the time was a mono machine, the same kind we used in Abbey Road to do the ‘Paperback writer writer’ echo.”

Later in 1969, Menon’s career received another boost when the 35-year-old executive was named managing director of EMI International, holding direct operating responsibility for companies in 25 countries.

The most notable chapter in Menon’s career began in 1971, when he relocated to Los Angeles in 1971 to take the helm at Capitol, where he allegedly laid down the following motto for employees: “’Uncompromising excellence in what you do goes without saying. We expect more than that.”

Menon would live up to his own words by helping successfully steer the company  into the new decade. In addition to the monster success of The Dark Side of the Moon, which would remain on the Billboard 200 for 14 years, Menon would preside over successful releases from acts including Grand Funk Railroad, Linda Ronstadt, Helen Reddy, Wings, Natalie Cole, Bob Seger and The Steve Miller Band.

Menon’s tenure at Capitol came to an end in 1978, when he was named chairman and CEO of EMI Music Worldwide, a position he held for the next 12 years (along with the dual role of chairman of EMI Films & TV for North America). In 1990, he would be awarded the IFPI Medal of Honour for services to the global music industry after serving for many years as IFPI’s chairman and president. That same year, he was appointed to the rank of Chevalier De L’Ordre Des Arts et Des Lettres by the French Minister of Culture for his service to the music and film industries.

After leaving the music business in the early 1990s, Menon remained in Los Angeles and founded the company International Media Investments in 1995, through which he invested in and provided consultation services for a variety of entertainment and media businesses, including Indian broadcaster NDTV, where he held a seat on the board.

Menon is survived by Sumitra, his wife of 49 years, sons Siddhartha and Vishnu and sister Vasantha Menon.

Kelly Clarkson embraced an old-school classic by covering Otis Redding’s “These Arms of Mine” for Friday’s (March 5) Kellyoke segment on The Kelly Clarkson Show.

A single spotlight illuminated Clarkson’s silhouette as she walked up to the mic on the blacked-out stage before yellow and purple lights lit up the talk show host.

“These arms of mine/ They are burning/ Burning from wanting you/ These arms of mine/ They are wanting/ Wanting to hold you,” she crooned the chorus with her own soulful spin.

“These Arms of Mine” was Redding’s first-ever single that he released with Stax Records in 1962 and was featured on his 1964 debut album Pain in My Heart. The song peaked at No. 22 on Billboard’s Hot R&B/Hip-Hop Songs chart and No. 85 on the Billboard Hot 100 in 1963.

This isn’t Clarkson’s first time singing the song: She covered “These Arms of Mine” back in 2016 while teasing a big announcement on her Facebook Live with help from her longtime musical director Jason Halbert, who was at his usual post by the piano five years later for this latest cover.

Watch her latest Kellyoke cover of “These Arms of Mine” below.

Jesus Gonzalez has been named vice president of BMI’s Latin creative team, Billboard can confirm.

Based out of BMI’s Los Angeles office, Gonzalez will report to BMI senior vp creative Alex Flores and will join the company beginning March 8. He takes the spot left by Delia Orjuela, the longtime vp Latin creative for BMI who resigned in Sept. 2019.

“As a songwriter myself, I know how important BMI is to those who create music,” Gonzalez said in a statement. “I’ve come full circle with BMI, beginning with my first showcase on their SXSW stage in 2005, and now I’m on the other side of the table supporting my fellow songwriters. I’m extremely excited to join the team’s efforts in serving the Latin music community by helping to create and expand on the wonderful opportunities that BMI provides for its affiliates.”

Gonzalez will oversee the team helping to sign and develop new talent, assist BMI’s family of songwriters and publishers and serve as a liaison between the Latin music community and the industry at large.

“Throughout his career, Jesus has forged strong relationships within the Latin music community as a songwriter and a music executive,” said Flores. “His background gives him a deep understanding for both the artistic and business side of what we do, which is invaluable to our music creators, and his ability to forecast industry trends within the ever-growing Latin music space is second to none. I look forward to working with Jesus on developing new talent and supporting our incredible roster of Latin songwriters, producers, composers and music publishers.”

As the former senior vp brands & partnerships at Universal Music Group, Gonzalez spearheaded collaborations between top Latin artists and global Fortune 500 companies helping secure deals for artists J Balvin, Juanes and Luis Fonsi with brands such as Anheuser-Busch, Pepsi and Mastercard respectively.

Gonzalez is a voting member of the Recording Academy for the Grammy and Latin Grammy Awards. He received a bachelor’s degree in political science from the University of California, Riverside.

Miranda Lambert and fellow singer-songwriters Jack Ingram and Jon Randall are joining  together to release The Marfa Tapes, out May 7.

“In His Arms,” the first of the 15 tracks, is out Friday.

Lambert broke the news on her socials Thursday (March 4), writing on Instagram, “They’re raw. You can hear the wind blowing, the cows mooing… We wanted you to feel like you were right there with us, sitting around the campfire, escaping the world, disappearing into the music.”

She hinted at the release Wednesday, posting a photo of her playing guitar on the back on a truck, with the caption, “Every time I need an escape, I go to Marfa, TX. @JackIngram, and @jonrandallmusic come. We recharge. We get inspired by its beauty. We write songs. ‘Tin Man’ was the 1st one we shared with you. ‘Tequila Does’ was the 2nd. In between, we’ve written 13 more. And it’s about time to start sharing them with y’all…”

Lambert has also been collaborating with Elle King. Last week, the pair released the rollicking “Drunk (And I Don’t Wanna Go Home).”

Good things come to those who wait — and for Christina Aguilera’s fans, they might not have to wait much longer for her new music.

She addressed her fans in two new pictures that revealed she’s getting back to work in the recording studio. “So excited & inspired right now!! Fighters – I can’t wait to share everything with you in time. The craft & commitment to creative is key,” she wrote on her socials Wednesday.

The Grammy-winning pop superstar hasn’t released an album since 2018’s Liberation, which debuted at No. 6 on the Billboard 200. The last time the Fighters heard new music from their hero was almost exactly a year ago on March 6, 2020, when she released the single “Loyal Brave True” for the Disney live-action remake of Mulan. 

Then 22 years after the release of her stirring classic “Reflection” from Disney’s 1998 Mulan soundtrack, she breathed new life into the song, which she tweeted in September “represents exciting and new chapters & energy for me,” and dropped an equally stunning music video.

The Fighters will have to keep waiting and see what exciting and new chapter Aguilera will be ushering in following her latest studio sessions.

See her updates straight from the studio below.

Lil Baby enlists up-and-coming Louisville rapper EST Gee for his latest “Real As It Gets” music video.

The two count up their respective stacks while rolling with a large entourage before debating where to keep rolling in the Caleb Jermale-directed video. Before wrapping his lyric about being impatient, someone discusses shooting one more scene, to which Lil Baby nonchalantly replies, “We finna shoot it right here.”

The 26-year-old rapper is showing no signs of slowing down, as his new single joins the other two loosies, “On Me” and “Errbody,” he dropped following his ultra-successful run with My Turn. His sophomore album My Turn was declared the most popular album and most-streamed album of 2020 in the U.S., according to MRC Data. It also earned the rapper his first No. 1 album on the Billboard 200, where it logged five nonconsecutive weeks at the peak.

EST Gee recently linked up with fellow Louisiana MC Jack Harlow on the music video for their hometown anthem “Route 66″ from the latter’s debut album Thats What They Say, where Lil Baby is also listed as a featured artist for “Face of My City.” Lil Baby and Harlow will face off against each other in the first’s Atlanta hometown for a star-studded two-on-two game of hoops set for this Saturday during All-Star Weekend, with Quavo teaming up with Harlow and 2 Chainz backing up Lil Baby.

Watch the “Real as It Gets” music video below.

Before they had to go their own way again, High School Musical co-stars Ashley Tisdale and Vanessa Hudgens came together for the first time in nearly a year.

“It’s taken 9 months but safely we got a picture before my girl left again. Love you @VanessaHudgens,” Tisdale captioned their picture, which shows Hudgens hugging her baby bump.

“I LOVE YOU SOOOOO MUUUCCCCH,” Hudgens commented underneath her Instagram post, to which Tisdale replied, “@vanessahudgens I LOVE YOUUUUU.” Hudgens also shared MTV’s tweet comparing their most recent picture to a throwback shot of the two from 2005 before the first installment of HSM aired on Disney Channel on her IG Story, writing, “periodt.”

Hudgens has been super supportive from day one of Tisdale’s pregnancy journey, from congratulating her when she made the big announcement in September to commending her for her uplifting message about self-love in February.

Tisdale is expecting her first child with her husband of six years, Christopher French, the lead singer of Annie Automatic. She announced her pregnancy last fall with a set of baby bump pics featuring French, and the couple revealed they were having a girl after cutting into a white cake with pink candies on the inside in October.

See their sweet reunion photo below.

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